Digital scholarship blog

Enabling innovative research with British Library digital collections

Introduction

Tracking exciting developments at the intersection of libraries, scholarship and technology. Read more

19 January 2021

The New Media Writing Prize collection is now available in the UK Web Archive

For the past four years, the British Library has been researching, collecting and documenting complex digital publications produced in the UK. Born in response to the 2013 UK Non-Print Legal Deposit Regulations, the Emerging Formats project looked at different examples of digital writing, analysed how these can be best preserved and given access to within the specific requirements of a library environment. As part of this work, we hosted a Postdoctoral Innovation Placement researcher, Lynda Clark, who helped us build an Interactive Narratives collection hosted in the UK Web Archive.

Building on from what we learned from Lynda’s work, we created a new collection of emerging media: The New Media Writing Prize collection. The New Media Writing Prize was founded in 2010 and over the past decade has attracted a diverse and innovative range of works from all over the world. Its aim is to showcase and celebrate new and often experimental forms of digital storytelling, crossing formats and genres.

The New Media Writing Prize logo comprising an N with a gamecontroller, M with a microphone, W with headphones and P with a pot of pens
The New Media Writing Prize logo

The collection features shortlisted and winning entries for different categories awarded through the years (main prize, student prize, journalism prize and DOT award), from 2010 to the present. There are over 100 works in the collection, written in a variety of formats: from web-based interactive fiction, to apps and augmented reality table top installations. This exciting variety is also a preservation challenge: some of the online works have already disappeared, or can only be captured partially with our web archiving tools, as they include live data or physical elements. For instances when archiving the work itself wasn’t possible, we tried capturing the documentation around the publication instead, archiving press reviews, blog posts and author’s websites.

While the collection is available online, most of its entries are only accessible on Library premises because of copyright restrictions. A few, however, can also be accessed remotely: for example, Serge Bouchardon’s Loss of Grasp, J.R. Carpenter’s City Fish, Alan Bigelow’s Life of Fly and Amira Hanafi’s What I Am Wearing.

Thumbnail images of six works, which are in the 2020 New Media Writing Prize shortlist
The 2020 New Media Writing Prize shortlist

The work on the collection is far from over: next steps include investigating how to best preserve and present Flash works, accurately describing and linking works in the catalogue and keeping the collection up-to-date. The 2020 shortlist has just been announced for both the main prize and the digital journalism award, so these new entries will soon be added to the collection. You can read the latest news about the New Media Writing Prize on their Twitter or Facebook channels – keep your eyes peeled for the 2020 winners announcement on the 20th January!

This post is by Giulia Carla Rossi, Curator of Digital Publications on twitter as @giugimonogatari.

15 January 2021

Happy 20th Birthday Wikipedia

Today Wikipedia, the world’s collaborative, online, free encyclopedia is marking it's twentieth birthday. Many celebrations are underway for this, including a #WikiLovesCakes online bake off competition organised by Wikimedia UK, which will be judged by Sandi Toksvig and Nick Poole.

Alas I am lacking in baking skills (though I am excellent at cake eating!), so I’m marking #Wikipedia20 with a reflection on how the British Library has collaborated with Wikimedia and contributed to Wikipedia over the last few years.

WMUK Wikipedia 20th Birthday image with number 20, a birthday cake, the Wikimedia globe and Big Ben

I am also delighted to announce that a memorandum of understanding has been signed this month between the British Library and Wikimedia UK for a new Wikimedian-in-Residence. My colleague Richard Davies who signed this agreement on behalf of the Library said:

“The Library has learnt a great deal both from and since our first Wikipedian-in-Residence in 2012-2013, Andrew Gray. Through this new residency we will be able to build on this hugely successful work with Wikipedia, across all our collection areas. It will also enable the Library to contribute more to the GLAM-Wiki Community in a coordinated and sustainable way, with particular emphasis on increasing the visibility of our digital collections, data and research materials from underrepresented people and marginalised communities through the development of innovative partnership projects.”

We are really looking forward to hosting this new residency, so watch this blog for future updates on this project. Fortunately this residency will be building upon existing experience, as British Library colleagues from many departments have actively engaged with Wikipedia and the Wikimedia family of platforms over several years. I will do my best to give summaries of some of these below:

BL Labs has collaborated with Wikimedia Commons in a number of ways, including:

BL Labs have also supported the excellent Wikipedia project Wiki-Food and (mostly) Women, this is an ongoing partnership with the Oxford Symposium of Food & Cookery (OSFC), which was initiated in 2015 by experienced Wikipedia editor and trainer Roberta Wedge, former OSFC Trustee Bee Wilson, OSFC Director Ursula Heinzelmann and the British Library’s Polly Russell. This project has held regular Wikipedia edit-a-thons at the British Library and in Oxford, providing training and support for Wikipedia editing with the aim of increasing and improving the articles about food, especially ones about women’s contributions to food and cooking culture. When this project started 90% of Wikipedia editors were men and this gender bias was reflected in Wikipedia coverage. There is still a bias, but thanks to the efforts of Wikipedia and many wonderful projects worldwide this gender balance is being addressed. Their plans for edit-a-thon events in 2020 were curtailed by Covid-19, but they did run some online training sessions and surgeries with Roberta Wedge at the OSFC virtual conference in 2020.

Another collaboration addressing gender balance issues was a recent Wikithon: Women in Leeds event, which took place on 22nd November 2020, to create and improve Wikipedia articles about some of the amazing women of Leeds, past and present. This was part of the British Library's cultural programme in Yorkshire, working with other GLAM organisations in the region. It was co-organised by Kenn Taylor from the British Library, in partnership with Rhian Isaac of Leeds Libraries and Lucy Moore of Leeds Museums & Galleries, for the season of events accompanying the British Library’s exhibition, "Unfinished Business: The Fight for Women’s Rights".

Hope Miyoba, Wikimedian in Residence for the Science Museum Group, who is based at the National Science and Media Museum in Bradford, gave an excellent training session on how to edit Wikipedia and the event produced new articles for Catherine Mary Buckton, the first woman elected to public office in Leeds, sharpshooter and circus performer Florence Shufflebottom, and philanthropist Marjorie Ziff who is notable for her contributions to the Jewish community in Leeds, whose article was further improved by the Women in Red editing community. This event also inspired me to create a new Wikipedia article for writer Rosie Garland, who is also a singer in Leeds goth band The March Violets.

Positive feedback was received from participants at this event, with comments such as ‘my 9 year old daughter says she wants to do this forever’, ‘just finished Uni and missing researching things, so this is definitely a good lockdown activity to get into!’ and ‘I’m thinking about how to incorporate women and Wikipedia entries into my teaching!’.

In addition to editing Wikipedia and adding images to Wikimedia Commons, a number of British Library staff have been editing Wikidata. In 2020 Eleanor Casson from the Contemporary Literary and Creative Archives team updated seventy Wikipedia articles and seventy two Wikidata entries with information about their collections, see the entry for the Society of Authors example in the image above, and Graham Jevon from the Endangered Archives Project has been using the Wikidata reconciliation service to validate and create authority records. This work enabled him to create more than three hundred authority records for people identified in a digitised collection of photographs from South America, which will be published online soon. Graham says:

"Wikidata has proved particularly helpful for continued productivity and collaboration while working from home during lockdown. It has enabled a colleague without access to internal cataloguing systems to create and edit authority records in Wikidata, which I can then extract to update the BL’s systems. This is a win-win. It helps us update our own catalogue records while simultaneously enhancing the shared Wikidata resource."

Before I end this post, I also want to flag up the excellent work done by the global GLAM–Wiki community (galleries, libraries, archives, and museums, also including botanic gardens and zoos), which advises and supports cultural institutions to share their resources with the world through collaborative projects with experienced Wikipedia editors.

Also the awesome #1Lib1Ref campaign (abbreviation for one librarian, one reference), which invites librarians around the world, and anyone who has a passion for free knowledge, to add missing references to articles on Wikipedia, with the aim to reduce Wikipedia's backlog of citation needed notices.

Please do add some references and eat some cake to celebrate Wikipedia's 20th birthday this year, I know I will be. You may also like to listen to BBC Radio 4’s The World At One programme from earlier today (15/01/2021), where David Gerard and myself discuss Wikipedia and libraries, you can hear this section from 37 minutes 55 seconds into the recording.

This post is by Digital Curator Stella Wisdom (@miss_wisdom)

31 December 2020

Highlights from crowdsourcing projects at the British Library

In this post, Dr Mia Ridge and others celebrate our award-winning contributors and share progress reports from a range of crowdsourcing projects at the British Library.

Despite significant challenges, 2020 was a year of remarkable achievements for crowdsourcing at the British Library. Read on for some highlights.

A quarter of a million contributions on LibCrowds

The LibCrowds platform, which hosts our In the Spotlight project and previously hosted Convert-a-Card, reached an incredible milestone in mid-December - a quarter of a million contributions! Our heartfelt thanks to the nearly 3000 registered volunteers, and countless anonymous others who contributed to this fantastic achievement via our projects.

The official launch - and completion! - of crowdsourcing tasks on Living with Machines

Building on the lessons learnt from earlier experiments, in early December we launched two new crowdsourcing projects with data scientists from the Living with Machines project. These projects aimed to integrate linguistic research questions with tasks that encouraged volunteers to engage with social and technological history in the pages of 19th century newspapers. We learnt a lot and tweaked the project after the feedback from Zooniverse volunteers, and were delighted to be recognised as an official Zooniverse project.

Thanks to the mighty power of Zooniverse volunteers, the tasks were completed within a few days. Analysing the results will keep us busy in the first few months of 2021.

In the Spotlight and Georeferencer contributors are award-winning!

Earlier this year, digital volunteers on the British Library's In the Spotlight and Georeferencer projects were nominated in the Community category of the British Library Labs awards. You can watch the 30 second videos about the nominations for In the Spotlight and Georeferencer on YouTube. Awards winners are decided by BL Labs and other Library staff with the BL Labs Advisory Board, and we're delighted to say that both projects won with a joint award for first place! 

Congratulations to all our contributors for this recognition of your work with our crowdsourcing tasks, and for discussing our collections and sharing your insights with us and others. 

In the Spotlight

In addition to the 255,000+ contributions above, volunteers have completed tasks on 148 volumes of historical playbills. We continue to work with our Metadata Services team to integrate these transcriptions into British Library systems. The project has a remarkable international reach, with visitors to the project from 1736 cities in 104 countries. Whether you're from Accra, Hanoi, London, Moscow, San Antonio or Zagreb - thank you!

Georeferencer

Dr Gethin Rees, Lead Curator for Digital Map Collections, writes:

In 2014 the British Library released over 50,000 images of maps onto the Georeferencer that had been extracted from the millions of Flickr images from 17th-, 18th- and 19th-century books with the help of volunteers. Ever since then the volunteers have been hard at work adding coordinate data on the Georeferencer platform and I am delighted to announce that the collection has now been effectively completed. The upgraded Georeferencer and the time we have all had to spend indoors over the last months appear to have provided the project with a new impetus, well done to all! 

The work of Georeferencer volunteers on this Flickr collection of maps has been invaluable to the Library; the addition of coordinate data from the Flickr collection to the British Library's Aleph catalogue has offered a new metadata perspective for our collections. The Flickr maps can be browsed using an interactive web map allowing the public to easily discover maps of areas where they live or are interested in. We are intending on making the georeferenced maps available as GeoTIFFs on the British Library's Research Repository. A huge thank you to maurice, Janet H, Nigel Slack, Martin Whitton, Benjamin G, John Herridge, Singout, H Barber, Jheald and Michael Ammon and all the Georeferencer community for their amazing work on the platform and feedback over the years.

Find out more: Flickr Maps on the Georeferencer Finished!

Following the completion of the Flickr work, we released just under 8000 images from the K. Top collection onto the BL's Georeferencer. The maps are part of a larger collection of 18,000 digital images of historic maps, views and texts from the Topographical Collection of King George III that have been released into the public domain. The collection has been digitised as part of a seven-year project to catalogue, conserve and digitise the collection which was presented to the Nation in 1823 by King George IV.  The images are made available on the image sharing site Flickr, which links to fully searchable catalogue records on Explore the British Library. The Georeferencers have been making short work of these maps: they were added back in early October and 54% have already been completed. This initial 8000 is the first of two planned Georeferencer releases. 

Find out more: The K.Top: 18,000 digitised maps and views released

Endangered Archives Programme

Dr Graham Jevon, Cataloguer, Endangered Archives Programme, writes:

EAP's Siberian photographs project is close to moving to the next phase. Thanks to the amazing work of all our contributors, one task has been completed and the second task is almost complete.

But we still need your help to tag the last remaining photographs. You don't need any expert knowledge. And like hot mince pies, once they're gone, they're gone. So get tagging before someone else beats you to all the best photos!

In 2021, we are looking forward to processing the results in order to enhance the online catalogue and also to begin an exciting new research project based on the tags you have created - we hope to be able to share more news on this in the coming months!

Meanwhile, Russian curators Katya Rogatchevskaia and Katie McElvanney have been working hard behind the scenes on this project. One of the fruits of this work has been the translation of the Zooniverse platform terms into Russian. This will help enable any future crowdsourcing projects to publish their projects on Zooniverse in Russian as well as English.

Nominate a case study for the 'Collective Wisdom' project

This AHRC-funded project led by Dr Mia Ridge aims to foster an international community of practice and set a research agenda for crowdsourcing in cultural heritage. In March 20201 we'll collaboratively write a book on the state of the art in crowdsourcing in cultural heritage through two intensive week-long 'book sprint' sessions. We'd like to include case studies from a range of projects that include crowdsourcing, online volunteering or digital participation - please get in touch if you'd like to find out more or would like to suggest a project for inclusion.

Find out more: Collective Wisdom Project website.

24 December 2020

BL Labs Awards Symposium 2020, Rewind, Reflections, Box-sets and Seasons Greetings

Posted by Mahendra Mahey, Manager of BL Labs.

This action packed, detailed 'rewind' and festive bumper edition blog post about last week's largest ever BL Labs Awards Symposium 2020, contains some hidden seasonal gifts🎁(if you read very carefully) to bring you seasonal cheer. The post rounds off a difficult and challenging 2020 for the BL Labs team and I am sure for everyone else.

In the new year, we will release this post in a series of shorter parts, but for now you have the opportunity to read the whole account together.

BL Labs Awards Symposium 2020 - detailed report

MENU (Jump to different sections)

  1. About the BL Labs Awards Symposium 2020
  2. Rewind the BL Labs Symposium 2020
  3. Feedback on the Symposium
  4. Keynote by Ruth Ahnert
  5. End keynote by Anasuya Sengupta
  6. BL Labs update by Mahendra Mahey
  7. Digital Research Team update by Adi Keinan-Schoonbeart
  8. Research Services update by Rachael Kortarski
  9. BL Labs Public Awards 2020
  10. BL Labs People's Choice Public Award 2020
  11. BL Labs Staff Awards 2020
  12. BL Labs Box Sets
  13. Conclusion

The BL Labs Awards Symposium 2020 is an annual event and awards ceremony showcasing innovative projects that use, experiment with and have been inspired by the British Library's physical and digital collections and data through BL Labs and / or through collaborations with other people in and outside the Library.

The Labs symposium provides a platform for highlighting and engaging with the British Library’s and other  GalleriesLibrariesArchives and Museums or (GLAMs) through their Labs or similar facilities that enable, support and encourage access and experimentation with their digital collections and data for research, inspiration and enjoyment.

For those GLAMs and / or organisations that don't have similar digital Labs, would like one, support the concept of experimentation with their digital collections generally, or even for those that haven't engaged with GLAM Labs before, why not join our GLAM Labs mailing list or slack channel 🎁 to start a conversation with us. 

You can also download our 🎁 book 'Open a GLAM Lab' to read over this festive period to inspire you to start on your own personal journey into the world of GLAM Labs.

The BL Labs Awards this year recognised outstanding use of British Library's digital content in the categories of Research, Artistic, Educational, Community and British Library staff contributions. Through the BL Labs Public Awards 2020, we made a special request for project submissions about or developed during this century-defining COVID-19 pandemic and / or a request for work that focused on some of the current BL Labs priorities, namely anti-racism (especially in the context for racial equality globally) and the use of Jupyter Notebooks for computational research with data.

Our eighth annual symposium took place for the first time entirely online via the 'Zoom Webinar' platform and was broadcast live and simultaneously on YouTube between 1400-1700 GMT on Tuesday 15 December 2020. We have also had a suggestion from Sarah Cole to try out an alternative platform called 'Hopin'🎁, which we will definitely be looking at (Sarah was a previous BL Labs Awards Commercial Award runner-up with Poetic Places🎁and had two other submissions one for the Awards  - 'Badigical Kingdom: Repurposing Public Domain Images to Make Badges🎁and an idea submitted for the BL Labs competition called 'The Maniacal Curator: A Tabletop Game using the British Library Flickr Collection'🎁).

We had over 350 unique attendees who participated live in the Labs symposium. People came from all over the world, ranging from Europe, the USA and Australia and from different academic fields and professional sectors.  The total number of viewers who have now watched the symposium is steadily rising largely because of those who are watching it after the live broadcast, we really hope the event will reach a wider global audience over time. I feel the way we consume events such as the symposium as well as other types of 'conferences' will be more online and be the new 'normal' in the future. It's clear that what is currently happening to the events' industry happened to terrestrial broadcast TV a number of years ago, in that it has now largely  a mostly on-demand service. Having over 350 viewers for a live online broadcast may seem like a modest number, however for us, this was actually the most number of live attendees we have ever had for our symposium and an opportunity for many to attend who were never able to attend previously because of time zone clashes and not being able to be physically present in London. We were especially pleased with this number, considering that there were a host of other similar online events going on at exactly the same time. So in case you missed it, you can still watch it for the first time (see details below as to how) or watch it again in case you missed something specific.

Going completely online for our symposium this year was a new 'experiment' for us in the BL Labs team.  We really wanted to ensure that the online version should still try to capture the spirit of the awards symposium, i.e. keep the audience engaged right through to the end, inject some fun, make it a true celebration and enable people to connect with each other. We learned a lot from the experience, we knew that there would inevitably be some teething problems however we are pretty pleased with how things went and what we were able to achieve given the time and resources we had available.

Embracing and learning from our mistakes is something we constantly do in a 'Labs' context, fail fast and better. It's part of my own guiding professional principles and something I constantly say when I speak to people who want to engage with BL Labs, especially when we work on experimental projects. A superb example which exemplifies and illustrates this philosophy is in a book by Shawn Graham, in Failing Gloriously and other Essays 🎁in which he documents his personal, entertaining, humorous, insightful and honest journey through digital humanities and digital archaeology against the backdrop of the 21st-century university.

Dan van Strien's Tweet about the BL Labs Symposium 2020
Dan van Strien's tweet about the 'build up' video before the BL Labs Symposium 2020 started, describing a 'clubbing' vibe' with music and graphics.
My colleague Filipe Bento (Technical Lead for BL Labs) was responsible for this as well as other snazzy videos during transitions between breaks and presenters. We hope they injected a bit of fun and a taste and spirit of an MTV style awards show into the event.

The online version of the symposium has sparked some great ideas for me personally in how to run events like this and we hope to implement some new innovations and experiments in the future.

Did you miss attending the BL Labs Awards Symposium 2020 or want to watch a part or the whole thing again?

You can view the recorded live footage of the Symposium below via YouTube below:


🎁Recording of the YouTube live-stream of the 8th BL Labs Symposium, 15 December 2020, conducted on Zoom Webinar.

If you prefer, you may want to 'skip' to key moments in the programme detailed in the list of links below:

14:00 - 14:05  Welcome and introduction (skip to this section)
Maja Maricevic, Head of Higher Education and Science, British Library

14:05 - 14:45 Humanists Living with Machines: reflections on collaboration and computational history during a global pandemic (skip to this section)
Ruth Ahnert, Professor of Literary History and Digital Humanities at Queen Mary University of London  and Principal Investigator on 'Living With Machines' at The Alan Turing Institute.

14:45- 14:55  BL Labs update (skip to to this section)
Mahendra Mahey, Manager of BL Labs, British Library

15:10 - 15:15 Research Award (skip to this section) 
Naomi Billingsley, Research Development Manager, British Library

15:15 - 15:25  Digital Scholarship projects update (skip to this section) 
Adi Keinan-Schoonbaert, Digital Curator, Asian and African Collections, the British Library.

15:25 – 15:30  The Artistic Award (skip to this section)
Jamie Andrews, Head of Culture and Learning, British Library

15:30 - 15:40  Research Services update (skip to this section)
Rachael Kotarski, Head of Research Infrastructure Services, British Library

15:40 - 15:45  The Teaching & Learning Award (skip to this section)
Ria Bartlett, Lead Producer: Onsite Learning at the British Library
(Please note that some of the videos shown in this section had poor audio and can be seen and heard again in our BL Labs Public Awards 2020 YouTube Playlist)

16:10 – 16:15  The Community Award (skip to this section)
Liz White, Head of Public Libraries and Community Engagement

16:15 - 16:25  The British Library Staff Award (skip to this section)
Jas Rai, Head of People, British Library
(Please note that some of the videos shown in this section had no audio and can be seen and heard again in our BL Labs Staff Awards YouTube playlist 2020.)

16:25 – 17:05  How to Decolonise the British Library in 3 (Un)Easy Step (skip to this section)
Anasuya Sengupta, Co-Director, Whose Knowledge?

17:05 – 17:15  'People's Favourite BL Labs Award' the RESULT and closing comments (skip to this section)
Mahendra Mahey, Manager of BL Labs, British Library

[back to menu]

Feedback on Symposium (during and after)

We have received some really positive comments about the event from live participants who rated it with an average of 8.9 out of 10 in terms of overall satisfaction by completing an event feedback survey at the time the event was live.

Comments included:

  • 'It was excellent, especially the opening and closing talks'
  • 'Getting a 'save the date' a bit earlier as there was a clash between many similar events online'
  • 'Having an event half way through the year would be great to give an update on BL Labs and other Digital Research projects as there are so many of them!!'

There were several other useful constructive comments which we are definitely going to think about and consider taking on board for future events and activities.

Calls to action

Participants on the day also logged 'calls to action' i.e. things they were going to do as a result of the event or things they wanted to encourage others to do:

  • 'Everyone must all watch the recordings and listen to the papers!'
  • 'Everyone who has done something relevant should enter the Awards, even if they're not sure that their work fits'
  • 'The event seemed quite academic, but it shed a light on how the digital archives are being used even if not all the terms are understood by the layman'
  • 'Several of the speakers highlighted extremely important topics that necessitate further engagement and research'
  • 'Machine learning based labelling and annotation and novel visualisation techniques to explore archives is something I am going to look into'
  • 'My personal research interest is identity (ethnic, cultural, religious, language, etc.) and how it is expressed both in literature and culture more generally by immigrants from other countries and cultures. I now have ideas of digital ways to pursue this within the BL collections as opposed to simply printed books'
  • 'Separate to the learning award, could there be a schools award? I'm thinking that maybe BL Labs could set a task and invite any school to take part'
  • The work on decolonaziation should be continued
  • 'Oral history archives - accessing transcripts, sound recordings and contextual information from a range of collections that could illuminate my current research based on published books of fiction and non-fiction in English'

Format for next year's event?

Interestingly, there was an overwhelming plea from participants that next year's event should be 'hybrid', online with an option to attend physically if possible. We will try our best (vaccines permitting) to consider this!

Feedback on watching as a pre-recorded event

If you do end up watching the recorded footage, it would really be incredibly helpful for us to receive your feedback about what you liked and what could be improved. This is in order to help us to continue justifying investing so much time and resources in organising such events. Please let us know what you thought about it, through our feedback page 🎁(your gift to us) or on social media / twitter using the @BL_Labs handle.

Behind the scenes team

The team 'behind the scenes' were:

8th BL Labs Symposium Organising Team8th BL Labs Symposium Organising Team
Top (Left to right) - Mahendra Mahey (BL Labs Manager), Filipe Bento (BL Labs Technical Lead), Robin Saklatvala (Event Manager)
Bottom (left to right) - Maja Maricevic (Head of Higher Education and Science), Ruth Hansford (Endangered Archives Programme Grants Portfolio Manager), Dan van Strien (Digital Curator with Living with Machines), Rossitza Atassanova (Digital Curator, Digitisation)
 
Mahendra Mahey, BL Labs Manager behind the screen
Mahendra Mahey, BL Labs Manager 'behind' the screen during the BL Labs Awards Symposium 2020

I would like to thank them all, especially Filipe and Robin who with me, did the heavy lifting.

[back to menu]

Welcome address from Maja Marcievic

Maja Maricevic, is the Head of Higher Education and Sciences at the British Library and manages me. She welcomed everyone who was attending the symposium and was 'master of ceremonies' for the first block of talks detailing some essential housekeeping duties. She then gave a summary of the direction that BL Labs will be moving into the future and detailed how the BL Labs team have been supporting and shining a light on research, artistic, educational as well as showcasing the incredibly important work which focuses on community activism over the year. Finally, she formally introduced the keynote speaker.

Keynote: Humanists Living with Machines: reflections on collaboration and computational history during a global pandemic

This year's keynote was delivered by Ruth Ahnert, Professor of Literary History and Digital Humanities at Queen Mary University of London and Principal Investigator on 'Living With Machines' project at The Alan Turing Institute.

Ruth spoke passionately and very engagingly about her impressive journey and rise as a literary historian. Ruth's academic work has increasingly involved using computational approaches. She highlighted some of the latest results from the Living With Machines project and included descriptions of some poignant and personal reflections on how the Digital Humanities community have been effected by recent developments such as the COVID-19 pandemic, and the push provided by the Black Lives Matter movement for memory organisations to provide greater transparency to their collections. Many of the attendees responded enthusiastically to Ruth's talk and there was a lot of buzz on social media about it. She was even able to answer 5 questions from the audience at the end of her talk.

We are also very excited to announce that Ruth has joined the BL Labs Advisory board and was part of this year's judging panel for our Public Awards 2020. We are delighted that her energy, warmth, humanity and enthusiasm will be helping shape the future of BL Labs moving forward.

You can download her full set of slides as a PDF from here 🎁.

You can follow Ruth on Twitter.

[back to menu]

End Keynote: How to Decolonise the British Library in 3 (Un)Easy Steps

Anasuya Sengupta, Co-Director and co-founder of Whose Knowledge? explored the notions of epistemic injustice and how different structures of power and privilege impact the ways we understand (digital) knowledge and scholarship. In particular, she offered some practices of decolonisation that might move us from metaphor to the ongoing (and never complete) transformation of our organisations and ourselves. Her talk was extremely well received by the audience with very positive comments and feedback such as 'Incredible presentation from Anasuya'. Thank you Anasuya for delivering a very powerful talk.

For me personally, Anasuya's presentation resonated deeply and emotionally. As someone who has a lived experience of racism, prejudice and castetism (as I am of Indian decent) I am very aware of the British Library's / Museum's colonial past and conversely I also try to be aware of my privilege and my awareness that changing things for the better starts with our own individual actions, no matter how small they may be. Her talk reminded me of my own efforts and motivations in trying to address some of these issues when I came to help set up the Lab nearly eight years ago. I saw that BL Labs could help facilitate opening up the Library's collections through digital experimentation. Subsequently, I have wanted it to connect with a new set of diverse audiences that previously would have never even known about the British Library, let alone engage with it. I really want to help people to create new, open, honest transparent narratives and initiate new dialogues about history and tell new inspirational 'time-travel' stories by remixing the past with the present and projecting into an imagined future. This was and still is one of my main motivations to get up in the morning and to continue to manage and lead BL Labs.

One of Anasuya's final slides brilliantly sums up what is needed:

Anasuya Sengupta's call to action
Anasuya Sengupta's call to action

I would also like to take this opportunity to thank the British Library's BAME (Black and Minority Ethnic) staff group for all their hard work in especially addressing anti-racism at the British Library over many years, which I know can be exhausting and emotionally draining and is often not always visible. I would like to raise awareness that our new head of diversity, appointed in August 2019, Hugh Brown has been looking at implementing actions to combat anti-racism within the Library, largely articulated in a press release this summer about the Library's commitment in becoming an anti-racist organisation.

You can download her full set slides as a PDF from here 🎁.

You can also follow Anasuya on Twitter.

[back to menu]

Updates from BL Labs', Digital Research's and Research Services' Teams at the British Library Library

BL Labs

I gave an update on behalf of the BL Labs Team about our activities and I looked forward to new projects and developments some of which are already underway. There was a call to action for people to seek their inner 'Labber', to experiment, create magic, tell fantastic engaging, moving and meaningful stories and conduct valuable and impactful research with the British Library's and other GLAMs' digital collections and data.

Francis Owtram Tweet
Francis Owtram's Tweet

I gave an overview of some details with statistics of work we have done up to now.  There was a personal reflection of my own struggles through this ongoing pandemic period. One BL Labs project that is close to completion is to provide computational access via browser based Jupyter Notebooks for British Library registered readers for some onsite-only available digital collections and data. Another BL Labs project is about building on and getting more of our data used in Higher Education and in the Sciences, especially Data Science, hopefully you will hear more about this in the new year.

You can download my full set slides as a PDF from here🎁.

You can follow me (Mahendra) on Twitter, the @BL_Labs twitter channel which is getting near to 9,000 followers and @GLAM_labs which represents the global GLAM Labs community. All of which I am proud to say I helped set up and run with colleagues.

[back to menu]

Digital Research Team

Adi Keinan-Schoonbaert, Digital Curator, Asian and African Collections, at the British Library, presented some highlights of the incredible range of innovative projects and work being done by her and our colleagues in the Digital Research team at the British Library over the last year, such as:

You can download the full set slides as a PDF from here🎁.

You can also follow Adi on Twitter and members of her team, Rossitza Atassanova, Mia Ridge, Tom Derrick, Stella Wisdom, Nora McGregor, Deirdre Sullivan , Dan van Strien, Olivia Vane, Giorgia Tolfo, Claire Austin, some of whom are managed by Neil Fitzgerald.

[back to menu]

Research Services Update

Rachael Kotarski, Head of Research Infrastructure Services at the British Library, gave some highlights of current projects and services in the Research Services team. Their role is to improve the services the Library offers to researchers and research organisations - onsite and online, BL Labs has been collaborating with them for many years. A particular focus of her team is to make it easier to find and use items from our collections and relevant content globally such as license, acquire and process content, understand our users, what is our content strategy, digital preservation and tools and infrastructure. Highlights from Rachael's presentation include:

You can download the full set slides as a PDF from here 🎁.

You can follow Rachael on Twitter.

[back to menu]

BL Labs Public Awards 2020

The BL Labs Public Awards 2020 winners in Research, Artistic, Educational and Community categories were decided by BL Labs, the BL Labs Advisory Board and some of the British Library's Digital Research team:

From the BL Labs Advisory Board it included:

  • David De Roure, Professor of e-research, Oxford e-research Centre, University of Oxford and Turing Fellow at the Alan Turing Institute
  • Tim Hitchcock, Professor of Digital History, University of Sussex
  • Bill Thompson, Principal Research Engineer, BBC
  • Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh‘s College of Arts, Humanities, and Social Sciences
  • Ruth Ahnert, Professor of Literary History and Digital Humanities at Queen Mary University of London and Principal Investigator on 'Living With Machines' at The Alan Turing Institute (joined in December 2020)
  • Kelly Foster, open knowledge advocate and public historian, London Blue Badge Guide, chapter lead for Creative Commons UK and founding organiser of AfroCROWD UK, an initiative to encourage more people of African heritage to contribute to Wikipedia and it’s sister projects and founding member of TRANSMISSION, a collective of archivists and historians of African descent (joined in December 2020)

Unfortunately, Andrew Prescott, Professor of Digital Humanities (English Language), University of Glasgow was unable to participate due to a clash with a PhD viva. However, he was able to participate on the day as a delegate at the symposium.

On a sad note, our colleague George Oates, Director of Good, Form & Spectacle Ltd has had to step down from the BL Labs Advisory Board after 4 years of excellent service for personal reasons, so we would like to wish George and thank her for all her help over the years.

From the British Library, the judging panel was made up of:

We had a wide range of fantastic and diverse range of entries from around the world this year, all of which can be downloaded as a .zip file. If you are curious about previous years Awards entries, you can also download all our Award entries since its inception🎁. We also strongly recommend you browse the huge BL Labs Digital Projects Archive 🎁where information about this year's entries together with over 300 projects and many BL Labs collaborations, competitions and projects over the nearly last 8 years BL Labs has been involved in or showcased can found. We keep this archive as a historic record to provide evidence of the impact of BL Labs and what it does as well as other initiatives in the Library. The archive could also provide inspiration and insights for you if you are contemplating starting your own projects or collaborations using the Library's and other GLAMs' digital collections and data.

Brief information about which entries were shortlisted this year (2020) can be viewed in just five minutes via a YouTube play list of 10 shortlisted entries for the Public Awards 2020:

BL Labs Public Awards 2020 - Playlist
BL Labs Public Awards 2020 - YouTube playlist of ten 30-second videos

So now onto the BL Labs Awards for 2020 by category.

Research Award

The BL Labs Research Award recognises a project or activity which demonstrates the development of new knowledge, research methods, or tools using the Library’s digital collections or data.

The winners were announced by my colleague Naomi Billingsley, Research Development Manager, at the British Library, her slide deck is available to download here 🎁.

Shortlisted

  • Afrobits
    An interactive installation of African music and the Trans-Atlantic slave trade .

    By Javier Pereda (Senior Lecturer in Graphic Design and Illustration and Researcher in the Experimental Technologies Lab, Liverpool John Moores University), Patricia Murrieta Flores (Senior Lecturer in Digital Humanities, Co-Director of the Digital Humanities Hub at Lancaster University), Nicholas Radburn (Lecturer in the History of the Atlantic World 1500 – 1800, Co-Editor of the Slave Voyages Research Project, Lancaster University), Lois South (History Graduate, Liverpool John Moores University) and Christian Monaghan, Graphic Design and Illustration Graduate, Liverpool John Moores University.


    Links: Short videolonger videofull BL Labs awards' entry and further details.

Runner-up

  • Unlocking our Sound Heritage - Artist in Residence 2019-2020: The Unearthed Odyssey
    Research project culminating in two performances, a genre-bending conceptual Afrofuturist album using 19 samples from the Sound Archive, three comprehensive blogs and work with three youth groups to unpack the themes and content.

    By AWATE (Awate Suleiman - rapper and multimedia artist, England)


    Links: Short videofull BL Labs awards' entry and further details

Panel comments

The judging panel we were simply 'blown away' by Awate's work.

Winner

  • Asking questions with web archives – introductory notebooks for historians
    16 Jupyter notebooks that demonstrate how specific historical research questions can be explored by analysing data from web archives.

    By Tim Sherratt (Associate Professor of Digital Heritage at the University of Canberra and founder and creator of the GLAM workbench), Andrew Jackson (Technical Lead - UK Web Archive, British Library), Alex Osborne (Technical Lead Australian Web Archive - National Library of Australia),  Ben O’Brien (Technical Lead New Zealand Web Archive - National Library of New Zealand) and Olga Holownia (International Internet Preservation Coalition (IIPC) Programmes & Communications Officer)

    Links: Short videofull BL Labs awards' entry and further details.

Panel comments

Congratulations Tim Sherratt, Andrew Jackson; Alex Osborne, Ben O’Brien and Olga Holownia. The panel were impressed with the quality of documentation and thought that went into how to work computationally through Jupyter Notebooks with web archives, which are challenging to work with because of their. These tools are some of the first of their kind for Web Archives.

The BL Labs advisory board wanted to acknowledge and reward the incredible work of Tim Sherratt in particular.

"Tim, you have been a pioneer as ‘a one person Lab’ over many years, and these 16 notebooks are a fine addition to your already extensive suite in your GLAM work-bench. Your work has inspired so many in GLAMs, the Humanities community and BL Labs to develop their own notebooks".

We strongly recommend that you look at the GLAM work-bench if you are interested in doing computational experiments with many institutions’ data sources, we genuinely think Tim's work has been at the forefront of computational hacking work in GLAMs.

Artistic Award

This Award recognises an artistic or creative endeavour that has used the Library’s digital content to inspire, amaze and provoke. This year's Awards were announced for the fourth time by Jamie Andrews, Head of Culture and Learning, British Library, his slide deck is available here🎁.

Special commendation

  • Afrobits
    An interactive installation of African music and the Trans-Atlantic slave trade .

    By Javier Pereda (Senior Lecturer in Graphic Design and Illustration and Researcher in the Experimental Technologies Lab, Liverpool John Moores University), Patricia Murrieta Flores (Senior Lecturer in Digital Humanities, Co-Director of the Digital Humanities Hub at Lancaster University), Nicholas Radburn (Lecturer in the History of the Atlantic World 1500 – 1800, Co-Editor of the Slave Voyages Research Project, Lancaster University), Lois South (History Graduate, Liverpool John Moores University) and Christian Monaghan, Graphic Design and Illustration Graduate, Liverpool John Moores University.


    Links: Short videolonger videofull BL Labs awards' entry and further details.

Panel comments

This is an interactive installation of influence of African music on culture and the Trans-Atlantic slave trade. It's a piece that is absolutely vital for our times.

Panel comments

Rosyln's work is a celebration of black heritage through black afro hair developed in the context of doing something positive given negative images of police brutality against black people around the world. She used images of Bantu, Balondo and Akan men and women from British Library’s Flickr Commons collection, using them to make patterns for fabrics and wallpapers, t-shirts and mugs and intend to use the fabrics to make other products. The panel loved how Rosyln created some positive out of the tremendous negativity that has been directed towards black people around the world. The team liked the designs, they were vibrant, fresh and cool.

Runner-up

Panel comments

This entry was very well received by everyone. The panel felt Faint Signals was wonderfully inventive use of the environmental sounds collection, clever imaginative use of Unity 3D technology, perfect impact over the COVID period. It's a piece that draws you in, that is relaxing and rather beguiling and certainly in these challenging times when travelling is impossible, and perhaps travelling into nature is difficult, this gives you a sense of the glories and the vastness of the sounds of nature.

Winner

  • Unlocking our Sound Heritage - Artist in Residence 2019-2020: The Unearthed Odyssey
    Research project culminating in two performances, a genre-bending conceptual Afrofuturist album using 19 samples from the Sound Archive, three comprehensive blogs and work with three youth groups to unpack the themes and content.

    By AWATE (Awate Suleiman - rapper and multimedia artist, England)


    Links: Short videofull BL Labs awards' entry and further details

Panel comments

The panel were incredibly moved by the performance of Awate. They were impressed by the quality of story telling and research needed to stitch together such powerful archive footage such as Grace Nichols’ poem ‘I have crossed an ocean’ (see below):

A reading's of Grace's work is available to listen to onsite at the British Library, together with other recordings of extraordinary people.

Congratulations to Awate, for creating this captivating performance, and I think, gave all of us who experienced it, goose bumps! We strongly urge you to please listen to his work, it’s very moving and inspiring.

Learning and Teaching (Educational) Award

This Award celebrates quality learning experiences created for learners of any age and ability that use the Library's digital content. This year's awards were announced for the third time by Ria Bartlett, Lead Producer: Onsite Learning at the British Library, her slide deck is available here.

Special Commendation

Panel comments

The panel were particularly impressed by the quality of the tool produced by a student in their own time and his generosity and kindness to share the tool for the benefit of all. Also, this is the first time an Endangered Archives Programme's (EAP) digitised collections have been recognised with a BL Labs award. We hope many more projects will be submitted in the future that use EAP’s incredible range of digital collections.

  • Unlocking our Sound Heritage - Artist in Residence 2019-2020: The Unearthed Odyssey
    Research project culminating in two performances, a genre-bending conceptual Afrofuturist album using 19 samples from the Sound Archive, three comprehensive blogs and work with three youth groups to unpack the themes and content.

    by AWATE (Awate Suleiman - rapper and multimedia artist, England)


    Links: Short videofull BL Labs awards' entry and further details

Panel comments

We were particularly impressed how Awate worked with young people to unpack his journey of research in the British Library to make his piece, teaching at The Roundhouse in Camden and Fairbeats in Lewisham and recording voices from children from London to be included in some of his pieces, which was a geat honour for them. We particularly liked the narrative you created. The story takes place on a generation ship, during the one day a year a group of children are awake for a lesson taught to them by an artificial intelligence tutor. The tutor uses an algorithm to sample from the British Library archive from the years 1896-2019 in order to tell them stories of human migration using clips from Oral History recordings. As they are travelling to a different planet, the AI places them in the greater context of migration, exploring themes such as war, corruption, famine and drought.

Well done Awate! We urge you all to listen to his ‘The Unearthed Odyssey’ performance, it’s brilliant.

Runner-up

  • Inspiring computationally-driven research with the BL’s collections: a GLAM Notebooks approach
    Enabling cultural heritage institutions and (digital) humanities researchers to experiment with Collections as Data and GLAM notebooks by showcasing practical implementations from a wide range of GLAM institutions and digital collections. 

    By Gustavo CandelaPilar EscobarMaría Dolores Sáez and Manuel Marco-Such  from the Research Libraries Team, Department of Software and Computing Systems, the University of Alicante, Spain

    Links: Short videofull BL Labs awards' entry and further details.

Panel comments

We were impressed that the notebooks the team have developed are being used in the team's own teaching on university courses. We also liked how the team have very generously created Jupyter Notebooks for other GLAMs' data, where many do not have the capacity to do so. That’s 15 notebooks for 12 GLAMs.

Winner

  • Beyond the Rubric: Collaborating with the Cultural Heritage Sector in Higher Education Teaching and Research
    A project-based, research-led collaboration between the British Library and students of the Centre for Digital Humanities Research at the Australian National University.

    By Terhi Nurmikko-Fuller (Senior Lecturer in Digital Humanities, Australian National University, Canberra, Australia)


    Links: Short videofull BL Labs awards' entry and further details

Panel comments

Well done Terhi and especially her students who produced such outstanding work in only 12 weeks through their group projects. The panel felt this was an exemplary use of the British Library’s digital collections and data in a Digital Scholarship context and an excellent template for further collaboration with BL Labs and other GLAM Labs working with educational institutions especially in area of Digital Humanities. We were particularly impressed with Terhi’s grading criteria that recognised ambition in projects and Terhi’s decision to have interdisciplinary, gender-balanced, multi-lingual project groups.

Community

This Award celebrates an activity / work / project that has been created by an individual or group in a community inspired by or using our digital collections and data. This year's awards were announced for first time by Liz White, Head of Public Libraries and Community Engagement, her slide deck is available here.

Special Commendation

  • Inspiring computationally-driven research with the BL’s collections: a GLAM Notebooks approach
    Enabling cultural heritage institutions and (digital) humanities researchers to experiment with Collections as Data and GLAM notebooks by showcasing practical implementations from a wide range of GLAM institutions and digital collections. 

    By Gustavo CandelaPilar EscobarMaría Dolores Sáez and Manuel Marco-Such  from the Research Libraries Team, Department of Software and Computing Systems, the University of Alicante, Spain

    Links: Short videofull BL Labs awards' entry and further details.

Panel comments

This entry was in fact the most nominated across 3 of the 4 BL Labs public Awards categories. The panel particularly loved the generosity of the group in developing computational access to 12 Gallery, Library, Archive and Museum’s (GLAMs) data through 15 Jupyter Notebooks, including the British Library. Many of these institutions do not have the capacity or expertise to do this, so this was some really kind and fantastic work moving these organisations forward computationally. A great contribution to the GLAM Labs community, initiated of course by Mahendra at BL Labs. Find out more about GLAM Labs at glamlabs.io.

Special Commendation

  • Unlocking our Sound Heritage - Artist in Residence 2019-2020: The Unearthed Odyssey
    Research project culminating in two performances, a genre-bending conceptual Afrofuturist album using 19 samples from the Sound Archive, three comprehensive blogs and work with three youth groups to unpack the themes and content.

    By AWATE (Awate Suleiman - rapper and multimedia artist, England)


    Links: Short videofull BL Labs awards' entry and further details

Panel comments

We were particularly impressed how Awate worked with British Library staff before and during lockdown, with school children from South London to unpack his journey of research in the British Library to make his piece. He also taught at the Roundhouse in Camden and Fairbeats in Lewisham and recorded voices from local children to be included in some of his pieces, a great honour for them.  Well done Awate, great work!

Winner

  • Flickr Georeferencing completed by volunteers
    Volunteer georeferencers have added coordinates to all the images of over 50,000 maps from the British Library's Flickr Commons site.

    By 'Volunteer geo-referencers' nominated by Gethen Rees, Digital Mapping Curator, British Library


    Links: Short videoFull BL Labs awards' entry and further details.

Panel comments

Volunteer Geo-referencers with over 50,00 Maps geo-referenced was nominated on behalf of the volunteers by Gethen Rees, Digital Mapping Curator. It took them nearly 6 years to geo-reference over 50,000 maps, incredible and epic work that deserves a tremendous amount of recognition. Previously James Heald (2105) and Maurice Nicholson (2016)  from the volunteer mapping community have been recognised for their excellent work.

BL Labs will be donating the prize money to a Humanitarian Mapping charity.

  • In the Spotlight volunteers
    Since 2017, thousands of volunteers have helped bring the British Library's historic playbills collection to life through the In the Spotlight crowdsourcing project.

    By 'In the Spotlight volunteers' nominated by Mia Ridge, Digital Curator, Western Heritage Collections, British Library


    Links: Short videofull BL Labs awards' entry and further details.

Panel comments

In the Spotlight volunteers was nominated by Mia Ridge, digital curator at the British Library on behalf of thousands of volunteers adding information to digitised historic playbills of plays and performances, with nearly a quarter of a million tasks”.

BL Labs will be donating the prize money to a charity that supports out-of-work actors who have especially been effected by the pandemic.

[back to menu]

BL Labs People's Choice Public Award 2020

Between 1100 (GMT) Monday 14 December 2020 to 1615 ( GMT) Tuesday 15 December 2020 an international public vote took place using Menti to decide on the overall favourite entry of all the shortlisted entrants to the BL Labs Public Awards 2020.

The results were as follows:

BL Labs People's Favourite Public Award 2020
BL Labs People's Favourite Public Award 2020 Results of Public Vote (1230 votes cast) Numbers on image correspond to the those in the table below:
Number Name of entry

Number of Public Votes

Ranking
1 Asking questions with web archives – introductory notebooks for historians 56 4
2 Mapping the Reparto de Tierras in Michoacán, Mexico (1868 - 1929) 37 5
3 Inspiring computationally-driven research with the BL’s collections:
a GLAM Notebooks approach
582 1
4 Afrobits 312 2
5 Faint Signals 18 8
6 Afro Hair and its Heritage 153 3
7 In the Spotlight volunteers 32 6
8 Flickr Geo-referencing Volunteers 4 10
8 Beyond the Rubric 32 6
10 Unlocking our Sound Heritage: The Unearthed Odessey - AWATE 14 9
  Total number of votes cast 1230  

The overall ranked list (by number of votes) was:

Rank Name of BL Labs Public Awards 2020 Entry
1 Inspiring computationally-driven research with the BL’s collections: a GLAM Notebooks approach
2 Afrobits
3 Afro Hair and its Heritage
4 Asking questions with web archives – introductory notebooks for historians
5 Mapping the Reparto de Tierras in Michoacán, Mexico (1868 - 1929)
6 In the Spotlight volunteers
6 Beyond the Rubric
8 Faint Signals
9 Unlocking our Sound Heritage: The Unearthed Odyssey - AWATE
10 Flickr Geo-referencing Volunteers

CONGRATULATIONS TO...

They are the FIRST WINNERS of the BL Labs People's Choice Public Award 2020!

[back to menu]

BL Labs Staff Awards 2020

The BL Labs Staff Awards were established in 2016 to highlight the exceptional work British Library staff have done with its data and / or digital collections and technology.

The 2020 British Library Labs Staff Award, now in its fifth year, gives recognition to current British Library staff who have created something brilliant using the Library's data and / or digital collections to answer and address the following questions and statements:

  • Perhaps you know of a project that developed new forms of knowledge, or an activity that delivered commercial value to the library.
  • Did the person or team create an artistic work that inspired, stimulated, amazed and provoked?
  • Do you know of a project developed by the Library where quality learning experiences were generated using the Library's digital content?
  • Have you worked on a project that used the Library's digital collections in the local community?

A panel comprised of the BL Labs Team and other British Library staff:

We received 13 entries, the most we have ever received for the Staff Awards and they are listed below:

  1. British Library / Qatar Foundation Partnership watermarks project
    Digitally capturing watermarks from old manuscripts and books.

    Nominated by Sotirios Alpanis (Head of Digital Operations, BL Qatar Project) on behalf of Heather Murphy (Conservation Team Leader, BL Qatar Project), Camillie Dekeyser-Thuet (Conservator Gulf History and Arabic Science, BL Qatar Project), Matt Lee (Senior Imaging Support Technician, BL Qatar Project) and Jordi Clopes-Masjuan (Senior Imaging Technician, BL Qatar Project).


    Links: Full BL Labs awards' entry and further details.

  2. British Library Simulator on Bitsy
    The British Library simulator allows you to walk around the public spaces of the Library, visit a Reading Room, and see the basement (almost).

    Nominated by Ian Cooke (Head of Contemporary British Published Collections) on behalf of Giulia Carla Rossi (Curator, Digital Publications)


    Links: Short videofull BL Labs awards' entry and further details, bitsy available here and the simulator is available here.

  3. Making Data into Sound
    Inspired by an article about sonification on the programming historian website, Anne Courtney enabled a new way of experiencing catalogue records through sound.

    Nominated by Laura Parsons (Digitisation Workflow Administrator, BL Qatar Project) on behalf of Anne Courtney (Cataloguer, Gulf History, BL Qatar Project)

    Links: Short videofull BL Labs awards' entry and further details 

  4. Leeds Exhibition Staff Doing Digital events and projects
    In response to the pandemic British Library exhibition staff had to deliver a range of activities online, some of which were originally conceived as physical events. They also worked on commercial project commissions such as Faint Signals.

    Nominated by Elvie Thompson (Lead Learning Producer, BL North - Leeds) and Conrad Bodman (Head of Culture Programmes, BL Culture and Learning) on behalf of Kenn Taylor (Lead Culture Producer, BL North - Leeds).

    Links: Full BL Labs awards' entry and further details.

  5. How to make art when we're working apart
    A guide developed during lock-down to enable people to create collages using the British Library's Flickr Commons collection.

    By Hannah Nagle (Senior Imaging Support Technician, BL Qatar Project)

    Links: Full BL Labs awards' entry and further details.

  6. A title-level list of British, Irish, British Overseas Territories and Crown Dependencies newspapers held by the BL
    Though the library has functions for searching the print newspaper collection, metadata was created for the newspaper titles for those who would like to get an overview of the collection or use it for statistical analysis. The data is being used by the designer of a 'history of newspapers' infographic, for the upcoming infographics exhibition to be held next year at the Library and a number of visualisations. 

    Nominated by Yann Ryan (Digital Newspaper Curator) on behalf of himself, Luke McKernan (Lead Curator News & Moving Image Collections), Stephen Lester (Curator Newspaper Collections) and Alan Danskin (Collection Metadata Standards Manager)

    Links: Full BL Labs awards' entry and further details, dataset, and press picker developed by Living with Machines is based on this work.

  7. Extracting text from Maps
    The creation and release of a dataset containing the text extracted from almost 2,000 colonial-era maps and documents, using the Google Vision API, which was enabled during the completion of a pilot course in Computing for Cultural Heritage at Birkbeck University.

    Nominated by Adi Keinan-Schoonbaert, Digital Curator, Asian and African Collections, the British Library on behalf of Nick Dykes (Curator for Modern Maps Collections)

    Links: Longer video, full BL Labs awards' entry and further details, online map, spreadsheet, included in a paper delivered at the Royal Anthropological Institute Conference 14 - 18 September 2020, ‘Anthropology and Geography: Dialogues Past, Present and Future’ – ‘From conservation to computer vision - curating the ‘War Office Archive’ of colonial-era maps held at the British Library’

  8. The Unlocking Our Sound Heritage (UOSH) Artist-in-Residence at the British Library
    Staff supporting Unlocking our Sound Heritage - Artist in Residence 2019-2020: The Unearthed Odyssey research project culminating in two performances, a genre-bending conceptual Afrofuturist album using 19 samples from the Sound Archive, three comprehensive blogs and work with three youth groups to unpack the themes and content bAWATE (Awate Suleiman - rapper and multimedia artist, England).

    Nominated by Sue Davies on behalf of Chandan Mahal (Learning Projects Manager), Andrea Zarza (Curator World & Traditional Music Collections) and Amanda House (Lead Intellectual Property Manager, Unlocking Our Sound Heritage).

    Links: Short videofull BL Labs awards' entry and further details

  9. Languid: Language Identification Project
    The addition of the language codes to 3,196,285 catalogue records using a combination of machine learning and human methods to enhance the records of items from the British Museum collection covering the period from the beginning of printing to the 1970s.

    Nominated by Alan Danskin (Collection Metadata Standards Manager) on behalf of Victoria Morris (Online Metadata Analyst, BL Collection Metadata)

    Links: Short video, longer video, full BL Labs awards' entry and Morris, Victoria  Automated Language Identification of Bibliographic Resources: Cataloging & Classification Quarterly: Vol 58, No 1 (tandfonline.com) , also available on the British Library's institutional repository

  10. Improving the cataloguing process and quality of EAP metadata through Open Refine and writing own software
    Work that enhances the catalogue process for the Endangered Archives Programme (EAP) digital archive, to improve the quality of the metadata and to make the cataloguing process more efficient.

    By Graham Jevon (Endangered Archives Programme Cataloguer, BL Endangered Archives Programme)

    Links: Full BL Labs awards' entry and further details, GitHub and a second blog post

  11. Hidden world of Qatar National Library - Bitsy simulator
    Game developed using BITSY, based on the Qatar National Library in Doha. Users in the gamey have to undertake tasks such as to find a manuscript in the basement and an astrolabe with other aspects of game play to create a more immersive experience which has more intimate ties to, and features many more objects and items in the collection of the Library.

    Nominated by Ellis Meade (Senior Imaging Technician, BL Qatar Project) on behalf himself, Serim Abboushi (Arabic & English Web Content Editor, BL Qatar Project), Heather Murphy (Conservation Team Leader, BL Qatar Project), Naomi Ortega-Raventos (Content Specialist, Archivist, BL Qatar Project) and Julia Ihnatowicz (Translation Specialist, BL Qatar Project)

    Links: Full BL Labs awards' entry and further details.

  12. Addressing Problematic Terms in our Catalogues
    Started by colleagues on the Qatar Foundation Partnership Project, the idea was inspired by a talk by Melissa Bennett about decolonising archives and how terms used in catalogue records can be problematic. This project has analysed the terms used in cataloguing including those used when translating our catalogue records into Arabic so that they can be added to our bilingual Qatar Digital Library.

    Nominated by Laura Parsons (Digitisation Workflow Administrator, BL Qatar Project)  and Francisca Fuentes Rettig (Curator North American Publication Collections, British Library American) on behalf of British Library Black and Minority Ethnic (BAME) network. The team are: Serim Abboushi (Arabic & English Web Content Editor, BL Qatar Project), Mariam Aboelezz (Translation Support Officer, BL Qatar Project), Louis Allday (Gulf History Cataloguing Manager, BL Qatar Project), Sotirios Alpanis (Head of Digital Operations, BL Qatar Project) , John Casey (Cataloguer, Gulf History, BL Qatar Project), David Fitzpatrick (Content Specialist Archivist, BL Qatar Project), Susannah Gillard (Content Specialist, Archivist, BL Qatar Project), John Hayhurst (Content Specialist, Gulf History, BL Qatar Project), Julia Ihnatowicz (Translation Specialist, BL Qatar Project), William Monk (Cataloguer, Gulf History, BL Qatar Project), Hannah Nagle (Senior Imaging Support Technician, BL Qatar Project), Noemi Ortega-Raventos (Content Specialist, Archivist, BL Qatar Project), Francis Owtram (Content Specialist, Gulf History, BL Qatar Project), Curstaidh Reid (Cataloguer, Gulf History, BL Qatar Project), George Samaan (Translation Support Officer, BL Qatar Project), Tahani Shaban (Translation Specialist, BL Qatar Project), David Woodbridge (Cataloguer, Gulf History, BL Qatar Project) and Nariman Youssef (Arabic Translation Manager, BL Qatar Project)

    Links: Short video and full BL Labs awards' entry.

  13. COVID-19 materials supplied by British Library
    From the start of the pandemic and during lockdown, teams have worked hard to provide key materials for Covid-19 from the British Library On Demand collection to researches working on treatments, preventative measures and vaccines for the virus. Visit www.bl.uk/on-demand

    Nominated by Peter Chymera on behalf of Customer Services, Document Supply Managers and Retrieval Staff at the British Library

    Links: Full BL Labs awards' entry and further details.

 

The winners were announced by my colleague Jas Rai, Head of People, British Library, her slide deck is available here.

Special Commendation

  • Improving the cataloguing process and quality of EAP metadata through Open Refine and writing own software
    Work that enhances the catalogue process for the Endangered Archives Programme (EAP) digital archive, to improve the quality of the metadata and to make the cataloguing process more efficient.

    By Graham Jevon (Endangered Archives Programme Cataloguer, BL Endangered Archives Programme)

    Links: Full BL Labs awards' entry and further details, github and a second blog post

Panel comments

We received a number of entries which describe journeys of staff learning more about technology and then using what they learned to enable innovation in their work. We would like to give a special commendation to Nick and Graham, two members of staff who the panel felt were worthy exemplars of this.

Runners-up

Panel comments

Anne Courtney, Cataloguer of Gulf History at the British Library’s Qatar Project created a musical piece from the India Office records catalogue records. She did this by using the place names to connect with different instruments, dates in records connected to timing of the music and the how the data is related effected the interaction with the instruments.

The panel were really impressed with this very thoughtful and innovative way of discovering our collections, it was almost like leaving an acoustic memory of the people’s that these records are about.

Panel comments

Victoria Morris is an online metadata analyst in the British Library’s collection metadata team. She did some pioneering computational work using machine learning to detect missing information about the language of catalogue records.

The panel were really impressed with the innovation and the incredible impact of the work, identifying 471 languages in the records, 141 of which were not previously represented, with the addition of language codes to 3,196,285 records.

Winners

Panel comments

The simulator was created by Giulia in May 2020 using ‘Bitsy'. It has been viewed more than 5,000 times (with most use during the period when the Library was closed to the public). It has attracted press attention in the UK and in Europe. Subsequent attention has come from another national library in Europe, and also a student and librarian in the US, who is preparing a Fulbright application to study interactive storytelling and games in the UK.

Giulia followed up the Simulator by leading a 'Hack n Yack' session organised by the Digital Scholarship team on Bitsy for Library colleagues. A BL colleague has produced a similar simulator for the Qatar Digital Library inspired by Giulia's work.

This was a unanimous favourite with the judging panel. Thank you Giulia for such a fun project.

  • Addressing Problematic Terms in our Catalogues
    Started by colleagues on the Qatar Foundation Partnership Project the idea to start the work that was inspired by a talk by Melissa Bennett about decolonising the archive and how terms used in catalogue records can be problematic. This project has analysed the terms used in cataloguing including the terms used when translating our catalogue records into Arabic so that they can be added to our bilingual Qatar Digital Library.

    Nominated by Laura Parsons (Digitisation Workflow Administrator, BL Qatar Project)  and Francisca Fuentes Rettig (Curator North American Publication Collections, British Library American) on behalf of British Library Black and Minority Ethnic (BAME) network. Names are: Serim Abboushi (Arabic & English Web Content Editor, BL Qatar Project), Mariam Aboelezz (Translation Support Officer, BL Qatar Project), Louis Allday (Gulf History Cataloguing Manager, BL Qatar Project), Sotirios Alpanis (Head of Digital Operations, BL Qatar Project) , John Casey (Cataloguer, Gulf History, BL Qatar Project), David Fitzpatrick (Content Specialist Archivist, BL Qatar Project), Susannah Gillard (Content Specialist, Archivist, BL Qatar Project), John Hayhurst (Content Specialist, Gulf History, BL Qatar Project), Julia Ihnatowicz (Translation Specialist, BL Qatar Project), William Monk (Cataloguer, Gulf History, BL Qatar Project), Hannah Nagle (Senior Imaging Support Technician, BL Qatar Project), Noemi Ortega-Raventos (Content Specialist, Archivist, BL Qatar Project), Francis Owtram (Content Specialist, Gulf History, BL Qatar Project), Curstaidh Reid (Cataloguer, Gulf History, BL Qatar Project), George Samaan (Translation Support Officer, BL Qatar Project), Tahani Shaban (Translation Specialist, BL Qatar Project), David Woodbridge (Cataloguer, Gulf History, BL Qatar Project) and Nariman Youssef (Arabic Translation Manager, BL Qatar Project)

    Links: Short video and full BL Labs awards' entry.

Panel comments

The second winner is from the British Library’s Qatar Foundation team. Congratulations go to: Serim Abboushi, Mariam Aboelezz, Louis Allday, Sotirios Alpanis, John Casey, David Fitzpatrick, Susannah Gillard, John Hayhurst, Julia Ihnatowicz, William Monk, Hannah Nagle, Noemi Ortega-Raventos, Francis Owtram, Curstaidh Reid, George Samaan, Tahani Shaban, David Woodbridge and Nariman Youssef  and special thanks to the BAME Staff Network.

This is incredibly important work as it is something that continues to require attention. Perhaps it’s fair to say it is now getting even more focus because of world events such as ‘Black Lives Matter’.

Congratulations to everyone, we know this work isn’t easy but it is MOST definitely needed!

[back to menu]

Binge-watch BL Labs 'box-sets' (YouTube Playlists)

This seasonal time in the UK often involves may of us binge watching online box sets online or on TV. If this is you, and you really want to learn more about the world of GLAM Labs, digital scholarship and the creative potential of working with our and other's digital collections and data we have organised and prepared footage from previous years' events. There are some fantastic, thought provoking and incredibly wise keynote speeches, some excellent presentations which highlight projects that are still relevant and inspiring for all of us today. You can even watch the launch of the BL Labs project almost eight years ago. 

BL_Labs_Symposium_2019Symposium
YouTube

Playlist 2019
BL_Labs_Symposium_2018Symposium
YouTube

Playlist 2018
BL_Labs_Symposium_2017Symposium
YouTube

Playlist 2017
BL_Labs_Symposium_2016Symposium
YouTube

Playlist 2016
BL_Labs_Symposium_2015Symposium
YouTube

Playlist 2015
BL Labs Symposium 2014 YouTube Playlist
Symposium
YouTube

Playlist 2014
BL_Labs_LaunchEvent2013BL Labs Launch
YouTube

Playlist 2013
Buildinglibrarylabs.jpegBuilding Library Labs
YouTube
Playlist 2018
Text-dataminingText& Data Mining
YouTube
Playlist 2015
CuriousimagesCurious Images
YouTube
Playlist 2014
[back to menu]

Conclusion and Season's Greetings

Winter_sceneBritish Library digitised image from page 161 of "Poetry of the year. Passages from the poets descriptive of the seasons. With twenty-two coloured illustrations from drawings by eminent artists [Edited by Joseph Cundall.]
Taken from the British Library's Flickr Commons collection.

That's a wrap from the BL Labs team for 2020, what a challenging year it has been!

We hope you find something in this post of interest that inspires you to start or continue your journey in using the British Library's (as well as other GLAM Labs and organisations) digital collections and data for an innovative project.

Looking back at nearly 8 years of working at BL Labs I am really proud of what we have achieved, let's hope 2021 will be a great year.

Seasons greetings and a Happy New Year to all, please stay safe and have a lovely and relaxing festive period with friends and family involved if possible.

Mahendra Mahey, Manager of BL Labs.

[back to menu]

17 December 2020

Digital Research and the year that was

With the conclusion of another successful British Library Labs Symposium, and what has been a rather unusual year, it is a good time to reflect on some of the things that the Digital Research Team at the British Library has been busy with – and some of our plans for the coming year too. Despite pandemic-related challenges, we managed to deliver various strands of work towards fulfilling our mission: to enable the use of the British Library’s digital collections for research, inspiration, creativity, and enjoyment.

Innovative Projects

Image from the Legacies of Catalogue Descriptions and Curatorial Voice web page

We undertook innovative research, projects and collaborations, using digital methods on our collections to showcase their potential and improve access for our users. One such project is the Legacies of Catalogue Descriptions and Curatorial Voice: Opportunities for Digital Scholarship, with which Rossitza Atanassova from the team is involved. It is a 12-month collaboration between the Sussex Humanities Lab, the British Library, and Yale University Library, funded under the AHRC UK-US Collaboration for Digital Scholarship in Cultural Institutions: Partnership Development Grants scheme. The project covers computational, critical, and curatorial analysis of collection catalogues, and combines corpus linguistic methods and archival research to characterise curatorial “voice”. It also develops sectoral capability in digital scholarship through co-produced training materials and workshops.

Another example is our Living with Machines project, which has been thriving. For those of you who (still!) don’t know it, it is a collaborative project between the Alan Turing Institute, academics at UK universities and the British Library. Mia Ridge from the team is one of the project co-investigators. With her expertise in crowdsourcing, the project launched its first crowdsourcing tasks in late 2019, and watched them being finished by volunteers in the first weeks of lockdown. Contributors were asked to identify accidents reported in 19th century newspapers – this proved to be very popular! As a next step, the project is launching more ‘language’-related tasks – such as to read small sections of newspaper articles that talk about a 'machine‘, and then identify what kind of machine was meant in each example.

Screenshot from the Living with Machines Zooniverse project

Mia’s other crowdsourcing initiative, the In the Spotlight project hosted on the Library’s LibCrowds platform, is almost ready to celebrate a whopping quarter of a million contributions to this platform. She plans to bring both those experiences to the process of collaboratively writing a book in a fortnight on crowdsourcing and digital participation in cultural heritage through a networking project called Collective Wisdom, funded by the same AHRC scheme mentioned above.

Groundbreaking Technologies

One of our main goals is to enable digital content to be as accessible as possible, and one of the most efficient ways to go about this is to create machine-readable text from digitised material through OCR/HTR - Optical Character Recognition and Handwritten Text Recognition. I (Adi) have been involved in work in this area as well as Tom Derrick, who works with the Two Centuries of Indian Print project. We made Arabic and Bengali OCR/HTR datasets available through the British Library repository, and delivered some OCR/HTR training to BL staff (one-day course and a Transkribus workshop).

Tom used Transkribus to OCR an entire series of books using the Bangla trained model (ca. 150 early Bengali books), and is now using Wikimedia Commons and Wikisource to present text of books alongside the scanned images. He plans on running a competition in partnership with the Bengali Wikisource community in spring 2021, encouraging volunteers to improve OCR of Bengali books in Wikisource. The plan is also to make these transcriptions available as an open dataset and keyword searchable through the Library viewer.

Screenshot from Wikisource, showing text and image of a Bengali book

Emerging Formats

We welcomed two British Library Collaborative Doctoral Students researching different aspects relating to the creation, production, consumption, value and collecting of UK digital comics: Linda Berube, “Understanding UK digital comics information and publishing practices: From creation to consumption,” City, University of London, supervised by Ian Cooke; and Thomas Gebhart, “Collecting UK Digital Comics: Social, cultural and technological factors for cultural institutions”, University of the Arts, supervised by Stella Wisdom.

Digital comics in the UK are at the cutting-edge of how imaginative, immediate and emotionally engaging stories can be told in the 21st Century. New creative tools, new formats, and new methods of distribution have expanded the reach of ideas communicated through digital comics. On top of embracing technological change, digital comics have the potential to reflect, embrace and contribute to social and cultural change in the UK. We look forward to reading more about Thomas and Linda’s research!

Cutting-Edge Literacy

The British Library and partners Birkbeck University and The National Archives have been awarded £222,420 in funding by the Institute of Coding (IoC) to co-develop a one-year part-time postgraduate Certificate (PGCert), Computing for Cultural Heritage, as part of a £4.8M University skills drive. Nora McGregor has co-ordinated this trial, aimed at information professionals working in the cultural heritage sector.

Image of a computer with books from the Computing for Cultural Heritage project page

From deploying simple scripts for everyday tasks, to developing tools for analysing collections data, the British Library and The National Archives explored different ways to meet demand for such skills, arising particularly from colleagues in curatorial and collection-based roles. This trial explored a model whereby cultural heritage professionals could gain crucial computational skills, immediately relevant to their roles, while earning a formal qualification in computer science, with the express support of their institution.

A cohort of 20 staff from British Library (12) and The National Archives in the UK (8), undertook two newly designed modules at Birkbeck University as part of the trial: Demystifying Computing with Python and Work-based project: Digital project design and development. Examples of some of the exciting projects the cohort undertook can be found on the project page. A final module, Analytic Tools for Information Professionals, is currently under development and will be launched as part of the full Applied Data Science Postgraduate Certificate starting in January 2021, and a final report on the trial will be available in spring 2021.

Boosting Staff Skills

This year we kept running our usual Digital Scholarship Training Programme, transitioning fully to online delivery. This is an internal training programme aimed at enabling Library staff to support and/or undertake digital research. We run different types of events, including courses, hands-on workshops (Hack & Yacks), talks and a reading group. We’ve had Deirdre Sullivan helping us run many events as smoothly as possible, around topics such as Library Carpentry, OpenRefine, Machine Learning and AI, OCR/HTR, emerging formats, and Wikimedia training.

I’ve just finished co-ordinating and co-delivering a course on digital mapping last week with Gethin Rees and a few other colleagues. We took on board some of the learnings from last time that we ran the course, published in a Journal of Map & Geography Libraries article.

Chart showing the number of events and attendees in 2020, categorised by event type

In total, this year, we hosted 50 events, with 1,167 overall attendees. These training opportunities reached 343 colleagues across 42 teams. Looking forward to seeing more of you next year!

Linking Collections

One area of training worth focusing on is our collaboration with Wikimedia UK. During 2020, Stella Wisdom ran a programme of four online talks and five training sessions for BL staff, to raise awareness and understanding of the Wikimedia family of platforms, including Wikisource and Wikidata. The training sessions, entitled Wikimedia Wednesdays included the following:

  1. Getting Started with Wikipedia
  2. Contributing to Wikimedia Commons
  3. Transcribing and Translating with Wikisource
  4. Hack & Yack Wikipedia edit-a-thon session 
  5. Working with Wikidata and an Introduction to SPARQL

Looking ahead to 2021, we plan to host a new British Library Wikimedian-in-Residence who will collaborate with Library colleagues to increase engagement with the Wikimedia community.

Goodbye, 2020

And here’s to a better, vaccine-fuelled, 2021!

Zoom screenshot of the Digital Research Team and friends
The Digital Research Team with (human and animal) friends!

 

This blog post is by Adi Keinan-Schoonbaert, Digital Curator for Asian and African Collections, British Library. She's on Twitter as @BL_AdiKS.

 

16 December 2020

Faint Signals

Winter may be here, but a walk in the woods is a lovely experience at all times of the year. Here in Digital Scholarship we are also interested in how technology can be used to create explorable virtual natural environments, which we can enjoy from home, and a few months ago we took part in an event about virtual walks. Furthermore, lead by our culture team in Yorkshire, the Library recently commissioned the fantastic Invisible Flock to create a wonderful online interactive woodland called Faint Signals for Light Night Leeds, an annual free multi-arts and light festival.

It is very pleasing to see this work recognised in the 2020 BL Labs Awards, where it is runner up in the artistic category. These awards were announced at the BL Labs Symposium yesterday, but if you missed the livestream you can watch a recording here. Congratulations Invisible Flock and all the other winners and runners up.

Group photograph of six people and a dog
The Invisible Flock team, who created Faint Signals

Please do explore Faint Signals, it is an interactive website, where you can wander through the woodland as it changes through all four seasons, and evolves from day to night. Each tile you move across unlocks narrative and data on the landscape, all of which are based on real life environments, with wildlife, weather and other nature sounds reflecting the diversity and complexity of ecosystems in the Yorkshire region. A rich variety of sounds can be unlocked by discovering particles of light lingering in the forest. It works best in browsers such as Firefox and Chrome, but is not currently optimised for mobile devices, please also note that it contains flashing images. 

Over 300 wildlife and environmental recordings from the Library’s sound archive were used to create the audio element of the experience. All were handpicked and selected with both geography and habitat in mind - though Faint Signals invites the user to explore an imaginary Yorkshire woodland, we wanted to ensure that all species featured in the piece could actually be encountered either in or around the edges of a real live Yorkshire wood. A more relaxed approach was taken when choosing environmental components such as weather and water, however even here the sounds of background species were taken into account. Creating an engaging yet authentic digital experience was incredibly important and this was achieved in part thanks to the sheer breadth of audio content available.

To give you a bit of a taster, here are just a few of the recordings that are included in Faint Signals:

Blackcap song recorded in Shropshire England on 20 May 1977 by Richard Margoschis (WS5551 C1)

Song Thrush song recorded in Dyfed Wales on 29 October 1992 by Richard Margoschis (WS6075 C5)

Small stream on rocks recorded in Dyfed Wales on 7 May 1994 by Phil Riddett (W1CDR0000258 BD3)

Virtually all of the recordings had been digitised as part of the Library’s Unlocking our Sound Heritage project. Now in its fourth year, this UK-wide project aims to digitally preserve and provide public access to some of the nation’s most unique and at risk sound recordings. Thousands of wildlife recordings from all over the world have been digitised so far and you can keep up-to-date with the project’s progress by following @BLSoundHeritage.

This post is by Digital Curator Stella Wisdom (@miss_wisdom) and Wildlife and Environmental Sounds Curator, Cheryl Tipp (@CherylTipp).

15 December 2020

AURA Research Network Second Workshop

If anything 2020 has taught us, it is that we can achieve much more by communicating, connecting and collaborating. I've learned greatly this year from attending a number of online conferences, symposiums, talks and workshops, virtually meeting some wonderful new contacts at these events. Looking ahead to 2021, here at the British Library we are excited to be co-hosting the AURA Research Network's second online workshop with The National Archives in the UK.

The AURA network is funded by a joint programme between the Irish Research Council and the Arts and Humanities Research Council (AHRC) in the UK. Its aim is to bring together digital humanists, computer scientists, archivists and various other stakeholders to explore issues, ethical, legal and technical, relating to current and future use of and access to born digital archives, including web archives and personal digital archive collections. At present, applying Artificial Intelligence to archives remains at the exploratory stage, but to make sense of born digital collections, new methodologies are urgently needed, combining traditional humanistic methods with data-rich approaches. 

Wordcloud or words associated with born digital archives

The first AURA workshop on Open Data versus Privacy took place last month and was organised by Annalina Caputo from Dublin City University. Rachel MacGregor provides a great write-up of this event here.

Looking ahead, the second virtual workshop will be about AI and Archives: Current Challenges and Prospects of Digital and Born-digital archives will be held online on 28th and 29th January 2021. Each day will include four short presentations, two interactive sessions and a round-table discussion. Our hope is that the workshop will generate dialogue around key challenges that professionals across all sectors are grappling with, with a view to beginning to implement solutions. 

The first day aims to discuss issues of access both from infrastructural and user’s perspectives. It will explore the ethical implications of the use of AI and advanced computational approaches to archival practices and archival research. On the second day the workshop will discuss the challenges of access to email archives and collaborative initiatives to overcome these challenges. In the afternoon there will be discussions about infrastructural and cultural issues relating to web archives and emerging format collections, including web-based interactive narratives.

As this is a participatory event, spaces are limited. If you are interested in joining the workshop please email an expression of interest including (i) your name (ii) affiliation (if there is one), (iii) role, expertise or area of research and (iv) days of participation: only on 28/01, only on 29/01 or both days to The National Archives’ Research Mailbox by the 31st of December 2020. Early-career researchers and students are strongly encouraged to apply.

Provisional Programme for AI and Archives: Current Challenges and Prospects of Digital and Born-digital archives

Day 1

28 January, The National Archives UK:

11:00 – 11:10 Welcome to Day 1: Eirini Goudarouli, Head of Digital Research Programmes, The National Archives UK; Lise Jaillant, Senior Lecturer in English and Digital Humanities, Loughborough University; and Annalina Caputo, Assistant Professor, Dublin City University (10 min)

11:10 – 11:40 Chair: Patrick McInerney, Lecturer in Computer Science, Waterford Institute of Technology

  • Catherine Elliott, Head of Digital Services, The National Archives – Transforming how our users engage with the archive online (10 min + 5 min Q&A)
  • Bernard Ogden, Research Software Engineer, The National Archives, and Lora Angelova , Head of Conservation: Research & Audience Development, The National Archives – Towards Computer Vision Search and Discovery of our National Collection: Challenges and Prospects in Accessing Image Collections (10 min + 5 min Q&A)

5 minutes “break” – split the group in 4 break-out rooms

11:45 – 12:15 interactive session 1

Afternoon Break (1h and 15 min)

13:30 – 14:00 Chair: Larry Stapleton, Senior academic and international consultant, Waterford Institute of Technology

  • Lorna Hughes, Professor in Digital Humanities, Glasgow University – Lucky town, or lost in the flood?: the ethics of linking and searching community generated content (10 min + 5 min Q&A)
  • Nora McGregor, Digital Curator: European and Americas Collections, British Library – The evolution of the British Library Digital Scholarship Staff Training Programme: From HTML to Ethics in AI (10 min + 5 min Q&A)

5 minutes “break” – split the group in 4 break-out rooms

14:05 – 14:35 interactive session 2

Comfort Break (10 min)

14:45 – 15:15 Chair: Pip Willcox, Head of Research, The National Archives

Wrap-up: roundtable discussion

Day 2

29 January, British Library:

11:00 – 11:10 Welcome to Day 2: Rachel Foss, Curator of Modern Literary Manuscripts, British Library; Larry Stapleton, Senior academic and international consultant, Waterford Institute of Technology; Mathieu d’ Aquin, Professor of Informatics, National University of Ireland Galway (10 min)

11:10 – 11:40 Chair: TBC

Email Archives: challenges of access and collaborative initiatives

  • Callum McKean, Curator for Contemporary Literary and Creative Archives, British Library – on email collections, processes and challenges (10 min + 5 min Q&A)
  • Two other speakers TBC

5 minutes break – split the group in 4 break-out rooms

11:45 – 12:15 Interactive Session 1

Afternoon Break (1h and 15 min)

13:30 – 14:00 Chair: TBC

  • Lynda Clark, Post-doctoral research fellow in Narrative and Play at InGAME: Innovation for Games and Media Enterprise, University of Dundee, and Giulia Carla Rossi, Curator for Digital Publications, British Library – Collecting Emerging Formats: Capturing Interactive Narratives in the UK Web Archive (10 min + 5 min Q&A)
  • Coral Manton, Lecturer in Creative Computing, Bath Spa University, and Birgitte Aga, Senior Advisor for User Experience at Riksantikvaren, The Directorate for Cultural Heritage in Norway – Women Reclaiming AI: a collectively designed AI Voice Assistant (10 min + 5 min Q&A)

5 minutes break – split the group in 4 break-out rooms

14:05 – 14:35 interactive session 2

Comfort Break (10 min)

14:45 – 15:15 Chair: TBC

Wrap-up: Roundtable discussion


Please do join the AURA mailing list and follow the network's discussions on twitter via #AURA_network.

You may also be interested in the current call for papers for a Special Issue on “Born Digital” – Shedding Light into the Darkness of Digital Culture to be published by the AI & Society Journal of Culture, Knowledge and Communication, the abstract submission deadline is 11th January 2021.

This post is by Digital Curator Stella Wisdom (@miss_wisdom)

14 December 2020

Shortlist and voting for BL Labs People's Choice: Public Awards 2020 announced! Last chance: Book BL Labs Symposium!

Posted by Mahendra Mahey, Manager of BL Labs.

British Library Labs Shortlisted Entries for the Public Awards 2020
Screenshots from the 10 BL Labs shortlisted entries for the Public Awards 2020

After much deliberation and intense discussion with key people from the BL Labs Advisory board and British Library we have come up with a fantastic shortlist for the BL Labs Public Awards 2020.

The official announcement of who has been awarded prizes for the Awards in each category (Research, Artistic, Educational and Community) will take place tomorrow between 1400-1700 (GMT), Tuesday 15 December 2020 at the online BL Labs Symposium 2020. We will also announce our Staff Awards there too.

There are still a few places available - so hurry and BOOK NOW to find out if the project you voted for won! Also, learn more about some of the amazing projects that were submitted this year and listen and be inspired by our fantastic range of speakers in our packed programme.

In this strange, difficult and remarkable pandemic year, we decided to do something really special.

We we want you, the public, to choose which shortlisted entry will be crowned overall the 'BL Labs People's Choice for the Public Awards 2020'. It's going to be difficult as the projects this year are so diverse and difficult to compare. Also, you only have today and tomorrow to decide (voting will close around 1615 GMT tomorrow, Tuesday 15 December 2020).

The winner will be announced near the end of the BL Labs Symposium 2020 tomorrow, Tuesday 15 December 2020, just before 1700 GMT.

How to vote for the BL Labs People's Choice for the Public Awards 2020?

It's really simple:

  1. Read the descriptions below and follow the links to learn more about each entry.
  2. Vote for your favourite (you can only chose one!) using our VOTING FORM which is now live.
  3. You will be asked if you wish to have the results emailed to you after you have voted. If you choose this option, all you will be able to see are the number of people who have voted.
  4. The form will remain open from 1100 GMT Monday 14 December to 1615 GMT Tuesday 15 December 2020 (that's just over 30 hours).
  5. The winner will be announced around 1655 GMT tomorrow on 15 December 2020 near the end this year's online BL Labs Symposium 2020.

Only have 5 minutes to look through the entries and vote?

No problem! We have created a BL Labs Public Awards YouTube shortlist 2020 which contains ten 30-second promotional videos for each shortlisted entry to give you their 'essence'. It's just over 5 minutes and then you can VOTE!

You can also ownload a .zip file with all the submissions for this year's BL Labs Public Awards 2020 (all entries) if you prefer.

The shortlisted entries for the BL Labs Public Awards 2020 this year are (in alphabetical title order):

  1. Afrobits
    An interactive installation of African music and the Trans-Atlantic slave trade .
    by Javier Pereda (Senior Lecturer in Graphic Design and Illustration and Researcher in the Experimental Technologies Lab, Liverpool John Moores University), Patricia Murrieta Flores (Senior Lecturer in Digital Humanities, Co-Director of the Digital Humanities Hub at Lancaster University), Nicholas Radburn (Lecturer in the History of the Atlantic World 1500 – 1800, Co-Editor of the Slave Voyages Research Project, Lancaster University), Lois South (History Graduate, Liverpool John Moores University) and Christian Monaghan, Graphic Design and Illustration Graduate, Liverpool John Moores University.

    Links: Short video, longer video, full BL Labs awards' entry and further details.

  2. Afro Hair And Its Heritage
    A celebration of Black Heritage through Black Afro Hair.
    by Roslyn Henry (self-taught surface pattern designer, from Les Belles Bêtes, France)

    Links: Short video, full BL Labs awards' entry and further details(1) and (2)

  3. Asking questions with web archives – introductory notebooks for historians
    16 Jupyter notebooks that demonstrate how specific historical research questions can be explored by analysing data from web archives.
    by Tim Sherratt (Associate Professor of Digital Heritage at the University of Canberra and founder and creator of the GLAM workbench), Andrew Jackson (Technical Lead - UK Web Archive, British Library), Alex Osborne (Technical Lead Australian Web Archive - National Library of Australia) and Ben O’Brien (Technical Lead New Zealand Web Archive - National Library of New Zealand)

    Links: Short video, full BL Labs awards' entry and further details.

  4. Beyond the Rubric: Collaborating with the Cultural Heritage Sector in Higher Education Teaching and Research
    A project-based, research-led collaboration between the British Library and students of the Centre for Digital Humanities Research at the Australian National University.
    by Terhi Nurmikko-Fuller (Senior Lecturer in Digital Humanities, Australian National University, Canberra, Australia)

    Links: Short video, full BL Labs awards' entry and further details

  5. Faint Signals
    Interactive artwork that generates an imagined Yorkshire forest, densely populated with sounds of nature from the British Library's archive.
    by the Invisible Flock team who are Ben Eaton (Technical Director), Victoria Pratt (Creative Director),  Klavs Kurpnieks (Studio Manager), Catherine Baxendale (Executive Producer), Amy Balderston (General Manager) and Simon Fletcher (Interactions Engineer).

    Links: Short video, full BL Labs awards' entry and further details.

  6. Flickr Georeferencing completed
    Volunteer georeferencers have added coordinates to all the images of over 50,000 maps from the British Library's Flickr Commons site.
    by 'Volunteer geo-referencers' nominated by Gethen Rees, Digital Mapping Curator, British Library

    Links: Short video, Full BL Labs awards' entry and further details.

  7. Inspiring computationally-driven research with the BL’s collections: a GLAM Notebooks approach
    Enabling cultural heritage institutions and (digital) humanities researchers to experiment with Collections as Data and GLAM notebooks by showcasing practical implementations from a wide range of GLAM institutions and digital collections. 
    by Gustavo Candela, Pilar Escobar, María Dolores Sáez and Manuel Marco-Such  from the Research Libraries Team, Department of Software and Computing Systems, the University of Alicante, Spain

    Links: Short video, full BL Labs awards' entry and further details.

  8. In the Spotlight volunteers
    Since 2017, thousands of volunteers have helped bring the British Library's historic playbills collection to life through the In the Spotlight crowdsourcing project.
    by 'In the Spotlight volunteers' nominated by Mia Ridge, Digital Curator, Western Heritage Collections, British Library

    Links: Short video, full BL Labs awards' entry and further details.

  9. Mapping the Reparto de Tierras in Michoacán, Mexico (1868 - 1929)
    Research in 19th-century Mexican sources and Geographic Information Systems (GIS)-based approaches underpinning the creation of an interactive web map that enables users to spatially explore the British Library's recently digitized Libros de Hijuelas collection.
    by John Erard (Undergraduate researcher at the University of Texas at Austin, USA).

    Links: Short video, full BL Labs awards' entry and further details.

  10. Unlocking our Sound Heritage - Artist in Residence 2019-2020: The Unearthed Odyssey
    Research project culminating in two performances, a genre-bending conceptual Afrofuturist album using 19 samples from the Sound Archive, three comprehensive blogs and work with three youth groups to unpack the themes and content.
    by AWATE (Awate Suleiman - rapper and multimedia artist, England)

    Links: Short video, full BL Labs awards' entry and further details

What happens to the projects not shortlisted?

Though we have criteria to decide which projects should be shortlisted it was still incredibly difficult to choose which ones should be. Judging can be so subjective! Remember it's a point in time with a specific group of people in a particular mood and set of lenses. At a different time, with another group of people I am sure they would probably come up with another selection.

So if you were not chosen this year, please do not be disheartened. The whole point of the BL Labs Awards is to shine a light and showcase uses of our digital collections through innovative projects and activities. These projects have often gone on to be developed further such as someone happened to have come across it and connected with individuals involved and ended up collaborating with them. Many projects have also inspired others to develop their own using the British Library's as well as other institution's cultural heritage digitised and born digital collections.

Details of all the projects entered this year are contained in the BL Labs Digital Projects Archive.

BL Labs can promote your work through our various communication channels (if we haven't already!). Who knows where that might lead? For some of these entrants, I would definitely recommend that they re-submit next year when the projects have been developed further and have had a chance to have further impact.

So for now, a quick thank you to the following people who took the time enter (we have also provided links for those who would like to read further about these entries), we really, really appreciate it:

  1. Drawings inspired by the British Library's Sound Archive of Wildlife Recordings by Viv Youell (England)
  2. Curatr: A Data Interface for the British Library Nineteenth Century Corpus by University College Dublin's Insight team and Centre for Cultural Analytics, Ireland
  3. Reconstructing Early Circus: Entertainments at Astley’s Amphitheatre, 1768-1833 by Leith Davis, Simon Fraser University, Vancouver, Canada
  4. Surfacing the impact of doctoral research: working with the EThOS collection by Catherine Montgomery, Craig Stewart, Tom Roberts, Sharon Riddle and Jinjie Huang from Durham University, England
  5. Baking in Better Catalogue Data by Sara Wingate Gray, University College London, England
  6. The Samtla (Search And Mining Tools for Labelling Archives) holographic search and browsing interface for cultural heritage photogrammetry models by Martyn Harris (Birkbeck) and Mark Levene (University College London), England
  7. Visualizing Space by Tara McDarby, United Kingdom
  8. The Interpreter and You Are Not An Island by Noriko Okaku, England (2 entries)
  9. Librorum: the British Library Edition by Janet Luk (Australian National University (ANU), Man-Ting Hsu (Australian Institute of Aboriginal and Torres Strait Islander Studies (Canberra, Australia), Billy Nam Cheng (ANU), Jingyi Lai (Haiwan Middle School (Shenzhen, China), Mengfei Liu (Access Canberra (Canberra, Australia) and Xiaohan Jiang (China Maritime Museum (Shanghai, China))
  10. BL Illuminated Glyphs CAPS: Typographic System of Illuminated Manuscript Letterings by Michelle Devlin , England

I look forward to seeing some of you tomorrow at the BL Labs Awards Symposium 2020 and seasons greetings to you all, Mahendra.