European studies blog

83 posts categorized "Acquisitions"

18 July 2013

The Glory of Slovenia

Iconotheca Valvasoriana, a copy of which the British Library acquired recently, is a facsimile edition of the collection of prints and drawings from the library of Johann Weichard Valvasor, a historian and scientist from Carniola (Kranjska, a western region of present-day Slovenia).


Engraved portrait of Johann Weichard Valvasor
Johann Weichard Valvasor in 1689. (Image from Wikimedia Commons)

In 1685 Valvasor arranged his collection of prints and drawings into 18 large folio albums to which letterpress title pages were added summarizing the content of each album. Later he sold this collection of prints and drawings, which is now held at the Metropolitan Library in Zagreb, except for one volume which is missing.

The Janez Vajkard Valvasor Foundation at the Slovenian Academy of Sciences and Arts in Ljubljana and the Metropolitan Library in Zagreb published a limited edition of 100 copies of Iconotheca Valvasoriana in 2004-2008. This critical edition consists of 17 large folio volumes which contain 7752 facsimiles of European prints and drawings from the 15th to the 17th centuries. It forms a catalogue of the collection of prints and drawings in which each entry has a catalogue description, commentary, bibliography and provenance note on facing pages in Slovenian, Croatian and English in parallel texts. The edition has a bibliography, an index of names (of engravers, monogrammists, inventors, printers, artists, publishers and previous owners), and an index of titles at the end of each volume.

The first three volumes contain prints on religious and sacred themes; volume four is the missing volume; volume five contains prints on popular allegorical themes; volume six comprises prints on secular themes; volume seven contains maps, topographical representations and views of towns; volume eight is dedicated mainly to illustrated broadsheets; volume nine depicts plants and animals; in volume 10 prints of classical works and mythological texts predominate; volume 11, with prints of scenes from classical mythology, continues the content of the previous volume. All these volumes are arranged by theme. The remaining six volumes are arranged by individual artists, such as Callot, Dürer, and Rembrandt as well as many other well- known or less familiar printers and artists, or by technique. All the woodcuts are in volume 16, which also contains coats of arms. Volume 17 contains drawings and volume 18 watercolours of plants and animals.

It is evident that Valvasor made use of his collection of prints and drawings for his principal study, a pictorial description of the Slovenian lands, which is his four-volume encyclopaedic work Die Ehre des Herzogthums Crain ('Glory of the Duchy of Carniola') published in Laybach (Ljubljana) and Nürnberg in 1689. The British Library has two complete copies (Shelfmarks 985.g.1.and 169.g.8-11.), and a digitised edition is available via the Digital Library of Slovenia.

Engraved titlepage of Die Ehre des Herzogthums Crain
Engraved titlepage of Die Ehre des Herzogthums Crain

The British Library copy of Iconotheca Valvasoriana is number 67 of 100 numbered copies. Each volume is catalogued separately in continuous order and placed at shelfmarks LF.37.b.231 to LF.37.b.247.

Milan Grba, Lead Curator South-Eastern European collections

03 July 2013

Chiaroscuro of a Croatian master

On 1 July 2013 Croatia  joined the European Union. One of the events in the Welcome Croatia Festival  held in the run-up to 1 July was Neven Jovanović’s lecture at the BL on Croatian Latin Heritage (3 June), where I picked up Flora Turner-Vučetić’s Mapping Croatia in United Kingdom Collections.

Turner-Vučetić shows very effectively how many Croatian artists are hidden under Italian names, one among them Giulio Clovio,  more correctly Juraj Julile Klović (1489-1578), and points out his illuminations in the Stuart de Rothesay Book of Hours (British Library Add. MS. 20927).

Portrait of Giulio Clovio

Portrait of Giulio Clovio (Juraj Julile Klović) by El Greco. Picture from Wikimedia Commons)

 But there is another British Library connection: the Rt Hon. Thomas Grenville. As is well known, the politician and diplomat bequeathed his collection of over 20,000 volumes of printed books to the British Museum Library in 1846, thanks to the Machiavellian machinations of Anthony Panizzi. What is less known is that he also donated fifty-nine manuscripts (now Add. MSS. 33733-33791). 

Add. MS  33733 is a volume illustrating a Spanish text on the Triumphs of Charles V over Suleiman the Magnificent, Pope Clement VII, Francis I, the Dukes of Cleves and Saxony, and the Landgrave of Hesse.  Grenville bought it some time before 1817, in London (as he did all his books).  The binding is by Charles Lewis,  whom Grenville often employed: presumably he made it  for Grenville, it incorporates a magnifying glass.


Clovio Charles V BT
Charles V triumphing over his enemies (BL Add. MS  33733)#

Grenville died on 17 December 1846; on 28 January 1847, Assistant Librarian W. B. Rye, with the help of eight Museum attendants and three of Grenville’s servants, set about transferring the 20,240 volumes from Grenville’s home at 2 Hamilton Place, Piccadilly, to Great Russell Street. They numbered the shelves, put the books on trays and placed them in a horse-drawn van which had been fitted with planks to form shelves. Each van was accompanied to the British Museum by an attendant who walked close behind it.  There were twenty-one vanloads. The book-move took five days. 

Rye took the most valuable item, the Clovio manuscript, in a cab: an indication of the importance which attached to it. Modern scholarship has downgraded it to the work of a pupil or follower of Clovio. One wonders if Clovio suffered a dip in appreciation after Grenville’s time: the British Library online catalogue  has five books on him from 1733 to 1894, nothing from 1895 to 1961, and thirteen from 1962 to date.

Grenville is not famous for his love of manuscripts, or for his love of visual culture in general, though he did have a Valuable and Unique Collection of Rare Oriental, Sevres, Dresden, Berlin and Chelsea Porcelain (auctioned at Christie & Manson, 15 June 1847).

The Clovio MS is rarely mentioned in the accounts of Grenville’s library, which focus on the printed books. Like the Croatian identity of Juraj Julile Klović, it has stayed in the shadows. Until now.

Barry Taylor, Curator Hispanic Studies

References: 

Flora Turner-Vučetić,  Mapping Croatia in United Kingdom Collections (London, 2013) YD.2017.a.1470

Barry Taylor, ‘Thomas Grenville (1755-1846) and his books’, in Libraries within the Library: the Origins of the British Library’s Printed Collections, ed. Giles Mandelbrote and Barry Taylor (London, 2009), pp. 321-40. YC.2010.a.1356

 

17 June 2013

Marketing tools

One of the British Library’s latest antiquarian acquisitions, purchased jointly by European Studies and our Curator of Bookbindings, is a very rare example of a book cover dating from the 18th century. Actually, it isn’t really a book cover at all, but a single board, about A4 size, covered with a fine piece of calf’s leather. It is sumptuously decorated with 33 different bookbinder’s tools, all in gold, which makes it look rather expensive.

Bookbinder's sample, brown leather with gold decorations

Amongst the decorations are scrolls of a hunting scene – including, unusually, a hunting lodge; another scroll depicts musicians playing various instruments, interspersed with animals both real and mythological. In the centre there is a coat of arms, as yet unidentified, surrounded by intricate corner and spine pieces depicting pomegranates, angels, vases, etc.

The leather is in very good condition: there are no visible tears or cracks, and the gilding is undamaged. It must have been passed on and cherished from one generation to the next, something very unusual for bookbinding samples which were more commonly discarded when no longer needed. But this was no ordinary sample piece, we think, and that may well be the reason why it survived.

So who made it and why? Experts we consulted offered two possibilities.

First, it could be a test-piece by a bookbinder’s apprentice. Could be – but he must have stood in very good stead with his master to be given such a prime piece of leather to work on. In general apprentices had to make do with offcuts.

The second possibility is that a master bookbinder made it in order to show off his skills to rich potential clients. Therefore he used a high-quality piece of leather and as many different tools as he possibly could.

Tools used by bookbinders differ from one region to another. Although the individual tools used on this sample are not as yet identified and cannot therefore be linked to a particular binder, the experts told us that they are very similar to those used in 18th-century Amsterdam and Utrecht, and that it is almost certain the piece was made in one of these two cities.

An image of the cover will appear in our online Bindings Database  to join over 200 18th century Dutch bindings already listed there from both the BL and the Royal Library in The Hague.

We hope that this sample book cover will stimulate the interest of researchers and practitioners in the fields of bookbinding and gilding. Personally I hope that it will also inspire young people to develop their creative skills to make similarly beautiful and enduring items.

We would like to extend our thanks to the Friends of the British Library for their support in purchasing an item which is unique in itself and a perfect complement to our existing collections.

Marja Kingma, Curator Dutch Language Collections.

Reference:

Jan Storm van Leeuwen, De achttiende-eeuwse Haagse boekband in de Koninklijke Bibliotheek en het Rijksmuseum Meermanno-Westreenianum=the Hague bookbindings of the eighteenth century in the Royal Library and the Rijksmuseum Meermanno-Westreenianum ('s-Gravenhage, 1976). 667.m.27


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