We are extremely pleased to be able to tell you that the British Library has acquired an exceptional manuscript of a medieval drama, made for Philip the Good, Duke of Burgundy (d. 1467). The manuscript in question was accepted by HM Government in Lieu of Inheritance Tax, and contains the MystÃ¨re de la Vengeance, a play in French verse by the Benedictine monk Eustache MarcadÃ© (d. 1440). Duke Philipâ€™s copy is one of the finest surviving illuminated manuscripts of any medieval theatrical text, and is now in two volumes: it includes 20 large miniatures painted by Loyset LiÃ©det (d. 1479), illustrating the Roman destruction of Jerusalem. This manuscript is of outstanding significance as a unique copy of the complete version of a theatrical text illustrated in a completely original way, and as an example of a securely dated and documented work made for one of the greatest patrons of the 15th century.
Detail of a miniature showing Vespasian suffering from leprosy and being examined in bed by two doctors, from the MystÃ¨re de la Vengeance by Eustache MarcadÃ©, Bruges, c. 1465 (London, British Library, MS Additional 89066/1, f. 61v).
Philip the Good's manuscript is now British Library, Additional MSS 89066/1 and 89066/2. From Saturday, 8 March, the manuscript will be on display in the Sir John Ritblat Treasures Gallery: Treasures of the British Library, and full digital images are also available on our Digitised Manuscripts site (Add MS 89066/1 and Add MS 89066/2).
The newly-acquired manuscript was commissioned for Philip the Good in around 1465. Philip was the most powerful ruler in Europe at that time, and one of the great collectors of the 15th century. The British Library's copy is the only known surviving complete manuscript of MarcadÃ©â€™s text of the mystery play, in a version that took four days to perform. Another copy is in Arras, BibliothÃ¨que municipale, MS 697, but that is a three-day version of the play, and contains around 1,000 fewer verses than Philipâ€™s copy. Nor is the Arras copy illustrated with paintings, but rather with pen and ink drawings, and it is written on paper rather than on parchment. The play was performed in Abbeville, around 30 miles south-west of Hesdin, in 1463, and in Mechelen in 1494. It has been speculated that the Duke of Burgundy was present for the Abbeville performance, and that this deluxe manuscript was made in response to that event.
The MystÃ¨re de la Vengeance contains 14,972 lines of French verse, which is set over four days of performances. Its subject is the Roman destruction of Jerusalem after the Crucifixion. The first dayâ€™s drama is a debate between the personifications of the Four Virtues, Justice, Mercy, Peace and Truth over whether God should take revenge on Jerusalem for the Crucifixion. The result is a promise from God that any destruction would be preceded by many warnings. On the second day the Emperor Tiberius hears a letter read from Pontius Pilate concerning Christâ€™s miracles. Concurrently, Vespasian, suffering from leprosy in Spain, is cured by the Vera Icon, or Saint Veronicaâ€™s veil. Events in Rome on the third day of the performance include Nero sending Vespasian and his son Titus to Jerusalem to put down a revolt. The â€˜year of the four emperorsâ€™, 69, is the subject of the last dayâ€™s performance, in which Vespasian orders the destruction of Jerusalem.
The manuscript was accepted by HM Government in Lieu of Inheritance Tax, and allocated to the British Library in 2014. Its acquisition was also made possible thanks to generous donations from the Art Fund, the Friends of the British Library, International Partners in memory of Melvin R. Seiden, the Breslauer Bequest, and other anonymous donors.
For more information about the artist and scribe of this manuscript, see our blogpost Magical Mystery Tour.