During Robert Clive’s lifetime, the East India Company commissioned two portraits showing him as a hero.  The first of these, a marble statue of Clive in Roman military costume, was installed in 1764 inside East India House, their headquarters in London.  It was one of four marble portrait statues commissioned by the Company in 1760 of men dressed as Romans.  These neo-classical statues showed the Company as the conqueror of a new Asian empire, with London at its centre.

Statue of Robert Clive in Roman military costume.  Peter Scheemakers, 1764. British Library, Foster 53.  Today, the statue is in Britain’s Foreign Commonwealth and Development Office.

Less than a decade later, Robert Clive’s reputation as a hero had collapsed.  In the late 1760s he returned to Britain, bringing with him a staggering personal fortune that he had amassed in Bengal.  Regarded as one of the richest men in Europe, he conspicuously bought properties in England and Wales, and spared no expense on rebuilding and furnishing these new residences.  Clive’s spending spree coincided with reports of the Bengal Famine, a catastrophe that killed about 10 million people.  The source of Clive’s fortune came under scrutiny and his character was aggressively criticised by the British public.

In May 1771, Town & Country, a satirical magazine, published a searing memoir of Robert Clive which named him 'Nero Asiaticus', who had 'fleeced the Asiatics as much as he was able'.  This alias compared him to the insane emperor who watched Rome burn to the ground.  The comparison was derived from the marble statue of Robert Clive in Roman dress inside East India House.

Robert Clive receiving from the Nawab of Bengal the grant for Lord Clive’s Military Fund. Edward Penny, 1772. British Library, Foster 91. Today, the painting is in the Asia & Africa Reading Room of the British Library.

Perhaps to heal his toxifying reputation, the East India Company commissioned Edward Penny, the Royal Academy’s first 'Professor of Painting', to create the second artwork of Robert Clive, this time showing him performing a heroic deed.  Titled 'Lord Clive explaining to the Nabob the situation of the invalids in India', the painting shows him with the Nawab of Bengal, at the alleged moment when the East India Company’s Military Fund was founded.  In the background are the fund’s intended recipients.  On the right is a group of needy soldiers and at the centre, a beautiful young widow sits, surrounded by children.  The painting was completed in 1772 and exhibited in the Royal Academy’s annual show before being moved to East India House.

'The India Directors in the Suds.' Town & Country, December 1772. The cartoon is accompanied by a descriptive text.

The Royal Academy’s annual shows were busy, popular public events.  Edward Penny’s painting of Clive would have been seen by thousands of people.  One of those people happened to be a cartoonist who worked for Town & Country magazine.  The resulting cartoon, titled 'The India Directors in the Suds' (suds being a euphemism for excrement), was published later that same year.  In place of the Nawab of Bengal and his entourage, it shows a procession of Indian ghosts who represent the Bengal Famine’s victims.  A terrified Robert Clive is shown leaping backwards.   Behind him, in place of the invalids and the widow, the East India Company’s directors stare at the scene.

Artworks like these demonstrate how the East India Company tried to cultivate a strong, positive reputation in London by commissioning artworks.  However, such manoeuvring, particularly in Georgian London’s critical atmosphere, could also backfire.

CC-BY
Jennifer Howes
Art Historian specialising in South Asia

Creative Commons Attribution licence

Further reading:
Anonymous. 'Memoirs of a Nabob.' Town & Country, London, May 1771: 255-256.
Anonymous. 'The India Directors in the Suds or the Jaghire Factor Dismayed at the Ghosts of the Black Merchants.' Town & Country, London, December 1772: 705-706.
Hazzard, Kieran. 'The Clives at Home: Self-fashioning, Collecting, and British India.' In Coutu, Joan. Politics and the English Country House, 1688-1800. Montreal: McGill-Queens University Press, February 2023.
Howes, Jennifer. The Art of a Corporation: The East India Company as Patron and Collector. New Delhi: Routledge, April 2023 

 

Ship’s captain, free mariner, surgeon, cleric and infantrymen – seven members of one family, spanning three generations between 1767 and 1868.  A story brought to life through the India Office Records at the British Library.

Three generations of Barkers employed by the East India Company

1st generation - Commander
Robert Barker (1767-1835) attested his age before Major John Burnett at Mansion House in London on 17 January 1780.  He was just twelve years and five months old.  He sailed as an ordinary seaman for three years aboard the sloop Echo until, at sixteen, he was a midshipman aboard the Dutton on a voyage to India and back that took nineteen months.  Rising through the ranks of fourth, third and first mate, he became captain in 1801 of the Northampton.  Barker made three voyages to India and China before retiring to Brazil in 1807, where he became a plantation owner.

Robert Barker's service as Captain of the Northampton - IOR/L/MAR/B/198C, 198P (1) & (2)

2nd generation – Free mariner, surgeon, and cleric
Robert’s nephew, Alexander Popham Barker (1787–c.1821), sailed with his uncle aboard the Northampton in 1803 as a midshipman and in 1805 as a fourth mate, eventually rising to first mate.  In 1815 he applied to the East India Company to become a free mariner in the intra-Asian ‘country trade’ and based himself in Bengal.  Alexander was presumed lost at sea sometime after 1821.

Alexander’s younger brother, Thomas Brown Barker (1796-1848), was a member of the Edinburgh Royal College of Surgeons at 21 and then applied to become an East India Company assistant surgeon.  By July 1818, he was working in Madras.  He served in infantry and cavalry regiments at Madras, Benares, Calcutta and Bengal, becoming surgeon in 1829 aged 33.  Then, in 1848, after some 30 years of service and eligible for retirement, he set sail for home aboard the Gloriana, only to die during the voyage.

Thomas Brown Barker’s application to be Assistant Surgeon - IOR/L/MIL/9/370/14-17

Alexander’s younger sister, Francis Brown Barker (1790-1885), married Rev Joseph Laurie in 1822.  Later that year, Rev Laurie was installed as chaplain for the Church of Scotland for the Bombay Presidency.  He served as minister at the Scotch Kirk, later named the Church of Saints Andrew and Columba.  The Lauries lived in Colabah.  They had four children between 1823 and 1833.  The younger two died in infancy; the elder two entered the Company's Infantry.


3rd generation – Infantry cousins
Alexander Popham Barker (2) (1822-1844), Robert Laurie (1823-1856), and John Joseph Laurie (1825-1868) were cousins. All joined the Bombay Infantry, and all three died early - one with honour, one in disgrace and one through illness.

On 10 April 1844, Lt Alexander Popham Barker was wounded in the arm and side while in command at Hunooman Ghaut and died the same day, aged 21.

Alexander Popham Barker’s service record - IOR/L/MIL/12/72/377

On 2 May 1854, Lt Robert Laurie was court-martialled for giving false testimony at the trial of Lt Col Gidley earlier that year and was cashiered from the service.  He returned to England in disgrace and died at his parent’s home at the age of 32. 

On 28 September 1868, Lt Col John Joseph Laurie of the Staff Corps was buried in Bombay by the chaplain of his father’s church, having died from brain and liver disease aged 43.

CC-BY
Mark Williams
Independent researcher

Creative Commons Attribution licence

Further reading:
Anthony Farrington, Catalogue of East India Company Ships' Journals and Logs 1600-1834 (London: The British Library,1999), e.g. Northampton: Journal 12 May 1803 – 9 February 1805 IOR/L/MAR/B/198C; Ledger IOR/L/MAR/B/198P(1); Pay Book IOR/L/MAR/B/198P(2).
Anthony Farrington, A Biographical Index of East India Company Maritime Service Officers 1600-1834 (London: The British Library,1999) - officers by rank, ship and date of voyage.
Richard Morgan, An Introduction to British Ships in Indian Waters (London: The Families in British India Society (FIBIS), 2017).
The East India Register and Directory.
The Bombay Gazette via British Newspaper Archive and Findmypast.
Alexander Popham Barker’s application to be a free mariner - Minutes of Committee of Shipping IOR/L/MAR/C/29 1814-1815 ff. 778-9, 15 March 1815.
Thomas Brown Barker’s application to be Assistant Surgeon - IOR/L/MIL/9/370/14-17.
Alexander Popham Barker, Lt Bombay Infantry - IOR/L/MIL/12/72/377.
Robert Laurie, Lt Bombay Infantry – for Laurie’s court-martial, see Misbehaviour in the Bombay Army. 
John Joseph Laurie, Lt Col Bombay Staff Corps - Burial 28 September 1868 IOR/N/3/42 p.331
Cadet papers:
Alexander Popham Barker –IOR/L/MIL/9/195/535-37.
Robert Laurie - IOR/L/MIL/9/195/276-81.
John Joseph Laurie - IOR/L/MIL/9/196/769-75.

 

The story of the ‘Titanic Omar’ bookbinding can hardly be described as ‘untold’ but perhaps it is time to add another chapter.

Rubaiyat of Omar Khayyam bound by Stanley Bray of Sangorski & Sutcliffe following the patterns of the original binding, which was lost on the Titanic - doublure- British Library C188c27

To recap;
1909-1912 London bookbinders Sangorski and Sutcliffe bound a deluxe copy of the Rubáiyát of Omar Khayyám with over a thousand jewels.

1912 Purchased by American collector Gabriel White who sent the book home on the Titanic. Lost.

1912 July Sangorski drowned in the sea while bathing.

Press cuttings about Sangorski's death provided with the Bray bequest

1932-39 Sutcliffe’s nephew, binder Stanley Bray, recreated the binding.

Lower cover of second version - image provided with the Bray bequest

1941 Placed for safekeeping in a vault, which received a direct hit during the Blitz. Destroyed.

1985-1989 Bray bound the third (and final?) version during his retirement.

Stanley Bray working on the third Omar - image provided with the Bray bequest

2005 Bequeathed to the British Library by Mr and Mrs Bray.

Rubaiyat of Omar Khayyam bound by Stanley Bray of Sangorski & Sutcliffe following the patterns of the original binding, which was lost on the Titanic - lower doublure- British Library C188c27

The next part of the Omar’s story involves conservation and recording.  The book has been on show in the British Library galleries but needs to be rested periodically.  Can we use new processes including 3D imagery to ensure the binding is available virtually, while the item itself is assessed by Conservation?  You be the judge.  

Great Omar Jewelled Bookbinding, C.188.c.27 by British Library on Sketchfab

This model was created by the British Library’s Imaging Services and Sketchfab.   Supervision was provided by the Library’s conservators.  Only the outside of the binding has been captured.  It is important to establish that the process can cope safely with the many protruding onlays and jewels before considering its application to the dazzling inner boards and printed content.

The next stage is an assessment of the book’s structure.  It is hoped that specialists will check and record its physical condition, notably the mounting of the jewels.

P. J. M. Marks
Printed Heritage Collections.

Further reading
Rob Shepherd. Lost on the Titanic (London:Shepherds Sangorski & Sutcliffe and Zaehnsdorf, 2001.)
BL Image Database of Bookbindings

 

A recently catalogued collection of India Office Private Papers is now available to researchers in the British Library’s Asian & African Studies reading room.  This comprises the papers of Ralph Esmond Selby Tanner, British Army and Burma Frontier Service; and his wife Penelope Tanner, writer, photographer and illustrator.

Army identity card for Ralph Tanner Mss Eur F747/3/1

During the Second World War, Ralph Tanner was part of the Commando unit Layforce that saw desperate fighting in Crete in 1941, and served with the King's Own Yorkshire Light Infantry during the retreat from Burma in 1942.  His health seriously damaged by this, he spent long periods in hospital in India, before returning to England to recover.  While in England he met his wife Penelope Dell, and they were married in May 1944.  He returned to Burma a year later as part of the British Military Government, before transferring to civil employ as the Assistant Resident at Namhsan.  In May 1948, he travelled to Tanzania on Colonial Service, soon to be joined by Penelope.  They spent the next seventeen years living and working in Africa, before returning to the UK in 1965.  The collection contains Ralph’s letters to his parents describing his experiences in Crete and Burma 1941-43, and letters to his wife Penelope while settling into his new job in Burma in 1945-46.

Description of an air raid Mss Eur F747/1/9 f.25

The collection also has letters from Penelope to Ralph.  These date from before they were married up to just before Penelope left England to join him in Burma in late 1946.  These very personal letters document their developing relationship, family politics, their wedding, the health of themselves and their young son, and planning their future together.  When the series of letters began in late 1943, the Second World War was still raging, with regular air raids on London.  In one letter written in January 1944, she described a close call: ‘The second air raid we had was very noisy too, and most unlike me I went downstairs, and as I got to the bottom a piece of shrapnel came hurtling down the lift shaft, hit one of the supports and ricocheted against the wall about 3 inches above my head, and shot down into the basement’.

Design for table by Penelope Tanner Mss Eur F747/1/18 f.62

One fascinating aspect of Penelope’s letters is the light they shine on the amount of work required of her to organise moving herself and her baby son out to Burma to begin a new life with her husband.  From packing all their possessions, arranging shipping, dealing with travel agents, obtaining the correct travel documents, to even thinking about what furniture they would need in their new bungalow in Burma.  Being a skilled illustrator, Penelope sent Ralph sketches of furniture she thought they might need with precise measurements and instructions on having them made by Burmese craftsmen.

Oryx Antelope - photograph by Penelope Tanner Mss Eur F747/2/5

A very creative person, Penelope Tanner was a writer, photographer and illustrator.  The collection includes several unpublished manuscripts written by her.  They range from short stories, articles, a crime novel, a series of stories on cave dwellers in Kenya, and a memoir of her life in Burma with her husband and son.

John O’Brien
India Office Records

Further Reading:
Papers of Ralph Esmond Selby Tanner (1921-2017), Burma Frontier Service 1939-1946; and his wife Penelope Tanner (nee Dell) (1918-1985), collection reference Mss Eur F741, available to view in the Asian & African Studies Reading Room, and the catalogue is searchable on Explore Archives and Manuscripts.

Other Tanner papers held at the British Library:
• Mss Eur Photo Eur 411: Copies of letters from Ralph Esmond Selby Tanner, 1945-46.
• Mss Eur C522: Paper on `Religion and Economics: Kodaung Hill Tracts, Burma, 1945-8 and Sukumaland, Tanganyika 1951-5' by Dr Ralph Esmond Selby Tanner, 1990.
• C63/197 (formerly Mss Eur R195): Ralph Esmond Selby Tanner interviewed by David M. Blake, 7th August 1990.

Burma 1942: memories of a retreat: the diary of Ralph Tanner, KOYLI by R.E.S. Tanner and D.A. Tanner (Cheltenham: The History Press, 2019), BL reference YKL.2020.a.10619.

 

At the coronation of King Charles III, the Princess Royal was asked to perform the role of Gold Stick in Waiting.  This office has its origins in the royal attendants who acted as the monarch’s personal bodyguards, but the duties have been mainly ceremonial since the reign of Queen Victoria.  The staff of office has a gold head, hence the name.  As Colonel of The Blues and Royals, the Princess Royal holds the Gold Stick jointly with the Colonel of The Life Guards.

At the coronation of King George VI in 1937, the Gold Stick in Waiting was Field Marshal Sir William Birdwood. The Birdwood Collection in India Office Private Papers has a file with documents about his role at that coronation.

Birdwood's invitation to walk in the procession at the Coronation of George VI

Birdwood's invitation to the Coronation of George VI with instructions about the carriage procession and robes

Birdwood's tickets to the Coronation of George VI

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
Papers and tickets relating to the 1937 Coronation of George VI which Birdwood attended as Gold Stick in Waiting, British Library India Office Private Papers Mss Eur D686/9.

 

King Charles III’s coronation continues an extremely long-standing ceremonial tradition.  The scale of coronations does vary from reign to reign, yet core elements such as the monarch’s selection, anointment with holy oil, public acclamation and enthronement remain unchanged.  Records for English coronations stretch back over a thousand years, but as David’s instructions to crown Solomon as king reveal, the Judaeo-Christian origins of the ceremony actually stretch back much further in time:
“And let Zadok the priest and Nathan the prophet anoint him there King over Israel: and blow ye with the trumpet, and say, God save King Solomon.  Then ye shall come up after him, that he may come and sit upon my throne; for he shall be king in my stead” (I Kings 1: 34-5).

The coronation on 6 May 2023 includes a rendition of ‘Zadok the Priest’ alluding to this biblical tradition.  Charles III’s enthronement appears to take its lead from early medieval religious iconography.  The Liber Vitae created around 1031CE centres upon King Cnut and Queen Emma presenting a cross to the altar of New Minster at Winchester.  Angels descend from heaven touching the Monarch’s crown.  There is an image of Christ enthroned located immediately above the cross.

King Cnut and Queen Emma presenting a cross to the altar of the New Minster, Winchester British Library, Stowe MS 944 f. 6r. 

The earliest surviving English Royal Seal from Edward the Confessor’s reign 1042-1066 depicts the King crowned and enthroned, holding an orb and sceptre.  Excluding the Commonwealth era between 1649 and 1660, every monarch has been depicted in this manner on their Great Seal.

Earliest surviving English Royal Seal from Edward the Confessor’s reign 1042-1066 - British Library, Lord Frederick Campbell Charter XXI 5.

This theme continues within the illuminated manuscript and other artistic traditions into modernity.  The following detail from Matthew Paris’s Historia Anglorum Chronica Majora created around the 1250s illustrates Henry III seated upon his throne holding a sceptre and a model of Westminster Abbey.

Portrait of Henry III from Historia Anglorum Chronica Majora - British Library, Royal MS 14 C VII, f. 9r (detail)

Centuries later, during the 1670s, Michael Wright’s portrait of Charles II displays the monarch similarly posed, wearing the St Edward’s crown and dressed in parliamentary robes.

Portrait of Charles II  courtesy of The Royal Collections Trust, RCIN 404951.

Philately also embraces such iconographical references.  This die proof made by the security-printing firm Perkins Bacon and Company Limited, London for the State of Victoria in Australia’s 1856 stamps carries an image of Queen Victoria enthroned on King Edward’s Chair.  Created by Edward I, it is now known as the Coronation Chair having been used in most coronations since that time.

State of Victoria 1d postage stamp 1856 - British Library Philatelic Collections: Supplementary Collection, Victoria

Edmund Dulac’s design for the 1s 3d stamp for the UK Coronation Issue of 1953 likewise includes a modern iteration of Elizabeth II enthroned.

1s 3d stamp for the UK 1953 Coronation Issue - British Library Philatelic Collections: UPU Collection, Great Britain.

Cecil Beaton’s iconic 1953 photographic Coronation Portrait of Elizabeth II reveals fascinating insights regarding the planning of such symbolic imagery.  It depicts her enthronement at Westminster Abbey, but actually it was taken inside Buckingham Palace.  Beaton’s archives at the Victoria & Albert Museum include photographs illustrating preparations for the portrait which was adopted by Jersey on its 6 February 2002 £3 postage stamp commemorating of Elizabeth II’s Golden Jubilee.

Jersey £3 postage stamp commemorating Elizabeth II’s Golden Jubilee 6 February 2002 -British Library Philatelic Collections: The Holman Collection

 

Richard Scott Morel
Curator, Philatelic Collections

Further reading:
Roy Strong. Coronation: A History of Kingship and the British Monarchy. Harper Collins. 2005, p. 9.
Susanna Brown. Queen Elizabeth II: Portraits by Cecil Beaton. V & A, 2011.
The New Minster Liber Vitae 

 

It’s May the Fourth – Star Wars Day.  So it’s appropriate to feature Mark Hamill of the East India Company on the blog.

Mark Hamill petitioned the Company for a position as a clerk in the Pay Office at East India House in January 1761.  He was appointed on 4 February on an augmented annual salary of £40 because of his age (25) and his experience in business.  Hamill had to give security of £500 to guarantee his honesty and good behaviour.  The money was put up by his father Mark Hamill senior, a draper, and William Connop, a surgeon, both of Mile End in East London.

'Entrance from Mile End or Whitechapel Turnpike' by Heinrich Joseph Schütz, – Views of London No.5 published I June 1 1798 at Ackermann's Gallery British Library Maps K.Top.22.6.e. BL flickr

On 16 December 1759 Mark Hamill junior married Ann Parsons in Hackney.  The couple had three sons – Hans Mark, born September 1760; Hugh Nicholas born April 1762, died July 1762; and Mark Hans born August 1763.

Unfortunately Mark Hamill had a very short career with the East India Company.  He died in May 1764 and was buried at St Dunstan Stepney.  Mark’s will was made on 7 April 1764 when he was ‘weak and infirm of Body’.  His wife Ann is not mentioned in the will although she was still alive.  He left his property to be divided equally between his sons Hans Mark and Mark Hans when they reached the age of 21.  The furniture and household goods in the apartments he occupied were owned by his father and should be retained by him.  He named his father as the executor of the will and only guardian of his children, with the request to ensure that the boys were properly educated and brought up.  Sadly Mark Hans died in July 1764, shortly before his first birthday, meaning that Hans was now the sole (or solo?) heir.

Greyabbey, County Down, from Picturesque views of the Antiquities of Ireland Drawn on stone by J. D. Harding, from the sketches of Robert O'Callaghan Newenham (London, 1830) British Library Digital Store 10390.k.2 BL flckr 

Mark Hamill senior died in 1771.  His will left instructions for his burial in the parish church of Greyabbey near Belfast – the Hamills were an Irish family.  The bulk of his estate was left in trust for the support, maintenance, education, clothing, bringing up, and placing out of his grandson Hans Mark.  The trustees appointed were his brother Hans Hamill of Ballyatwood in County Down, grocer Abraham Brecknock and linen draper Felix Smith, both of St Botolph Aldgate London.  Hans Mark was to inherit in his own right at the age of 25.

In 1775 Hans Mark was apprenticed to linen draper James Wadham of High Street Southwark.  He was living in Chichester and serving as an ensign in the Sussex Militia when he married Jane Shoubridge at Horsham on 23 January 1779.  As both bride and groom were aged nineteen, they had to have parental consent.  Hans Mark’s mother Ann is recorded on the marriage licence as giving her consent and is described as a widow of Stoke Newington, Middlesex.

Jane died just four years later and was buried at St Mary Horsham in April 1783.  In 1785 Hans Mark married Frances, daughter of Thomas Bateson, a wine merchant of Orangefield in Ireland.  They lived at the Hamill family home of Ballyatwood, where Hans Mark died in 1796.

Margaret Makepeace
Lead Curator, East India Company Records

With thanks to Lesley Shapland for pointing out Mark Hamill in the India Office Records.

Further reading:
IOR/B/76 pp.321.325 East India Company Court of Directors’ Minutes January-February 1761.
IOR/L/AG/9/4/13 Pay accounts for Mark Hamill 1761-1764.
The National Archives for the Prerogative Court of Canterbuty wills for Mark Hamill junior proved 15 May 1764, and Mark Hamill senior proved 26 August 1771.
Calendar of Sussex marriage licences recorded in the Consistory Court of the Bishop of Chichester for the Archdeaconry of Chichester, January 1775 to December 1800, compiled by Edwin H. W. Dunkin and edited by D. Macleod, Sussex Record Society ; Vol. XXXV (1929).

 

East India Company merchant John Pybus compiled notes about the practicalities of trade in various ports and settlements of the Indian Ocean in the 18th century.  Among lists of prices, exchange rates, and goods are advice and instructions for enterprising traders looking to maximise their profits through bribery and tax dodging.

A list of goods available at Bengal, Mss Eur F110/11, f 16.

Gift-giving is mentioned in the description of many ports.  At Atcheen (Aceh, Indonesia), Pybus bluntly states that a visiting merchant must ‘visit the King and make him a Present’.  For the Spanish colonial port of Manila, he helpfully includes a list of individuals ‘whom it is proper to get acquainted with’ and whose goodwill was required to conduct business successfully at the port.

A list of notable officials, merchants, and other individuals in Manila. Mss Eur F110/11, f 36.

The propriety of these ‘gifts’ seems questionable, at least in the case of the authorities at Manila.  While a trader was instructed to prioritise visiting the Governor of Manila to present him with a token of gratitude, this ‘must be done… without any witness, for should any body be by, he will not accept it’.

Payments could also be used to avoid paying dues on merchandise when the Spanish authorities came to measure a ship and assess its cargo.  First, it was important to greet the inspectors warmly- ‘you must have a very handsome entertainment for them which is very acceptable to them… I would advise to have at least, a dozen dishes of victuals, with what variety you can of Europe pickles and likewise of wines’.  If this did not make a sufficiently good impression, the money-conscious captain was to emphasise that ‘you are no stranger to the customs of the port, and that you intend to be gratefull for all favours’.  Finally, a direct approach was taken to secure favourable treatment from the man tasked with measuring the ship.  When a Spanish official was sent below decks to take measurements, ‘send a man down with 10 or 12 dollars, to slip into the officer’s hand (unseen)… it will turn to good account’.

A map showing the Bay of Manila, created in 1798

Even the constraints of European politics could be avoided through bribery.  Restrictions put in place by an imperial power half a world away could be ignored for the sake of mutual profit.  When describing Malacca, a Dutch colony at the time, Pybus mentions that ‘All trade is prohibited the English in all Dutch ports’, but the Dutch colonial administrators were not particularly attentive to this restriction.  At Malacca, an English merchant simply had to ‘land all goods in the night, by the Government’s permission, for which you pay 30 Rix Dollars for each chest of opium and 15 dollars for each bale’.  Pybus also advised the illicit trader to pay ‘four or five dollars each’ to the servants of the Governor who came to supervise the unloading of cargo.

Instructions for trading as an Englishman in Dutch-controlled Malacca. Mss Eur F110/11, f 19

Ignoring rules and buying influential friends seem to have been essential business skills in this period.

Dan McKee
Gulf History Cataloguer
British Library/Qatar Foundation Partnership

Further reading:
British Library Mss Eur F110/11 Notes on Coins, Weights and Measures, and Conditions of Trade at Various Ports in the Persian Gulf, Indian Ocean and the South China Sea.