Untold lives blog

A recent donation to India Office Private Papers is a letter sent in 1796 from Joseph Fowke to his friend Sir Robert Chambers, Chief Justice of Calcutta.  Joseph Fowke was born in Madras in 1716, the son of an East India Company civil servant.  He too served the Company in Madras before becoming a free merchant in India, dealing in diamonds.  Fowke had three sons and three daughters by his two wives, and one illegitimate daughter.  He left India for the last time in 1788, returning to England on board the Princess Royal.

Calcutta Gazette 26 July 1787 British Newspaper Archive

In July 1796 Joseph Fowke believed he was about to die. He wrote to Sir Robert to say farewell.

Joseph Fowke to Sir Robert Chambers, Chief Justice of Calcutta, 8 July 1796 Mss Eur F779

This is the text of his letter -

'Dear Sir Robert
In running over the List of all my old friends and acquaintance I find you among the number I have to take leave off. I send you these my last good wishes for your health and prosperity, and that you may speedily join all your amiable family here and unite them in a firm band to be a mutual happiness to each other to the end of their lives. Having not the smallest hope of my recovery It is a comfort to me to reflect that I have not a single soul of my family left in India, and I heartily wish that none of them may ever find their way thither again. I know of nothing gained by these emigrations, but corrupt morals, a numerous black offspring to discolour our home breed, and Wealth which procures nothing here but splendid insignificancy.
I am faint and can say no more, and so once again Farewell
I am
Dear Sir Robert
Your old friend
Joseph Fowke
8 July 1796'

Joseph Fowke did not die until 16 May 1800.  The effects at his house in New King Street, Bath, were auctioned in July of that year.  His will bequeathed the whole of his estate to Mary Mortimer, daughter of Hans Winthrop Mortimer of Tottenham Court Road, London.

Bath Chronicle and Weekly Gazette 24 July 1800 British Newspaper Archive

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
There are many documents for Joseph Fowke and Sir Robert Chambers and their families in India Office Records and Private Papers – search The National Archives Discovery catalogue. 
Articles by T H Bowyer on Joseph Fowke (1716-1800) and Sir Robert Chambers (1737-1803) in Oxford Dictionary of National Biography.
Will of Joseph Fowke  proved 9 August 1800 - The National Archives PROB 11/1346/104.

On 25 July 1823, East India Company warehouse labourer Charles Richards was brought into the Court for the Relief of Insolvent Debtors in London to receive his discharge from debtors’ prison.  However he was opposed by Mary Ann Richards, widow of his brother Benjamin.  She challenged the schedule of debts.

Morning Herald 26 July 1823 British Newspaper Archive

Benjamin Richards had been the cook on board East Indiaman Marquis of Camden on a voyage to Bombay and China.  The ship’s captain Thomas Larkins told the Court that Benjamin had been ‘deranged’ during the voyage and unable to do his duty.  When the ship arrived back in the Thames, Benjamin had jumped or fallen overboard and drowned.  He was buried on 14 May 1823 at Milton near Gravesend in Kent, aged 38.

Before the ship entered the docks in London, Charles Richards went on board and asked for the slush and fat which was the perquisite of the ship’s cook.  Slush was the floating grease skimmed off boiled meat which could be sold to tallow merchants.  There were fifteen casks worth about £60 or £70 and they were given to Charles on the understanding that he was receiving it for the benefit of Benjamin’s widow Mary Ann.  He sold the slush to Mr Rottenbury of Gravesend.

The Court was told that Mary Ann was in great distress.  She stated that she had married Benjamin seven months before he left on his last voyage.  Her husband had left £10 with Charles who was to give her money as needed.  She had received £3 from Charles in the two years that Benjamin had been absent.  Charles claimed that his brother had owed him £40.

The Court heard evidence of Charles’s financial situation and property.  He earned 18s a week from the East India Company, and let out rooms as lodgings in his house in St George in the East.  Charles and his wife both owned watches and she had five shawls, three from India.

Mr Heath addressed the Court, claiming that Charles had endeavoured, by misrepresentation and fraud, to obtain the perquisites of a poor widow.  He drew attention to the income Charles derived from his position as warehouse labourer, the profits from his lodgers, and other sources of emolument.  Charles should be obliged to pay the debt due to Mary Ann.

The Chief Commissioner ruled that this was a case of persecution, where there ought to have been protection, and of fraud where there should have been pity.  Charles’s villainy ‘was too glaring to be doubted for a moment’.  It was hard to conceive of a case of greater hardship than that of this poor widow.  The Court granted the application made on behalf of Mary Ann that the schedule of debts should be dismissed.  Charles was remanded and he returned to prison.

Margaret Makepeace
Lead Curator, East India Company Records

Further reading;
The British Newspaper Archive has several articles on the Court proceedings of 25 July 1823, with variations to the story e.g.
Public Ledger and Daily Advertiser 26 July 1823
British Press 26 July 1823
Morning Herald 26 July 1823
Morning Chronicle 26 July 1823

Are you a fan of needlework? Then you absolutely must visit Mrs. Evershed’s London emporia.  Step back into the 19th century and explore 7 Hanover Square, 59 South Moulton Street, or 71 Chiltern Street, and marvel at ‘rare old pieces of petit-point, quilting, crewel work, and silk work [which] mingle happily with the modern'.

Enlargement of embroidered bookbinding by Mrs Evershed on Washington Irving’s The keeping of Christmas at Bracebridge Hall - British Library Collins 461

Ellen Evershed, widowed aged 38, was left to raise four young children, yet she thrived.  By 1913, her estate was worth the modern equivalent of £27,900.  What was her secret?  A combination of exquisite embroidery and entrepreneurial genius that could rival even the sharpest minds of today’s ‘Dragons’ Den’.

Ellen Middlebrook Cockcroft (1834-1913) came from a Leeds family of drapers.  The 1851 census records Ellen in the Brighton hosier and draper’s shop of her stepfather Thomas Sturdy.  In 1862, She married Frederick Evershed (1832-1872) from Sussex, a draper who specialised in silk.

The Eversheds owned two shops in central Rugby catering for women and men.  An adroit user of the social media of the day, Ellen advertised new stock in The Rugby Advertiser and in 1866 called for apprentices and ‘improvers’ in millinery and dressmaking, an indication of her success.

The Rugby Advertiser 9 May 1863  alerted Mrs Evershed’s patrons to new stock.  British Newspaper Archive

The Rugby Advertiser 27 January 1866 advertised Evershed's men’s accessories and celebrated flannel shirts. British Newspaper Archive

The Eversheds raised their family in Brighton.  Life was challenging after Frederick’s death but thankfully, the family had domestic and childcare help.  It seems that Ellen was driven. She certainly had her own unique talents on which to base a new future in the capital.

Brighton Gazette 6 February 1873 - Ellen vowed to continue the business. British Newspaper Archive

Ellen's unusual occupation in the 1891 Hampstead census was ‘Secretary of the Exhibition of Embroidery’.  She organized competitions for amateur needleworkers and showcased their creations.  While there were few formal rules, one requirement was the use of Pearsall’s threads (which, naturally, were sold by Ellen).  Embroidered book covers were offered as prizes.

The Queen of Saturday 2 February 1895 informed its readers that Mrs Evershed ‘the courteous manager of Messrs Harris' depot for embroideries in old Bond-street’ had opened a shop around the corner.  At the age of 60, she was ready for a new challenge, albeit helped by her daughter Ellen Lucas Evershed.

The Gentlewoman 3 April 1897 advertised the new designs and twice weekly classes available at Mrs Evershed’s new shop. British Newspaper Archive

The Queen 19 March 1904 . Mrs Evershed’s work basket featured ribbon work, a new decorative technique.  British Newspaper Archive

The shops sold an astonishing variety of traditional and modern needlework sundries.  Patrons were encouraged to embroider everything which could be embroidered including ordinary curtains, cushions, work baskets etc' and the surprising, for example ‘Natty coats for dogs’ (sorry, no images!).  Other items for sale included ‘artistic furniture,’ which combined ‘ease with tastefulness in designs’ and copperware made by Newlyn fishermen, inspired by the contemporary Arts and Crafts movement.

Weldon’s needlework old and new Needle Art Series no 9, p 5 illustrated the historic patterns available at Evershed’s

The Queen published a regular column headed ‘The Work-Table' which provided advice upon knotty (sometimes literally!) needlework problems.  Frequently answers relied upon the expertise of Mrs Evershed and her staff.

It is a testament to Ellen’s business acumen that all levels of customer’s ability were addressed and monetised.  Less skillful embroiderers could avail themselves of a service ‘to stretch to shape needlework tapestry that has pulled crookedly in working'.

Ellen saw potential everywhere. Church furnishings provided an obvious source of work, but lest non-religious customers felt overlooked, her trade ticket reminded customers of her versatility.

Trade ticket for Mrs Evershed from Washington Irving’s The keeping of Christmas at Bracebridge Hall - British Library Collins 461

Stock was frequently refreshed.  Imports from Italy, France and even New Zealand provided constant temptation.  Evershed’s was not the only embroidery retailer in London.  There was much competition but The Queen’s estimation of Ellen as ‘the best in needlework’ has much justification.  The shop was still operating in 1945, but appears to have closed before daughter Ellen Lucas's death in 1949. 

Assurance that Evershed's was still in business - The Queen 21 March 1945 British Newspaper Archive

P J M Marks
Curator, bookbindings, Printed Heritage Collections

Further reading:
Florence Sophie Davson ‘The revival of art needlework and embroidery’ in The Girls’ Own Paper pp.798-799
Weldon’s Needlework Old and New series number 9. 
British Newspaper Archive

What sources do you turn to when you want to write a book about a little-known member of the Georgian Royal Family who barely figures in biographies and history books of that period?

A drawing by Hugh Hamilton of Frederick William Blomberg when a child. The drawing is en suite with five others of George III and his four eldest sons, all of 1769. Royal Collections Trust/© His Majesty King Charles III 2024 RCIN 935356

Master Frederick Blomberg was the four-year-old orphan boy who was adopted into the royal household at Richmond Palace by King George III and Queen Charlotte in 1765 and brought up as a prince.  Just why would the royal couple absorb a child into their home and allow him to become a close friend and confidante to their eldest son, and heir, the then three-year-old Prince George, the future regent and King George IV?  My grandmother told me many years ago that she understood Frederick was the ‘accidental’ result of a romance between the young King George III before his marriage to Queen Charlotte, and that his equerry and best friend Frederick Blomberg, an officer in the British Army, married the girl to prevent a scandal and give the child a name and an inheritance.

Records from St Margaret’s Church Rochester contain the marriage of Lt Frederick Blomberg, HM 61st Regiment, to widow Melissa Frankland née Laing in April 1760.  Their son Frederick William was baptised at the same church in September 1761.

All was well for Frederick William Blomberg until his father died on active service in the West Indies.  Accounts of Captain Blomberg’s ghostly appearance after death add piquance to the story.  The apparition exhorted his commanding officer to seek out the son of his secret marriage and to inform King George III.

Word of Frederick’s plight duly reached the King and Queen, and they very generously took in the little boy, cared for and educated him.  Frederick studied divinity at St John’s College, Cambridge, and, once ordained in 1787, he was back within his royal family as chaplain at Windsor and also private secretary to Prince George.

I was so intrigued by this story that I decided to research it and write a novel.

Finding scant reference to Blomberg in biographies and history books, I turned to The National Archives, the Royal Archives and newspaper archives for information.  The Gentleman’s Magazine and parochial and church records were also helpful.  Scouring the publications of the day I found frequent references to Prince George and Master Frederick present at royal banquets, soirees or state events.  Best of all, I found very personal accounts of them performing violin or cello duets at royal residences or out riding together near the Brighton Pavilion.  It soon became apparent that Frederick Blomberg was frequently at the heart of court events and very often present at crucial occasions, not least during King George III’s bouts of madness.  It pleased me to find a reference to Blomberg in Fanny Burney’s diary whilst she was working as a dresser to Queen Charlotte at Windsor Castle.

Reviewing the Georgian court through a ‘Blomberg lens’ has revealed so many occasions when Frederick, the ‘adopted son’, played a crucial part in royal life.  I am thankful for the generous digitization of so many of the publications of the day for making so much fascinating detail available.

CC-BY
Rosalind Freeborn
Independent researcher
Creative Commons Attribution licence

Further reading:
Rosalind Freeborn, Prince George and Master Frederick: Royal Friends and Secret Brothers (Alliance Publishing Press, 2025)
Thomas Sedgewick Whalley, Journals and Correspondence of Thomas Sedgewick Whalley vol 2 (London, 1863)
John Mason Neale, The Unseen World; communications with it, real or imaginary, including apparitions, warnings, haunted places, prophecies, aerial visions, astrology, etc (London, 1847)
Admissions to the College of St. John, the Evangelist in the University of Cambridge Pt. IV July 1767- July 1802, edited with notes by R. F. Scott (Cambridge, 1931)
British Newspaper Archive

In the days of the British Empire, North-East India provided temporary homes to a handful of European women, all with a common fascination for the Naga people.  The Nagas are a group of indigenous hill people, of Mongoloid origin, speaking diverse languages who shared a warrior culture prior to the imposition of the British administration.

Apart from the American Baptist missionary, Mary Mead Clark, these women were linked to British government representatives, military or political.  Some left written accounts, the best known being the books of Ursula Graham Bower.  These accounts cover events and comment on the people amongst whom they lived.  As such they have a historical and ethnographic value.  One of these is the diary of Connie Shakespear.  She writes of her time in the Naga Hills in 1900-1902 and includes photographs.  The world of amateur photography had just dawned; hand-held cameras were now available.  She and her husband captured traditional village culture in the Naga Hills, hardly altered for centuries, before the great social and cultural changes brought about by Baptist missions.  This unique record sets Connie’s work apart.

'Gwasen and his protege. Themakodima village. February 1902’ – image copyright of author

Connie comments on graves, dress, custom and ‘court proceedings’. Examples of her observation and description abound, such as:
‘… the unfailing good temper of the people.  I have never yet seen any exhibition of bad temper among them, no children quarrelling or fighting, no angry mothers scolding or cuffing their children, nor, as I say, any quarrelling at all, nothing but good temper and good will’.

'Mithun and group at Ghuckia's village' January 1901 – image copyright of author

Another example: ‘The Judge was a fine old fellow who standing up was haranguing the Court, (lines of men seated opposite him on the opposite bank of the street) and pointing each period of his speech by a violent dig of the spear he held in his hand into the mud in the middle of the street’.

Although Connie held the imperial mindset of her time, her ability to interact with Naga villagers, and with some individuals particularly, show a respect and a feeling for shared humanity.

Ayo and Impi -– image copyright of author

Bidding farewell to Ayo from Tamlu she writes: ‘It was quite touching.  He explained how, having his photo I should go into many countries but could always look at this and say “this is Ayo”.  He expressed his regret in many quaint little ways, and then finally laying one hand on my shoulder, and the other on my chest, with this sort of embrace he turned away, and we went our several ways’.

Moimang and Ayo, Lengta Nagas, Tamlu, February 1902 – image copyright of author

Although not in the same bracket as her cousin John Shakespear (1774–1858), who wrote on the peoples of the Lushai Hills, Connie’s photographs and writing are interesting for what they tell us of the lives of the Naga people then.  Her diary shows her love for the Naga Hills and enduring respect and feelings for the Naga people which she shared with the other ladies, notably Ursula Graham Bower, Mildred Archer and Mary Clark.

CC-BY
Nigel Shakespear
The Highland Institute, Fellow

Creative Commons Attribution licence

Further reading:
Connie Shakespear, The Diary of Connie Shakespear The Naga Hills 1900-1902 (Highlander Press, 2021)
Ursula Graham Bower, Naga Path (John Murray, 1950)
Mary Mead Clark, A Corner in India (American Baptist Publication Society, 1907)

On 30 December 1776 the Sherborne Mercury carried an advertisement for ‘a proper New-Years Gift for every Maid Servant’.  Employers were encouraged to buy Madam Johnson’s Present: Or, Every Young Woman’s Companion, in useful and universal Knowledge.

Advert for Madam Johnson's Present - Sherborne Mercury 30 December 1776 (British Newspaper Archive)

Madam Johnson’s Present was first published in 1753 and had reached its seventh edition by 1776.  The compiler kept the price low ‘out of her benevolence’ (1s 6d in 1776), and the book was said to contain twice as many pages as were usually sold for that amount.

Contents page for the fourth edition of Madam Johnson's Present 1770

The companion claimed to be the ‘Completest Book of the Kind ever published’.  It opened with a preface reflecting on the duties of servants, who should ‘take into their serious Consideration that low State of Life in which Providence has placed them, and the several little menial Offices, which they must, and ought without Reluctance, to perform’.  Servants should be grateful to their superiors who employed them, and be ‘very Industrious, Faithful, and Honest in every Trust reposed in them’.

Madam Johnson's Present - the duties of servants

This was followed by a ten-page ‘Short Dissertation on the Benefits of Learning, and a well-directed Female Education’.

Then came these sections:
• Spelling, reading, writing and arithmetic – this covered the alphabet; diphthongs and triphthongs; syllables; punctuation; writing with a pen; sample letters on different subjects; addition; subtraction; multiplication; division; time; measures for wine, beer, ale, dry goods, cloth and land; weights.

Madam Johnson's Present - 'The Young Woman's Guide to the Knowledge of her Mother Tongue'

• ‘The Compleat Market Woman' - instructions for ‘the judicious choice of all kinds of provisions’ including meat, poultry and game; butter, cheese and eggs; fish and seafood.

• A cook’s guide to ‘dressing’ provisions – roasting, boiling, and frying; cooking vegetables, with a warning about over-boiling greens which destroys their beauty and sweetness.

Madam Johnson's Present - instructions about greens

• A cook’s guide to pickling and potting, pastry and confectionery - making puddings, pies, tarts, gravies, soups (including egg soup), and sausages; baking cakes, gingerbread, macaroons, buns, and wigs (a type of teacake); making cheesecakes, creams, jellies, and syllabubs.

Madam Johnson's Present - how to make an egg soup

• An estimate of the expenditure of a family on the middling station of life – man, wife, four children, and one maidservant.

Madam Johnson's Present - An estimate of the expenditure of a family on the middling station of life – man, wife, four children, and one maidservant.

• The Art and Terms of Carving Fish, Fowl, and Flesh e.g. ‘Disfigure that Peacock’, ‘Splat that Pike’.

Madam Johnson's Present - terms for carving meat poultry game and fish

• A bill of fare for every month of the year for dinner, supper, and special occasions.
• An instructor for the correct spelling of words used in marketing, cookery, pickling, preserving etc.
• Plain and necessary general directions to maidservants - practical advice for the daily duties of housemaids, kitchenmaids, laundrymaids, and chambermaids, instructions on how to kill rats, bugs, and fleas, and clear flies and gnats; how to protect poultry from foxes and weasels; and a remedy for toothache and and ‘Scurvey in the Gums’ which involved a butcher’s skewer and gunpowder.

Madam Johnson's Present - treatment for toothache and scurvy in the gums

• Useful tables of information, including one for the most ‘familiar’ names of men and women. I was not expecting some of those listed for men – Sigismund, Caesar, Dunstan, Urban.

Madam Johnson's Present - most familiar names of men and women

Happy New Year! Time to celebrate with a bowl of egg soup and a wig.

Margaret Makepeace
Lead Curator, East India Company Records

On 27 December 1833 the Morning Post reported a spate of thefts in London.  Thieves had been targeting food being delivered for Christmas dinners – joints of meat, fish, turkeys, hares and pheasants.

Butcher's boy from London Characters drawn by Horace William Petherick, Image courtesy of Bishopsgate Institute.

These ‘market scamps’ noted houses had taken in a delivery and then, with a tray on their shoulder, knocked at the door.  They told the servant that an inferior cut had been left in error and that they would substitute the correct sort in a few minutes.  The servant, glad that the mistake had been detected, nearly always handed over the meat.  The thieves then quickly sold it to a new customer.

A family in Bishopsgate Street had been robbed of turkey and a piece of beef by a man looking like a butcher.  One man, who had pawned his watch to give his children an extra treat on Christmas Day, had the joint stolen and so had to make do with a couple of sheep’s heads.

However, Mr Willoughby of Bishopsgate Street had read about the scam in the newspapers.  When a man knocked at his door and told his servant that the wrong beef had been delivered, Willoughby seized him and handed him over to a law officer.

The prisoner gave his name as James Smith.  He was remanded in custody so that those who had been robbed of their Christmas dinners could come to ’look at him’.

Margaret Makepeace
Lead Curator, East India Company Records

Further Reading:
British Newspaper Archive – also available via Findmypast

The British Library holds several early photograph albums compiled by the Dillwyn Llewelyn and Story-Maskelyne families (Photo 1246).  The broader collection includes eight albums containing photographs, two sketchbooks, watercolour drawings, seven journals, letters and a four-part memoir.  This collection showcases Thereza Dillwyn Llewelyn (later Story-Maskelyne) as one of the first female photographers during a period of discovery and experimentation in early photography.

Thereza Llewelyn and dickies, 1854. salted paper print from collodion negative. Photographer: John Dillwyn Llewelyn. © British Library, Photo 1246/1(11).

Thereza was the eldest child of John Dillwyn Llewelyn (1810-82), photographer and botanist, and Emma Thomasina Talbot (d. 1881), born on 3 May 1834 into a wealthy Welsh family with a strong interest in various scientific fields, including photography.

‘My earliest recollections connected with it carry me back to somewhere about 1841…, when as a child - I sat for my portrait taken by my Father … no one living at Penllergare could help being interested in what was of absorbing interest to my Father & Mother and I must have heard many conversations on the subject when letters to my Mother from her Cousin Henry Fox Talbot arrived.’ [Add MS 89120/10]

It was uncommon for women to practice photography during this period.  Thereza would assist her father with his photographic experiments, but her photographic albums and journals show that she was a photographer in her own right.  On her 22nd birthday (3 May 1856), she received a journal and a camera. ‘I saw Papa make 2 stereoscopes, with the new stereoscopic camera that he gave me for my birthday present - I intend to work hard with it, so as to get some pictures worthy of it.' [Add MS 89120/4]

Her journals describe her various photographic activities and highlight the prints in her photo albums.  The albums frequently contain the work of more than one individual, as nearly every family member and their friends were involved in photography.

‘September 6th - After lunch Emma dressed up as a gipsy, and Willy made a capital hut, and represented a wild looking gipsy man looking out, whilst Emma seated on a basket turned topsy-turvy told Caroline’s fortune.  Papa photographed the scene which was very picturesque & pretty, & I made a photo stereoscope thereof.’ [Add MS 89120/5]

Gipsies, 1856. salted paper print from stereoscopic collodion negative. Photographer: Thereza Story-Maskelyne. © British Library, Photo 1246/1(32).

Thereza had other scientific interests, including astronomy and botany, for which she used photography to record her findings.

Delesseria sanguinea or Sea Beech [Botanical Specimen], c. 1854. Negative paper contact Photographer: Thereza Story-Maskelyne. © British Library, Photo 1246/2(27).

Her father built an Equatorial Observatory for her in the early 1850s.  The Observatory made it possible for them to take photos of the moon.  In her memoirs, she mentions that her father ‘made a photo of the moon, and as moon light requires much slow exposure it was my business to keep the Telescope moving steadily as there [was]no clockwork action.’  She states, ‘That was one of the first [photographs] ever made of the moon’. [Add MS 89120/9]

Moon c. 1857. salted paper print. Photographer: John Dillwyn Llewelyn and Thereza Story-Maskelyne. © British Library, Photo 1246/1(49).

Her last entry in her journals was in August 1857, and next year, on 29 June 1858, she married (Mervyn Herbert) Nevil Story Maskelyne, a mineralogist and an associate of both her father and Fox Talbot.  Her interests may have taken a back seat to marriage and family.  Still, photography remained part of her life, as she took photographs of her family and travels.

[Portrait of Nevil Story-Maskelyne with Mary and William Arnold-Forster, 1890]. Albumen print. Photographer: Thereza Story-Maskelyne. © British Library, Photo 1246/7(12).

This collection is a beautiful insight into one of the earliest female photographers.

Susan M. Harris
Cataloguer of Photographs

Further Reading:
Dillwyn Llewelyn/Story-Maskelyne photographic collection, Photo 1246
The Papers of Thereza Story-Maskelyne (1834-1926), Add MS 89120
Noel Cahanan, The Photographer of Penllergare: a life of John Dillwyn Llewelyn 1810-1882 (2013)
Richard Morris, Penllergare A Victorian Paradise (1999)
V. Morton, Oxford Rebels: the life and friends of Nevil Story Maskelyne, 1823–1911 (1987)

The cataloguing and research of this collection (Photo 1246) is part of the British Library’s Unlocking Hidden Collections initiative, with the aim to open collections and make them more accessible to researchers and the public. Readers wishing to consult this collection should write to [email protected] and arrange an appointment in the British Library’s Print Room (Asia and Africa Reading Room).