Digital scholarship blog

This guest post is by Majd Al-Shihabi, he is a systems design engineer and urban planning graduate student at the American University of Beirut. He is the inaugural recipient of the Bassel Khartabil Free Culture Fellowship. You can find him on Twitter as @majdal.

Last Saturday, the British Library hosted a mapathon run by Palestine Open Maps team to vectorise the map content of 155 maps made at 1:20,000 scale by the British Mandate of Palestine.

Before the mapathon itself, I visited the maps collection at the Library, and after working with the maps for almost two years, I finally saw the original maps in physical form.

I’m at the @britishlibrary looking at the original maps that we’re using in #PalOpenMaps. I got the 1:20k scale series out of the archive, and they are even more beautiful in physical form than as images. Saturday’s mapathon will be special! pic.twitter.com/od1xL6YjMj

— Majd Al-shihabi (@majdal) June 6, 2019

About 35 mappers participated in the mapathon, and they vectorised content covering most of historic Palestine. The flashing features in the animation below are the ones created through the mapathon.

View post on imgur.com

They include hundreds of features, including cisterns, schools, police stations, places of worship, parts of the road network, residential areas, and more.

Some of the features, such as towns, had Wikipedia articles and Wikidata items, which we linked to the map data as well.

Often, we are asked, what happens with the data that we produce through those mapathons? First and foremost, it is available for download here, under an Open Data Commons Attribution License.

The data is already being used by other projects. For example, Ahmad Barclay, a partner in the Palestine Open Maps project, has collaborated with the Palestinian Oral History Archive, to map all landmarks mentioned in testimonies by Palestinians recounting life in Palestine before the 1948 Nakba. The result is a map that serves as a spatial way of navigating oral history. View the map here.

These are exciting and busy times for BL Labs and the digital scholarship team, and we have a few digital/art-themed events next week - book your tickets and come along!

Friday 5th April sees the long-anticipated launch of the Imaginary Cities exhibition in the entrance hall gallery. The exhibition is the work of the British Library's artist in residence, Michael Takeo Magruder, who has been collaborating with BL Labs since 2016, transforming digitised 19th century urban maps into fantastic installations. We will post more about the exhibition next week, so watch this space. The exhibition will run until 14th July and is free to visit.

You can learn about Michael's residency through British Library Labs here (six minute video):

To launch the public opening of the exhibition, Michael is giving a talk about his work on the evening of Friday 5th April at the British Library (18:45 - 20:00). The talk is free but you need to book a place. On the same evening, we are hosting a Late at the Library Algorave in the British Library atrium (19:00 - 23:00) where algorave artists will live-code music and visuals, writing code sequences generating algorithmic beats beneath the iconic Kings’ Library Tower. The event is curated by the audio-visual artist, Coral Manton, in collaboration with the British Library Events team, BL Labs, Digital Scholarship, and the Alan Turing Institute. 

Coral is a Research Affiliate of the British Library. She's interested in the aesthetics of stored knowledge and exploring this in VR. She led a research project with the EThOS team exploring multimedia research in UK PhD theses and future multimodal theses. This project was cited in the AHRC Academic Book of the Future Report and in multiple academic publications.

Back in November 2017, Coral and Joanne Armitage rounded off the BL Labs Symposium with a mini algorave. We didn't record ourselves raving, but you can find our more about the algorave scene and what live coding is in Coral and Joanne's short presentation from the symposium here: 

Book tickets for the talk [Friday 5th April - 18:45-20:00] by the Imaginary Cities artist, Michael Takeo Magruder, here: https://www.bl.uk/events/imaginary-cities-artist-talk-with-michael-takeo-magruder

Book tickets for the Algorave [Friday 5th April - 19:30-23:00] here: https://www.bl.uk/events/late-at-the-library-algorave

See here for a post about more details about the Algorave artists who are playing at the Algorave Late event, and about the Imaginary Cities exhibition on this blog soon.

Posted by BL Labs

Image taken from page 203 of '[Griffith's new historical description of Cheltenham and its vicinity ... with ... engravings. L.P.]'

The BL Labs team are pleased to announce that the sixth annual British Library Labs Symposium will be held on Monday 12 November 2018, from 9:30 - 17:30 in the British Library Knowledge Centre, St Pancras. The event is free, and you must book a ticket in advance. Last year's event was a sell out, so don't miss out!

The Symposium showcases innovative and inspiring projects which use the British Library’s digital content, providing a platform for development, networking and debate in the Digital Scholarship field as well as being a focus on the creative reuse of digital collections and data in the cultural heritage sector.

We are very proud to announce that this year's keynote will be delivered by Daniel Pett, Head of Digital and IT at the Fitzwilliam Museum, University of Cambridge.

Dan's keynote will reflect on his years of experience in assessing the value, impact and importance of experimenting with, re-imagining and re-mixing cultural heritage digital collections in Galleries, Libraries, Archives and Museums. Dan will follow in the footsteps of previous prestigious BL Labs keynote speakers: Josie Fraser (2017); Melissa Terras (2016); David De Roure and George Oates (2015); Tim Hitchcock (2014); and Bill Thompson and Andrew Prescott in 2013.

Stella Wisdom (Digital Curator for Contemporary British Collections at the British Library) will give an update on some exciting and innovative projects she and other colleagues have been working on within Digital Scholarship. Mia Ridge (Digital Curator for Western Heritage Collections at the British Library) will talk about a major and ambitious data science/digital humanities project 'Living with Machines' the British Library is about to embark upon, in collaboration with the Alan Turing Institute for data science and artificial intelligence.Throughout the day, there will be several announcements and presentations from nominated and winning projects for the BL Labs Awards 2018, which recognise work that have used the British Library’s digital content in four areas: Research, Artistic, Commercial, and Educational. The closing date for the BL Labs Awards is 11 October, 2018, so it's not too late to nominate someone/a team, or enter your own project! There will also be a chance to find out who has been nominated and recognised for the British Library Staff Award 2018 which showcases the work of an outstanding individual (or team) at the British Library who has worked creatively and originally with the British Library's digital collections and data (nominations close 12 October 2018).

Adam Farquhar (Head of Digital Scholarship at the British Library) will give an update about the future of BL Labs and report on a special event held in September 2018 for invited attendees from National, State, University and Public Libraries and Institutions around the world, where they were able to share best practices in building 'labs style environments' for their institutions' digital collections and data.

There will be a 'sneak peek' of an art exhibition in development entitled 'Imaginary Cities' by the visual artist and researcher Michael Takeo Magruder. His practice  draws upon working with information systems such as live and algorithmically generated data, 3D printing and virtual reality and combining modern / traditional techniques such as gold / silver gilding and etching. Michael's exhibition will build on the work he has been doing with BL Labs over the last few years using digitised 18th and 19th century urban maps bringing analog and digital outputs together. The exhibition will be staged in the British Library's entrance hall in April and May 2019 and will be free to visit.

Finally, we have an inspiring talk lined up to round the day off (more information about this will be announced soon), and - as is our tradition - the symposium will conclude with a reception at which delegates and staff can mingle and network over a drink and nibbles.

So book your place for the Symposium today and we look forward to seeing new faces and meeting old friends again!

Image taken from page 99 of 'Festival of Song: a series of Evenings with the Poets. Prepared by the author of “Salad for the Solitary” ... (F. Saunders). With ... pictures by Members of the National Academy of Design. Engraved by Bobbett and Hooper'

For any further information, please contact [email protected]

Posted by Mahendra Mahey and Eleanor Cooper (BL Labs Team)

With three months to go before the submission deadline, we would like to remind you about the 2018 British Library Labs Awards!

The BL Labs Awards are a way of formally recognising outstanding and innovative work that has been created using the British Library’s digital collections and data.

Have you been working on a project that uses digitised material from the British Library's collections? If so, we'd like to encourage you to enter that project for an award in one of our categories.

This year, BL Labs will be giving awards for work in four key areas:

• Research - A project or activity which shows the development of new knowledge, research methods, or tools.
• Commercial - An activity that delivers or develops commercial value in the context of new products, tools, or services that build on, incorporate, or enhance the Library's digital content.
• Artistic - An artistic or creative endeavour which inspires, stimulates, amazes and provokes.
• Teaching / Learning - Quality learning experiences created for learners of any age and ability that use the Library's digital content.

BL Labs Awards 2017 Winners (Top-Left- Research Award Winner – A large-scale comparison of world music corpora with computational tools , Top-Right (Commercial Award Winner – Movable Type: The Card Game), Bottom-Left(Artistic Award Winner – Imaginary Cities) and Bottom-Right (Teaching / Learning Award Winner – Vittoria’s World of Stories)

There is also a Staff Award which recognises a project completed by a staff member or team, with the winner and runner up being announced at the Symposium along with the other award winners.

The closing date for entering your work for the 2018 round of BL Labs Awards is midnight BST on Thursday 11^th October (2018). Please submit your entry and/or help us spread the word to all interested and relevant parties over the next few months. This will ensure we have another year of fantastic digital-based projects highlighted by the Awards!

Read more about the Awards (FAQs, Terms & Conditions etc), practice your application with this text version, and then submit your entry online!

The entries will be shortlisted after the submission deadline (11/10/2018) has passed, and selected shortlisted entrants will be notified via email by midnight BST on Friday 26th October 2018. 

A prize of £500 will be awarded to the winner and £100 to the runner up in each of the Awards categories at the BL Labs Symposium on 12^th November 2018 at the British Library, St Pancras, London.

The talent of the BL Labs Awards winners and runners up from the last three years has resulted in a remarkable and varied collection of innovative projects. You can read about some of last year's Awards winners and runners up in our other blogs, links below:

• Research Award (2017) winner: 'A large-scale comparison of world music corpora with computational tools', by Maria Panteli, Emmanouil Benetos and Simon Dixon. Centre for Digital Music, Queen Mary University of London
• Research Award (2017) runner up: 'Samtla' by Dr Martyn Harris, Prof Dan Levene, Prof Mark Levene and Dr Dell Zhang
• Commercial Award (2017) winner: 'Movable Type: The Card Game' by Robin O'Keeffe
• Artistic Award (2017) winner: 'Imaginary Cities' by Michael Takeo Magruder
• Artistic Award (2017) runner up: 'Face Swap', by Tristan Roddis and Cogapp
• Teaching and Learning (2017) winner: 'Vittoria's World of Stories' by the pupils and staff of Vittoria Primary School, Islington
• Teaching and Learning (2017) runner up: 'Git Lit' by Jonathan Reeve
• Staff Award (2017) winner: 'Two Centuries of Indian Print' by Layli Uddin, Priyanka Basu, Tom Derrick, Megan O’Looney, Alia Carter, Nur Sobers Khan, Laurence Roger and Nora McGregor
• Staff Award (2017) runner up: 'Putting Collection metadata on the map: Picturing Canada', by Philip Hatfield and Joan Francis

To act as a source of inspiration for future awards entrants, all entries submitted for awards in previous years can be browsed in our online Awards archive.

For any further information about BL Labs or our Awards, please contact us at [email protected].

With six months to go before the submission deadline, we would like to announce the 2018 British Library Labs Awards!

The BL Labs Awards are a way of formally recognising outstanding and innovative work that has been created using the British Library’s digital collections and data.

Have you been working on a project that uses digitised material from the British Library's collections? If so, we'd like to encourage you to enter that project for an award in one of our categories.

This year, BL Labs is awarding prizes for a winner and a runner up in four key areas:

• Research - A project or activity which shows the development of new knowledge, research methods, or tools.
• Commercial - An activity that delivers or develops commercial value in the context of new products, tools, or services that build on, incorporate, or enhance the Library's digital content.
• Artistic - An artistic or creative endeavour which inspires, stimulates, amazes and provokes.
• Teaching / Learning - Quality learning experiences created for learners of any age and ability that use the Library's digital content.

BL Labs Awards 2018 Winners (Top-Left- Research Award Winner – A large-scale comparison of world music corpora with computational tools , Top-Right (Commercial Award Winner – Movable Type: The Card Game), Bottom-Left(Artistic Award Winner – Imaginary Cities) and Bottom-Right (Teaching / Learning Award Winner – Vittoria’s World of Stories)

There is also a Staff award which recognises a project completed by a staff member or team, with the winner and runner up being announced at the Symposium along with the other award winners.

The closing date for entering your work for the 2018 round of BL Labs Awards is midnight BST on Thursday 11^th October (2018). Please submit your entry and/or help us spread the word to all interested and relevant parties over the next few months. This will ensure we have another year of fantastic digital-based projects highlighted by the Awards!

Read more about the Awards (FAQs, Terms & Conditions etc), practice your application with this text version, and then submit your entry online!

The entries will be shortlisted after the submission deadline (11/10/2018) has passed, and selected shortlisted entrants will be notified via email by midnight BST on Friday 26th October 2018. 

A prize of £500 will be awarded to the winner and £100 to the runner up in each of the Awards categories at the BL Labs Symposium on 12^th November 2018 at the British Library, St Pancras, London.

The talent of the BL Labs Awards winners and runners up from the last three years has resulted in a remarkable and varied collection of innovative projects. You can read about some of last year's Awards winners and runners up in our other blogs, links below:

• Research category Award (2017) winner: 'A large-scale comparison of world music corpora with computational tools', by Maria Panteli, Emmanouil Benetos and Simon Dixon. Centre for Digital Music, Queen Mary University of London
• Research category Award (2017) runner up: 'Samtla' by Dr Martyn Harris, Prof Dan Levene, Prof Mark Levene and Dr Dell Zhang
• Commercial Award (2017) winner: 'Movable Type: The Card Game' by Robin O'Keeffe
• Artistic Award (2017) winner: 'Imaginary Cities' by Michael Takeo Magruder
• Artistic Award (2017) runner up: 'Face Swap', by Tristan Roddis and Cogapp
• Teaching and Learning (2017) winner: 'Vittoria's World of Stories' by the pupils and staff of Vittoria Primary School, Islington
• Teaching and Learning (2017) runner up: 'Git Lit' by Jonathan Reeve
• Staff Award (2017) winner: 'Two Centuries of Indian Print' by Layli Uddin, Priyanka Basu, Tom Derrick, Megan O’Looney, Alia Carter, Nur Sobers khan, Laurence Roger and Nora McGregor
• Staff Award (2017) runner up: 'Putting Collection metadata on the map: Picturing Canada', by Philip Hatfield and Joan Francis

To act as a source of inspiration for future awards entrants, all entries submitted for awards in previous years can be browsed in our online Awards archive.

For any further information about BL Labs or our Awards, please contact us at [email protected].

The @BL_Labs Roadshows: dates and locations for 2018

Do you want to learn more about the British Library’s digital collections? Are you interested in discovering how other researchers have used our digitised material in creative and innovative ways? Would you like to give us feedback on the kinds of services we are providing and would like to provide for digital scholars? Come and meet Library staff and gain an insight into some of the opportunities and challenges of working with our digital content. Get advice, pick up tips, and consider entering the digital project you have been working on for one of the BL Labs Awards (deadline Thursday 11^th October 2018).

Our @BL_Labs Roadshows will be held at university departments across the UK between March and June 2018. Events will include presentations from the British Library and host institutions, practical hands-on workshops, a chance to explore and discuss what you may do with some of the Library's data and for you to speak to and get feedback from experts. We’re also keen to hear your views on some of the long-term services the British Library is hoping to develop for those who want to work with our digital collections and data.

Register for one of the roadshows! They are FREE to attend and OPEN TO ALL (unless otherwise stated). For further details about locations we are visiting this year, see below: 

BL Labs Roadshow locations for 2018

Map from the BL's 1 Million Flickr Images - p.12 of "A Manual of British and Irish History" by Thomas Flanagan. British Library HMNTS 1325.e.21

March

• Monday 26 March 2018 (10:00 – 13:00) - BL Labs Roadshow at CityLIS (City University of London Department of Library and Information Science), London (internal event)

April

• Monday 9 April 2018 (10:00 – 16:00) - BL Labs Roadshow at the Open University, Milton Keynes (internal event)
• Thursday 12 April 2018 (12:00 – 16:30) - BL Labs Roadshow at the University of Bristol, Bristol
• Tuesday 24 April 2018 (09:00 – 13:00) - BL Labs Roadshow at UCL (University College London), London
• Wednesday 25 April 2018 (12:30 – 16:00) - BL Labs Roadshow at the University of Kent, Canterbury

May

• Wednesday 2 May 2018 (09:30 – 13:00) - BL Labs Roadshow at the University of Edinburgh, Edinburgh
• Tuesday 15 May 2018 (09:00 – 13:00) - BL Labs Roadshow at the University of Wolverhampton, Wolverhampton
• Wednesday 16 May 2018 (12:30 – 16:00) - BL Labs Roadshow at the University of Lincoln, Lincoln

June

• Tuesday 5 June 2018 (12:00 – 16:00) - BL Labs Roadshow at the University of Leeds, Leeds
• Wednesday 27 June 2018 (09:00 – 13:00) - BL Labs Roadshow at the University of Birmingham, Birmingham

You will be able to view the full programme details for each of the roadshows, and book your place via Eventbrite. Links will be live shortly or visit our events page.

For any further questions, please contact us at [email protected].

The British Library Labs project is funded by the Andrew W. Mellon Foundation and the British Library.

Posted by BL Labs

Putting collection metadata on the map: Picturing Canada

The Picturing Canada project began in 2012 as a British Library, Eccles Centre and Wikimedia UK collaboration to digitise a collection and experiment with releasing high quality reproductions of collection items into the public domain. At its heart the project sought to open up an under-used collection of photographs, connecting them with new audiences and uses outside of the walls of the British Library. It also provided a template for the Library’s subsequent public domain releases and has been provided many around with an insight into the depth of the Library’s Canadian collections.

Before the collection could be released it needed to be digitised and robust metadata created. Fortunately the Library had a good working batch of metadata created off the back of work done by researchers from Dalhousie University in the 1980s. The initial use of this to the project was clear but in digitising the images and putting them and the metadata online something became apparent; most images had some sort of information (be it a title or a photographer’s studio address) that could be used to determine a geographical location for the images.

At the time, this realisation was parked for future investigation but the 2015 exhibition, ‘Canada Through the Lens’, drawing off the same digitised collection, opened up an opportunity to try and use this information to map the collection and generate new insights into its contents. Much of the coordinate determination and mapping was done by Joan Francis, co-awardee of the BL Labs runner-up prize, who worked to find and add coordinates for the photographs. This was a relatively simple but time-consuming process involving finding locations in the metadata image title or, in the case of a photographer’s studio address, on the photograph itself. These text-based locations were then converted into co-ordinates compatible with Google Fusion Tables (there’s an excellent tutorial here) and added to records for each image.

The result of this is the map that you see above, a series of points which can be clicked on to see a partial metadata record for the item as well as a link to the photograph itself on Wikipedia Commons. As the work is time-consuming and fraught with potential error we have still only worked to a robust mapping of about four fifths of the collection and this is the work you see here. Interestingly, map is not just a useful finding aid – although it performs this function very well.

Mapping the collection also provides insight into the geography of photographic production in Canada during the period this collection was created (1895 – 1923). It is clear, for instance, how significant the eastern metropolitan areas of Toronto, Montreal and Quebec are to Canada’s photographic production in this period. Similarly, the corridors of production seen running close to the Canada-US border and occasionally spurring north also suggest the significance of the railroad to Canada’s photographic economy. So the map helps users to find images but also offers more questions; an exciting prospect for continued work.

Posted by BL Labs on behalf of Philip Hatfield and Joan Francis

Submit a project for one of the BL Labs 2018 Awards! Join us on 12 November 2018 for the BL Labs annual Symposium at the British Library.

Artist Michael Takeo Magruder has been working with the British Library's digitised collections to produce stunning and thought-provoking artworks for his project, Imaginary Cities. This is an Arts-meets-Humanities research project exploring how large digital repositories of historical cultural materials can be used to create new born-digital artworks and real-time experiences which are relevant and exciting to 21st century audiences.

The project uses images - and the associated metadata - of pre-20th century urban maps drawn from the British Library’s online 1 Million Images from Scanned Books collection on Flickr Commons, and transformed this material into provocative fictional cityscapes. 

Michael was unable to attend the fifth annual British Library Labs Symposium in person, but gave a presentation about his work virtually which you can see here in this video:

Michael was also announced as the winner of the BL Labs Artistic Award 2017 and here is a short clip of him receiving his award via Skype:

(Michael's award is announced at 14 minutes and 30 seconds in to the video.)

If you are inspired to create something with the British Library's collections, find out more on the British Library Labs Awards pages. The deadline this year is midnight BST 11th October 2018. The winners will be announced at our sixth BL Labs symposium on Monday 12 November, 2018.

Posted by BL Labs.