Americas and Oceania Collections blog

204 posts categorized "Eccles Centre"

10 April 2025

Two New Eccles Fellowships for Creative Practitioners!

Leila
Pamphlets supporting Lélia Gonzalez and other Worker's Party candidates, Brazilian elections, 1982.

The British Library is well known as a scholarly research library holding millions of printed books, archives and manuscripts. Less known are the vast resources in a wide array of formats and from all over the world, available to artists and creatives looking to find new sources of inspiration for their practice, and new spaces to think and research in.

The Eccles Institute for the Americas and Oceania is therefore excited to announce two new fellowship opportunities for UK-based creative practitioners to immerse themselves in the British Library’s Americas collections.

The first fellowship offers a chance for a UK-based creative with an interest in research-based practice (such as a print- or zine-maker, graphic designer, illustrator or writer) to explore the British Library’s collections of popular print and political ideas from the Americas (including pamphlets, broadsides, comics, zines and ephemera), and to work with one of London’s leading print studios to create a new body of work. If you’re someone interested in an aspect of the Americas’ ideological histories, currents and futures, and fascinated by how materials and design, images and text can work together to carry political meaning, this might be the fellowship for you. For more information on this fellowship, key dates and how to apply, please refer to the Popular Print Fellowship Brief

The second fellowship is an opportunity for a UK-based lens-based artist (such as a photographer, filmmaker or content-creator) to explore the British Library’s collections of photographic material of and from Latin-America and the Caribbean (including travelogues, photo books, exhibition catalogues, magazines, newspapers and other photo-related media). If you are interested in interrogating how these regions, their peoples and diasporas have been represented and collected, this fellowship offers a great opportunity to incorporate these critical reflections into a new body of work. In addition to enhanced curatorial support to explore the collections, the fellow will be mentored by leading photographer and scholar of Caribbean and Latin American visual culture, James Clifford Kent. For more information on this fellowship, key dates and how to apply, please refer to the Photography Fellowship Brief

A selection of books with illustrated covers on a table.
A selection of books and magazines with photographic content in the British Library collections.

The deadline for applications for both fellowships is the 2 June 2025 at 10:00 and the fellowships will start in September 2025.

03 April 2025

Photobooks and the Creative Journey: An Interview with James Clifford Kent

The Eccles Institute nurtures relationships with creative practitioners through the Eccles Institute & Hay Festival Global Writer’s Award, our Visiting and Creative Fellowship programmes and our public engagement activities. An artist we work closely with is photographer James Clifford Kent, who has been using the British Library both as a source of inspiration and a creative workspace for many years.

A man in a hoodie and baseball cap looks at various books in front of a large text-based poster.
James Clifford Kent in the British Library Newsroom

When did you start coming to the British Library? What brought you here? 

Studying at the University of London, I regularly visited the Senate House Library and discovered photobooks there but quickly moved on to the British Library in search of books that were harder to find. It became my go-to place for developing ideas for creative projects—somewhere I associated with getting stuff done. 

London is an exciting place, and I’m easily distracted, but I was struck by the peace and quiet of working in the various Reading Rooms, and that helped me to focus. I’d leave my phone in a locker and found I could be much more productive. It did feel like there was a world of knowledge available to you and that sense of discovery was exciting! You’d order some books, leave the Reading Room for a coffee, and they’d be waiting for you on your return. 

A stack of books with their spines showing.
Some of the items consulted by James Clifford Kent in the Reading Rooms.

It felt very different to libraries I’d visited growing up—where you’d browse and see what they have on the shelves. Here you could be specific and go down the rabbit hole exploring a particular area of interest, and the resources were all there at your fingertips. I remember finding books I’d only ever read about that were considered some of the greatest photobooks of all time, such as A La Plaza con Fidel by Cuban photographer and cinematographer Mario García Joya, also known as ‘Mayito’ (BL shelfmark: Cup.24.q.14).1 Just holding the books—getting properly immersed in their pages, design and layout—was completely different from seeing them online, and it brought them to life. Those early experiences with books shaped my own ambitions and I set off on my own journey determined to make pictures that would eventually sit alongside some of those great works. 

That’s what initially brought me to the British Library, but I kept returning with various projects. I wrote my book, Aesthetics and the Revolutionary City (Palgrave, 2019) in Humanities 1, and I’m certain it wouldn’t have happened if it wasn’t for having that space to work. But it’s not always about being able to focus—one of the biggest draws about the British Library is being surrounded by people working on all these incredible projects, including some really well-known artists and writers. I’ll never forget looking up and seeing the late, great Benjamin Zephaniah and feeling properly inspired!  

How do you use the Library's collections and how have they informed your practice? 
 
A friend recently described the photobook as the purest form of photography, and I think that’s true. It’s how I first found my way into making pictures —through dusty, battered books by photographers like Robert Frank, Diane Arbus, and Walker Evans. There are places all over London where I draw inspiration from photobooks — from The British Library to the Bookstore at The Photographers’ Gallery, and labs like Photofusion and Rapid Eye. Visiting these places not only means developing ideas/projects but also staying up to date with new work, making new connections and keeping in touch with the community. 
 
I’ve found that the British Library can be all these things and more—a creative space that I’ve often described to artist friends as a sort-of giant mood board. It’s easy now to capture ideas and inspiration with your smartphone camera — snapping pictures of books, pages — and you don’t need a lot of time. You might have a huge stack of books in front of you, but you can quickly go through them, capture what you need, and expand your creative archive. 

A stack of books with their spines showing their title and authors.
Further books consulted by James Clifford Kent.

 

Over the years I’ve created a photo journal. I’m a visual person, so it’s been helpful to refer to books I’ve consulted at the Library. These are sometimes pictures of the books (or videos of me turning the pages) in situ, alongside my notebooks full of scribbles. These pictures transport me back to the research I’ve done for different projects and remind me what’s inspired me along the way. 
 
I’m currently working with GOST Books on my first photobook and I’m looking at more books than ever! The first thing I did when I began working with the GOST team was visit the British Library and take out all their books. Carving out time for more focused work (planning, writing and editing photographs) has become increasingly difficult. But the Library gives you a way to shut out the noise and step away from the hustle and bustle—it’s like a little oasis in the middle of London. 

Can you describe a typical day for you in the British Library Reading Rooms? And what is your advice for any creative person considering coming to the Library?  

Visiting the British Library is an important part of my week and people know they’ll usually find me there developing projects on research days (when I’m not lecturing, taking pictures, working in the lab etc). I know a lot of people that work at the Library—some have followed my projects from inception through to completion and in many ways they’re an important part of my creative journey. 
 
But for some people, libraries can feel exclusive and/or restrictive, and I’m passionate about exploring how we can shift perceptions around space like the British Library, making them more open and accessible. There’s potential to break down barriers and create a more inclusive environment for learning and discovery. I always say that for people unfamiliar with the space, it helps to have someone guide you. The restrictions don’t seem as intimidating when you understand how things work and that’s when you begin making connections! For artists, it’s a great way for exploring connections and doing research—you’ll always stumble upon things you weren’t expecting. 
 
In an AI-driven digital era, books feel more important than ever. But I’ve found that my students don’t engage with physical books like before, so I’ve started taking photobooks to lectures—big stacks of them—so students can properly immerse themselves in them in the way that was intended.

Any favourite collection items or exciting finds you’d like to share? 
 
There are several comprehensive volumes on the development of the photobook, including Martin Parr and Gerry Badger’s The Photobook: A History trilogy (BL shelfmark: m05/.17063), and those are a good place to start.2 But the British Library also has an incredible collection of magazines and journals. 
 
For my recent project ¡No hay más na’! (There’s nothing left, 2022–)—focusing on the challenges faced by Cubans amid a worsening humanitarian crisis—I began researching the work of British photographers who’d documented marginalised communities at home and abroad. This helped me to think about ethics and positionality, specifically insider–outsider perspectives. 
 
I found a photo essay by Colin Jones published in the Sunday Times Magazine—later published as The Black House by Colin Jones (BL shelfmark: LC.31.b.3706)—which documented the lives of young black people at Harmabee (a North London hostel), which served as both a refuge and a site of racial identity formation amid societal alienation and prejudice in 1970s London.3 The work is really powerful—and I found myself down the rabbit hole again. It felt like I was having a sort of imaginary dialogue with this celebrated photojournalist as I thought about everything from storytelling to sequencing. 
 
There have been lots of moments like this at the British Library and I’m very grateful for the way they’ve shaped my practice.

References

  1. Fidel Castro, A la plaza con Fidel: Un ensayo fotográfico de Mayito. La Habana: Instituto del Libro, 1970. (Cup.24.q.14) 
  2. Martin Parr and Gerry Badger, The Photobook: A History. London: Phaidon, 2004-2014. (Vol. 1: m05/.17063; Vol. 2: LC.31.b.2932. & m06/.42511; Vol. 3: LC.31.b.13620) 
  3. Colin Jones, The Black House. Munich; London: Prestel, 2006. (LC.31.b.3706 & fm06/.1541.) 

James Clifford Kent (@jamescliffordkent) is based in London and lectures on visual culture at Royal Holloway, University of London: https://www.jamescliffordkent.com.

 

 

 

 


 

 

20 March 2025

‘America Now!’ continues: True Crime in the USA

The Eccles Institute and BAAS’s America Now! series continues on Tuesday 25 March 2025, with ‘True Crime in the USA’. Ahead of the event, here’s a look at the speakers joining us for the evening, and some materials related to true crime in the British Library’s collections.   

"True crime" is a very American genre, and a very American obsession. Evolving from the yellow journalism of press barons like Hearst and Pulitzer, and new forms of literature like Truman Capote's In Cold Blood, true crime has also been central to the rise of new media and technology content creation and consumption over the past decade. Podcasting, streaming, and social media would not be what they are today without the American public's fascination with narrativizing violence, deception, and intrigue involving their fellow citizens. This panel of experts is on the case and will trace the threads that connect everything from Billy the Kid to Luigi Mangione, and from Serial and Making a Murderer to TikTok detectives and the very online, real-time, true crime-style storytelling of the present moment. 

Promotional image for America Now True Crime event, Tuesday 25 March 2025
Promotional image for America Now True Crime event, Tuesday 25 March 2025

Chaired by our friends at BAAS, the event will include a panel of experts to lead what’s sure to be an engaging and enlightening discussion:    

Dr George Larke-Walsh (University of Sunderland) 

George is currently Senior Lecturer in Arts and Creative Industries at the University of Sunderland. She began her academic career in the north east, but then moved to the USA, teaching at the University of North Texas from 2004 to 2020. She has published books and articles on mythologies of the mafia on screen, including the Wiley-Blackwell Companion to the Gangster Film (2018) [when the British Library’s digital services are fully restored this item is available to consult at BL shelfmark ELD.DS.326648]*. More recently she has turned her attention to documentary and specifically true crime. Her articles have explored numerous media examples from histories of the mafia wars to well-known series such as Making a Murderer, and The Staircase. Her most recent book is an edited collection of new scholarship called True Crime in American Media (Routledge, 2023).    

Megan Lupton (De Montfort University) 

Megan is a final year PhD candidate at De Montfort University in Leicester. To investigate the ethics of true crime, she has conducted interviews with true crime podcasters and is using her findings to inform the characters, plot and themes in a fictional novel. Megan has previously spoken about child safety on TikTok at the TikTok Cultures Research Network symposium, presented at the 2024 Great Writing Conference, and written for the National Centre of Academic Excellence. She is also the co-founder of an independent, cooperative newspaper in Leicestershire, and a passionate storyteller with a master's degree in creative writing. Through her solutions-focused PhD, Megan’s novel and ethical reflections framework will take true crime practitioners on a journey through ethics.   

Her Instagram account, documents her research journey. 

Dr Lindsay Steenberg (Oxford Brookes University) 
Lindsay is Reader/Associate Professor in Film Studies at Oxford Brookes University where she is Chair of their Equality, Diversity and Inclusion Research Network. She has published numerous articles on the crime and action genres and is the author of Forensic Science in Contemporary American Popular Culture: Gender, Crime, and Science (2017) [BL shelfmark: YK.2013.a.8439], Are You Not Entertained? Mapping the Gladiator in Visual Culture (2021) [BL shelfmark: YC.2022.a.14] and the forthcoming The Hollywood Fight Scene.  She is particularly interested in the gender and race politics of violence in the popular media, from the lighter mode of ‘cozy crime’ to the darker obsessions of ‘dark tourism.’  

The British Library collections hold a host of materials reflecting the American true crime genre and conversation. Secondary sources include true stories of domestic terrorism [BL shelfmark: m22/.10005] to anthologies offering comprehensive examinations of how American writers have explored crime in a multitude of ways, from Nathaniel Hawthorne to James Ellroy [BL shelfmark: m08/.33001]. True crime events which have proven ongoing subjects of fascination and discussion, such as the bloody St. Valentine's Day massacre of 1929, can be examined through online access to FBI documents* and music scores from the 1967 film of the same name [BL shelfmark: VOC/1967/NEWMAN]. If you really want to investigate early depictions of sensationalised crime, look at A Short Narrative of the Horrid Massacre in Boston perpetrated in the evening of the fifth day of March 1770 by soldiers of the XXIXth Regiment [BL shelfmark: 1061.h.11.] which includes Paul Revere’s engraving of the event we know now as the Boston Massacre, a pivotal event leading up to the American Revolution. 

Image of Paul Revere engraving from A Short Narrative of the Horrid Massacre in Boston perpetrated in the evening of the fifth day of March 1770 by soldiers of the XXIXth Regiment ... with some observations on the state of things prior to that catastrophe., Boston, 1770, 1061.h.11.
Image of Paul Revere engraving from A Short Narrative of the Horrid Massacre in Boston perpetrated in the evening of the fifth day of March 1770 by soldiers of the XXIXth Regiment ... with some observations on the state of things prior to that catastrophe., Boston, 1770, 1061.h.11.

For those interested in early sensationalised journalism, 1883 examples of the The New-York World can be viewed on microfilm at BL shelfmark: MFM.MA79. The New-York World was established in 1860 but by the late 1870s the newspaper was losing money, tens of thousands of dollars a year. In 1883 it was purchased by Joseph Pulitzer who turned around its precarious fate. Hiring investigative journalists, it became a newspaper that concentrated on human-interest stories, scandal and exaggerated material, capturing readers' attention and upping its daily circulation. In response, William Randolph Hearst purchased the New York Journal in 1895 and employed an approach like Pulitzer. Pulitzer and Heart’s use of promotional schemes, overemphasised stories, and focus on illustrations and colour supplements, became known as yellow journalism and would have a lasting impact on the history of popular American newspaper production.  

Image from Joseph Pulitzer and the New York World. [With plates, including portraits.], BL shelfmark: X.900/2277, Princeton, 1966. The image shows one the newspaper’s front pages: a depiction of James Blaine’s attendance at a banquet in New York City, tendered by the nation’s foremost millionaires.
Image from Joseph Pulitzer and the New York World. [With plates, including portraits.], BL shelfmark: X.900/2277, Princeton, 1966. The image shows one the newspaper’s front pages: a depiction of James Blaine’s attendance at a banquet in New York City, tendered by the nation’s foremost millionaires.

On our whistlestop tour of true crime through the 19th to 21st centuries in British Library collections, you may also be interested to find Pat F. Garrett's Authentic Life of Billy the Kid (William H. Bonney) [BL shelfmark: 010884.f.37.]. Originally published one year after the killing of Billy the Kid by Sheriff Pat Garrett, Sheriff of Lincoln County, New Mexico, this is considered one of the most authoritative biographies of William H. Bonney and the foundation of the Billy the Kid legend. 

Image from Pat F. Garrett's Authentic Life of Billy the Kid (William H. Bonney) [BL shelfmark: 010884.f.37.] with colour depiction of Billy the Kid by W. M. Allison
Image from Pat F. Garrett's Authentic Life of Billy the Kid (William H. Bonney) [BL shelfmark: 010884.f.37.] with colour depiction of Billy the Kid by W. M. Allison

Truman Capote is often a name that springs to mind on the subject of true crime. His 1966 novel, In Cold Blood, reconstructs the real-life murder in 1959 of a Kansas farmer, his wife and both their children, combining factual reporting with the imaginary possibilities of storytelling. The book is deemed by many to represent a milestone in the evolution of American true crime writing with Capote himself promoting the book as a new genre: the ‘literary non-fiction' novel. First published serially, in The New Yorker in 1965, Readers at the British Library can consult a first edition of the novel, published by Random House, New York, in the same year, at BL shelfmark: W13/2998 and later British-published edition from 1966 at BL shelfmark: 12208.a.1/2682. 

Images of front and back covers of paper back Penguin Books edition of In Cold Blood, 1966 [BL shelfmark: 12208.a.1/2682.]
Images of front and back covers of paper back Penguin Books edition of In Cold Blood, 1966 [BL shelfmark: 12208.a.1/2682.]

We move swiftly into the era of podcasts and giant streaming services. The story of a 1999 murder case in Baltimore was reinvestigated in 2014 by Serial, an investigative journalism podcast, in which host Sarah Koenig narrated the nonfiction story over multiple episodes. The show became a cultural phenomenon, launching podcasts into the mainstream. The experience of the young man examined in relation to the murder, Adnan Syed, can be explored further in collection item Adnan's story: the search for truth and justice after Serial [BL shelfmark: YD.2017.a.627]. And finally, with the likes of Netflix tapping into the true crime trend, tough, sometimes controversial, and often needs-to-be-seen-to-be-believed watching has been provided through shows like Tiger King (2020), Monsters (2024) and Apple Cider Vinegar (2025) all of which can be examined in BL items ELD.DS.732936,*  YK.1994.a.14823, and YKL.2018.a.20024 respectively. 

Photo from Adnan's story: the search for truth and justice after Serial [BL shelfmark: YD.2017.a.627] including notes from Baltimore Police Department detailing the discovery of a female body.
Photo from Adnan's story: the search for truth and justice after Serial [BL shelfmark: YD.2017.a.627] including notes from Baltimore Police Department detailing the discovery of a female body.

From the Supreme Court to Cowboy Carter, you can catch up on the other topics we’ve covered in America Now! via our blog series:  

If you’ve attended one of our America Now! events or have ideas about what you think we should discuss in the series, we’d love to hear from you. Share your thoughts and feedback via our online form

*Access to some digital items and e-resources is currently limited while we recover from the cyber-attack of 2023. We are working to reinstate these and hope to provide full access again when possible. Visit our website for full details of what is currently accessible. 

06 March 2025

Call For Papers: Twentieth-Century Black Periodicals and Space

Twentieth-Century Black Periodicals and Space Symposium
Thursday 8 May 2025
British Library, St Pancras, London

This symposium is about space and geography in the context of twentieth-century periodicals from across the Black Atlantic. Over the course of the twentieth century, Black periodicals negotiate space at several scales: in their pages, in their interests, in their circulation, and in the ways we conceptualise and archive them.  How do Black periodicals occupy and traverse space, and how do the spatial forms of Black periodicals shape their meanings? How have theorists understood periodicals and blackness through spatial metaphors? How do spatial contingencies affect the ways that Black periodicals are collected, archived and accessed? 

In December 2024, Elizabeth McHenry gave the 39th Annual Panizzi lectures at the British Library.1 Focusing on Black Bibliography, McHenry identified an overarching question which her three lectures asked of themselves and of the field more broadly: What does it mean to inhabit the space of black print?  The symposium takes McHenry’s ending question as its beginning.  It invites scholars, librarians and researchers from a variety disciplines whose primary objects of study are Black periodicals (magazines, newspapers, etc) published 1900-2000 in the Americas, Europe, and Africa to submit papers that ask about what it means to traverse the space of 20th Century Black Atlantic periodicals and what spaces these periodicals themselves traverse.  

Participants are welcome to submit papers on topics including 

  • The circulations of specific periodicals 
  • Black bibliography, in particular its diasporic aspects 
  • Page layout and print space in Black periodicals 
  • Internationalism, diaspora and Pan-Africanism in Black periodical cultures 
  • Reflections on the spatial conceptualisations of Black periodicals  
  • The space of the Black periodical archive 

International scholars, librarians and researchers from beyond the UK are also invited to get in touch.  Although the symposium is in-person, there is the possibility of a follow up event held online if there is enough interest.  

Please submit proposals for 10-minute work-in-progress papers, 20-minute papers, or 10-minute round table contributions. Proposals should be 300-500 words and sent along with a brief CV or bio to [email protected] by Thursday 17 April 2025. Email enquiries are also welcome. 

Three covers of Black World (1961-1976), an important magazine during the Black Arts Movement.  The magazine, previously known as Negro Digest, was re-named ‘Black World’ in May 1970 to better reflect the magazine’s diasporic interests and readership.
Three covers of Black World (1961-1976), an important magazine during the Black Arts Movement. The magazine, previously known as Negro Digest, was re-named ‘Black World’ in May 1970 to better reflect the magazine’s diasporic interests and readership.

This symposium is a product of the AHRC Collaborative Doctoral Partnership (CDP) PhD Studentship African American short fiction and magazines in the mid-twentieth century with the University of Cambridge and the Eccles Institute for the Americas & Oceania at the British Library. The Eccles Institute builds, cares for and shares the Americas and Oceania collection at the British Library, and champions knowledge and understanding of these regions through a rich programme of fellowships and awards, cultural events, research training, guides to the collections and programmes for schools.

References

1. Lecture One, 5 Dec 2024: Panizzi Lectures 2024: In Search of Black Readers   

Lecture Two, 10 Dec 2024: Panizzi Lectures 2024: Thinking Bibliographically 

Lecture Three, 12 Dec 2024: Panizzi Lectures 2024: Spaces of Black Study 

07 January 2025

Delayed Promises and Steadfast Dreams: Mapping Out a Young Black Loyalist’s Fictional Journey

Monique Hayes is a historical fiction author, poet, and screenwriter from Maryland. She was a 2023 Eccles Institute Visiting Fellow at the British Library.

As an author who often utilizes young adult protagonists, I have to think about what passions and promises propel my characters to act. Will they ultimately get what they want? My novel-in-progress Sally Forth focuses on two enslaved brothers with disparate dreams and journeys, who go boldly into the Revolutionary War when they’re promised freedom for their service. While younger brother Brook’s path as a Continental Army soldier comes with difficult challenges, his older brother Albie, a Black Loyalist, goes down a rockier road full of weak promises, debilitating hardships, and dehumanizing moments. It becomes increasingly hard for Albie to get what he wants and deserves.

My Eccles Institute Visiting Fellowship gave me access to rich resources so I could flesh out Albie’s journey, from his first time holding a uniform emblazoned with “Liberty to Slaves” in Dunmore’s Ethiopian Regiment to his days of crippling doubt in Nova Scotia and then his struggle to survive in Sierra Leone.

My primary goal during my Visiting Fellowship was to unearth as much information as I could about the Black Loyalist settlement of Birchtown and the Freetown colony in Sierra Leone. Unlike his brother who craves education, Albie’s passion is land ownership. He’s denied this as a slave in Chester County, Pennsylvania, and brightens at the promise of getting his own land in Birchtown after he emigrates to Nova Scotia. My eyes were truly opened by the British Library’s holdings. There were enlightening eyewitness accounts and secondary sources detailing how much the 1,521 free Blacks of Birchtown were disenchanted by the poor soil, the delays in receiving their land allotments, the lack of food and housing supplies, and the prejudice that forced them to take low-paying labour jobs.

The most stunning account came from a white landowner’s grandfather: “They just dug a hole in the ground and put a little packed roof over it…There was a small trapdoor in one side of the roof and the negroes entered the house by dropping right down through. And that was the black man’s home - a hole in the ground with a roof over the hole.”1 Others erected crude huts, but the Black settlers often received lumber and tools after their white counterparts. It became much easier for me to compose scenes focused on Albie dealing with these injustices and waiting years for his longed-for land.

Inefficient surveyors and harsh winter conditions frustrated the Black Birchtown settlers as well. Some surveys for Black settlers were halted when new white Loyalists arrived looking for land. Other land allotments guaranteed to the Black Loyalists were taken away and used for other purposes.

I particularly gravitated to a passage about Black Loyalist Caesar Perth who went to his 34-acre lot for the first time, only to find “a rocky outcropping that was not suitable for crops.”2 This was what Perth and 183 men received after several years of patience. I was heartbroken and inspired to craft a scene between Albie and Perth, arriving to see the “rewards” for their service, another crushing blow years after the loss at Yorktown.

After this devastating realization, Albie accepts the offer Thomas Peters gave to nearly 1,200 Black Nova Scotians to emigrate to Sierra Leone in 1792. According to naturalist Henry Smeathman, the land in Sierra Leone was a “suitable location”: “An opportunity so advantageous may perhaps never be offered to them again; for they and their posterity may enjoy perfect freedom.”3

Black and white illustration of a coastal bay, with a few vessels on the water and houses in the distrance.
Image 1: A drawing of Freetown in 1798, by William Augustus Bowles, a visiting Creek Indian leader. Frontispiece for Dr. Thomas Winterbottom’s An Account of the Native Africans of Sierra Leone (1803). Shelfmark L.69/5614.

However, that freedom was not at all perfect. Studying Mary Louise Clifford’s From Slavery to Freetown allowed me to truly see the major distrust between abolitionist John Clarkson and Peters, the negative influence the Sierra Leone Company had over the budding colony, and the emasculation of Peters over time.

Still, I was very moved when reading about the emigrants’ experiences, including the eldest emigrant that made the journey funded by the Sierra Leone Company. The one-hundred- and four-year-old woman, possibly the mother of famous preacher Cato Perkins, was determined to go so “that she may lay her bones in her native country.”4 Albie is just as eager to connect with his African past and start a family in the newly formed Freetown.

A coloured illustration of large sailing ship close to a hilly coastline.
Image 2: Margaret Whitman Blair, “Liberty or Death: The Surprising Story of Runaway Slaves Who Sided with the British During the American Revolution” (2010). Shelfmark Y.K. 2010.b.6889.

What most surprised and inspired me was Thomas Peters’ downfall during the early days of Freetown. I was well aware that Sierra Leone’s intense rainy season and various illnesses plagued the settlers, but Peters’ life was more complex than I thought. Former Black pioneer Peters went from the settlers’ preferred leader to an outcast among his peers due to the machinations of Clarkson and other officials.

Orphan Albie views Peters as a father figure. He admires Peters, who protested when authorities delayed land distribution and failed to let the colonists govern themselves. Peters’ sudden death after being accused of theft is an event neither the settlers nor Albie are prepared for, and it’s a haunting historical example of what a life of dashed dreams can do.

I’m incredibly grateful for the Eccles Institute Visiting Fellowship which fulfilled one of my dreams to study these materials in-depth so I could give Albie a more historically accurate and meaningful journey. As he pursues his passions, Albie’s heart and spirit are tested on and beyond American shores, and I hope his story finds its way into the hearts of many readers.

References

1. "Birchtown: The History and the Material Culture of an Expatriate African-American Community", by Laird Navin and Stephen Davis. Chapter 4 of Moving On: Black Loyalists in the Afro-Atlantic World, ed. by John Pulis (London: Garland, 2013), p. 72. Shelfmark Y.C. 2003. a. 12259.

2.  Mary Louise Clifford. From Slavery to Freetown (London: MacFarland, 1999) p. 60. Shelfmark Y.C. 1999. b. 6067

3.  Henry Smeathman, Plan of a settlement to be made near Sierra Leone, on the Grain Coast of Africa (London: 1786). Shelfmark B.496.(1).

4.  “The Black Loyalists in Sierra Leone” by Wallace Brown. Chapter 6 of Moving On: Black Loyalists in the Afro-Atlantic World, ed. by John Pullis (London: Garland,1999), p. 109. Y.C. 2003. a. 12259.

18 September 2024

From the Supreme Court to Cowboy Carter: “America Now!” events series launches at the Eccles Institute

Launching on Tuesday 24 September 2024, “America Now!” is a new series of live events exploring the current state of the USA and its place in the world. Book your free tickets and see the full programme on See Tickets 

Lead image for America Now Whole Season - Times Square, New York, showing American stars and stripes flag
Times Square, New York, showing US flag

 

In a world of hot takes these discussions will offer some much-needed deep dives, giving expert insight into some of the most pressing or peculiar aspects of modern American life - from the Supreme Court to Cowboy Carter. 
 
Organised by the British Association for American Studies and the Eccles Institute for the Americas and Oceania, “America Now!" takes place every other month in the British Library Knowledge Centre. 

Ahead of the first event, we took to the collections to share some suggestions of what can be found in the Americas holdings at the British Library which speak to the first topic we’ll be discussing: The Supreme Court.  

Courting controversy: What’s the Deal with the US Supreme Court? 

Tuesday 24 September 2024 | 18.30-19.30 

Book your tickets

From reversing the constitutional right to have an abortion to boosting the power of the President, the US Supreme Court has been making some headline-grabbing decisions over the past few years. With its judgments also potentially reshaping other major issues including gun control, environmental protections, and Indigenous tribal sovereignty, it seems we need to talk about the conservatism of the Supreme Court. How have we got here, and how will the court’s impact be felt on the ground for everyday Americans?   

Who sits on the Supreme Court? What are their backgrounds and specialisms that shape their interests and priorities in making decisions that impact a superpower like the USA? Consult this online resource, via US Federal Government Documents: The nomination of Judge Ketanji Brown Jackson to the Supreme Court, to find out more about the first Black woman to serve on the Supreme Court. While Being Brown: Sonia Sotomayor and the Latino Question (YC.2021.a.45) tells the story of the country’s first Latina Supreme Court Associate Justice’s rise to the pinnacle of American public life at a moment of profound demographic and political transformation. 

Official photograph of Associate Justice Ketanji Brown Jackson taken by Supreme Court Photographer Fred Schilling, 2022 and photo of Being Brown front cover
Official photograph of Associate Justice Ketanji Brown Jackson taken by Supreme Court Photographer Fred Schilling, 2022 and Being Brown picture from: https://impactolatino.com/la-jueza-latina-de-la-corte-suprema-sonia-sotomayor-inspira-un-libro-puntual/

Primary source ephemera documenting historical movements in America relating to gun control, abortion laws and environmental protections are also available in the collections to unpack these very relevant and ongoing topics. For example:  

  • a broadsheet by the People to Abolish Abortion Laws demonstrating against New York State Abortion Laws (YD.2014.b.915). This campaign poster, including the name of Betty Friedan, called for the repeal of all laws restricting abortion in the 1970s 
  • an interesting and illustrated 70s women's guide on self-defense can be seen in The woman's gun pamphlet: a primer on handguns, 1975 (RF.2018.a.2015).
Demonstrate Against n.y. state Abortion Laws broadsheet and The Women’s Gun Pamphlet by and for women, photo courtesy of Ulysses Books/Michael L. Muilenberg, Bookseller
Demonstrate Against n.y. state Abortion Laws broadsheet and The Women’s Gun Pamphlet by and for women, photo courtesy of Ulysses Books/Michael L. Muilenberg, Bookseller

And here are the event speakers’ ‘must read’ books, articles, and resources for anyone who's appetite for further exploration of the topic is whetted by the talk.  

Dr. Ilaria Di Gioia, an academic with expertise in the American Constitution, American federalism and intergovernmental relations at Birmingham City University, recommends:  

  • Jeffrey Toobin, The Nine: Inside the Secret World of the Supreme Court (Doubleday, 1st Ed., c2007), BL shelfmark: m07/.33898 
  • Stephen Breyer, The Authority of the Court and the Peril of Politics (Harvard University Press, 2021)
  • Bob Woodward and Scott Armstrong, The Brethren: Inside the Supreme Court (Simon and Schuster, c1979), BL shelfmark: 80/11640

Dr. Emma Long, Associate Professor in American History and Politics at UEA, recommends:  

  • SCOTUSBlog - arguably the single best online resource for studying the Court - largely written for those with some knowledge of the Court and its work, it's the best resource for keeping up with what the Court is doing and what people are saying about it 
  • National Constitution Center - not just about the Court, but about the broader role of the Constitution in American politics and society - runs an incredible programme of events, podcasts, and discussions (almost all available online) that are designed from all levels from primary school to professorial 
  • Linda Greenhouse, The US Supreme Court: A Very Short History (Oxford University Press, 2nd Ed., 2020) - a good, short introduction to how the Court works from the former New York Times' Court reporter 
  • David O'Brien, Storm Center: The Supreme Court in American Politics (W.W. Norton & Co., 2020) - available in multiple editions, one of the best academic introductions to the Court (previous editions in BL holdings available)

Dr. Mitch Robertson, Lecturer in US History at UCL, recommends:    

  • Geoffrey Stone and David Strauss, Democracy and Equality: The Enduring Constitutional Vision of the Warren Court (Oxford University Press, 2020), BL shelfmark: YC.2022.a.1168
  • Mary Ziegler, Roe: The History of a National Obsession (Yale University Press, 2023)
  • J. W. Peltason, Fifty-eight Lonely Men: Southern Federal Judges and School Desegregation (University of Illinois Press, 1971), BL shelfmarks: X6/2646, W55/6339
  • Anthony Lewis, Gideon's Trumpet (Random House, 1964), BL shelfmark: W28/9549

Some of these titles haven't hit the British Library's shelves yet but they should be available in other major libraries. Find items in libraries near you via WorldCat

Please note: we're continuing to experience a major technology outage as a result of a cyber-attack. Our Reading Rooms in London and Yorkshire are open, but access to our collection and online resources is limited. Visit our website for full details of what is currently accessible. 

Stay tuned for further blogs with reading lists related to “America Now!”, and book your tickets for Why Country Music Conquered the World in 2024 on Thursday 28 November and The Inauguration of a New President: Where Will American Politics Go From Here? on Tuesday 23 January 2025. Details of events for the rest of 2025 will be announced later this year. If you have any suggestions of topics that you’d like to see discussed, please email [email protected] with ‘America Now!’ in the subject line. 

America Now! is organised by the Eccles Institute and BAAS, and supported by the US Embassy London.

10 September 2024

Moving Texts and Individuals between New England and England in the Mid-Seventeenth Century

Weiao Xing (PhD in History, University of Cambridge, 2023, @WeiaoX) is a visiting postdoctoral fellow at the Global Encounters Platform and Institute of Modern History, University of Tübingen in Germany. He works on cultural and literary history in early modern English-Indigenous and French-Indigenous encounters and was a 2022 Eccles Institute Visiting Fellow at the British Library.

Among the items I consulted at the British Library as an Eccles Institute Visiting Fellow was a 215-folio manuscript entitled ‘State papers of John Thurloe, Secretary of State, 1650–1658’ (Add MS4156).1 Its compiler, John Thurloe, made use of his intelligence network across Europe, playing a pivotal role in domestic politics and foreign affairs during the Interregnum (1649–1660).2 Within the manuscript, on its second folio, rests a copy of a letter that has traversed the Atlantic. Dated 2 October 1651, the original letter was sent from Oliver Cromwell to John Cotton, the esteemed pastor of the Boston church in New England. ‘I receaued yours a few days sithence’ [sic], as Cromwell commenced his letter in a continuing dialogue, the circulation of texts intertwined political and religious circumstances in England and New England.

This letter concisely conveyed the prevailing political situation in England. Just one month prior to its writing, the Battle of Worcester, a major event at the end of the English Civil War (1642–1651), witnessed the Parliamentarians defeating a predominantly Scottish Royalist force led by Charles II. In his letter, Cromwell celebrated this victory with Cotton – when Charles II and his ‘malignant party’ invaded England, ‘the Lord rained upon them such snares’.3 Moreover, Cromwell earnestly sought religious support from Cotton, emphasising the need for prayers ‘as much as ever’ given the recent successes, or ‘such mercies’ in his own words. This letter affirms Cotton’s interest in English politics and his significance among Puritans in England during the Interregnum.4

The transatlantic movement of texts and individuals unveils intricate connections within the political and religious realms of England and New England. In the summer of 1651, five Massachusetts ministers, including John Cotton, corresponded with their fellow ministers in England.5 They defended the embargo placed by the colony’s General Court on a theological book entitled The Meritorious Price of Our Redemption […], authored by William Pynchon, one of the founding figures of the colony.6 Pynchon had managed to publish and sell his book in London in 1650 while residing in the colony. At the British Library, a copy of this work, annotated with ‘June 2d’, is under the shelf-marked E.606.(3.). It was acquired from ‘Thomason Tracts’, a collection of imprints dated from 1640 to 1661, curated by the London-based bookseller George Thomason (c. 1602–1666). The provenance of this copy suggests that Pynchon’s work, albeit heretical in New England, entered the intellectual spheres amid the political upheaval in England. Facing religious tensions and sanctions, Pynchon relocated to England in 1652 and continued publishing books that reflected his theological views. Pynchon to some extent maintained his ‘New England’ identity; he identified himself as ‘late of New England’ in his The Meritorious Price reprinted in 1655.7

Between the 1640s and the 1660s, a convergence of political, religious, and economic motives prompted numerous English settlers in New England to return home. While this statement articulated by William Sachse in 1948 holds merit, it does not fully alter the prevalent presumption of seventeenth-century transatlantic migrations as one-way journeys from Europe to the Americas.8 Many returnees from New England embarked on careers in England while maintaining their transatlantic connections. Sir George Downing exemplifies this pattern. As an ambassador in the Hague from 1657 to 1665, he facilitated England’s acquisition of New Amsterdam from Dutch settlers – in 1642, he had previously graduated from Harvard College in its inaugural graduate cohort.The tapestry of transatlantic migration is also woven from ordinary lives. In the prologue of her monograph Pilgrims, Susan Moore zooms in on Susanna Bell (d. 1672), an English merchant’s wife who crossed the Atlantic twice. Bell’s testimony, published in London upon her death, encapsulates her experiences, rhetoric, and mentalities.10

A yellowing manuscript with writing in black ink, both horizonal and - on the left-hand side - vertical.
Fig. 1: Egerton MS 2519, folios 10 and 11.

Within the British Library’s holdings, a myriad of manuscripts unfolds stories of texts and individuals crossing the Atlantic. Egerton MS 2519, for instance, encompasses correspondence and papers of Samuel Desborough (or Disbrowe), who assumed the role of the Keeper of the Great Seal of Scotland from 1657 onwards.11 Desborough, after setting off for New England in 1639 and settling in Guilford, New Haven, returned to England in 1650 amid the Civil War before relocating to Scotland.12 In this manuscript, on folios 10 and 11, a letter dated 1654 from Guilford by William Leete appears (see Fig. 1).13 Leete, who would later become the governor of New Haven and Connecticut colonies, shared recent affairs in New England with Desborough, particularly his operation of Desborough’s colonial estate and several settlers who returned to England. This letter epitomises multiple connections between New England and England, ranging from personal careers and businesses to colonial affairs. As Moore suggests, it underscores the ‘delicate relation’ between those who remained in the settlements and those who returned to England.14 Additionally, as the letter tells, Desborough had addressed Cromwell, expressing his concern about potential threats from the Dutch on the settlement. Therefore, such transatlantic movements of texts and individuals repositioned overseas affairs of New England within the scope of domestic and European politics.

For the New Englanders who made the voyage back to England during the mid-seventeenth century, their ‘American’ identities were ill-defined as they ‘returned’ to their careers and lives in England, but many maintained connections with the settlements. Their experiences, in both New England and England, contribute to our comprehension of their engagement in and perceptions of transatlantic travels, mobility, Puritanism, colonisation, and English politics.

Notes

1. John Thurloe, ‘State Papers of John Thurloe, Secretary of State, 1650–1658 (Especially 1654–1655)’ (1658), Add MS 4156, British Library, https://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_4156.
2. Timothy Venning, ‘Thurloe, John (Bap. 1616, d. 1668)’, in Oxford Dictionary of National Biography, 2008, https://doi.org/10.1093/ref:odnb/27405.
3. In his letter, Cromwell enclosed a short narrative (possibly available on 26 September), see C. H. Firth and R. S. Rait, eds., ‘Table of Acts: 1651’, in Acts and Ordinances of the Interregnum, 1642–1660 (London: His Majesty’s Stationery Office, 1911), British History Online, http://www.british-history.ac.uk/no-series/acts-ordinances-interregnum/lxxxii-lxxxvii.
4. John Cotton, The Correspondence of John Cotton, ed. Sargent Bush (Chapel Hill: University of North Carolina Press, 2001), 458–61.
5. Cotton, 454–58.
6. William Pynchon, The Meritorious Price of Our Redemption, Iustification, &c. Cleering It from Some Common Errors (London: Printed by J.M. for George Whittington, and James Moxon, and are to be sold at the blue Anchor in Corn-hill neer the Royall Exchange, 1650); Michael P. Winship, ‘Contesting Control of Orthodoxy among the Godly: William Pynchon Reexamined’, The William and Mary Quarterly 54, no. 4 (1997): 795–822.
7. William Pynchon, A Farther Discussion of That Great Point in Divinity the Sufferings of Christ (The Meritorious Price of Our Redemption [...]) (London: Printed for the Author, and are to bee sold at the Signe of the three Lyons in Corn-hill, over against the Conduit, 1655).
8. William L. Sachse, ‘The Migration of New Englanders to England, 1640–1660’, The American Historical Review 53, no. 2 (1948): 1640–1660.
9. Jonathan Scott, ‘Downing, Sir George, First Baronet (1623–1684)’, in Oxford Dictionary of National Biography, 2008, https://doi.org/10.1093/ref:odnb/7981.
10. Susan Hardman Moore, Pilgrims: New World Settlers & the Call of Home (New Haven: Yale University Press, 2007), 1–15; Susanna Bell, The Legacy of a Dying Mother to Her Mourning Children Being the Experiences of Mrs. Susanna Bell, Who Died March 13, 1672 (London: Printed and are to be sold by John Hancock, Senior and Junior at the three Bibles in Popes-Head Alley in Cornhill, 1673).
11. Samuel Desborough, ‘Correspondence and Papers of Samuel Disbrowe, or Desborough, of Elsworth, Co. Cambridge, Keeper of the Great Seal of Scotland, 1651/2–1660’ (1660), Egerton MS 2519, British Library, http://searcharchives.bl.uk/permalink/f/1r5koim/IAMS032-001983482.
12. Susan Hardman Moore, Abandoning America: Life-Stories from Early New England (Woodbridge: The Boydell Press, 2013), 90–91.
13. Bruce P. Stark, ‘Leete, Williamunlocked (1613–16 April 1683)’, in American National Biography, 2000, https://doi.org/10.1093/anb/9780198606697.article.0100511.
14. Hardman Moore, Abandoning America, 91.

 

27 September 2023

On the Trail of the Contemporary Singing Voice

Diane Hughes is a Professor in Vocal Studies and Music at Macquarie University, Sydney, Australia, and was a 2022 Eccles Centre Visiting Fellow at the British Library. 

My research as an Eccles Centre Visiting Fellow was undertaken at the British Library during April to May, 2023. I arrived with a long list of sources to examine - recordings, historical references, and a range of interviews. I am passionate about music and singing. The aim of my current project is to document the evolution of the contemporary singing voice and its intersection with, and the influences of, American and British popular singing. This includes the conceptualisation and contexts of contemporary singing that centre around questions of voice and identity and sociocultural perspectives of song and of singing. It also involves diverse perspectives of contemporary voice and related technologies.

At the British Library, I discovered and listened to first-hand accounts related to crooning and orchestrated singing, along with more contemporary types of singing.1 This furthered my understanding of the historical significance of the musical arranger, of different recording technologies, and of various creative intents and interests. As recording technologies adapted to enable singers to be isolated from surrounding musicians, or in recording sound booths, more nuanced styles of singing emerged.2 Such nuanced audibility is often attributed to the communicative capabilities of “the microphone”, however, my research identified that this equally related to artistic objectives and to modes of audience engagement.

Several reflective accounts by touring and established singers, and by musical arrangers, provided detailed information on specific career trajectories.3 These accounts also contained commentary on changing musical styles, vocal delivery and on individual artistry. They assisted in contributing to a timeline of why and where transition points in contemporary singing occurred–broadly involving the strident sounds of vaudeville, the smoother crooning styles, the resonant singing of orchestrated standards, the personally expressive singer-songwriters, the stylistic influenced revival of skiffle, the innovative vocalisms of jazz, and the contemporary characteristics of rock ‘n’ roll, rock, and pop. I found it exciting to further explore these transitions through “captured” singing in broadcasts and recordings, through to singing in “live” performances.

A red book cover with the author and title in black print.
Miriam Spier, The Why and How of Popular Singing: A Modern Guide for Vocalists. New York: Edward. B. Marks Music Corporation, [1950]. British Library shelfmark: 7889.b.4

During my research, I uncovered several unexpected sources. These related to mid-20th century definitions of popular music,4 and pedagogical publications on contemporary singing.5 In 1950, a renowned pedagogue of her time, Miriam Spier, offered aspiring singers the salient advice to use “the best artists as your guides, analyze and experiment; do not merely imitate”.6 This exploratory approach is still relevant today and has much to do with the evolutionary nature of contemporary singing styles and sounds. Other sources alluded to the progression and succession of popular styles, where rock ‘n’ roll/rock was hypothesised as having “the characteristics of a temporary craze”7 or where the development of contemporary jazz singing followed an exploration of vocal sounds and words.8 Many sources referenced the popularity of singing in relation to individual or communal listening and, as such, the value of singing clearly extended beyond the performer to their audience.

The opening page of a chapter on 'Voice Appeal', with a drawing of 7 people at the top and text on the bottom.
Miriam Spier, The Why and How of Popular Singing: A Modern Guide for Vocalists. New York: Edward. B. Marks Music Corporation, [1950]. British Library shelfmark: 7889.b.4

The evolution of the jazz and popular singing voice in Britain and the USA is complex and multilayered. Each is highly influenced by creativity, technologies, sounds, styles, and people, and will adapt and evolve as vocal exploration continues.

My sincere thanks to the Eccles Centre at the British Library for the opportunity to conduct this research and to the librarians at the Sound Archive for their assistance during my visit.

References

1. Stan Britt Collection. Sound and Moving Image Catalogue. This is a collection of interviews with a range of jazz and popular music performers undertaken by Stan Britt during the latter part of the 20th century.

2. See, for example, Peggy Lee interviewed by Stan Britt (23/07/1977). Stan Britt Collection. Sound and Moving Image Catalogue. C1645/238.

3. Stan Britt Collection.

4. Peter Gammond and Peter Clayton,  A Guide to Popular Music. London: Phoenix House, 1960. British Library shelfmark: General Reference Collection 2737.c.3. Music Collections REF M.R.Ref. 781.63.

5. Frank Sinatra in collaboration with John Quinlan, (c1946), Tips on Popular Singing. For the British Empire (excluding Canada and Australasia) and the whole of Europe, the property of Peter Maurice Music Co. Limited. Music Collections VOC/1946/SINATRA; Miriam Spier, (1950), The Why and How of Popular Singing: A Modern Guide for Vocalists. New York: Edward. B. Marks Music Corporation, [1950]. British Library shelfmark: General Reference Collection 7889.b.43.

6. Spier, p.41

7. Gammond and Clayton, p.177.

8. Norma Winstone [interview] (1994). Oral History of Jazz in Britain. C122/206-C122/207.

 

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