‘Marmion’ design by John Leighton FSA (1822-1912)
Given the astonishing range of talents possessed by writer, artist, and designer John Leighton, it’s almost reassuring to know that even he was capable of an occasional oversight. Can you spot the mistake in his design? Fortunately, it wasn't carried over into the final binding!*
Design for upper cover and spine of Marmion by John Leighton
Trade ticket (used by Leighton’s family workshop) from lower cover of Marmion.
Leighton came from a long line of bookbinders (see binder’s ticket above) who worked in London from 1764 until 1920. He himself was a prolific cover designer, widely admired for his intricate detail and characteristic humour.
Enlargement of spine of Marmion - note John Leighton’s intertwined initials beneath the blade.
Although he signed his covers with the initials ‘J L’, he also adopted the pseudonym Luke Limner. When journalist George Augustus Sala was mistakenly accused of being Limner, he replied that he only wished he had been!
Column written by George Augustus Sala in Bristol Times and Mirror - Saturday 8 March 1890 p.13. British Newspaper Archive
The Library’s legal deposit copy of this edition of Marmion lacks its original covers, making this acquisition in excellent condition an important addition. Moreover, the survival of the original drawing for the spine and covers is a rarity. These were frequently destroyed in the process of creating the brass blocks, used to stamp the design onto cloth or leather.
Leighton’s talents extended well beyond book design. He served on the 1851 Great Exhibition Commission, designed banknotes, stained glass, and bookplates, and contributed to magazines including The Gentleman’s Magazine, The Graphic, and The Sunbeam. His own publications showcased his wide-ranging interests, from graphic novels to a pamphlet on the reform of the London Underground system. His involvement in local government and his attempt to stand as a Liberal Unionist MP suggest a strong social conscience.
One wonders how Leighton’s bohemian leanings would have resonated with the electorate. A keen observer of fashion, he wrote Madre Natura; or, the Moloch of Fashion, a critique of the frills and furbelows apparently favored by women. On one occasion, after being stopped by a policeman in Regent Street for wearing women’s clothing, Leighton explained that he was simply conducting research for a new edition of Madre Natura.
Upper cover of recently acquired copy of Scott’s Marmion (shelf mark pending).
*The lettering on the design omits the ‘d’ in ‘field’
P J M Marks
Printed Historical Collections
Further reading;
The Book Cover Designs of John Leighton, F.S.A. by E. M. B. King features photographs of Leighton and some of his covers.
Leighton also appears in the Oxford Dictionary of National Biography and Wikipedia.