One controversial moment in India’s fight for freedom from British rule in the 1920s, was the arrival in India of the members of the Indian Statutory Commission in 1928.  The India Office Private Papers at the British Library contains some wonderful material documenting this event.

The Indian Statutory Commission was a British commission appointed on 26 November 1927 to enquire into the working of the system of government, the growth of education, and the development of representative institutions in British India, and to recommend future policy regarding further constitutional reforms.  It is often referred to as the Simon Commission after its Chairman Sir John Allsebrook Simon.  Unfortunately, the members of the Commission all belonged to the British ruling classes, and the exclusion of Indian members understandable prompted outrage in India, with both Congress and the Muslim League boycotting the Commission.  The Commission visited India twice, once in February/March 1928, and again from 11 October 1928 to 13 April 1929, and wherever they travelled there were protest marches.  Protestors questioned the Commission's legitimacy and demanded that it leave India.

'Simon Go Back’ flag, reference Mss Eur D856

One particularly striking item in the Private Paper collections relating to these protests is a black flag with the words ‘Simon Go Back’ in white lettering, reference Mss Eur D856.  The flag had been given to Lady Carter, wife of Richard Henry (later Sir Archibald) Carter, Assistant Secretary to the Commission.  It had been presented to her while on a visit to the United Provinces by the Governor, Sir Malcolm Hailey (later Baron Hailey).  Of him, she wrote: ‘I first saw him at a tennis party and he swooped down on us like a great hawk.  Everybody seemed frightened of him, but I loved him at first sight’.  The story Lady Carter told of how Lord Hailey obtained the flag was that he had joined one of the processions against the Commission.  She said: ‘He gave me one of the black flags that they carry in the processions against the Commission, with a SIMON GO BACK on it’.

Protest banner Mss Eur D890/1

There is also another protest banner in the papers of Sir (Samuel) Findlater Stewart (1879-1960), India Office official from 1903 to 1940, demanding ‘Indian Uninvited Guest, Simon Go Back’, reference Mss Eur D890/1.

The Commission published its report in two volumes in 1930 to further criticism and condemnation in India.  It was rejected by virtually all parts of the Indian political spectrum, and in London it sparked a march from Trafalgar Square to Victoria Station by around 200 protestors.  The British Government responded by holding a series of Round Table Conferences held in London between November 1930 and December 1932.  This eventually fed into the reforms incorporated into the 1935 Government of India Act.

John O’Brien
India Office Records

Further Reading:
`Simon go back' black flag used in Congress demonstrations against the Indian Statutory (Simon) Commission; reference Mss Eur D856.

Papers of the Indian Statutory Commission 1928-1930; series reference IOR/Q/13.

Papers of the Round Table Conference, 1930-1932; series reference IOR/Q/RTC.

Papers of 1st Viscount Simon as Chairman of Indian Statutory Commission 1927-1930; collection reference Mss Eur F77.

Government of India Act 1935.

Making Britain, Discover how South Asians shaped the nation, 1870-1950: Indian Statutory Commission.

As a well-travelled physician, scholar and Royal Society fellow, Hans Sloane had an interest in foreign places, their people and customs, which also fed into his collection of drawings, such as those kept in Add MS 5234.  This album is one of more than 4000 manuscripts from the Hans Sloane Collection at the British Library, about which you can learn through the collection guide.  It contains miscellaneous notes and drawings collected by visitors to Europe and Central Asia.  Among them is a remarkable but little known series of 30 Indian ink and wash drawings of sights and monuments in Iran, signed by 'G. Hofstede van Essen'.

Add MS 5234, item 8: G. Hofstede van Essen, The Great Mosque at Isfahan, c. 1693-1703. Indian ink and wash on paper.

Much of this artist’s life and work remains shrouded in mystery, including his full name.  Presumably from Germany, Hofstede is documented as travelling in present-day Syria, Iran and Turkey between 1693 and 1703.   His best-known work is a painting of the ruins of Palmyra, made in 1693, and soon after shipped to historian Gisbert Cuper in The Netherlands, where the painting remains to this day. 

How did Sloane acquire Hofstede’s drawings?  Sloane may have learned about Hofstede’s work through Gisbert Cuper, from whose library he bought manuscripts at auction.  The Royal Society in London provides another link to Hofstede.  As editor of the Society’s Journal, Philosophical Transactions, Sloane would have read accounts written by fellow members concerning a 1691 expedition to Palmyra organised by the British Levant Company and in which Hofstede possibly took part.

In these drawings, Safavid Iran is seen through the eyes of a European draughtsman, who may have had little understanding of the local language and traditions.  Nevertheless, Hofstede was keen to demonstrate his direct experience of the terrain.  This draughtsman sitting on a hill whilst sketching Soltaniyeh stresses Hofstede’s role as first-hand witness.

 

Add MS 5234, item 17: G. Hofstede van Essen, A view of Soltaniyeh from a hill, and a close-up of the draughtsman sketching, c. 1693-1703. Indian ink and wash on paper.

Hofstede’s drawings display an interest in recording local traditions – from games to burials – and an antiquarian appreciation for monuments and buildings, evident in the depiction of details from their decoration like this bas-relief from Persepolis.

Add MS 5234, item 6: G. Hofstede van Essen, A bas-relief in Persepolis, c. 1693-1703. Indian ink and wash on paper.

The inscriptions on these drawings make the many individuals who must have handled and observed them more tangible.  There are notes in Dutch, with spelling mistakes that suggest a non-native speaker like Hofstede, as well as inscriptions in English and French by different hands.

The red-bordered labels pasted on the folios offer a glimpse into how the drawings were ordered and displayed before coming to the British Museum Library.  Whether the labels were added during Sloane’s lifetime or by somebody rearranging the collection after his death is another open question.  Similar labels appear in other albums from Sloane’s collection (Add MS 5253, 5255 and 5256), that include drawings with a similar ethnographic focus.

Add MS 5234, item 25: G. Hofstede van Essen, a Persian Caravan and a close-up of the label accompanying it, ca. 1693-1703. Indian ink and wash on paper.

Much about the provenance, historical accuracy and interpretation of Hofstede’s drawings, as well as their relation to other items in Sloane’s collection, remains unclear.  Yet it is certain that Hofstede’s drawings have many fascinating, so far untold, stories to tell.

Alice Zamboni
PhD candidate, The Courtauld Institute of Art

Further reading:
-Add MS 5234 contains many other works on paper, some of which are discussed and illustrated in Kim Sloan, "Sloane’s ‘pictures and drawings in frames’ and ‘books of miniature & painting, designs, & c.” in From Books to Bezoars. Sir Hans Sloane and his Collections (London: The British Library, 2012), 168-189.
-One letter sent from Gisbert Cuper to Sloane survives in Sloane MS 4041, fol. 95. Sloane’s printed books collection includes a copy of the catalogue of Cuper’s library, auctioned in 1717 (General Reference Collection S.C.147).
-Hofstede’s painting of the ruins at Palmyra now belongs to Allard Pierson  (University of Amsterdam Special Collections), and was on display at Museum De Waag, Deventer (The Netherlands), on the occasion of an exhibition about Palmyra in 2016-2017.
-An engraving closely related to Hofstede’s painting of Palmyra was published in Philosophical Transactions 218 (1695), after p. 175.
-Add MS 5024/1, also from Sloane’s collection, is a view of Istanbul seen from the water depicted in ink and blue wash and mounted on a roll. It bears the name of Hofstede van Essen penned in ink on the verso, but more research would be needed to confirm the attribution.
-In the transcript of the catalogues listing the contents of Sloane’s library, drawings by Hofstede van Essen are mentioned in three different albums, which suggests they would have been rearranged in what is now Add MS 5234 at a later date. Transcript of ‘Mins’ BL Sloane MS 3972 C vols 1-8 

 

To welcome the New Year, we’re sharing some Victorian greetings cards taken from a scrapbook in the British Library collections.  An inscription at the front of the volume reads ‘E.M.L. from J.M. 76’.  The identity of these people is a mystery.  There are several items in the book linked to Church of England clergy and members of the gentry in Buckinghamshire - Princes Risborough, Stokenchurch, Horsenden, Aylesbury, Wendover, Hughenden.  Does this clue help any of our readers to identify E.M.L. or J.M. in the 1870s?

 

           

New Year greetings from Untold Lives!

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
A scrapbook of printed ephemera British Library RB.23.b.7952

If you think that you have been overindulging during the festive season, it may cheer you to read these menu plans for three-course meals.  They are taken from the 1791 edition of Hannah Glasse’s The Art of Cookery, Made Plain and Easy.

Here is ‘The Order of a Modern Bill of Fare’ for December.

First course –
Cod’s head; chickens; stewed beef; fricandau of veal (slice cut from the leg); almond puddings; Soup Santea (ham, beef, onions, carrots, turnips, celery, sweet herbs, cloves, mace, leeks, ‘cabbage-lettuce’, sorrel, chervil, and ‘a crust of French roll’); calves’ feet pie; fillet of pork with sharp sauce (based on wine vinegar and sugar); chine of lamb; tongue; fried and boiled sole.

Recipe for Soup Santea or Gravy Soup from The Art of Cookery, Made Plain and Easy (1791) p.148 

Second course –
Wild fowl; lambs’ fry (liver); orange puffs; sturgeon; galantine (boned, stuffed meat); jellies; savoury cake; prawns; tartlets; mushrooms; partridges.

Third course –
‘Ragooed palates’ (ragout of tongue?); Savoy cakes; Dutch beef scraped; China oranges; lambs’ tails; half moon; calves’ burs; Jargonel pears (a variety that ripens early); potted larks; lemon biscuits; fricassee of crawfish.

We’re stumped by ‘half moon’ and ‘calves’ burs’ – any ideas out there?

The suggested menu for January is just as lavish.

First course –
Chestnut soup; leg of lamb; petit patties; boiled chickens; chicken and veal pie; cod’s head; roast beef; tongue; raisolds (rissoles); Scotch collops (slices of meat cooked with onions, salt, pepper and suet); vermicelli soup.

There should also be a side table with dishes of ‘Garden Stuff suitable to your Meat’ placed on a water dish filled with hot water.  Sauces in boats or basins are to be placed at the corners.

Second course:
Roast turkey; marinated smelts (fish); tartlets; mince pies; roast sweetbreads; stands of jellies; larks; almond ‘tort’; maids of honour; lobsters; woodcocks.

Third course –
Morels (mushrooms); artichoke bottoms; Dutch beef scraped; macaroni; custards; cut pastry; black caps (baked apples); scalloped oysters; potted chars (fish); stewed celery; rabbit fricassee.

Anyone for baked beans on toast?

Margaret Makepeace
Lead Curator, East India Company Records

Further reading;
Hannah Glasse, The Art of Cookery, Made Plain and Easy (1791)

 

Are you looking for ideas for presents to give your loved ones?  Perhaps you will find inspiration in our selection of advertisements taken from Beeton’s Christmas Annual  1873. 

Advertisement for The Literary Machine

We start with The Literary Machine patented by J. Carter of London and used by Princess Louisa.  The device held a book, writing-desk, lamp, or meals in any position whilst also screening the user’s face from the fire.  It could be applied easily to a bed, sofa, chair, or ship’s berth, and was invaluable for students and invalids – ‘A most useful and elegant gift’.

Choice perfumery and Christmas novelties from Eugene Rimmel

Next we have choice perfumery and Christmas novelties from Eugene Rimmel, perfumer to the Princess of Wales.  Rimmel’s perfumes included Ihlang- Ihlang, Vanda, Henna, Snow-White, Violet, Tea, Coffee, and the intriguingly named Jockey-Club.  As well as skin powders, creams and soaps, Rimmel offered crackers, boxes, baskets, fans, Christmas tree ornaments, and perfumed cards and almanacs.

Rowland's gifts for Christmas and New Year

Rowlands’ products were said to be perfect for those planning to celebrate Christmas and New Year in company.  Their macassar oil imparted ‘a Transcendent Lustre to the Hair’, whilst Kalydor gave a radiant bloom to the cheek and a delicate softness to the hands and arms, removing ‘cutaneous defects’.  Rowlands’ Odonto made teeth pearly white and gave a pleasing fragrance to the breath.

Advert for the Nose Machine

How about a Nose Machine?  Alexander Ross of High Holborn was selling for 10s 6d ‘a contrivance which , if applied to the nose for an hour daily, so directs the soft cartilage of which the member consists, that an ill-formed nose is quickly shaped to perfection’.  Anyone could use it without pain.

Gifts from H. G. Clarke of Covent Garden

H. G. Clarke of Covent Garden offered gifts to amuse. The Magic Sailor would astonish and provoke roars of laughter as he danced in time to any tune.  Owners of The Wizard’s Box of Magic would be equipped to perform ‘ten capital conjuring tricks sufficient for one hour’s amusement’.  The Enchanted Tea Chest allowed 100 perfumed things to be produced from an empty box.

Beeton’s Englishwoman’s Almanac and Ladies’ Annual

Also on offer was Beeton’s Englishwoman’s Almanac and Ladies’ Annual for 1873, ‘the most useful and attractive Almanac brought before the Public’ priced at one shilling.  The editor had contributed letters to the ladies on some delicate subjects and there were three coloured pictures: ‘I’ll have your tootsies’, ‘Brave boys, defiant geese, and a wise dog’, and ‘The lover’s vow accepted’.  Mrs Treadwin of Exeter had designed four point lace d’oyleys and the publication contained ‘a mass of practical matter connected with domestic and family requirements’, with ruled sheets for keeping accounts.

Advert for Christmas number of The Ladies

The Christmas number of The Ladies was packed with seasonal stories, plays, songs, games and amusements, as well as 24 pages of high-class pictorial engravings by popular English artists presented in a decorative wrapper.

Advert for Farrow and Jackson

Farrow and Jackson, ‘Original Inventors’ of London and Paris, were selling a variety of iron wine bins and racks for mineral waters.

Advert for Page Woodcock’s Wind Pills

And for anyone over-indulging in drink and food over the festive season, Page Woodcock’s Wind Pills were available, having wrought ‘wonderful and miraculous cures in Birmingham’.

Seasonal greetings from Untold Lives!

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
Beeton’s Christmas Annual 1873

 

The December 1910 edition of The London Magazine decided to move away from the tradition of sharing typical Christmas jokes for the festive season, and instead to draw its readers’ attention to a selection of Yuletide drawings.  The magazine considered that the drawings chosen were 'Characteristic examples of the best humorous black-and-white work of the day'.

The artists featured included:

• W. Heath Robinson, famed for his 'mechanical humour' with many of his works featuring wheels, ropes and other mechanical aids.

'Testing Christmas Puddings: An Imaginary Mechanical Process by Mr. W. Heath Robinson', The London Magazine, December 1910, p. 499

• George and Norman Morrow, who came from a family of illustrators, renowned for their illustrative work both in colour and black and white featuring 'a brimful of Irish Wit'.

'How Christmas Toys are Made' by George Morrow – The London Magazine, December 1910, p. 500

• John Hassall,  'a master of line', whose works are considered to be the best in their field, and F. H. Townsend, who was best known as an illustrator for Punch magazine.

'Clever Christmas Jokes' - ‘Hope’ by Norman Morrow; ‘Oil on Troubled Waters’ by John Hassall; and ‘Cigars’ by F. H. Townsend – The London Magazine, December 1910, p. 501

We hope, as the editors of The London Magazine did in 1910, that these festive illustrations have provided something a little different from the usual Yuletide jokes and brought a little cheer for this festive season.

Karen Stapley
Curator, India Office Records

Further reading:
P.P.6018.ta - The London Magazine, December 1910, No.2 [new series], pp. 496-502.

 

In September 1942, a flock of around 200 white storks (ciconia ciconia) arrived in Bahrain, as reported in the intelligence summaries from the country.  A ring on one of them showed that it had come from Lithuania.  They were shot at by the Bahrainis, who did not recognise the species, whereas elsewhere in the Middle East they were never harmed, suggesting that they were very infrequent visitors in Bahrain.  The report continues: ‘it was, no doubt, a coincidence that the same night a son was born to Mrs. Wakelin, wife of the Bahrain Government Director of Education’.

Storks (ciconia nigra) Or 3714, f 391r  - public domain

Stories about storks have circulated for millennia.  Their size makes them extremely visible and their habit of nesting on roofs of buildings, which also allowed their care of their chicks to be seen.  This, combined with their apparent care of the old and monogamous habits, led the Romans to believe that when they reached old age, they were transformed into human shape as a reward for their piety.

Storks have also been considered extremely lucky birds.  As travellers visited the Persian Empire and the Middle East, they frequently remarked on the presence of storks as the birds were common in mainland Europe, particularly the Netherlands and Eastern Europe, but almost unknown in Britain.  They were considered as generally bringing good luck to the house on which they nested, and therefore were never harmed.  In 1758 Edward Ives described the scene in Baghdad: ‘You generally see on the Minarets the Stork, a large bird called by the Arabs Leg-leg, a destroyer of serpents; the Turks never offer to molest it…those who own a house where Storks have nested, are supposed to receive great blessings from heaven'.

Storks nesting on a building Or 2265, f 15 - public domain

Some hints about the origin of this belief can be found in the name sometimes given to them, haji laqlaq, suggesting that they had made a pilgrimage to Mecca.  ‘Laklak’ has existed as a name for storks since the Akkadian period, and as the main noise that storks make is clapping their bills, it is may be imitative in origin.

In the late 17th century, John Fryer visited Persepolis and remarked on the storks present there ‘which may serve to contradict the received Opinion, of Storks abiding only where Commonwealths are; this always having been an Empire’.  One of strangest stories about storks current at the time was that they would not nest under a monarchy, which served to explain why they did not nest in England, while they did in Holland and other places in Europe.

In ‘The Frogs who asked for a King’, one of Aesop’s Fables, a group of frogs ask Jupiter for a king.  He sends a log, which they play with and make fun of, and ask Jupiter for a real king. He then sends a stork, which starts to eat them.  This tale was still used as a metaphor in 1905 for two different ideas of power: King Log and King Stork.

King Log and King Stork, in reference to the ruler of Bahrain IOR/L/PS/10/81, f 105r   open government licence 

And as for the Director of Education’s son arriving with the storks?  Despite stories from Eastern Europe and Egypt of storks having human souls, it is perhaps more likely that the story that storks brought babies was an extension of the idea that storks were ‘lucky’: a baby being the ultimate blessing a house could have.

Anne Courtney
Gulf History Cataloguer - British Library/Qatar Foundation Partnership

Further reading:
John Fryer’s visit to Persepolis is told in his account of his travels, W 3856 
The arrival of storks in Bahrain appears in IOR/R/15/2/314 ‘File 8/16 Bahrain Intelligence Reports’ 
Edward Ives describes seeing storks nesting, W 4137

 

In the late 1760s Charles Eyloe ran a boarding house at his home Orchard House in Blackwall, London.  One of his contracts was with the East India Company to provide lodgings for the Asiatic sailors, known as lascars, who came to England as part of the Company's ship crews. The sailors needed somewhere to stay until they could return home.

In August and September 1767 Eyloe suffered a string of break-ins and robberies at his house.  The first was on 2 August when his house was broken into and 50 shillings in silver was taken.  The second occurred on 6 August when his cellar window was broken and a 12lb shoulder of veal and a bushel of flour were stolen.

‘The Burglary’, p. 47 of The Wild Boys of London; or, the Children of Night. A story of the present day, London 1866. British Library 12620.h.27. 

Following these break-ins, Eyloe had a new cellar door put in and a metal bar put across his wine cellar.  These precautions appear to have deterred the thief from the cellar for a time, however instead eight hens and a cock were taken on 11 September.  On 14 September the thief managed to rip the cellar door off its hinges and took four pieces of beef worth 5 shillings and Eyloe suspected wine, beer and brandy was taken although he couldn’t say for sure.

The thief turned out to be Thomas James, a lascar from Bengal, who had previously boarded at Eyloe’s house.   James had indeed taken bottles of brandy from Eyloe’s cellar on 14 September, and was caught after promising ten of the bottles to a fellow sailor who then reported the incident to Eyloe.

Derby Mercury, 30 Oct 1767: summary of Old Bailey sentencing October 1767, including Thomas James. British Newspaper Archive

James was tried at the Old Bailey on 21 October 1767 and was found guilty and sentenced to death.  However on 24 February 1768  he was granted a conditional pardon and on 12 July 1768 his sentence was changed to transportation for life.

Karen Stapley
Curator, India Office Records

Further Reading:
Old Bailey Online – Trial of Thomas James 21 October 1767.
British Newspaper Archive - Derby Mercury 30 October 1767.