While working on the early medieval manuscripts at the British Library, I can’t help notice the sophistication and vision of the people who lived over 1000 years ago. They certainly had different worldviews and priorities from people living today; but I’m constantly surprised by the ambition of some of their inventions and ideas. For example, did you know that the first recorded pioneer of man-powered flight in the British Isles was an Anglo-Saxon monk from Malmesbury Abbey called Eilmer (or in Old English, Æthelmaer) who lived between about 980 and 1070?    

Opening page of William of Malmesbury’s Gesta Regum Anglorum: Arundel MS 35, f. 1r. Southern England (Winchester?) 2nd or 3rd quarter of the 12th century.

Eilmer’s life is recounted in the Deeds of the Kings of England by William of Malmesbury; indeed, William may have met him when Eilmer was an old man. According to William, many years earlier Eilmer had attached wings to his hands and his feet and jumped from a tower, travelling at least a ‘stadium’ (possibly 200 metres or 600 feet), before being caught by turbulence and breaking both his legs. Eilmer later claimed his error was not fitting a tail to himself, as well as wings. For comparison, the Wright Brothers’ first flight covered about 120 feet.

We have no evidence of what Eilmer’s wings looked like, but some contemporary artists depicted humanoid angels with wings, sometimes flying or floating: the Harley Psalter, Harley MS 603, f. 9r. Christ Church, Canterbury, 11th century.

Eilmer was probably born in the 980s and died after 1066, so his flight probably took place in the 1000s or 1010s. We can guess Eilmer’s lifespan because William of Malmesbury claimed Eilmer had seen Halley’s Comet twice, in 1066 and presumably in 989. Comets were associated with political upheaval, and William dramatically described how, upon seeing the comet in 1066, Eilmer became very upset and prophesied the Norman Conquest:

‘Crouching in terror at the sight of the gleaming star, "You've come, have you?" he said. "You've come, you source of tears to many mothers. It is long since I saw you; but as I see you now you are much more terrible, for I see you brandishing the downfall of my country."’ (William of Malmesbury, Gesta Regum, chapter 225, translated by R.A.B. Mynors and others (London: The Folio Society, 2014), p. 248.)

Although 1000 or 1010 is an early date for man-powered flight, Eilmer was not the first human to attempt to fly. The 14th-century writer al-Makkari claimed that the 9th-century Andalusian scholar Abbas ibn Firnas also tried to fly, and also attributed his failure to forgetting to build a tail. Eilmer and Firnas were in good company in this respect: modern reconstructions of Leonardo da Vinci's design for a gilder also failed until a tail was added. Other medieval aviators included the scholar and dictionary-writer al-Jawhari, who reportedly died while trying to fly from the roof of a mosque in Nishapur in what is modern-day Iran in 1003 or 1008. There are even earlier stories about people flying or gliding in China, Ancient Greece and Rome.

Like many of these other early pioneers of flight, Eilmer was also a scholar. Sadly, none of his own writings survive to the present day. However, on Digitised Manuscripts you can see one manuscript which Eilmer himself may have read: an Old English copy of the Gospels (Cotton MS Otho C I/1). This manuscript seems to have been owned at Malmesbury Abbey by the mid-11th century, when an Old English translation of a papal decree relating to Malmesbury was added between the gospels of Luke and John.

Inserted translation of a papal decree facing the opening page of the Gospel of St John in Old English: Cotton MS Otho C I/1, ff. 69v-70r. England, c. 1000-1050.

Other monks at Malmesbury do not seem to have been amused by Eilmer’s experiments and inventions. Although William of Malmesbury generally respected Eilmer, he chided him for thinking that the ‘fable’ of the Greek inventor Daedalus flying was actually real. Even today, the ‘Birdman of Bognor’ competition for individual flying contraptions features contestants who, for the most part, lampoon the idea of individual flight. Eilmer was not the last human to try to fly, however. His story inspired thinkers from Roger Bacon to John Milton to the 19th-century ornithologist John Wise to 20th-century French scholars. Today, you can see airplanes in the sky above Malmesbury Abbey, some perhaps passing over the exact same stretch where Eilmer first glided.

Alison Hudson

@BLMedieval

The final episode of Treasures of the British Library is now available to watch on Sky Arts. It features musician Alison Balsom, whose interests range far beyond the splendours of the trumpet. From our medieval collections, you'll have the chance to see Leonardo da Vinci's notebook; gorgeous maps; and historic cookbooks.

Alison Balsom at the British Library.

The star of the show is a set of notes made by Leonardo da Vinci, which Alison discusses with our own Curator of Medieval and Tudor Manuscripts, Andrea Clarke. The writing is backwards (like on the front of an ambulance), and the pages feature several of Leonardo's sketches for musical instruments. For a few more weeks, you also have the chance to see the notebook in person in our Treasures Gallery, and you can view the whole book, Arundel MS 263, online.

Drawings and 'mirror writing' by Leonardo da Vinci: Arundel MS 263, f. 137v

Also from Italy are the maps in Add MS 27376*, an appendix to Marino Sanudo's Liber secretorum fidelium crucis (The Book of the Secrets of the Faithful of the Cross). They are attributed to the 14th-century Genose cartographer Pietro Vesconte, who brought new levels of beauty and accuracy to the art.

A map by Pietro Vesconte: Add MS 27376*, f. 183r

Alison also examined two historic cookbooks written in Middle English. One is Potage Dyvers, surviving in a 15th-century copy, Harley MS 279. Don't watch the programme on an empty stomach — the book features such delicacies as a 'bruet of almayne' (sauce of almonds). Even more fascinating is The Forme of Cury ('curry' being an old word for 'cookery'), Add MS 5016, written by the chefs of King Richard II (1377–1399), featuring everything from 'salat' and 'cryspes' to 'cawdel of samoun', 'oysters in grauey', and 'ryse of flessh'. It is copied not as a typical codex, but in the form of a roll. We're soon adding this cookbook to our Digitised Manuscripts site to celebrate. Pastry castles, anyone?

The Forme of Cury: Add MS 5016

Andrew Dunning
@BLMedieval/@anjdunning

This November it is 800 years since the first revised version of Magna Carta was issued in the name of the boy king, Henry III, in 1216, following the death of his father, King John, in October 1216. This November also marks the opening of a new display of the British Library’s original Magna Carta documents from 1215 in a newly redesigned room within the Sir John Ritblat Treasures Gallery.

The newly redesigned Magna Carta room at the British Library.

On display in the new room are the Articles of the Barons, the document recording the draft settlement which formed the basis of the agreement reached between King John and the barons at Runnymede in June 1215. This original document was taken away from Runnymede, probably by Archbishop Stephen Langton (1150–1228), and gives us a direct connection with the momentous events of June 1215.

The Articles of the Barons, June 1215: British Library Add MS 4838.

Also currently on display are one of the Library’s two copies of the 1215 Magna Carta together with the document from Pope Innocent III declaring Magna Carta to be ‘illegal, unjust, harmful to royal rights and shameful to the English people’ and ‘null and void of all validity for ever’ only ten weeks after it had been granted that June.

Magna Carta, issued by King John in June 1215: British Library Cotton MS Augustus II 106.

The papal bull declaring Magna Carta 'null and void', 24 August 1215: British Library Cotton MS Cleopatra E I, ff. 155–156.

The new display gives visitors to the Sir John Ritblat Treasures Gallery another chance to see the film made for the 2015 exhibition summarising the content of Magna Carta’s 4000 words in two minutes, as well as videos of historians and public figures discussing the history, influence and contemporary relevance of Magna Carta in the anniversary year.

Magna Carta 1215 alongside the Articles of the Barons and the papal bull annulling Magna Carta.

The Sir John Ritblat Treasures Gallery is open seven days a week and entry is free. You can also read more about the history of Magna Carta on the British Library's dedicated webpages.

Claire Breay

@BLMedieval/@ClaireBreay

On 15 November 2016, Sky Arts aired the latest episode of ‘Treasures of the British Library’, with poet Benjamin Zephaniah. This is one of the books he chose.

At Wymondham, Norfolk, a multi-day play was performed annually during the Middle Ages, commemorating the martyrdom of Thomas Becket, archbishop of Canterbury, in 1170. Although the play was banned by King Henry VIII (1509–47) when he broke with Rome, it was revived on 6–8 July 1549. The suppression of their cultural and spiritual lives exacerbated the audience's unrest, since their livelihoods had been threatened by ‘enclosure’, a process of fencing in common land by landowners to transform it into private property. The loss of commons made small farming unsustainable.

Benjamin Zephaniah at the British Library.

The performance of this play in 1549 turned into a uprising, and the crowds began tearing down the hedges that enclosed the land. Robert Kett, one of the landowners originally targetted, became leader of the cause, helping to tear down his own fences. Kett led a march to Norwich, and set up camp in the open space of Mousehold Heath, just outside the city walls. It grew quickly, with accounts estimating that it numbered as many as 16,000 people. This was one of many similar camps across the country.

Kett drew up a list of twenty-nine demands to present to Edward Seymour, Duke of Somerset, then Lord Protector of England (for the minor King Edward VI). The demands were also signed by Thomas Codd, mayor of Norwich, who had a reputation as a moderate, as well as the past mayor, Thomas Aldrich. A simple plea ‘that from henceforth no man shall enclose any more’ heads the list, but this was not the rebels' only concern, which extended to improving education and reducing corruption. The movement was nonetheless suppressed and Robert Kett was hanged for treason on 7 December 1549; but the Mousehold manifesto endures as a witness to this attempt to propose reasonable solutions to deep-seated problems in society.

‘We pray your grace that no lord of no manor shall common upon the commons’: Harley MS 304, f. 75v.

The document in question is preserved in a small bundle of worn paper, folded probably to be delivered by a messenger, now British Library Harley MS 304, ff. 75r–78v. It opens with a list of the names of hundreds and their representatives in Norfolk, Suffolk and the city of Norwich, and the signatures at the end appear to be autographs.

The signature of Robert Kett: Harley MS 304, f. 77r.

The document is given the title ‘Keates demaundes beinge in Rebellyon’ (on the final page, f. 78v). Corrections by the scribe show revisions still being made as the sheets were written out from another copy.

There are errors in all published versions of Kett’s demands; the edition below has been corrected against the original manuscript, using the original spelling. Sections of the text whose reading is unclear due to damage are written in square brackets, while corrections are in angle brackets; these draw on earlier published versions of the text (see the bibliography below). Each of the demands is set out in paragraphs as below, but the numbering is editorial.

The Text

1. |f. 75v| We pray your grace that where it is enacted for Inclosyng that it be not hurtfull to suche as haue enclosed saffren groundes for they be gretly chargeablye to them and that ffrome hensforth noman shall enclose eny more.
2. We certifie your grace that where as the lordes of ther manours hath byn byn Charged with certen ffre rent the same lordes hath sought meanes to charge ther ffreholders to pay the same rent contrarye to right.
3. We pray your grace that no lord of no mannor shall comon uppon the Comons.
4. We pray that prestes frome hensforth shall purchase no londes neyther ffre nor Bond and the londes that they haue in possession may be letten to temporall men as they haue byn wer in the ffyrst yere of the reign of kyng henry the vij^th.
5. We pray that Rede ground and medowe grounde may be at suche price as they wer in the first yere of kyng henry the vij^th.
6. We pray that all marshysshe that ar holden of the kynges maiestie by ffre rent or of eny other may be ageyn at the price that they wer In the ffirst yere of kyng henry the vij^th.
7. We pray that all Busshelles within your realme be of one stice that is to sey to be in mesure viij gallons.
8. |f. 76r| [W]e pray that [any prest] or vicars that be nat able to preche and sett forth the woorde of god to hys parissheners may be clerely putt from hys benyfice and the parissheners there to chose an other or elles the pateron or lord of the towne.
9. We pray that the paymentes of castillward rent and blanche fferme and office landes whiche hath byn accostomed to be gathered of the tenamentes where as we suppose the lordes ought to pay the same to ther balyffes for ther rentes gatheryng and not the tenantes.
10. We p⟨r⟩ay that noman vnder the degre of a knyght or esquyer kepe a dowe howse except it hath byn of an ould anchyent costome.
11. We pray that all ffreholders and copieholders may take \the/ profightes of all comons and ther lordes to comon and the lordes not to comon nor take profightes of the same.
12. We pray that no ffeodarye within your sheres shalbe a counceller to eny man in his office makyng wherby the kyng may be trulye serued so that a man beeng of good consyence may be yerely chosyn to the same office by the comons of the same sheyre.
13. We pray that copie your grace to take all libertie of lete into your owne handes wherby all men may quyetly enioye ther comons with all profightes.
14. We pray that copiehould londes that is onresonable rented may go as it dyd in the ffirst yere of kyng her henry the vij and that at the deth of a tenante or of a sale the same landes to be charged with an esey ffyne as a capon or a resonable […]ss some of money for a remembraunce.
15. |f. 76v| We pray that a prest sh[all be a chaplaine] nor no other officer to eny man of honor or wyrshypp but only to be resydent vppon ther benefices wherby ther paryssheners may be enstructed with the lawes of god.
16. We pray thatt all bonde men may be made ffre for god made all ffre with his precious blode sheddyng.
17. We pray that Ryvers may be ffre and comon to all men for ffysshyng and passage.
18. We pray that no man shalbe put by your Eschetour and ffeodarie to ffynde eny office vnles he be holdeth of your grace in cheyff or capite aboue x li by yere.
19. We pray that the pore mariners or ffyssheremen may haue the hole profightes of ther ffysshynges in this realme as purpres grampes whalles or eny grett ffysshe so it be not preiudiciall to your grace.
20. We pray that euery propriatorie parson or vicar havyng a benifice of x li or more by yere shall eyther by themselues or by some other parson teche pore mens chyldren of ther parisshe the Boke called the p cathakysme and the prymer.
21. We pray that it be not lawfull to the lordes of eny mannor to purchase londes frely and to lett them out ageyn by copie of court roll to ther gret advaunchement and to the vndoyng of your pore subiectes.
22. We pray that no propriatorie parson or vicar in consideracon of advoydin[g] trobyll and sute bet⟨w⟩yn them and ther pore parisshners whiche they daly do procede and attempt shall from hensforth take for the full contentacon of all the tenthes which nowe they do receyue but viij d of the noble in the full discharge of all other tythes.
23. |f. 77r| [We pray that no man] vnder the degre of es[quyer] shall kepe any conyes vpon any of his owne ffrehold or copiehold onles he pale them in so that it shall not be to the comons noysoyns.
24. We pray that no person of what estate degre or condicion he be shall from hensforth sell the adwardshyp of eny chyld but that the same chyld if he lyf lyve to his full age shalbe at his owne chosyng concernyng his marriage the kynges wardes only except.
25. We pray that no matter mannor of person havyng a mannor of his owne shall be non other lordes balyf but only his owne.
26. Item We pray that no lord knyght nor gentleman shall haue or take in ferme any spirituall promocion.
27. We pray your grace to gyve lycens and aucthorite by your gracious comyssion under your grett seall to suche comyssioners as your pore comons hath chosyn or to as many of them as your maiestie and your counsell shall apoynt and thynke mete for to redresse and refourme all suche good lawes statutes proclamacions and all other your procedynges whiche hath byn hydden by your Justices of your peace Shreues Escheatores and other your officers from your pore comons synes the ffirst yere of \the reign of/ your noble grandfather kyng henry the seventh.
28. We pray that those your officers which \that/ hath offended your grace and your comons and so provid by the compleynt of your pore comons do gyue onto those pore men so assembled iiij d euery day so long as they \haue/ remayned ther.
29. We pray that no lorde knyght esquyer nor gentleman do grase nor fede eny bullockes or shepe if he may spende fforty pou[nds] a yere by his landes but only for the provicion of his howse.

By me Rob’t Kett           Thomas Cod

By me Thomas Aldryche

Further Reading

Fletcher, Anthony, and Diarmaid MacCulloch, ‘Robert Kett and the “rebellions of Commonwealth”’, in Tudor Rebellions, 6th edn (London: Routledge, 2015), pp. 66–89.

MacCulloch, Diarmaid, ‘Kett’s Rebellion in Context’, Past & Present, 84 (1979), 36–59, https://doi.org/10.1093/past/84.1.36.

Russell, Frederic William, Kett’s Rebellion in Norfolk (London: Longmans, Brown, Green, Longmans and Roberts, 1859), pp. 48–56 [text with commentary].

Andrew Dunning

Among the many Greek manuscripts held by the British Library, a small group stand out for their fascinating diagrams, depicting all sorts of marvellous machines and robots powered by steam. Although most of these manuscripts date from the 16th century, the texts they include date back to antiquity and Byzantium. They provide an invaluable insight into aspects of scientific inquiry in antiquity, a side of Graeco-Roman antiquity that is often overlooked in the modern day.

Hydraulic musical organ powered by a hand-pump from Hero’s Pneumatika. Burney MS 108, f. 60v. Italy, N. (Venice?), 1st quarter of the 16th century.

The earliest reference to robots in Greek antiquity comes in Homer’s Iliad, where Hephaestus, god of fire and craftsmen, has handmaids made of gold who assist him in his forge (Iliad 18.417-20). But it is in the Hellenistic and imperial Roman eras that we find a great outpouring of interest in automata – devices that appear to move of their own accord, powered by steam. As Ian Ruffell outlines in his article on ancient mechanics, newly added to the British Library’s Greek Manuscripts Project Website, the ingenious machines described by writers such as Ctesibius, Philo of Byzantium and Hero of Alexandria raise the question of why ancient technology and experimentation never really took off, especially given the clear interest they had for many writers, both in antiquity and beyond. Even the Roman author Vitruvius, in his monumental work on architecture, included discussion of some of Ctesibius’ inventions. (And although not a Greek manuscript, we cannot resist here mentioning that the British Library holds the oldest extant manuscript of Vitruvius, a Carolingian manuscript from early 9th-century Germany.)

The title-page of the oldest manuscript of Vitruvius’ De Architectura. Harley MS 2767, f. 1r. Germany, 1st quarter of the 9th century.

Ancient mechanical texts described procedures that may have existed more in theory than in reality, but many other ancient texts survive describing scientific or medical procedures that were put into practice in antiquity. The writings of ancient figures such as Galen, Hippocrates and the author now known only as the Anonymus Londiniensis, tell us about how doctors in antiquity went about observing and treating their patients. For more information on the transmission of Greek medical and philosophical writings, see Aileen Das’ article on the Greek Manuscripts Project Website.

The Anonymus Londiniensis papyrus contains part of a treatise on medicine. Papyrus 137, Egypt, 1st century.

While some ancient scientific and philosophical texts were ‘lost’ to the West during the Middle Ages, reappearing only through secondhand translations into Latin from Arabic intermediaries, or in the Renaissance, these texts were known and copied in the Byzantine Empire for centuries. After the fall of Byzantium in 1453, Greek scholars migrating to Italy took many manuscripts with them. Shortly afterwards, the development of Greek printing enabled widespread copying of these texts, and led to a renewed interest in Greek science and medicine in Western Europe.

The Prognosticon of Hippocrates. Harley MS 6295, f. 98r. Eastern Mediterranean, 2nd half of the 15th century.

Cillian O'Hogan

@BLMedieval/@CillianOHogan

The British Library is pleased to announce the loan of three manuscripts to the Walters Art Museum in Baltimore, Maryland, USA, as part of their exhibition A Feast for the Senses: Art and Experience in Medieval Europe. This ground-breaking exhibition aims to recreate sensory experiences of the medieval world through sight, hearing, touch and smell. In addition to manuscripts, the exhibition incorporates a wide range of artworks in diverse media, including stained glass, metals and gems, ivories, tapestries and paintings.

We are delighted to be one of many institutions from around the world to have loaned objects for this remarkable exhibition, which incorporates over 100 items. The three manuscripts from our collection represent the various functions of medieval manuscripts in later medieval society.

Harley Roll T11 — the wounds of Christ

The first is Harley Roll T11, which contains drawings of the five wounds of Christ and was believed to function as an amulet to guard against evil and sickness. This unique manuscript, made in England in the 15th century, is a roll rather than the more common codex or book form, made by sewing together sheets of parchment (called membranes) to create one long scroll. There is evidence that this roll was draped over the stomachs of pregnant women to protect them during childbirth, emphasising the importance of touch and the apotropaic properties of manuscripts in later medieval Christian devotion.

Egerton MS 1069, f. 1r, the walled garden

The second manuscript is Egerton MS 1069, dating from c. 1400, an illustrated copy of the Roman de la Rose (Romance of the Rose), a popular allegorical French poem written in the 13th century by Guillaume de Lorris and Jean de Meun. The Roman de la Rose follows the attempts of a courtier to woo a lady, and is set within a symbolic walled garden, the traditional setting for many medieval courtly romances. You can see more of the lovely illuminations in Egerton MS 1069 in our Catalogue of Illuminated Manuscripts.

Add MS 18196, f. 1r, Agnes Enthroned and Scenes from Her Legend

The final manuscript on loan to the exhibition is folio 1 from Additional MS 18196, which is not a single manuscript but rather a compilation of leaves from various hymnals. The folio shows, at the top, a vibrant depiction of St Agnes, the patron saint of young girls and chastity, surrounded by two angels. Below, the scene on the left shows a priest called Paulinus giving an emerald ring to the statue of St Agnes to receive her permission to marry; and on the right, St Agnes appearing to relatives who are holding a vigil around her tomb. Below these scenes is a section of music meant to accompany songs of praise to St Agnes. You can read more about this folio in our Catalogue of Illuminated Manuscripts.

A Feast for the Senses is on view from now until 8 January 2017 at the Walters Art Museum in Baltimore. The exhibition is free to enter and open to all members of the public. We hope as many of our North American readers as possible get the opportunity to visit!

Taylor McCall

@BLMedieval/@taylorjmccall

Some of the British Library’s most precious manuscripts are those containing beautiful miniatures from the Byzantine world. The majority of these manuscripts are religious in focus, usually Gospels or Psalters, reflecting the central role played by Christianity in the Byzantine Empire. The Byzantine court functioned as a theocracy, in which the Emperor was seen as God’s representative on earth, acting with divine authority. Religion infused every aspect of Byzantine life, including book production.

Although it is difficult (and somewhat artificial) to distinguish between late antique and early Byzantine art, a useful starting-point is the splendid Golden Canon Tables. Created in Constantinople in the 6th or 7th century, the manuscript is covered in gold paint, over which the Canon Tables (used to identify parallel passages between the four Gospels in biblical manuscripts) were written, and adorned with floral decoration and small medallions containing portraits of four men. Although they survive only as fragments, they would originally have formed part of an incredibly lavish copy of the Gospels, a testament to the importance of the Bible for the inhabitants of Constantinople at this time.

The Golden Canon Tables. Add MS 5111/1, f. 11r. Constantinople, 6th or 7th century.

The Iconoclastic period (726–842 CE) saw the destruction of many existing works of religious art, and a ban on the production of any new works of art. The prohibition on graven images in the Bible was a source of concern for Christian thinkers in late antiquity and early Byzantium, who worried about the propriety of producing depictions of Jesus and other holy figures. This concern was particularly felt in Byzantium owing to the particular emphasis placed on icons in religious worship there (an emphasis that is still found in the Greek Orthodox tradition today). The impact of iconoclasm has meant that relatively few examples of early Byzantine illumination survive, and those that do, like the Golden Canon Tables, are thus even more precious to us today.

Depiction of Iconoclasts in the Theodore Psalter. Add MS 19352, f. 27v. Constantinople, 1066.

After the prohibition on the production of religious art was lifted for the final time in 842, we see the reappearance of illuminated Biblical manuscripts. A number of illuminated Psalters (discussed in more detail in an article by Kalliroe Linardou) actually include images of iconoclasts erasing icons of Jesus. Such images can be found in the Theodore Psalter. On occasion, later owners of the manuscripts have erased the faces of the iconoclasts themselves!

A great emphasis was placed on tradition in Byzantine art. This is why, for instance, there is such great similarity between portraits of the Evangelists in Gospel manuscripts. Yet this stress on tradition also provided an opportunity for artists to distinguish themselves in more subtle ways, and there is clear variation in Byzantine illumination across the Greek-speaking world, as Elisabeth Yota shows in her article on provincial manuscript illumination. Some Greek manuscripts were illuminated by artists from different traditions, as is the case with Harley 5647, in which the portraits were made by a Syriac artist. Comparison of this with, for instance, the portraits in the Guest-Coutts New Testament, show both the strong tradition in terms of how figures are depicted and the room for innovation that was possible. Further examples can be found in Kathleen Maxwell’s article on illuminated Gospel manuscripts.

 The Evangelist Luke, by a Syriac artist. Harley MS 5647, f. 137v. Eastern Mediterranean, 11th century.

The Evangelist Luke, in the Guest-Coutts New Testament. Add MS 28815, f. 76v. Eastern Mediterranean (Constantinople), mid-10th century.

There are more fantastic illuminated Greek manuscripts than we can possibly hope to talk about in a single blog post, so we invite you to explore the collections and articles available on our Greek Manuscripts Project Website, and the many manuscripts available on Digitised Manuscripts!

 Cillian O'Hogan

@BLMedieval/@CillianOHogan

When King Henry VIII (1509–1547) wasn’t looking for a new wife or dissolving a monastery, he was commissioning a new ship. He undertook a massive expansion of the Tudor navy. Anthony Anthony, a military administrator, set about to document and illustrate this, and presented Henry with three splendid rolls in 1546, now available in full through the British Library’s Digitised Manuscripts site.

The Antelope, launched in 1546: Add MS 22047.

The British Library holds the second of Anthony’s rolls, Add MS 22047, ‘The second Rolle declaryng the Nombre of the Kynges Maiestys owne Galliasses’. Galleasses were heavily armed three-masted galleys. The most unusual vessel shown on this roll is the Galley Subtle, highly decorated and built by shipwrights imported from Italy.

The Galley Subtle, the centrepiece of the three rolls: Add MS 22047.

When they were created, the rolls were a fine display of the latest naval technology. They show not only the ships, but name their crews and list their armaments (the text is available on Wikisource, or printed with a commentary). These were of central interest to Anthony, who worked in the ordnance office in the Tower of London. The rolls are a key source for the Tudor navy: after the sunken Mary Rose was salvaged in 1982, the 16th-century depiction was enormously useful in making sense of the archaeological evidence.

The Lyon and The Dragon: Add MS 22047.

The other two rolls show the navy’s warships, pinnaces and ‘roo baergys’ (row barges). King Charles II (1660–1685) gave them to Samuel Pepys, who had them cut up and bound into a volume, now in the Pepys Library in Magdalene College, Cambridge. Fortunately, the British Library’s roll is still in its original format.

Andrew Dunning
@BLMedieval/@anjdunning