THE BRITISH LIBRARY

Maps and views blog

2 posts categorized "Art"

17 June 2010

David Starkey and Peter Barber

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A formidable double act indeed.

We now have a podcast of 'The Map in the Palace' event, recorded in our Conference Centre on 14 June.

The inimitable Dr David Starkey and Head of Maps Peter Barber discuss the importance of maps in medieval and early modern palaces, and how they combined art, science, and power to enhance their impact.

Warning! It lasts for 70 min 38 sec, so don't try to download it if you are on a slow internet connection.

(Or play it in your default media player.)

This link will take you to our Magnificent Maps podcast page

23 April 2010

The Beauty of Maps #3

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Ah, beauty is all around us: in the air we breathe, the people we meet... and the maps we look at. Last night's programme on BBC4 focused upon the incredible cartographic production of the 16th- and 17th-century Dutch printing houses, which managed to fuse scientific precision and elegant artistry within a range of maps, atlases and globes of supreme quality. We had a few surprises: for example, the fact that the atlas by Mercator - father of the atlas - bombed when it was first published. Who would have thought, from such an ignominious beginning...?

You were treated also to the now very well-known Klencke Atlas of 1660 being taken out of its case and looked at on a table. Not the sort of thing to take to read on a train, the Klencke has always been seen as one massive book, which of course it is. However it is really a 'composite' atlas: that is, a book made up of many previously published maps, especially for one purpose. The fact that these maps were all originally intended as wall maps says something of the huge over-the-top gesture made by Klencke when he presented it. Perhaps ironically, it is purely because of the fact these maps were bound up in a book that they have survive.

Early next week we shall be moving the atlas into the PACCAR gallery, which will be a photo opportunity in itself. But with all the photographs and coverage the atlas has had, I still do not think that anyone can properly appreciate its scale and conception until they've stood next to it. I've never been scared by a book before (not even Enid Blyton's Five go Down to the Sea), but the unnerving feeling of standing next to a book both bigger and heavier than oneself needs to be experienced by all. Opportunity to see it from next Friday.