The Tale of the Errant Archbishop
Initial 'Q'(ui) of St Thomas Becket, wearing the mitre of his rank as Archbishop, defrocking a priest for only knowing how to sing one form of the mass; the rubric below reads 'sein tomas le erceveske le suspendi' ('St Thomas the Archbishop suspended him'); from the De Brailes Hours, England (Oxford), c. 1240, Add. MS 49999, f. 45v.
Books of Hours, a common type of manuscript in the late
Middle Ages, contain the cycle of Psalms and other prayers that would be
recited for the monastic hours, at set times during the day. They are tools for meditation, as well as for
the recitation of the liturgy, and are often gloriously illustrated. While the prayers in these manuscripts are
not narrative, the pictures sometimes can be, and the stories that they tell
can create a second 'text', a visible spur to pious contemplation layered
alongside the aural experience of listening to the service.
Detail of an initial 'C'(once) of William de Brailes receiving a blessing from God; from the De Brailes Hours, England (Oxford), c. 1240, Add. MS 49999, f. 43r.
The De Brailes Hours (now fully available online!) is a very
early example of a Book of Hours, and already shows some of the important
characteristics of the form. It is a
small manuscript, only about the size of an open hand, a jewel sized for close
examination and portability. And its
appearance is dominated by its many historiated initials on religious subjects. The artist of these pictures is known,
and has actually provided his idealized portrait.
Alongside the picture of a cleric at prayer, receiving a blessing from
the hand of God reaching down from heaven, a small rubric in red ink (here
partly obscured by the edge of the facing page) labels it as 'W de brailes qui
me depeint' ('W[illiam] de Brailes who painted me').
Detail of a miniature of the martyrdom of St Thomas Becket, killed by Henry II's men-at-arms; the image is marred by a large X crossing it out, no doubt made after the Reformation, when it became politically dangerous to revere Becket as a symbol of ecclesiastical resistance to royal authority; from the Luttrell Psalter, England (Lincoln), 1325-1335, Add. MS 42130, f. 52r.
The Hours of the Virgin â€“ the section of the manuscript with
prayers specifically dedicated to honouring Mary â€“ includes, near the end, images
of Miracles of the Virgin, colourful tales about Mary's intervention on behalf
of sinners. One such story features a
perhaps unlikely villain: St Thomas Becket, the Archbishop of Canterbury
murdered on the orders of King Henry II.
In later years, Becket became a problematic figure. The struggle between secular and
ecclesiastical power encapsulated in his story made him a particular target for
Henry VIII after the king broke with the Catholic church. But in the Middle Ages, Becket was a very
popular saint, and his tomb at Canterbury
was an important shrine (as well as the destination for Geoffrey Chaucer and
his fictional travelling companions).
Detail of an initial 'N'(isi) of the Virgin Mary giving St Thomas a hair shirt to wear; the rubric above reads 'nr dame vest un here a sceint tomas' ('Our Lady puts a hair shirt on St Thomas'); from the De Brailes Hours, England (Oxford), c. 1240, Add. MS 49999, f. 49r.
Here, however, Becket represents an ecclesiastical hierarchy
at odds with a devout but unlettered piety.
There once was a priest, the story goes, who only knew one version of
the mass, dedicated to Mary. The
Archbishop disapproved of such incompetence and ordered him defrocked, refusing
to relent even when his unfortunate subordinate begged for mercy. Finally, the priest prayed to his
patroness. Mary appeared to Becket,
ordering him to wear a hair shirt under his clothes as a private penance. Then she revealed her secret command to the
priest, instructing him to take his knowledge to Becket as a sign of her favour
â€“ how could the priest know of the shirt if the Virgin herself had not told
him? In the end, we see a reversal of
roles, with Becket, rather than the priest, the one begging forgiveness, as he
reinstates his pious underling. Even a
saint sometimes goes astray!
Initial 'Q'(ui) of St Thomas begging for mercy after reinstating the priest, while the hand of God offers blessing; the rubric above reads 'scein tomas lu crie merci e le relest' ('St Thomas cries mercy of him and [he] forgives him'), inverting earlier images (not shown) of the priest kneeling before Thomas, with a rubric 'ne poet aver reles' ('He cannot have forgiveness'); from the De Brailes Hours, England (Oxford), c. 1240, Add. MS 49999, f. 55v.