03 July 2017
New collections online - June 2017
We have three new collections available to view on the Endangered Archives Programme website: a collection of Newārī medieval manuscripts from the Kathmandu Valley, Nepal; an archaeological photographic archive from Romania; and finally the archive of the Dominican Monastery of Santa Rosa, Santiago, Chile.
The main focus of this project was to digitise rare medieval Sanskrit manuscripts as well as rescue those threatened by the earthquake of 2015. Nepal is home to significant collections of Sanskrit as well as Hindu manuscripts, with the Newār people having contributed enormously to the development of literary culture in the country. In vernacular Newārī the manuscripts are called ‘Thyasaphu’ and are not merely handwritten texts, but an object of veneration and part of their religious lives. The Buddhist Vajracharyas and Shakyas, and Hindu Karmacharyas from the Newār communities, were directly concerned with manuscript writing, recitation and performing rituals. In spite of the manuscripts’ importance, few are aware of their literary heritage and little attention has been paid to preserve and disseminate the manuscripts despite their religious and historical significance. Newar families still own manuscripts but unfortunately, most of the precious manuscripts are left to decay and are often now in poor condition. An inability to read the scripts and/or language, or little knowledge of the subject matter, has restricted people from reading these medieval manuscripts.
The project team were able to digitise 21 separate collections consisting of 687 manuscripts. In total over 28,000 images were produced. These included religious manuscripts related to Buddhism and Hinduism, literary works, medical texts, records of events, and other secular texts. These are important records for Buddhist and Hindu Newārs to perform religious duties and also for scholars of Newār Buddhism, Vajrayana rituals, Hinduism, the Vajracharya priests and practitioners and others. Throughout the project, workshops and programmes were organised to train staff and local stakeholders, including those from the Newār community, to search, catalogue and digitise the manuscripts.
EAP790/1/1 - Puja Vidhi [17th century]
EAP790/1/82 - Mahalakshmi, Bagalamukhi and Sarva Sambhagyesvari Yantra [18th century]
EAP790/17/1 - Svasthani Vrata Katha [19th century]
The ‘Vasile Parvan’ Institute of Archaeology’s photography archive provides a unique source of information for archaeological research and monument recording and restoration between 1880 and 1925 in Romania. Large numbers of archaeological sites and monuments, then surviving across Romania, are represented in a vast array of excavation, exploration and restoration photographs, covering all periods from the earliest farming communities to the pre-industrial centuries of the last millennium. Many of the archaeological sites and landscapes represented in the photographs, along with a host of medieval churches and many villages, were totally destroyed during and after the two World Wars. The majority of the earliest material focuses on the Romanian Black Sea area, a region called Dobrogea, the richest region of Romania in terms of its archaeological heritage. It also used to be the most ethnically diverse region of Romania and until the end of World War I was one of the most rural and arid. Many of the photographs shed light on the ethnic diversity of the region, nowadays hugely different, and on the unaltered landscape of the area, much changed due to the huge communist agricultural programmes of the sixties and seventies, which included erasing to the ground entire villages along with their churches and traditional field systems. Archaeological artefacts – pottery, sculptures, metal objects – are also represented, along with other items of major historical importance: objects of religious art, paintings, sculptures and fabrics, many of them subsequently destroyed or lost, sometimes plundered by German, Russian or other troops during the wars that have affected Romania in the past 150 years. The on-site images include extremely beautiful local ethnographic photographs and rural landscape images depicting a world long gone, especially in the Black Sea area, populated by a wide mix of differing nationalities in the period before WWII.
EAP816/1/2 - Pietroasa treasure
This project catalogued and digitised the archive of the Dominican Monastery of Santa Rosa, one of the four oldest and most important archives of female writing of Chile. Founded in 1680 as a Beguine convent, it later became a monastery in 1754. The Dominican sisters of the monastery were characterised by their cultural and intellectual life which is reflected in the documents digitised as part of the archive. This is a unique set of documents as the testimonies of women from this period have been preserved in few other places in Chile. Among the files are valuable diaries and autobiographies such as that of Dolores Peña y Lillo, which highlights the features of regional and local female idiosyncrasies. These documents are a great resource for scholars and contribute to research, study and dissemination of the model of female education at that time, based on the intellectual culture, crafts and arts. The project team digitised 107 volumes in total consisting of over 27,000 images.
EAP821/1/1/71 - Prayers for the Rosary of the Holy Mass [19th century]
12 May 2017
Representing Self and Family: Preserving Tamil Studio Photography
Photography arrived in India in the 1840s with the first photographic society in South India being created in Madras in 1856. During the early decades of Indian photography, it was accessible almost exclusively to the colonial administration and Indian elite. However by the 1880s, commercial photography studios had found their way into the bazaars of the Presidency’s and family portraits started to appear inside Tamil households. Previously no local forms of popular portraiture existed aside from representations of the divinities.
Negative from the Nalla Pillai Studio, Kumbakonam
Tamil portrait photography, often facing restricted access to technological improvements, rapidly developed into a rich practice, where technical inventions, ingenious adaptions and artistic achievements rubbed shoulders. The early Tamil commercial studio photographers created their own visual language to represent south India selves and families. Their idioms combined the use of props, accessories, backdrops, over-painting, collage, and montage. Throughout the first half of the 20th century constraints imposed by high costs and difficulties in importing recent photographic equipment resulted in the prolonged use of older photographic equipment and processes by small family-run studios.
The advent of mechanised processing and printing of colour photography followed by the digital revolution radically transformed photographic practices and production. A very large number of studios closed down (with their archives often, but not always, lost) as they could not financially manage to acquire the expensive equipment necessary. The studios that did manage to survive these successive technological revolutions discarded manual processing and printing of black and white portraiture which had been their trade and skill for over a century (cf. Article in The Hindu, “In a Fading Light”, by A. Shripathi, 13/07/2015).
Discarded prints in a second hand shop
Over the last 25 years, the 'visual turn' in South Asian Studies, has afforded glimpses into numerous visual media produced in the Indian subcontinent over the last century and a half. Concerning the field of Indian photography, the vast majority of publications and archives concern colonial practices of photography and north or central Indian appropriations of the photographic media during the 20th century. The productions of South Indian studio photographers are largely unexplored and no archive exists to foster research on this vast and rich topic of study. The material digitised during the project will provide visual evidence of Tamil society at moments of crucial social and cultural changes.
Studio interior in Tirunelvelli
This major project will create the first archive of Tamil studio photography, namely family portraiture, from the time of the introduction of commercial photo studios in the second half of the 19th century up to the introduction of mechanised photographic processing. The project aims to cover the different productions of black and white manually processed studio photography (prints, negatives and glass plates) which are rapidly disappearing either through natural degradation or, in many cases, voluntary destruction. The feasibility of creating this archive was explored in the pilot project EAP737 through the survey of 100 studios in 14 localities.
The EAP946 archive aims to provide researchers with unique visual material and metadata of Tamil society at moments of crucial social and cultural changes. Besides the study of photographic processes and mediums throughout history, of the evolutions of representation of women and men, a wide range of issues could be investigated such as the consequences of the introduction of photo portraits in the homes; the ways in which these have affected vernacular notions of individuality and dual dimension of personhood (akam/interior and puram/exterior); their impact on representations of marriage from alliance to conjugality; the uses of family portraits as hybrid photo-objects subject to daily domestic ritual venerated alongside chromolithographs of divinities in Tamil households; the transformation of regional and sectarian dress codes etc.
Salem Studio archives
These unique photographic productions are severely endangered by chemical, climatic and human factors. Firstly, many of the earlier photographs produced by the commercial photo studios are showing signs of accelerated deterioration due to the chemical processes used for developing and printing during the first decades of photographic productions. This situation is aggravated by the tropical climate of southern India with its year round high level of humidity which is particularly detrimental to both prints and negatives. Secondly, large parts of photographic productions have been destroyed and continue to be destroyed due to a lack of awareness about the importance of preserving this heritage. During a century (1880-1980) of black and white photographic productions, many studios were regularly destroying their collections by selling negatives (glass and film) to silver-extractors. Similarly, families are discarding the portraits of the older generations by selling them to second-hand wood and glass dealers who dismantle the frame to recycle the materials. The photos (generally piled on the ground of the shop) are kept by these dealers for the occasional passer-by who can purchase these private portraits for a minimal price. Thirdly, the lack of awareness about the value of this unique heritage further results in the deterioration of the remaining photographic material in Tamil Nadu. Many of the earliest studios have closed over the last 30 years and the descendants of studio photographers often have minimal knowledge of preservation conditions for negatives and prints, nor an understanding for the value and vulnerability of their forefathers’ photographic productions. Besides the major objective of creating an archive of this endangered material, the project will also raise awareness and interest of the collection holders in order to preserve in the best possible conditions the remnants of this invaluable heritage.
Ramesh Kumar digitising images (EAP 737)
Private photo collections from photo studios will be the primary source for digitisation efforts. Researchers will be able to study the technical and ‘stylistic’ transformation of studio photography over the decades, and eventually, when compared to other studios in other places, the study of regional variations. The digitisation of each studio archives constitutes a corpus of its own that enables systematic image analysis to be done. The project will also aim to digitise photographic material from private homes which should provide interesting documentation on the photographic consumption of families. Digitising sessions will be conducted in 8 medium and large sized towns in Tamil Nadu: Kumbakonam, Karaikudi, Cuddalore, Pondicherry, Madurai, Chennai, Tirunelveli, and Coimbatore.
Coordinators Ramesh Kumar and Zoe Headley on a tea break (EAP 737)
Written by Zoé Headley, French Institute of Pondicherry. Zoé is the grant holder for the ongoing EAP946 major project along with Ramesh Kumar and Alexandra de Heering. Zoé and Ramesh conducted the pilot project EAP737. There are already some fantastic images online from the pilot project to check out. I've added a few below, and you can see more here. We're really looking forward to seeing what we receive for EAP946!
EAP737/4/4/31 - Studio Portrait Photo Prints [1955-1978]
EAP737/4/4/31 - Studio Portrait Photo Prints [1955-1978]
EAP737/4/4/12 - Studio Portrait Negatives Box 12 [1960-1978]
EAP737/4/4/12 - Studio Portrait Negatives Box 12 [1960-1978]
05 January 2017
New Year Greetings from EAP
When the EAP team returned to work after the closure of the office for the holiday period, we realised that for some areas of the world Christmas has yet to come. So, we thought it would be fitting to post some illustrations from manuscripts that have been digitised as part of the Endangered Archives Programme.
For those of you who will be celebrating Christmas this week – we hope you have a very special time and of course we would like to wish everyone a very joyous 2017.
EAP526/1/7
EAP526/1/41
EAP704/1/43
EAP704/1/43
EAP704/2/1
The images have come from two projects: EAP526, which digitised the monastic archive at May Wäyni and EAP704, which digitised the monastic archives of Marawe Krestos and Däbrä Abbay, Ethiopia
01 September 2016
Call for Applications
Do you know of any collections that are currently at risk and need preserving? The Endangered Archives Programme is now accepting grant applications for the next annual funding round – the deadline for submission of preliminary applications is 4 November 2016 and full details of the application procedures and documentation are available on the EAP website. This year we will also be accepting online applications.
EAP843: Part of the Archibishopric’s Archive, Sandiago de Cuba. A pilot project undertaken in 2015 with a major project about to begin.
The Endangered Archives Programme has been running at the British Library since 2004 through funding by Arcadia, with the aim of preserving rare vulnerable archival material around the world. This aim is achieved through the award of grants to relocate the material to a safe local archival home where possible, to digitise the material, and to deposit copies with local archival partners and with the British Library. These digital collections are then available for researchers to access freely through the British Library website or by visiting the local archives. The digital collections from 165 projects are currently available online, consisting of over 5 million images and several thousand sound recordings.
This year we have started making our sound recordings available for online streaming and one of our most popular archives is the Syliphone Label.
The Programme has helped to preserve manuscripts, rare printed books, newspapers and periodicals, audio and audio-visual materials, photographs and temple murals. Since 2004 approximately 300 projects have been funded. Last year awards were given for projects based in Argentina, Bulgaria, Cuba, Ghana, India, Ivory Coast, Madagascar, Malawi, Mexico, Mongolia, Myanmar, Nepal, Russia, Sri Lanka, Tajikistan and Turks and Caicos Islands.
The following images give a sense of the type of material that went online over the past year.
EAP692/1/1/2 Alagar kovil Kallalagar Inner Mandapa Ceiling East [17th Century]. Part of the pilot project to digitise temple murals in Tamil Nadu. The team have now started a major grant.
EAP727/6/25: བླ་མའི་རྣལ་འབྱོར་བསམ་པ་ལྷུན་འགྲུབ་དང་མྱུར་འགྲུབ་མ་བཞུགས་སོ།། (bla ma'i rnal 'byor bsam pa lhun 'grub dang myur 'grub ma bzhugs so) [Mid-19th century]. Tibetan Buddhist manuscript from Amdo, PR China
EAP755/1/1/86 Mendoza. Photographs taken by Annemarie Heinrich, Argentina. The team working on this project have also been awarded a major grant.
EAP856/1/6 Journal du Premier Ministre Rainilaiarivony (Tome III) [May 1881 - Sep 1881]. 19th century archives written by Prime Minister Rainilaiarivony (written in Malagasy. Another project is also underway on Madagascar.
So, if you know of an archive in a region of the world were resources are limited, we really hope you will apply. If you have any questions regarding the conditions of award or the application process, do email us at [email protected]
08 June 2016
New collections online - May 2016
Last month we put three new collection online - EAP689, EAP700 and EAP727
EAP689: Constituting a digital archive of Tamil agrarian history (1650-1950) - phase II
This project, digitising vulnerable documents relating to Tamil agrarian history, is a continuation of the earlier projects carried out in the same region – EAP314 and EAP458. The project aimed to enhance the work already accomplished by visiting some of the locations identified in these earlier projects, as well as new locations, and digitising a variety of vulnerable documents held in private homes in Tamil Nadu. 36 new collections were digitised, bringing the total number, including those from previous projects, up to 74 collections in total. The sizes of the 36 new collections digitised vary from one single document to over a 300 documents per collection. The 36 collections comprise 135 different series which cover a wide variety of genres and topics such as: folk songs, poems, hymns, horoscopes, astrology, sorcery, nikantu, tamil lexicon, medicine, harvest accounts, land lease, land settlements, land partition, land dispute, land record, tax and temple accounts. judgements from the colonial courts and local judicial assemblies, petitions over land dispute, sale, punishment for communication with excommunicated persons, marriage agreement and caste integrity, compensation to families after self-immolation of widows, security rights (kaval), right to access water for agriculture from the lake, dowry details, business communications and accounts with Burma, film pamphlets.
EAP689/6/1/1 - Agreement for temple renovation - Copper-plate
EAP689/21/2/4 - Invitation Letters - Paper [1912-1931]
EAP689/27/1/53 -Music Guide book PB 53 [1939]
EAP700: Preservation of the manuscripts of the Jaffna Bishop's House (1850-1930)
The central aim of this pilot project was to digitise, preserve and disseminate the rare French manuscripts and other documents kept in the Jaffna Bishop’s House in Sri Lanka. These manuscripts are becoming more and more vulnerable to human and natural disasters and merit urgent digitisation for posterity. Jaffna, in the northern part Sri Lanka, inhabited by the Tamil ethnic minority since the independence of Sri Lanka (1948) has been subject to serious ethnic, cultural and political conflicts. One of the most tragic events was the burning of the Jaffna Public library along with its 97,000 volumes of books and manuscripts on 1 June 1981. The Jaffna public library was considered one of the biggest in Asia.
This collection of manuscripts has escaped the bombings and shelling of past decades. They have been stored in wooden cupboards in a reinforced room of the Bishop’s House adjoining the Cathedral, in a strategically sensitive district of Jaffna City. They are, however, highly vulnerable due to their age and their current condition of poor storage, insect infestations, occasional human mishandling, humidity and other natural and environmental disasters. Some of them are in such a fragile state that they are unable to be handled.
These manuscripts and documents are part of the collections of the Catholic mission in Sri Lanka and cover a wider geographical area including the Jaffna peninsula, Mannar, Puttalam and the Vanni regions. The majority of the manuscripts are in French. This makes the collection a rare and unique heritage and should shed new insights on the contribution of the French missions in this region. They contain a variety of information about the Diocese and the parish and the parishioners. They cover two periods: the second half of the 19th century with the commencement of the Missions; and the period before, during, and after the First World War, a period that is also of great historical importance because of its implications in the colonies. They pertain to two broad domains of the history of Christianity and Christian missions in Sri Lanka, and also the cultural history of ethnic minorities in general and with special reference to the Tamils.
The project digitised 58 files, creating a total of 16,944 digital images instead of the 7,000 that were originally planned. The files mostly consist of manuscripts dated from between 1850 and 1930. The project digitised a diverse collection of records such as memoirs of missionaries or codices; records detailing day to day life; observations on economic and social conditions; personal letters; account books giving detailed explanations of the income and expenses related to the missions, churches and cathedral, and daily accounts of the expenditures on different chapters like school, orphanage, and charity; catalogues of letters sent by missionaries; sermons and commentaries.
EAP700/1/2/2 - The Jaffna Diocese and the OMI - Supplement, containing letters & documents [1848-1861]
EAP700/1/8/1 - Statistics of the Diocese of Jaffna [1929]
EAP727: Preservation of Tibetan Ngakpa manuscripts in Amdo region (Qinghai and Gansu Provinces, PRC)
Amdo is a region located in the northeastern area of the Tibetan Plateau. Due to its geographical features of high mountain ranges and vast grasslands, fragmented and scattered institutions of local power have been the prevalent forms of the ruling agency, until its formal inclusion in the administrative system of People’s Republic of China in 1958. In this socio-historical context, Ngakpa have been playing a leading role in the religious life of Amdo Tibetan communities, embodying a sort of independent channel of transmission, alternative to monastic practice. Ngakpa are extremely knowledgeable bearers of the non-monastic tradition of Tibetan Buddhism and Bon religions. They mainly act as ritual masters for a number of different purposes and have a high level of expertise in Tibetan meditation practices, medicine, astronomy and traditional knowledge as a whole.
Despite the recent popularity of Ngakpa teachings in the Western world, their survival in the original context is threatened by the increasing marginalisation of their social role and the lack of potential students in the young generation, captivated by new opportunities offered by the Chinese fast-growing economy. The preservation of Ngakpa’s textual heritage is a factor of primary importance for ensuring the perpetuation of this ancient laic tradition of Tibetan Buddhism. This project was exclusively concerned with the preservation of the most endangered manuscripts of one specific group of Ngakpa in the Amdo region, those belonging to the Nyingmapa tradition, the most ancient school of Tibetan Buddhism.
A pilot survey was carried out by the local archival partner and it emerged that between 70 and 100 pecha (the traditional format of Tibetan books, made of long paper pages compressed between two wooden boards and bounded together with a string) of different lengths, privately-owned by thirty Ngakpa, were in very poor physical condition and situated in precarious locations, exposed to the damages of humidity, rats, use and age.
The manuscripts date from between the early 19th and the end of the 20th centuries. Several of them are unique copies that were rescued during the Cultural Revolution (1966-1976), when they were hidden in various provisional locations, wedged in wall fissures and buried underground. The topics covered by the texts are heterogeneous: rituals, medicine, history, astrology, astronomy, divination, hagiography, mantras, manuals for the construction of traditional ritual objects, such as mandala, stupa and torma (decorated and painted offerings made of barley flour and butter).
The scattered location of the texts and the difficulty to reach them in remote mountain areas required extensive travel among different villages in Huangnan Tibetan Autonomous Prefecture, Haixi Mongolian and Tibetan Autonomous Prefecture, Hainan Tibetan Autonomous Prefecture, Golok Tibetan Autonomous Prefecture (all in Qinghai Province) and Southern Gansu Province.
EAP727/1/100 - རྒྱལ་བ་སྐུ་གསུམ་གྱི་རྣམ་ཐར་ཡོངས་འདུས་ལྗོན་པ་བཞུགས་སོ།། (rgyal ba sku gsum gyi rnam thar yongs 'dus ljon pa bzhugs) [Early 20th century]
EAP727/6/25 - བླ་མའི་རྣལ་འབྱོར་བསམ་པ་ལྷུན་འགྲུབ་དང་མྱུར་འགྲུབ་མ་བཞུགས་སོ།། (bla ma'i rnal 'byor bsam pa lhun 'grub dang myur 'grub ma bzhugs so) [Mid 19th century]
16 December 2015
Using face recognition to find an EAP Christmas Card
Professor David Zeitlyn has written our final guest blog for 2015, again it is related to the British Library's current exhibition on West Africa. The post informs us about what can be discovered using face recognition software - and it has a wonderfully festive theme.
The generous support of the Endangered Archives Programme enabled us to work with a Cameroonian studio photographer, Jacques Toussele, to archive his collection of negatives (and some remaining prints). The results are now available via the EAP catalogue (see descriptions in Zeitlyn 2010a and 2015)
Jacques Toussele in 2001. Photo by author, CC BY-NC-ND.
The collection is a rare archive of local photographic practices which, because until relatively recently Mr Toussele was still working in the community where they were taken, have been documented with his assistance thus rendering the archive considerably more important for the future than a bare collection of negatives alone. Working with some helpers, he was able to recognise a few of the people in the photographs, enabling future research to be undertaken, which greatly enhanced the importance of the archive. The archive we have established enables scholars to raise a wide range of issues about the presentation of self, changing fashions and global patterns of influence as mediated by local norms of appropriate behaviour in public.
The convention among studio photographers in Cameroon (and elsewhere in West Africa) was that there was a two tier pricing structure. Clients paid a certain amount per print but had to make an additional payment if they wanted the negative as well. Strictly, therefore, the archiving project is concerned only with the negatives which the clients chose not to redeem.
Uses of Photographs
Clients commissioned photographs from studio photographers such as Photo Jacques for many reasons, but overwhelmingly the commonest reason was the requirement in Cameroon law for adult citizens to carry valid Identity Cards (which since the 1950s have included photographs). Once commissioned, the negative used to produce the passport style ID card photograph could also be used to produce other styles of prints. For example, I have discussed elsewhere (2010b) the style of photograph required by the state for the marriage certificates which document civil weddings.
As we shall see, these have another life in archives other than the municipal civil registry. Although photographers such as Jacques were sustained by the need for ID photographs such administrative requirements did not fully determine the sorts of images taken. They provided a secure economic basis for the studios, which also meant that for the clients the cost of other photographs was affordable.
In some cases a single print or image has had different uses at different points in time: the ID photos of the elderly are in many cases the only surviving photographs of grandparents. After their death the ID card may be copied so an enlarged print could be made of the passport photograph for display at the funeral and then hung on the wall of a surviving spouse or child.
Having established the archive the challenge has been how to start using it in research. One set of issues is posed by the lack of metadata. Unlike some other West African photographers (Augustt discussed by Werner or the better known case of Seidou Keita) Jacques Toussele did not maintain detailed records about his photographs. Although as part of the EAP project we did some basic cataloguing, one thing that background research in Mbouda has revealed is that local traditions are such that knowledge of names is not widely disseminated. A person may be recognised in a photograph and there may be agreement among informants (eg the cataloguers and Jacques Toussele himself) about their occupation and the village where they live, but no one would know their name, or at best a Christian name or nick name. Jacques Toussele, himself, was widely known as Photo Jacques but outside his immediate family few know his full name.
As a small step towards putting some order into the archive, I have done some collaborative research with colleagues (Andrew Zisserman and Omkar Parkhi) in the Oxford Engineering department to see how face recognition can help (see Zeitlyn et al 2010 for early experiments). One immediate task was being able to identify original negatives for the prints in the archive. There are a few actual prints which were either never collected or were test prints which had been filed rather than discarded. There are also some instances of negatives which are copy photographs. Someone will have come to the studio with a print and asked for a literal ‘photo copy’. When the original had been taken by Jacques Toussele, the negative may still exist in the archive but without a catalogue (metadata) it was impossible to locate. This is where face recognition, or in some cases pattern matching, can help match the print and original negative.
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EAP054/1/161/248 Negative (dvd226_129) |
EAP054/1/66/150 Double print eg for ID card or other administrative use (dvd297f1_017) |
There is a further use which is topical: the recycling and refashioning of photographs by cutting, pasting and re-photographing to create family Christmas cards. Although not common in the Jacques Toussele archive, they do help us get a handle on the question of completeness: just how many other photographs were taken but which have not survived? It also allows us to explore how, over time, negatives might have moved accidentally between storage boxes.
So consider this Christmas card image
EAP054/1/7 dvd246_018
It was found in EAP054/1/37 box38 Old red Obi Brothers photographic paper box, which had 01/10/1990 written on the outside of the box. Using face recognition we were able to match several of the constituent images in this collage with prints in a mixed box of passport size prints (EAP054/1/93: Jacques Toussele Photographs: box 100 [c 1990])
EAP054/1/93/2 box100 dvd278_056 (top: north)
EAP054/1/93/3 box100/dvd278_057 (bottom: south)
EAP054/1/93/4 box100/dvd278_058 (north-east)
EAP054/1/93/5 box100/dvd278_059 (south-west)
EAP054/1/93/6 box100/dvd278_060 (south-east)
Other possible matches were
EAP054/1/2/201 box2/dvd99_070
and
EAP054/1/2/121 box2/dvd101_121
Of the nine images in this collage, face recognition locates five as well as identifying some possible matches which my human eye rejects. Sadly we cannot find the central image of the adults. Most of the matching images were in a box of miscellaneous passport size prints. In one case the print has been trimmed to the oval matte clearly visible on the Christmas Card. The other trimmed prints have not survived, nor have the negatives from which they come. So we have some evidence for how much more has been lost than exists in the material that we have been able to archive. I don’t take this as bad news. Any archive is always incomplete, and one of this nature perhaps more than most. As a seasonal reflection I think that demonstrating that it is possible to do any matching within the archive is an extraordinary finding and one that promises much for the new year.
Further reading
Introduction to the project
Zeitlyn, David. 2015. "Archiving a Cameroonian photographic studio." In From Dust to Digital: Ten Years of the Endangered Archives, 529-544. Cambridge: Open Book Publishers. doi: http://dx.doi.org/10.11647/OBP.0052.16
Zeitlyn, David. 2010a. "Photographic Props / The Photographer as Prop: The Many Faces of Jacques Toussele." History and Anthropology 21 (4):453- 477. doi: http://dx.doi.org/10.1080/02757206.2010.520886.
Other work cited
Werner, J.-F. 2014. De la photographie africaine en tant qu’innovation technique. Continents manuscrits COMA
Zeitlyn, David, Ananth Garre, C. V. Jawahar, and Andrew Zisserman. 2010. "The Archive. Where Is the Archive?" Photography & Culture 3 (3): 331–342. doi: http://dx.doi.org/10.2752/175145109X12804957025679.
Zeitlyn, David. 2010b. "Representation/Self-representation: A Tale of Two Portraits; Or, Portraits and Social Science Representations." Visual Anthropology 23 (5): 398 – 426. doi: http://dx.doi.org/10.1080/08949460903472978.
23 September 2015
5 million images online
In February, the Endangered Archives Programme celebrated its tenth anniversary and the various press releases and newspaper articles all quoted that we had 4 million images online. It is hard to believe that today we reached the milestone of 5 million images.
I thought I would use this opportunity to reflect on some of the projects that have gone online since the beginning of the year – doing a ‘round the world’ selection.
One of the first projects to be made available this year was EAP164, which consisted of people's memoirs and diaries from rural societies along the Ukrainian Steppe. As well as paper archives, there is a wonderful selection of photographs giving a real sense of community, as this picnic illustrates.
EAP164/1/2/3 Album of photos of representatives of a family - Perovskyh [1891-1990]
From the Africa collections, we put EAP286 online, a project from Ethiopia that digitised both Muslim and Christian manuscripts. A substantial part of the collection consists of Asmat prayers, and this is an example of part of a 19th century scroll.
EAP286/1/1/38 Asmat Prayers [19th century]
To show the variety of the collection, this is the first page of an incomplete Taḫmīs al-Fayyūmī on the "Poem of the Mantle" by al-Būṣīrī.
EAP566 is an example of one of the Asian projects that went online, a very impressive collection of 18th and 19th century Urdu periodicals. The articles cover an incredibly broad range of subject matter and the accompanying illustrations are a joy to browse through, as can be seen from these pages from Nairang-i khiyal.
EAP566/1/4/10/1 Nairang-i_khiyal (Volume and Issue not known) [1932]
EAP566/1/4/10/1 Nairang-i_khiyal (Volume and Issue not known) [1932]
My final continent from the EAP worldwide whistle-stop tour, of course, is the Americas and one important project that went online was EAP563 – the archives of the engineering firm ‘Hume Brothers’ which was set up in Argentina in 1880. The company's main work consisted of planning and building thousands of kilometers of roads, not only in Argentina but also throughout Uruguay, Chile and Brazil. It is a project that contains a mixture of texts, drawings and photographs.
This is a photograph of the construction of a lift bridge over the Riachuelo in Buenos Aires.
And this example is a stereoscopic view of the San Roque Dam in Argentina.
EAP563/1/5/5/1252 San Roque Dam (Argentina). [c 1945]
But of course I must not leave out the two projects that went online this month and got us to 5 million images. The first was EAP753, a pilot project that carried out an inventory and sample digitisation of parish documents in the area of Belém do Pará, Brazil.
EAP753/1/1/4 Cairary Baptisms, n 4 [1895-1901]
and EAP541, which digitised the historical archives in the Public Records and Archives Administration (PRAAD) in Tamale, Northern Ghana. I rather liked the fact that we have records about latrines - this has to be a first for EAP!
EAP541/1/1/88: Salaga-Site for septic Tank Laterines [1952-73]
11 August 2015
New online collections - August 2015
This month two projects have gone online, EAP352 and EAP764.
The first of these projects is EAP352. The project digitised Arabic and Jawi (Arabic Malay) manuscripts that come from two regions in Indonesia - Western Sumatra (Minangkabau region) and Jambi. The 11 collections held in private hands contain manuscripts from two Sufi brotherhoods: Shattariyah and Naqshbandiyah.
The texts include treatises on the peculiarities of regional Islam such as the history of local religious traditions, hagiographical works and documents on the Naqshbandiyah and Shattariyah mystical conceptions written by local Shaikh’s. They also contain unique examples of calligraphy, illumination and bookbinding. The manuscripts describing Suluk mystical ritual are particularly noteworthy, as the ritual is practiced only in the remote corners of Sumatra and is considered to be unpopular among younger generations of Muslims. They contain interesting examples of al-Qur’an and works on traditional medicine in Jambi.
Study of such written heritage can contribute greatly to the history of Sumatra as well as the history of Islam and Sufism.
The second project is EAP764, a pilot project which surveyed documentary material located in the archive of the Prefecture of Bandiagara (Mali). This was undertaken in order to preserve collections of historical and anthropological relevance from the early decades of French colonialism. The archival material falls within the wide area of the Cercle, an administrative unit introduced in 1903 by the French, which came to encompass a territory reaching up to Burkina Faso. Bandiagara is still the capital of the Dogon country, an area of extraordinary cultural interest and is included in the UNESCO World Heritage list. Since the region is rich with oral traditions and has few written records, such documents, written in French by the colonial administrators, represent valuable and unique evidence of a historical period which has been little investigated. The collections identified will be of great interest for researchers looking at the history, law, religion, anthropology, politics, demography and economy of the region.
The project was successful in identifying the most endangered and precious collections dating back to the early decades of the 20th century. A sample of these collections was digitised and is now available to view online.
Check back next month to see what else has been added!
You can also keep up to date with any new collections by joining our Facebook group.
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