Medieval manuscripts blog

Bringing our medieval manuscripts to life

11 posts from April 2013

05 April 2013

Calling All Manuscript Sleuths: The Macclesfield Alphabet Book

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Folio with a portion of a sample alphabet, England, 1475-1525, British Library Add MS 88887, f. 14r

 

The Macclesfield Alphabet Book is an exquisitely beautiful c. 15th-century 'pattern book'. It contains the most complete set of designs for manuscript decoration known to have survived from late-medieval Britain. It might have been used as a model book for scribes to copy from whilst creating luxury books, or perhaps as a display of an artist's or workshop's skills, to show to potential patrons.  Until a few years ago, its existence was unknown, with the British Library holding the only other known English late medieval pattern book (Sloane MS 1448a, see here for more). Our manuscript, now British Library Additional MS 88887, was in the collection of the Earls of Macclesfield at Shirburn Castle and when it came onto the market in 2009, the Library was able to purchase it using funds raised from benefactors, including the National Heritage Memorial Fund, The Art Fund, and many private individuals.

 

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Folio with a sample alphabet, England, 1475-1525, British Library Add MS 88887, f. 26r

 

The manuscript contains a collection of 14 different sets of specimen initials or letters in alphabetical order in the Gothic script of the 15th century, with later additions in the Humanistic script of the early 16th century. The 'ABCs' are wonderfully illustrated, including letters formed using animals and people. Viewing the images online, one cannot help but be captivated by the inventiveness of the artists, and wonder at the work's real purpose, as some of the designs do not seem to have been created for use in real books.

 

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Folio with samples of border decoration, England, 1475-1525, British Library Add MS 88887, f. 45r

 

Along with the alphabets there are also included colourful designs for the borders and margins of manuscripts.  Additionally, on f. 9v there is a mysterious drawing of an uprooted tree with a shield inscribed 'R.B.' (see below). An emblem, perhaps a rebus in colours with gold with three flowers and two gold gloves hanging down and the word 'cli[m]i[n]g' or 'ch[ar]i[n]g', is on f. 46r (see below). The full significance of these images is yet to be determined, so if there are any manuscript sleuths out there who have the answer, please send us your ideas!

 

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'R.B' emblem, England, 1475-1525, British Library Add MS 88887, f. 9v

 

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Detail of a rebus, England, 1475-1525, British Library Add MS 88887, f. 46r

 

- Chantry Westwell

02 April 2013

A Calendar Page for April 2013

For more details on calendar pages or the Golf Book, please see the post for January 2013.

 

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Calendar page for April with a courting scene, from the Golf Book (Book of Hours, Use of Rome), workshop of Simon Bening, Netherlands (Bruges), c. 1540, Additional MS 24098, f. 21v

 

The calendar for April opens with a typical scene for spring; an aristocratic couple are shown courting in a walled and flowering garden.  The richly-dressed lady's dog is nearby, lapping water from the garden's fountain.  Behind the couple, a nobleman is preparing to go hawking, another commonly-depicted pursuit for this time of year.  The theme of fertility and new life is echoed at the top of the miniature, where a pair of storks can be seen building their nest on the top of a chimney.  Below, six men are playing a game with a bat and ball.  On the following folio is a roundel with a painting of a bull, for the zodiac sign Taurus. At the bottom of this page a sherpherd and his bagpipe-playing companion are looking over their flock of sheep, complete with new lambs and a single goat.

 

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Calendar page for April with a bas-de-page scene of shepherds, from the Golf Book (Book of Hours, Use of Rome), workshop of Simon Bening, Netherlands (Bruges), c. 1540, Additional MS 24098, f. 22r

01 April 2013

Loch Ness Monster Found at British Library

Researchers at the British Library have found sensational evidence for the existence of the Loch Ness Monster. Hidden within the pages of a 12th-century manuscript is not only a description but also a drawing of the beast known to millions as Nessie.

Loch Ness in Scotland. The site of the British Library at St Pancras.
Loch Ness in Scotland, courtesy of Wikimedia Commons; image of the British Library, London, from Wikipedia

Walter of Bingham (d. c. 1197) was a minor cleric from Nottinghamshire who, unable to fulfill his vow to go on the Third Crusade, made a pilgrimage to the holy sites of Scotland. William's own manuscript of Itinerarium Scotiae (The Journey Through Scotland) has been long neglected , but shows the author's fascination with Scottish history, customs and wildlife. One commentator has remarked that "Walter of Bingham is to Scotland what Marco Polo is to China". The tone of The Journey Through Scotland emulates the writings of Walter's famous mentor, Gerald of Wales, who wrote accounts of Ireland and Wales in the 1180s and 1190s.

A detail from a medieval manuscript, showing a portrait of Walter of Bingham.

Walter’s encounter with Nessie came one summer evening, as he approached the banks of the River Ness. Students of the Loch Ness Monster will be aware that in the earliest account, found in Adomnán’s Life of St Columba (written around AD 700), Nessie was seen not in the loch but in the neighbouring river; and this is corroborated by Walter’s story. Seeking safe passage across the river, Walter of Bingham asked a group of fishermen mending their nets, but they rejected his request with terror in their eyes. Next, walking downstream, Walter encountered a young boy dragging his coracle along the shore. Hesitating at first, the boy agreed to row Walter of Bingham across in return for a silver coin. They crossed without mishap, much to Walter’s displeasure, for he was self-confessedly thrifty; but as he watched the coracle heading back to the other shore, a great beast with fire sparking from its eyes suddenly erupted from below the waters, uttered an almighty roar, and then dragged the coracle and its unhappy occupant beneath the waves.

A faded marginal illustration of the Loch Ness Monster from a medieval manuscript.

The Loch Ness Monster, and the boy in the overturned coracle, as seen with the naked eye (London, British Library, MS Cotton Hilarius A. XV, f. 104r). The page is now exceedingly faded, but the image can be recovered using RZS©.

 Walter of Bingham’s account provides firm proof of the existence of the Loch Ness Monster in the 12th century. But what is perhaps more remarkable is the drawing of Nessie which accompanies the text, now severely faded and barely visible with the naked eye. The drawing’s significance was first recognized by an international team of imaging scientists, cryptozoologists and manuscript experts, who for the past year have been analysing the British Library’s pictures of mythical beasts. Using a pioneering technique known as Re-Zoom Spectroscopy (RZS), the scientists took multiple photographs of the page in question, which were overlaid and processed using a “Guggenheim manipulator”. The resulting image demonstrates that Walter of Bingham made a careful depiction of Nessie, and can now be revealed as the earliest known picture of the Loch Ness Monster.

A marginal illustration of the Loch Ness Monster and Walter of Bingham.

The Loch Ness Monster, as recovered using RZS©. Walter of Bingham is depicted on the right (an early example of a self-portrait), with the wretched occupant of the coracle about to be tossed into the water.

The shape of Nessie as recorded by Walter is hugely significant. Traditionally, the Loch Ness Monster is depicted in serpentine form, often with long humps protruding above the waves. The beast seen by Walter of Bingham most closely resembles a gigantic bear, and experts suggest that it may have been an enormous cousin of the modern-day Grizzly Bear or Kodiak Bear, now restricted to North America, or perhaps a descendant of the extinct Cave Bear. To judge by the survival of animal bones, the presence of a massive bear in remote, 12th-century Scotland is not entirely unexpected, and its behaviour indicates that, when observed by Walter of Bingham, it may have been defending its territory or guarding its young. But this is the first occasion that Nessie has received plausible identification as a bear: perhaps a relict population of bears survived in the vicinity of Loch Ness for many years, giving rise to the legend which surrounds it.

A detail from a medieval manuscript, showing an illustration of the Loch Ness Monster.

Could this be the oldest picture of Nessie? (recovered using RZS©).

Angus McFadden, a veteran monster watcher, believes that Loch Ness still holds many secrets. As he recently declared, “If you don’t see what you don’t see, and you don’t know what you don’t know, how can you know what you don’t see?”

We are extremely grateful to Professor Otto Haas (Osnabrück), Dr Ida Winchester (Delaware) and their team for sharing their research with us. A full account of the discovery will be published in the Journal of Applied Cryptozoology, but for regular updates subscribe to our Twitter feed @BLMedieval.

An artist's reconstruction of a marginal illustration of the Loch Ness Monster.

An artist's reconstruction of the Loch Ness Monster, restoring what are believed to be the original colours, based on detailed study of the pigments used in comparable western European drawings (Sarah J Biggs, 2013).

 

Word of warning

We'd like you to believe that this was true, but this blogpost was published on 1 April 2013. The events it describes are, sadly, fictitious. We hope you had as much fun reading it as we did writing it!