This month's round-up of newly available collections features archives from India, Romania, Moldova, and Indonesia.
- Digitisation of the Kováts Napfényműterem photographic archive (Odorheiu Secuiesc, Romania) (EAP1130)
- Preserving the History of Indian Cinema through Digitising Early Urdu Film Magazines (EAP1262)
- Safeguarding of the intangible Romani heritage in the Republic of Moldova threatened by the volatilisation of the individual unexplored collections (EAP699)
- Personal Manuscripts on the Periphery of Javanese Literature: A Survey and Digitisation of Private Collections from the Javanese North Coast, its Sundanese Hinterlands and the Fringes of Court (EAP1268)
EAP1130 - Digitisation of the Kováts Napfényműterem photographic archive (Odorheiu Secuiesc, Romania)
This project digitised photographs from the Kovats Photographic Museum and Studio in Romania. The vast majority of the photos represent the work of several generations of photographers from the Kovats family. A small part of the photographic archive consists of images created by collaborators of the Kovats studio, and of donations of photographic materials from the local population of Odorheiul Secuiesc.
The first photographic studio in Székelyudvarhely (Odorheiu Secuiesc) was founded by Ferenczy Lukács (1850-1926) in 1876. In 1903 Kováts István Sr.(1881-1942) bought the studio from Lukács and in 1906 reopened it under his own name – Kováts Napfényműterem (Kováts Sunlight Studio). It still operates today at the same address. Ferenczy Lukács and Kováts István Sr. were not only photographers, but also amateur historians and ethnographers. They documented with passion and attention for detail the life of the small rural communities, mainly of Hungarian and Székely ethnicity, around Székelyudvarhely (Odorheiu Secuiesc).
Kováts István Sr. was also a photographer in the army of the Austro-Hungarian Empire during the First World War, and he was dispatched throughout Europe on the Romanian, Galician and Italian battlefields. He brought back around 400 negatives with images from the trenches, portraits of fellow soldiers, and daily life of his company – a personal view of a war that re-shaped Europe and changed the life of millions of its inhabitants, a view that offers to any military historian precious documents. Living for most of his life in Székelyudvarhely, Kováts István Sr. documented everything – social life, architecture, traditions, and his studio was a central point in the life of the city.
Over 5000 photographs can be viewed here.
This project aimed to preserve the rich record of cinema history in India through digitising Urdu film magazines and periodicals from the early twentieth century. Shedding new light on South Asian film journalism and readership, this material highlights aspects of local engagement with film that have remained unexamined so far and are under threat of being lost forever. Given the scarcity of Urdu material that survives today, the digitisation of rare film magazines makes a significant contribution to future scholarship on the subject. This material constitutes an invaluable resource for early Indian film history and Urdu writing on cinema.
While Indian film journalism has not been widely studied, this is all the more concerning for Urdu materials that are less accessible and less widely read than those in other languages, especially English. The production triangle of Hindu-Urdu cinema that spanned Bombay, Calcutta, and Lahore changed irrevocably with partition, and many publications and films from Lahore are believed to be lost forever. The periodicals surveyed and digitised under EAP1262 were largely published in Calcutta, with the exception of one very rare publication from Lahore, and represent a valuable record of an undivided Hindi-Urdu film culture. While Bombay became the major centre for Hindi-Urdu film production, and a more important site for Urdu publishing than Calcutta, these publications offer an invaluable off-centre vantage point of colonial-era Hindi-Urdu film culture and journalism.
The archives can be viewed here.
EAP699 - Safeguarding of the intangible Romani heritage in the Republic of Moldova threatened by the volatilisation of the individual unexplored collections
This project digitised the personal archives of several Roma families in Moldova. The archives mostly consist of individual photographs and photo albums. The albums are notable for their use of illustrations and collage alongside the photographs of loved ones.
During the project the team were able to discover and digitise material from the families of some well-known Roma personalities from the past, as well as material from ordinary Roma families. The digitised material is now publicly available in the Moldovan National Archive as well as the British Library, and is an important source of information for Romani studies.
The project digitised 2557 images from 36 individual collections dating from between 1925-2013. They can be viewed here.
EAP1268 - Personal Manuscripts on the Periphery of Javanese Literature: A Survey and Digitisation of Private Collections from the Javanese North Coast, its Sundanese Hinterlands and the Fringes of Court
The project highlights the periphery of Javanese and Sundanese literature. It covers tales written by scribes residing near shrines, notebooks scribbled by commoners, and works produced by courtiers on their own behalf without apparent patronage from nobles or sovereigns. The grant holder came across these sources while doing fieldwork in places like Gresik, Yogyakarta, Surakarta and Tasikmalaya. Their vernacular provenance increases their obscurity and simultaneously limits their preservation due to a lack of patrons. Thus, it also allows for an interesting survey on the more personal sides of Javanese and Sundanese writing.
Other than surveying and digitising these sources, the project team also used them for Natural Language Processing (NLP). The diversity of the writing styles and vernacular languages found within these manuscripts is expected to contribute to the development of a comprehensive Javanese handwritten text and entity recognition model called Gado2.
399 digitised records can be viewed here.