We are always pleased to announce the digitisation of our manuscripts but this blogpost marks a particularly special milestone. Thanks to generous support by Kimberley and David Martin and the Hellenic League, we have been able to digitise one of the largest (and heaviest!) Greek manuscripts in our collections.

One of the largest volumes in the British Library’s collection of Greek manuscripts: Add MS 35123

Add MS 35123 comprises more than 600 leaves, almost 1,300 larger-than-A4 pages, bound tightly between heavy medieval wooden boards that weigh almost 10 kilograms. This giant tome is a late-12th century Biblical manuscript, containing the first eight books of the Old Testament: the five from Moses appended by Joshua, Judges and Ruth.

So if this manuscript only contains part of the Bible, what makes it so enormous? A glance at just one of the volume’s pages will provide the answer: the biblical text in the manuscript is actually enclosed by an extensive commentary, which appears on three margins of every single leaf.

Octateuch with Catena: Add MS 35123, f. 84v

Translated from Hebrew in the 3rd century BC, the Greek text of the books of Moses and the other Old Testament scriptures, known as the Septuagint, was not an easy read for an ordinary Greek reader. Some help was needed to understand its grammar, which reflected the original Hebrew text, and, even more importantly, the unique vocabulary used by its translators. New commentaries were also required to highlight the complex relationship between the Old and New Testaments. Unsurprisingly, many of these commentaries were written by the most renowned and learned of the Church Fathers. By the 7th and 8th centuries, the volume of interpretative Biblical material had grown enough to fill entire libraries. Thankfully, an effective and ‘user-friendly’ way of navigating this material had  been invented many centuries before by ancient scholars working on the Greek classics, particularly the work of the poet Homer.

Homer’s Iliad with marginal commentaries: the Towneley Homer, Burney MS 86, f. 3v

Scholars working in the library of Alexandria between the 3rd and 1st century BC established a way for students and readers to navigate the enormous amount of scholarship on Homer’s epics. They extracted the most important elements from these commentaries and placed them in the margins of the texts they interpreted. They also devised an elaborate system of symbols emphasising the connection between the main text written in the centre of each page and the commentary excerpts placed in the surrounding margins. The commentaries became very popular elements of school education, being named scholia (‘school material’) as a result.

Signs written in red ink connecting marginal commentaries to the main text: the Towneley Homer, Burney MS 86, f. 3v (detail)

Christian commentators adopted a  similar system. They placed the Biblical text in the centre of each page, written in larger, more prominent characters, adding the commentary around it in smaller letters, so that as much as possible could fit on the page. These Christian commentators also used symbols to connect a particular item in the marginal commentary with the relevant place or line in the Biblical text.

The source of each commentary was more important for Christian compilers than it had been for the ancients. They placed particular emphasis on recording the source of each extract, usually writing them at the beginning of each paragraph in red ink. This commentary, presented as a series of inter-connected extracts accompanying the Biblical text, was later called ’catena’, after the Latin word meaning ‘chain’.

Numbers in red ink in the left margin connecting the commentary to the central text: Add MS 35123, f. 83v (detail)

Over time, many of the original texts used by these compilers were lost — in some cases they were condemned explicitly as heretical and were deliberately destroyed. The extracts found in the margins of these ‘Catena-Bibles’ have become increasingly valuable to modern biblical scholars. In many cases, they are the only witnesses for once-celebrated works, such as the Commentary on Genesis by Diodore of Tarsus (d. 394) and Theodore of Mopsuestia (d. 428), both condemned as heretics in the 6th century, and the Commentary on Exodus by Gennadius of Constantinople (d. 471), which is also now lost.

Excerpts from the lost commentary of Diodorus (upper right-hand corner) and Gennadius of Constantinople (abbreviated in the lower right-hand corner): Add MS 35123, f. 84v (detail)

These are just a few of the many exciting sources preserved in this manuscript. A systematic survey of all Catena manuscripts has yet to be completed so there may be more to discover. We invite you to take a look at the online images. If you're lucky, you may be able to spot a new fragment of a lost text.

 

Peter Toth

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The British Library is collaborating with the University of Cambridge to offer a fully-funded PhD studentship on the subject of ‘Reading and Writing in Medieval Women's Religious Communities’. The successful applicant will be supervised by Dr Jessica Berenbeim (Cambridge) and Dr Eleanor Jackson (British Library), and start in October 2024. 

Nuns attending Mass inside a church: Yates Thompson MS 11, f. 6v

The student will have the opportunity to investigate the culture of female religious communities in the Middle Ages through a study of their surviving manuscripts. Medieval women living together in monasteries and other kinds of convent communities owned or produced an astonishing number and variety of manuscripts. These include literary works in poetry and prose, archive and record books, music manuscripts, financial and administrative accounts, maps, books for religious services, paintings in the form of manuscript illumination, documents such as charters, and sculpture in the form of seal impressions.

We are inviting applicants to propose a project that explores any aspect of women’s conventual life, with the specific aim of bringing together kinds of sources that have rarely been discussed in combination. The themes and structure of the project are entirely open, provided the proposal is interdisciplinary and combines different types of manuscripts—broadly defined, as above—in novel, creative, and productive ways. At least some element of your research should concern institutions in the British Isles, but the project as a whole may be comparative. In your proposal, you would aim to draw principally on the British Library’s collections (although we understand that some research in other collections will almost certainly be inevitable). Some indication of the BL’s holdings can be found on these sites:

• Manuscripts and Archives Collections Guides
• Digitised Manuscripts
• Catalogue of Illuminated Manuscripts
• Archives and Manuscripts Catalogue

Foundation charter of Flixton Priory of Augustinian nuns by Margery de Crek: Stowe Ch 291

The British Library has one of the world’s most extensive and diverse collections of manuscripts from medieval women’s communities. In your research for this project, you would work on these collections alongside the BL’s curatorial staff, and undertake specialised training at both the BL and at Cambridge, where you would be part of a large and collegial community of medievalists in a wide range of fields. The British Library is currently developing a major exhibition on Medieval Women, which is due to open in October 2024. Starting your doctoral research just as the exhibition is opening, you will be able to develop a close familiarity with the display, support the programme of private views and visits to the exhibition, and build on its research findings.

The studentship is fully funded via the Open-Oxford-Cambridge AHRC Doctoral Training Partnership. Applications are now open on their website, where you can view the full Collaborative Doctoral Award advert and find details of how to apply. The closing date for applications is 4 January 2024. 

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If you have been following the news recently, you may have seen that we've been doing specialist imaging on the draft manuscripts of William Camden's Annals of the Reign of Elizabeth I, with sensational results. This research has been undertaken by Helena Rutkowska, a collaborative DPhil student in partnership between the University of Oxford, Open University and the British Library, with the imaging generously funded by the British Library Collections Trust, carried out by Eugenio Falcioni, and co-ordinated by Calum Cockburn.

The specialist imaging of Camden's Annals, using transmitted light, being carried out at the British Library

Camden's Annals has long been regarded as one of the most important, contemporary accounts of the reign of this famous Tudor queen. The work was originally requested by William Cecil, Lord Burghley (d. 1598), and was then completed by command of King James I of England and VI of Scotland (d. 1625). William Camden (d. 1623), an antiquarian scholar and Clarenceux King of Arms, is credited with authorship of the work, but he was probably writing in collaboration with others, including Sir Robert Cotton (d. 1631), founder of the famous Cotton library. The first three books, covering the period to 1587, were published in Latin in 1615, with the remainder of the work published after Camden had died, in 1625.

Helena's research has focused on the ten volumes of manuscript drafts of the Annals (Cotton MS Faustina F I–X). These manuscripts reveal a continuous process of revision of the text prior to publication, with multiple crossings out, amendments and additions. Most notably, there are dozens of pages on which the original text has been pasted over, with new wording written on top. By using transmitted light, the Library has now been able to reveal what is under those pastedowns, and to read the original text of Camden's Annals for the first time in 400 years.

The draft manuscripts of Camden's Annals contain numerous revisions, with many parts of the original text pasted over and over-written

The new discoveries will be outlined in Helena's doctorate, and we also plan to make the images available online. Early analysis has made some startling revelations, including earlier accounts of Elizabeth's excommunication by Pope Pius V in 1570, the death of King Philip II of Spain in 1598, and the implied involvement of James VI in a plot to assassinate the English queen. There are also subtle changes in the manuscript drafts which suggest that Elizabeth did not nominate James on her deathbed as her successor, unlike the version that made its way into print. Helena suggests that this all indicates that Camden was self-censoring his work, for fear of upsetting his patron, King James, and to paint him (and his mother, Mary Queen of Scots) in a more flattering light.

The British Library is delighted to have been able to support this groundbreaking research, and we look forward to discovering what else has been covered up in the manuscripts of Camden's Annals.

We are very grateful to the British Library's Collections Trust for supporting this project. You can read more about Helena Rutkowska's research in this article by Dalya Alberge, published in The Guardian on 14 July.

 

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This year marks the 570th anniversary of the fall of Constantinople to the Ottoman Empire, on 29 May 1453. The city at the Bosporus, on the border between the Mediterranean and the Black Sea, bridging Europe, Asia Minor and the Balkans, was originally called Byzantium. The exact date of its foundation is unknown, but according to legend it was founded in 667 BC.

 Constantine the Great from the Synopsis of Histories (Eastern Mediterranean, 1574): Harley MS 5632, f. 2v

The city was already an important trading and military centre, but its significance rose when, on 11 May, AD 324, Emperor Constantine the Great selected it to be the new capital of the reunited Roman Empire, and called it the New Rome. Six years later, to honour the emperor, it was renamed Constantinople after him. From the 5th century onwards, Constantinople was enriched with enormous fortifications, churches and monasteries, and the world-renowned imperial library.

A view of Constantinople from Mandeville’s Travels (Bohemia; 1st quarter of the 15th century): Add MS 24189, f. 9v

Despite the tumult after the fall of the Western Roman Empire in AD 476, Constantinople remained the seat of the Emperor of the East and the centre of the political, religious and intellectual life of the Byzantine Empire for many centuries. Admired and envied by the West, it was visited by travellers, kings and pilgrims. In 1204, the Crusader army, originally destined for Palestine, turned against the city, occupied and sacked it, and made it the capital of the Western Emperor of Constantinople for the next half century.

A golden bulla of Baldwin II, the last Western Emperor of Constantinople (Biervliet, 1269): Add Ch 14365, obverse

Although it was retaken by the Palaeologan dynasty in 1261, Constantinople never regained its previous status. From the 14th century, it faced the rising Ottoman Empire in an ever-weakening state. Sultan Mehmed II arrived at the gates of the city in April 1453 and started besieging the city.

The Emperor Constantine XI tried to secure help from the West, but the timing was very unfortunate. Europe was riven by warfare: the Hundred Year War was consuming France and England, Spain was involved in the last phase of the Reconquista, and the Holy Roman Empire was divided by internal wars. Apart from some volunteers and assistance from Venice, Genoa and the Pope, the Emperor was left on his own against the formidable  army of the Sultan. The British Library holds eye-witness accounts of what happened next, one of which is inserted in a 16th-century chronicle now attributed to Macarius of Melissa.

A page from the chronicle of Macarius of Melissa preserving the final speech of Emperor Constantine XI (Venice, 16th century: Add MS 36539, f. 79r

This manuscript records the Emperor's final speech to his army on the night of the fateful battle. According to the author, who was present, Constantine declared:

‘My noble peers, illustrious generals, noble fellow-soldiers, you know well that the hour has come and that the enemy of our faith wishes to hem us in more cruelly with every means … Into your hands I give this most illustrious and renowned city, the Queen of Cities and your homeland … There is no time to say more to you. I only entrust my humble sceptre to your hands. Brothers and fellow-soldiers, be prepared for battle in the morning with grace and courage …'

The battle started around midnight on 29 May. The defenders were able to hold the walls for a while but when the general of the Genoan troops was wounded by an arrow, its defence was shaken. Parts of the army started to flee and the emperor was apparently left on his own. Chronicles from both East and West all agree that Constantine fought hard in the battle.

A page from the chronicle of Macarius of Melissa preserving the last words of the Venetian soldiers witnessing the fall of Constantinople (Venice, 16th century): Add MS 36539, f. 85r

Some hours later the defence collapsed completely. Macarius noted the last words of the Venetian soldiers upon seeing the fall of the city: ‘Shudder Sun and groan Earth, the city is taken’. The Sultan then entered the city and a desperate search to find the emperor began. Eventually Constantine who identified under a heap of corpses by the imperial eagle embroidered on his shoes.

Detail of a grant by Sultan Mehmed II to the Genoese inhabitants of Galata, with the sultan’s monogram and the beginning of the Greek text (1 June 1435): Egerton MS 2817

A few days later, Sultan Mehmed II was in Constantinople when he issued one of his first edicts from his new capital, ensuring the trading rights of the Genoa merchants of Galata. The siege put an end to a long period in the history of this great city. No longer Byzantium or Constantinople, it started a new life as Istanbul.

 

Peter Toth

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Exactly a thousand years ago, on 28 May 1023, Lupus – ‘The Wolf’ – died in York. Lupus was the punning Latin name used by the prolific writer, cleric and royal adviser, Archbishop Wulfstan.

At the end of his entry on Wulfstan in the Oxford Dictionary of National Biography, Patrick Wormald wrote that research on Wulfstan’s manuscripts in the twentieth century had transformed him ‘from just another doubtless worthy Anglo-Saxon prelate into one of the half dozen most significant figures even in the crowded and dramatic history of eleventh-century England’. Settling on a list of the other five most significant figures is a distracting little game.

Wulfstan called himself Lupus (‘The Wolf’): Cotton MS Vespasian A XIV, f. 110r

Wulfstan, who had been bishop of London from 996 to 1002, became bishop of Worcester from 1002 to 1016 and archbishop of York from 1002 until his death in 1023. He had been a leading religious and political figure in the turbulent reign of King Æthelred the Unready (r. 978–1016). Although the Danish conquest of England by Cnut in 1016 saw a turnover in the English nobility, Wulfstan remained both a key royal adviser and archbishop of York under the new regime. He drafted laws for Cnut, as he had for Æthelred, and introduced reforms of both church and lay society.

Wulfstan’s own handwriting survives in a number of manuscripts, and a Latin poem praising him in one such volume (Cotton MS Vespasian A XIV), is thought to be in his own hand. The poem mentions Wulfstan’s name admiringly in each verse. It includes the line, Est laus wulfstano mea pulchritudo benigno pontifici cui sit dominus sine fine serenus ([This poem’s] beauty is praise for the kind Bishop Wulfstan, my Lord be endlessly merciful to him).

A poem praising Wulfstan, apparently written in his own hand: Cotton MS Vespasian A XIV, f. 148v

While no contemporary biographical account of Wulfstan’s life survives to set alongside the poem, we can reconstruct his life and career from his other works and from the manuscripts that he annotated. They show him to be a busy, restless figure, collecting legal, liturgical and instructional texts for use in the many crises of his day.

Wulfstan’s ‘letter-book’ (also Cotton MS Vespasian A XIV), compiled when he was Archbishop of York, includes a collection of letters written around two hundred years previously by the royal adviser and abbot, Alcuin (d. 804). Alcuin had sent advice to the English archbishops and to King Æthelred of Northumbria (r. 774–779, 789–796). He warned of the perils of sin, which he believed had led to Viking raids as divine punishment for the wickedness of the English. As Wulfstan was adviser to his own King Æthelred during another period of Danish invasion, he doubtless recognised the analogies between Alcuin’s times and his own.

The opening of Wulfstan’s letter book: Cotton MS Vespasian A XIV, f. 114r

Wulfstan took these lessons to heart in his own time and drew upon Alcuin in his most famous work, Sermo Lupi ad Anglos quando Dani maxime persecuti sunt eos (The Sermon of the Wolf to the English when the Danes were persecuting them most). In this barnstorming speech, he warned the people that they could lose their kingdom unless they repented from sin:

Leofan men, gecnawað þæt soð is. Ðeos worold is on ofste, and hit nealæcð þam ende, and þy hit is on worolde aa swa leng swa wyrse. And swa hit sceal nyde for folces synnan ær antecristes tocyme yfelian swyþe, and huru hit wyrð þænne egeslic and grimlic wide on worolde.

Beloved men, recognise what is true: this world is in haste and approaches its end; and therefore, in this world things always worsen the longer they last. And so, it must by necessity deteriorate greatly before the coming of the Antichrist, because of the people sins, and indeed it will then be terrible and grim widely in the world. 

The Sermo Lupi ad Anglos (Sermon of the Wolf to the English): Cotton MS Nero A I, f. 110r

This manuscript also contains law-codes, drafted by Wulfstan for Æthelred and Cnut. It includes the earliest surviving copy of laws (known as I–II Cnut) issued in Cnut’s name at a meeting at Winchester around 1020 or 1021. These laws are the most extensive record of law in England before the Norman Conquest. They drew on earlier English kings’ law-codes, and this copy, made in the third quarter of the 11th century, is now bound with copies of earlier law-codes that Wulfstan used and annotated.

A law-code of King Cnut drafted by Wulfstan: Cotton MS Nero A I, f. 16r

We can see other aspects of Wulfstan’s activities in one of his own liturgical books (Cotton MS Claudius A III). This is a pontifical, a service book for the rites performed by a bishop. Wulfstan included in it Latin and Old English versions of an Æthelred law code that he had drafted. He seems to have added in his own hand the names of King Æthelred and himself between the lines of the text.

A law-code of King Æthelred drafted by Wulfstan, with the added names of King Æthelred and Wulfstan: Cotton MS Claudius A III, f. 35r

In other manuscripts, Wulstan’s annotations show him minutely changing the wording of his own sermons, as well as correcting and supplementing the texts of others. He also oversaw the compilation of the first cartulary gathering together evidence of gifts of property to the cathedral priory of Worcester and leases of its land.

Copies of leases in the first cartulary of Worcester: Cotton MS Tiberius A XIII, f. 87v

The manuscripts linked to Wulfstan reveal the multifaceted role of an early medieval bishop, responsible for pastoral care in his diocese and for the education and disciplining of the clergy, managing property, participating on the national stage as a major voice at the royal council and advising on the spiritual welfare of the kingdom.

Although Wulfstan died in York on 28 May 1023, he was buried, in accordance with his wishes, in the fenland abbey at Ely.

Claire Breay

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The British Library's project devoted to Medieval and Renaissance Women has now reached its successful conclusion. Funded through the generosity of Joanna and Graham Barker, we have digitised a grand total of 93 volumes, 219 charters and 25 rolls that are connected with the lives of European women between the years 1100 and 1600.

A chirograph of Fredescendis, abbess of Maubeuge, granting land to Guarin, abbot of Vicogne (between 1129 and 1151): Add Ch 1390

All the items can now be viewed online. We hope that you enjoy exploring them, for your own research or pleasure, or simply to gain an insight into the daily lives, achievements and struggles of these women. The manuscripts that we have digitised cover topics such as female health, the education of women, their business dealings and female spirituality, including personal and communal religious experiences.

Hildegard von Bingen, Liber divinorum operum (late 15th century): Add MS 15418, f. 7r

The full lists of all the items in Medieval and Renaissance Women are available in two formats, as a PDF or as an Excel document. They can be downloaded from the following links: please note, the Excel format cannot be downloaded on all web browsers.

 

PDF: Download Medieval_and_renaissance_women_digitised_vols_mar_2023

PDF: Download Medieval_and_renaissance_women_digitised_charters_rolls_may_2023

Excel: Download Medieval_and_renaissance_women_digitised_vols_mar_2023 

Excel: Download Medieval_and_renaissance_women_digitised_charters_rolls_may_2023 

 

For more details, see our blogposts on the manuscript volumes and on the charters and rolls.

In addition to digitising all of these manuscripts, rolls and charters, we have taken the opportunity to enhance our catalogue records. We were also joined on a six-month placement by Paula Del Val Vales, a PhD student at the University of Lincoln, who shared with us her expertise, and in return she gained experience of cataloguing, promoting and researching our collections. As part of our project, Paula has created new people pages and collection items for the British Library's webspaces, as listed here:

Birgitta of Sweden and Revelations of Birgitta of Sweden

Eleanor of Castile and Wardrobe Account of Eleanor of Castile

Eleanor de Montfort and Household Roll of Eleanor de Montfort

Ippolita Maria Sforza and Cicero's De Senectute written by Ippolita Maria Sforza

Empress Matilda and Embroidered Seal-Bag of Empress Matilda

 

Cicero, De senectute, written by Ippolita Maria Sforza (1458): Add MS 21984, f. 3r

So, to conclude our project, let's remember the names of some of the women we've encountered during Medieval and Renaissance Women. Some of them are relatively well-known, while in other cases their names are preserved only in a single, ephemeral document or a chance inscription. Their fates and fortunes may be imperfectly understood, but at least their names are preserved for posterity.

Anne de Bretagne; Beatrice Malherbe; Catherine of Siena; Dorothy, abbess of the Poor Clares without Aldgate; Elizabeth of Katzenelenbogen; Fredescendis, abbess of Maubeuge; Gunnilda atte Denne; Hildegard von Bingen; Ismania, widow of Laurence Berkerolles; Julian of Norwich; Kunegunde; Jane Lumley; Margaret, Archduchess of Austria; Nicolosa Sanuta; Odelina de Trachy; Petronilla of Nereford; Margaret de Quincy; Rohais, countess of Lincoln; Sibylla Frances of Dunwich; Tomasina de Damis; Violante of Aragon; Ela, countess of Warwick; Alix, countess of Eu; Ymelda; Zuliana, nun of Santa Caterina, Brescia

 

The will of Gunnilda atte Denne (1318): Add Ch 17295

 

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We haven't done one of these for a while. The rules are simple. We'd love you to suggest a caption (the wittier the better) for the image below, taken from a British Library manuscript (Add MS 15097). You can either add a comment at the end of this post or tweet us @BLMedieval, it's that easy. Thinking caps on!

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We always say, never start a blogpost with the words, 'We are delighted to announce that'.

So, in true time-honoured fashion, we are thrilled to release a list of all the rolls and charters digitised as part of our Medieval and Renaissance Women project. There are 25 rolls and 219 charters in total, in addition to the 93 manuscript volumes that we announced in a previous blogpost. The Medieval and Renaissance Women project has been made possible thanks to generous funding by Joanna and Graham Barker.

The seal of the Empress Matilda, between 1141 and 1142: Add Ch 75724

Here begins the list. This may take some time, but it's worth it, we promise. From the top... The will of Sibylla Frances of Dunwich. A confirmation by Sybilla of Kaversfeld, widow of Hugh Gargate, to Bicester Priory of land in Stratton. An acknowledgement by Marie, abbess of St Stephen’s Abbey, Soissons, to the Knights Templar of Mont-de-Soissons. A sale by Katherine von Solmesse and Salentin, lord of Isenburg, her husband, to Baldwin, archbishop of Trier. A letter of attorney from Ismania, widow of Laurence Berkerolles. A certificate for the safe delivery of Margaret of Anjou to Louis XI of France. A chirograph of Fredescendis, abbess of Maubeuge, granting land to Guarin, abbot of Vicogne…

Actually, why don't you simply peruse the list for yourself? It's great fun, we promise (again)!

Confirmation by Sybilla of Kaversfeld, widow of Hugh Gargate, to Bicester Priory of land in Stratton, early 13th century: Add Ch 10608

You can download the full list of charters and rolls here, with links to the British Library’s Digitised Manuscripts site and the Universal Viewer. There, you'll be able to read these manuscripts in full and for free from the comfort of your own living room. 

PDF: Download Medieval_and_renaissance_women_digitised_charters_rolls_may_2023

Excel: Download Medieval_and_renaissance_women_digitised_charters_rolls_may_2023 (this format cannot be downloaded on all web browsers)

Mortmain licence by Joan of Kent, princess of Wales, for Michael de la Pole, Lord Chancellor, to grant property to the Maison Dieu of Myton, 1383: Egerton Ch 2130

Acquittance by Tomasina de Damis, abbess of the monastery of Santa Giulia, Brescia, to Mafeus de Monte, 1409: Stowe Ch 565

The documents included in the project represent women from all levels of medieval society, from merchants and landowners to nuns and abbesses, from nurses and shopkeepers to noblewomen and queens. They also span a huge variety of different types of documents including grants and confirmations, chirographs and letters with original signatures, leases and genealogies, indentures and religious statutes, licenses for marriages and acknowledgments of divorce, and wills in which women passed on their property and determined their legacy after their deaths. Most importantly, all these manuscripts show medieval and early modern women exerting their own agency and making decisions that influenced not only their own day-to-day lives but also the communities to which they belonged.  

The opening of the will of Margaret Paston, 1482: Add Roll 17253

A portrait of Helena Snackenborg, Marchioness of Northampton, from her genealogy, c. 1640: Lansdowne Roll 9

Petition by Joan Astley, nurse of Henry VI, for an increase in salary, 1424: Stowe Ch 643

Over 100 of the documents contain seals that belonged to women or women-run institutions, with many featuring portraits or emblematic images relating to their owners. Some, such as the foundation charter of Bordesley Abbey by Empress Matilda (Add Ch 75724) have even survived with their own seal bags, delicately woven in different coloured silks.

The seals of over 100 women and women-run institutions digitised as part of the Medieval and Renaissance Women project 

Seal bag enclosing the seal of Empress Matilda, between 1141 and 1142: Add Ch 75724

Our senior imaging technicians photographed all the seals in the project using an imaging technique called raking light (where light is directed at an object from an angle parallel to the surface) to ensure that all their fine details, legends and sculptural reliefs could be captured.

Seal of Liece, daughter of Ralph of Rouen, 2nd half of the 12th century: Harley Ch 50 B 23

Seal of Idonia of Hurst, 4th quarter of 12th century to 1st quarter of 13th century: LFC Ch XXV 20

We hope you enjoy reading about the stories and lives of the women featured in these incredible items.

 

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