THE BRITISH LIBRARY

Sound and vision blog

Sound and moving images from the British Library

Introduction

Discover more about the British Library's 6 million sound recordings and the access we provide to thousands of moving images. Comments and feedback are welcomed. Read more

06 July 2015

Recording the Sounds of our Shores

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As we enter the third week of the Sounds of our Shores coastal sound map project, we thought we'd showcase some of the recordings that have been submitted so far. From waves to lighthouse foghorns, these recordings will help us build a comprehesnive picture of what the British coastline sounded like during the summer of 2015. Here we take a look at some of the natural history and leisure sounds that members of the public have been busy recording.

Waves

From small waves breaking on sand to the tumble of pebbles being moved back and forth by the tide on a shingle beach, these recordings are perhaps the most evocative of all the coastal sounds: 

Wildlife

The British coastline is home to an incredible variety of wildlife, from seabirds and songbirds to mammals and invertebrates. Here are some of the wildlife sounds that have been recorded so far:

Amusements

From amusement arcades to seaside funfairs, these sounds immediately conjure up memories of holidays at some of our favourite seaside towns:

 

If you're heading to the coast during the next three months, why not record your own favourite sounds, either with your smartphone or a digital recorder, and share these on the Sounds of our Shores channel? The project runs until the 21st September so there's plenty of time to get down to your nearest seaside town or favourite coastal spot! Full details on how to take part can be found here.

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Sounds of our Shores is a three month collaborative project between the British Library, the National Trust, the National Trust for Scotland and audioBoom Ltd.

01 July 2015

The British Library at WOMAD

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The British Library is celebrating 30 years of collaboration with WOMAD.

WOMAD 07 Sound Archive crew01
British Library WOMAD crew 2007

The British Library’s relationship with WOMAD is nearly as long as the festival's existence. Since 1985, missing only 3 years, we have been present at WOMAD's major annual summer event in the UK. Each year a small team of staff from the Library has spent an enjoyable weekend making documentary recordings of as many of the performances as possible. 

In total we hold over 2000 hours of music recorded at WOMAD, backed up digitally for preservation and onsite access. See more here.

WOMAD is the only music festival that has this incredible relationship with the British Library, and to celebrate we are collaborating to offer one lucky winner a pair of tickets to this year’s festival at Charlton Park (24th-26th July) and an exclusive behind the scenes tour of the British Library Sound Archive in London for four people. For more information click here.

Find out more about the work of the British Libary's Sound Archive and our new Save our Sounds programme.

Follow the British Library Sound Archive on Twitter via @soundarchive and tag with #SaveOurSounds

Follow the British Library's World and Traditional Music activities on Twitter via @BL_WorldTrad 

26 June 2015

Oh I do like to be beside the seaside!

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Over the next three months, the British Library, the National Trust and the National Trust for Scotland are encouraging everyone to get themselves down to the seaside and record their favourite coastal sounds. This could be anything from gentle waves lapping onto a sandy Devon beach to the amusement arcades of Brighton Pier.

These sonic memories will be shared through the Sounds of our Shores channel, created specifically for this project by audioBoom, as well as an interactive coastal soundmap hosted by the library.

One of the outcomes of the project, once the initial crowdsourcing element has come to a close on the 21st September, will be a musical work composed by musician and producer Martyn Ware. Founder member of both Heaven 17 and the Human League, Martyn describes what the sounds of the British coastline mean to him:

It’s a very important thing to me that sound is an under-appreciated sense that we have. When we go anywhere; when we go to the cinema, when we’re walking around a park, when we’re walking across a bridge, over a river - we tend to think that everything we do is visual, or the way we remember things is visual. In fact that is not the case. I discovered this when we were doing a 3D sound project on the Millennium Bridge in London - every time we switched the soundscape on people used to take more photographs.  

This relates to the coast as well because I think that the sounds of the coast are probably more important than how the coast looks when you go to the sea. The sea is the sea and it’s very nice to look at. It’s meditative, the sound of the sea is an amazing thing, as are the sounds of people being happy. Generally when people are by water they tend to be happier because it is a relaxing experience. But think for a moment about the sounds of the seaside: of course you’ve got the sea, but also the sounds of people laughing, children playing, people singing, trams if it were Blackpool.  Certainly seabirds too, various kinds depending on how remote your location is, but definitely seagulls all the time. And you have people swimming, people possibly splashing in the water. There are various ways that these sounds are amplified according to where you are, according to whether you’re on an open stretch, on a spit, or if it is very, very quiet. The sea would hit ,something like the Dorset Coast which can be very shingly for instance, and when the sea hits that, it makes an entirely different sound to when it hits a shallow piece of beach like at Cleethorpes where I used to go as a boy.  

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Martyn Ware recording the sounds of Brighton beach (courtesy of Tim Stubbings)

The sound that I love most about the the sea is that roar, the roar when it’s stormy.  It’s beautiful.  I also love the tiny little splashes when the sea hits rocks or rockpools.  I like recording tiny little sounds, maybe of crabs walking around on rocks, but I like the giant sounds too of course, the giant waves.  But really what the seaside symbolises to me is relaxation, enjoyment and a sense of well -being really.  I’ve always been very fond of being close to the sea. 

The seaside has many forms and I urge everyone to think about sound. Just put that at the front of your mind when you next go to the seaside: think about how important sound is to your experience.  Imagine there was no sound.  Just do it as an experiment. Hopefully my artwork will encourage you to think about the beauty and complexity and the nuance of your experience when you are at the seaside. 

Sounds of our Shores runs from 21st June to 21st September 2015. Full details on how to take part can be found here.