You may have noticed that a certain film is currently wowing audiences worldwide. Fantastic Beasts And Where to Find Them is the first instalment in a new movie franchise written by J. K. Rowling, and takes its inspiration from her book of the same name. But did you know that many of the beasts featured in the film and the book have their origins in Antiquity and the Middle Ages?
In 2014, our Medieval Manuscripts Blog examined some of the creatures found in medieval bestiaries. A typical medieval bestiary contains descriptions of a variety of animals, often accompanied by elaborate illustrations. Many of these animals are familiar to modern readers, including dogs, cats, elephants and Bad News Birds (better known as owls). Bestiaries also contain a host of more exotic beasts such as the amphivena, manticore and the basilisk, which were an important part of the medieval imagination. Here are some of these fantastic beasts, illustrated with images from manuscripts at the British Library.
Detail of a basilisk wearing a crown, Harley MS 4751, f. 59r.
What makes a beast a 'beast'?
The word â€˜bestiaryâ€™ derives from the Latin bestia which translates as 'beast' or 'animal'. In the 7th century, Isidore of Seville wrote his Etymologies, a reference work which functioned much like a modern encyclopaedia. In a chapter entitled De Bestiis (â€˜On Beastsâ€™), Isidore defined a â€˜beastâ€™ as an animal which ferociously attacked either with its mouth or claws. Beasts were characteristically wild, enjoyed natural freedom and were driven by their own desires.
The opening words of De Bestiis (â€˜On Beastsâ€™) in Isidore of Sevilleâ€™s Etymologiae: Harley MS 3941, f. 153r.
Centaurs, half-human and half-horse figures, were frequently depicted in medieval bestiaries. This image of a centaur occurs alongside lions, tigers and hedgehogs in an early 13th-century bestiary. Centaurs held a prominent place in popular folklore, from classical Greek texts, medieval bestiaries and into the modern imagination.
Miniature of a centaur holding a snake: Royal MS 12 C XIX, f. 8v.
Another fantastic beast found in medieval bestiaries is the phoenix. Classical authors described how, when the phoenix reached a certain age, it would build a pyre for itself and be consumed by the flames, in order to rise again from the ashes. These stories were retold by medieval authors who used the phoenix as an allegory for the death and resurrection of Christ, and the promise of eternal life. The image below depicts one phoenix gathering leaves and another phoenix in flame upon a pyre.
Miniature of two phoenixes: Royal MS 12 C XIX, f. 49v.
A phoenix rising from the ashes: Harley MS 4751, f. 45r.
Unicorns were another popular animal in the medieval imagination and are often described in bestiaries and other narrative texts. They are frequently said to be too strong and swift for a hunter to catch, unless a maiden was placed in its path. Upon seeing the maiden, the unicorn would place its head in her lap and fall asleep, giving the hunter the chance he needed. This tale is depicted in the image below, found in a 13th-century bestiary.
Miniature of a knight spearing a unicorn, which has placed its head in a virgin's lap: Royal MS 12 F XIII, f. 10v.
Surely one of the most fantastic beasts is the dragon. In the medieval imagination, dragons are characterised by their lizard-like body shape covered in scales, decorated with horns, spikes and wings, and possessing the ability to breathe fire.
A green snake and a red dragon: Harley MS 3244, f. 59r.
A dragon, a snake and a plant identified as 'dragontea' or 'serpentaria', in a 15th-century Italian herbal: Sloane MS 4016, f. 38r.
In Harry Potter and the Chamber of Secrets, Harry famously encounters a basilisk. The basilisk was renowned for killing people with a single stare. If Harry had done his homework properly (who ever does?), he would have known that one approved way of overcoming a basilisk â€” according to Pliny the Elder (d. AD 79) â€” was to throw a weasel down its hole or burrow. Weasel odour was reputedly fatal to the basilisk, although the poor weasel would also die in the struggle.
A basilisk in a 13th-century manuscript, with one of its human victims, while being confronted by a weasel: Royal MS 12 C XIX, f. 63r
Another frequently occurring beast is the mermaid or merman. Merpeople were characterised by their human torso and tail of a fish, and were associated with perilous events such as floods, storms and shipwrecks. Merpeople were also often depicted with a mirror and a comb, accessories which demonstrated their beauty and vanity.
Detail of a mermaid with a mirror and comb and a traveller being bitten by a dog: Additional MS 42130, f. 70v.
Another anthropomorphised beast often found in medieval manuscripts is the mighty wodewose, a mythical forest-dwelling wildman. Those wishing for a more detailed account of the common characteristics of this wild beast should consult our own field guide to wodewoses.
A wodewose from the Luttrell Psalter: Additional MS 42130, f. 70r.
We are delighted to announce that, next autumn, the British Library will be staging a major exhibition devoted to the Harry Potter novels of J. K. Rowling. Harry Potter: A History of Magic will run from 20 October 2017 until 28 February 2018, and is curated by a team led by medieval manuscripts curator Julian Harrison: here is his article The Magic of the British Library. We love the fact that many of the fantastic beasts found in the Harry Potter books were inspired by their classical and medieval ancestors; and we hope that they also fascinate the readers of our blog!
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