The December 1910 edition of The London Magazine decided to move away from the tradition of sharing typical Christmas jokes for the festive season, and instead to draw its readers’ attention to a selection of Yuletide drawings.  The magazine considered that the drawings chosen were 'Characteristic examples of the best humorous black-and-white work of the day'.

The artists featured included:

• W. Heath Robinson, famed for his 'mechanical humour' with many of his works featuring wheels, ropes and other mechanical aids.

'Testing Christmas Puddings: An Imaginary Mechanical Process by Mr. W. Heath Robinson', The London Magazine, December 1910, p. 499

• George and Norman Morrow, who came from a family of illustrators, renowned for their illustrative work both in colour and black and white featuring 'a brimful of Irish Wit'.

'How Christmas Toys are Made' by George Morrow – The London Magazine, December 1910, p. 500

• John Hassall,  'a master of line', whose works are considered to be the best in their field, and F. H. Townsend, who was best known as an illustrator for Punch magazine.

'Clever Christmas Jokes' - ‘Hope’ by Norman Morrow; ‘Oil on Troubled Waters’ by John Hassall; and ‘Cigars’ by F. H. Townsend – The London Magazine, December 1910, p. 501

We hope, as the editors of The London Magazine did in 1910, that these festive illustrations have provided something a little different from the usual Yuletide jokes and brought a little cheer for this festive season.

Karen Stapley
Curator, India Office Records

Further reading:
P.P.6018.ta - The London Magazine, December 1910, No.2 [new series], pp. 496-502.

 

In September 1942, a flock of around 200 white storks (ciconia ciconia) arrived in Bahrain, as reported in the intelligence summaries from the country.  A ring on one of them showed that it had come from Lithuania.  They were shot at by the Bahrainis, who did not recognise the species, whereas elsewhere in the Middle East they were never harmed, suggesting that they were very infrequent visitors in Bahrain.  The report continues: ‘it was, no doubt, a coincidence that the same night a son was born to Mrs. Wakelin, wife of the Bahrain Government Director of Education’.

Storks (ciconia nigra) Or 3714, f 391r  - public domain

Stories about storks have circulated for millennia.  Their size makes them extremely visible and their habit of nesting on roofs of buildings, which also allowed their care of their chicks to be seen.  This, combined with their apparent care of the old and monogamous habits, led the Romans to believe that when they reached old age, they were transformed into human shape as a reward for their piety.

Storks have also been considered extremely lucky birds.  As travellers visited the Persian Empire and the Middle East, they frequently remarked on the presence of storks as the birds were common in mainland Europe, particularly the Netherlands and Eastern Europe, but almost unknown in Britain.  They were considered as generally bringing good luck to the house on which they nested, and therefore were never harmed.  In 1758 Edward Ives described the scene in Baghdad: ‘You generally see on the Minarets the Stork, a large bird called by the Arabs Leg-leg, a destroyer of serpents; the Turks never offer to molest it…those who own a house where Storks have nested, are supposed to receive great blessings from heaven'.

Storks nesting on a building Or 2265, f 15 - public domain

Some hints about the origin of this belief can be found in the name sometimes given to them, haji laqlaq, suggesting that they had made a pilgrimage to Mecca.  ‘Laklak’ has existed as a name for storks since the Akkadian period, and as the main noise that storks make is clapping their bills, it is may be imitative in origin.

In the late 17th century, John Fryer visited Persepolis and remarked on the storks present there ‘which may serve to contradict the received Opinion, of Storks abiding only where Commonwealths are; this always having been an Empire’.  One of strangest stories about storks current at the time was that they would not nest under a monarchy, which served to explain why they did not nest in England, while they did in Holland and other places in Europe.

In ‘The Frogs who asked for a King’, one of Aesop’s Fables, a group of frogs ask Jupiter for a king.  He sends a log, which they play with and make fun of, and ask Jupiter for a real king. He then sends a stork, which starts to eat them.  This tale was still used as a metaphor in 1905 for two different ideas of power: King Log and King Stork.

King Log and King Stork, in reference to the ruler of Bahrain IOR/L/PS/10/81, f 105r   open government licence 

And as for the Director of Education’s son arriving with the storks?  Despite stories from Eastern Europe and Egypt of storks having human souls, it is perhaps more likely that the story that storks brought babies was an extension of the idea that storks were ‘lucky’: a baby being the ultimate blessing a house could have.

Anne Courtney
Gulf History Cataloguer - British Library/Qatar Foundation Partnership

Further reading:
John Fryer’s visit to Persepolis is told in his account of his travels, W 3856 
The arrival of storks in Bahrain appears in IOR/R/15/2/314 ‘File 8/16 Bahrain Intelligence Reports’ 
Edward Ives describes seeing storks nesting, W 4137

 

In the late 1760s Charles Eyloe ran a boarding house at his home Orchard House in Blackwall, London.  One of his contracts was with the East India Company to provide lodgings for the Asiatic sailors, known as lascars, who came to England as part of the Company's ship crews. The sailors needed somewhere to stay until they could return home.

In August and September 1767 Eyloe suffered a string of break-ins and robberies at his house.  The first was on 2 August when his house was broken into and 50 shillings in silver was taken.  The second occurred on 6 August when his cellar window was broken and a 12lb shoulder of veal and a bushel of flour were stolen.

‘The Burglary’, p. 47 of The Wild Boys of London; or, the Children of Night. A story of the present day, London 1866. British Library 12620.h.27. 

Following these break-ins, Eyloe had a new cellar door put in and a metal bar put across his wine cellar.  These precautions appear to have deterred the thief from the cellar for a time, however instead eight hens and a cock were taken on 11 September.  On 14 September the thief managed to rip the cellar door off its hinges and took four pieces of beef worth 5 shillings and Eyloe suspected wine, beer and brandy was taken although he couldn’t say for sure.

The thief turned out to be Thomas James, a lascar from Bengal, who had previously boarded at Eyloe’s house.   James had indeed taken bottles of brandy from Eyloe’s cellar on 14 September, and was caught after promising ten of the bottles to a fellow sailor who then reported the incident to Eyloe.

Derby Mercury, 30 Oct 1767: summary of Old Bailey sentencing October 1767, including Thomas James. British Newspaper Archive

James was tried at the Old Bailey on 21 October 1767 and was found guilty and sentenced to death.  However on 24 February 1768  he was granted a conditional pardon and on 12 July 1768 his sentence was changed to transportation for life.

Karen Stapley
Curator, India Office Records

Further Reading:
Old Bailey Online – Trial of Thomas James 21 October 1767.
British Newspaper Archive - Derby Mercury 30 October 1767.

 

Within the India Office Records (IOR) catalogued for the British Library-Qatar Project, there are a number of references to local messengers called kasids (sing. kasid).  The term kasid (qasid: قاصد) originates from the Arabic verb qa sa da (قصد), ‘to aim at’, and qasid itself means someone who knows his direction and moves with a purpose.  In Persian, the term has been adapted to also refer to a messenger (Pr. پيغامبر، قاصد، رسول ). The East India Company (EIC) adopted the Persian term in reference to a certain type of messenger employed within its establishments in Persia [Iran].  This blog explores the available records on kasids and examines their role within the postal system of the EIC and the India Office afterwards.

Definition of kasid, based on its Arabic origin, IOR/R/15/5/397, f 618r, Crown Copyright

 

A reference to kasid as a messenger in its Persian context, V 3148, p 113, Crown Copyright

The earliest records showing the EIC employing kasids within its establishments in Persia are from the 18th century.  These records indicate that kasids were foot messengers whose main task was to deliver letters to and from the EIC’s representatives and local governors.  They are not to be confused with another type of messengers in Persia known as shaters.  It is most likely that the EIC employed kasids from the local population, taking advantage of their familiarity with the region, its people and landscapes.  These kasids were paid 30 rupees a month for their service.

Kasid’s payment, IOR/G/29/25, f 411v, Crown Copyright

Besides their main job as messengers, kasids also collected intelligence relating to certain people, incidents or events.  They wrote down their collected observations within reports that are referred to as akhbar.  In a number of fascinating folios dated 5 June 1799, the EIC’s Resident at Bushire, Mirza Mahdi Ali Khan, wrote to the Governor of Bombay, Jonathan Duncan, informing him of the akhbar he had received from his kasids.  This akhbar contained details of the French siege of Acre, and how the Governor of Sidon, Jezzar Pasha, and the British navy had responded to the siege.

Akhbar on the French siege of Acre, IOR/G/29/25, f 413r, Crown Copyright

The same akhbar included information about the encounters between the Governor of Baghdad Büyük Süleyman Pasha, the Wahhabis, and the Arab tribes of Iraq.  However, the records also indicate that the akhbar received from kasids were not always accurate.  And in cases where fake news had been conveyed, the kasids were simply dismissed from their positions.

Akhbar on the Governor of Baghdad, Wahhabis, and Arab tribes, IOR/G/29/25, f 414r, Crown Copyright

In some other cases, kasids themselves quit their jobs, primarily due to the hardship they faced during their journeys.  In a couple of references to kasids in the early 20th century, we learn that the Indo-European telegraph system relied on kasids to deliver the post during bad weather conditions or military disturbances.  This was not an easy task, and many kasids were reportedly refusing to return to their jobs, something which often caused disruption to the postal service.

Kasids being part of the Indo-European telegraph system, IOR/L/PS/10/163, f 18r, Crown Copyright

Kasids quitting their jobs, IOR/L/PS/10/163, f 17v, Crown Copyright

The records also show that, during World War I, the kasids who were delivering post between Persian towns were accused of serving the British interest.  They were attacked and beaten, when caught on duty, by anti-British Persian Gendarmerie.  The concerns which the Government of India raised about this issue indicate how essential the kasids’ service was to the postal system.

News of Persian Gendarmerie attacking kasids, IOR/L/PS/10/484, f 96r, Crown Copyright

In summary, the story preserved about kasids, although brief, offers glimpses of the way they performed their job in Persia between the 18th and early 20th centuries.  Future cataloguing of India Office Records may bring to light more information about the kasids and the history of their attachment to the EIC and the India Office.

Ula Zeir, Content Specialist-Arabic Language
British Library/Qatar Foundation Project

Further reading:
Al-Zabidi, Taj al-‘Arus min Jawahir al-Qamus, vol. 9. (Ed. Abdul Sattar Ahmad Farraj), (Kuwait: Kuwait Government Press, 1971).
Dehkhoda Lexicon Institute & International Center for Persian Studies
IOR/G/29/25 ‘Various Papers Relating to the Work and Activities of the East India Company in the Gulf of Persia.’
IOR/L/PS/10/163 ‘File 948/1909 Persia: Situation in the South; Condition of the Roads. Attack on Mr Bill. Road Guard Scheme.’
IOR/L/PS/10/484 ‘File 3516/1914 Pt 7 German War: Persia’
IOR/R/15/5/397 ‘John Richardson, A Dictionary, Persian, Arabic, and English; with a Dissertation on the Languages, Literature, and Manners of Eastern Nations’
V 3148 ‘Travels in Beloochistan and Sinde; accompanied by a geographical and historical account of those countries, with a map.’

 

Among the books on loan from the British Library to an exhibition of Miniature Books at Newcastle City Library (until 13 March 2022) are Curiosities in the Tower of London (1741) and two small volumes from The Infant's Library (ca. 1800). These little books can be seen alongside The Jan Pienkowski Fairy Library (1977) and a tiny giveaway edition of The Borrowers (ca. 1980) from the Seven Stories Collection housed in Newcastle City Library. They were all designed to be easily held in little hands for the delight and amusement of young children. These historical books made for children are on display together with miniature books made by primary school children in Newcastle and across the UK in 2020 and 2021.

The Miniature Books exhibition at Newcastle City Library.

Curiosities in the Tower of London was one of 10 miniature titles produced by Thomas Boreman between 1740 and 1743, at a price of 4 pennies each. Boreman wanted his books to ‘join instruction with delight’ and so he focussed on entertaining children.

Curiosities in the Tower of London was published in two volumes, the first volume contains a description of the Royal menagerie at the Tower. Lively accounts of the wild animals – the lionesses Jenny and Phillis, the lion Marco with his ‘frightful teeth’, and the porcupine, ‘one of the strangest animals in the world’ – and the charming woodcut illustrations all made these little books very attractive to their child readers.

Curiosities in the Tower of London.  2nd ed. London: Thomas Boreman, 1741. 2 vols. BL shelfmark Ch.740/7. The volume measures 60 x 65 mm.

A list of young subscribers is included. However as the cost of the book (4d.) would have represented around one third of a labourer’s daily wage, these children were probably from much more affluent families.

List of subscribers in Curiosities in the Tower of London.

Boreman’s books were unlike other 18th century publications for young children that sought to improve their moral conduct through stories that carried a stern and overtly moral and religious message. Instead Boreman wished to improve his young readers’ minds by inspiring them with a sense of wonder and amusement. This unusual approach marked a turning point in the history of children’s literature.

John Marshall, printer and bookseller, issued 17 small volumes in The Infant’s Library at the end of the 18th century. These little books were intended to be educational, and the collection includes a picture alphabet, a short history of England and a description of scenes of everyday life. However Marshall advertised them as both ‘for the instruction and amusement of young people’. Like his other libraries for children that include The Doll’s Library and The Book-Case of Instruction and Delight, The Infant’s Library offered a practical system of learning through play.

Books 9 and 13 give us a particularly charming glimpse into some popular games for boys and girls. Each double page opening shows a few lines of clearly printed, simple text accompanied by a hand-coloured woodcut illustration of children at play.

The Infant’s Library. London: John Marshall, ca. 1800. Book 9: Boys’ games. BL shelfmark C.194.a.945. Each volume measures 57 x 47 mm. 

It is interesting to see that while Marshall wanted children to use his books as amusing playthings, his text is not without a corrective moral tone. Girls’ games carries a firm warning about playing on the swing as 'this is a very dangerous play and very improper for young ladies'.

The Infant’s Library. Book 13: Girls’ games. BL shelfmark C.194.a.945

Helen Peden
Curator, Printed Heritage Collections

Further images from these volumes can be found on the Discovering Children’s Books website:

https://www.bl.uk/collection-items/curiosities-in-the-tower-of-london

https://www.bl.uk/collection-items/the-infants-library

Miniature Books – an exhibition of items from the collections of the British Library and Seven Stories is open at Newcastle City Library until Sunday 13th March, 2022. 

A recent acquisition at the British Library may potentially provide more information about the reading taste of the playwright, Elizabeth Polwhele (c. 1651-1691).  We believe we now have a book owned by Polwhele.  The first edition of Hannah Woolley's The Gentlewoman's Companion (1673) is signed with the name 'Elizabeth Polwheile' (Shelfmark C.194.a.1455).  Whether this is the playwright deserves further investigation - copies of Polwhele´s handwriting survive in the manuscripts of her comedy The Frolicks and her tragedy The Faithful Virgins.

Title page of Hannah Woolley,  The Gentlewoman’s Companion; or, A Guide to the Female Sex: containing directions of behaviour with letters and discourses upon all occasions

The Gentlewoman's Companion is a female conduct book that features recipes, advice, remedies for illness, including a cure for greensickness (anaemia) - a condition mentioned in Polwhele´s comedy by the rake Rightwit, who offers sexual intercourse with the heroine as a cure for this ailment.  Woolley's preface states that she ‘considered the great need of such a Book as might be a Universal Companion and Guide to the Female Sex, in all Relations, Companies, Conditions, and states of Life, even from Child-hood down to Old-age’.  On the subject of marriage, Woolley cautions: 'Whatever you do be not induced to marry one you have either abhorrency or loathing to; for it is neither affluence of estate, potency of friends, nor highness of descent can allay the insufferable grief of a loathed bed'.

Like Woolley, Polwhele´s work engaged with the complications faced by young women and young wives in maintaining a virtuous reputation whilst preserving their personal happiness.  Clarabell, the witty breeches heroine of The Frolicks, asserts her independence by telling her father who has chosen suitors for her that she 'would not have one to displease me' and will not let her father choose for her.  Polwhele's strong-willed heroine anticipates Hellena in Aphra Behn's The Rover (1677), who also actively resists the future planned for her.  Polwhele was ahead of her time in having Clarabell connect the breeches disguise with independence rather than eroticism, referring to her 'legs and a willing mind' that carry her across the city to free Righwit from debtors´prison.  Polwhele's The Faithful Virgins featured female rivals who unite through friendship, 25 years before this theme was explored in Catharine Trotter's Agnes de Castro (1696).

Charlotte Goodall (actress, 1766 – July, 1830) in the Breeches Role of Adeline for Battle of Hexham by George Colman. Source Royal Collection Trust, RCIN 655229.

It would be wonderful to discover more books from Polwhele's library - even fragmentary traces of what she read could tell us more about her level of education, and her literary influences, to help provide a more complete picture of this talented woman, who described herself as ‘haunted with poetic devils’ and wrote ‘by nature, not art’.  Both Woolley and Polwhele are important figures in the history and development of early women's writing, so the possibility that this is the playwright herself united with Woolley in the British Library's collection is extremely fitting.

Beth Cortese
Assistant Professor in Restoration and 18th Century Literature at the University of Iceland. Her PhD entitled ´Women's Wit onstage, 1660-1720' focused on the representation of witty heroines in the work of female and male playwrights.

Further reading:
Polwhele, Elizabeth. c. 1671. The Frolicks, or The Lawyer Cheated, edited by Judith Milhous and Robert D. Hume. Ithaca: Cornell University Press, 1977.
—— c. 1670. The Faythfull Virgins. Bodleian Library MS Rawl. poet. 195, fols. 49-78.
Woolley, Hannah. 1673. The Gentlewoman’s Companion; or, A Guide to the Female Sex: containing directions of behaviour with letters and discourses upon all occasions. London: A. Mawell. British Library General Reference Collection, Shelfmark C.194.a.1455.

 

A recent addition to the British Library's Digitised Manuscripts is Add MS 5259, a folio-size album containing more than 200 drawings on human and animal anatomy.  Dating between the 16th and 18th centuries, these drawings were executed by various European artists and physicians and once belonged to Sir Hans Sloane, himself a physician and avid collector, whose albums of drawings were introduced in a previous blog post.

A first look through the folios of the manuscript may leave many viewers surprised: there are drawings of human organs, watercolours of dissected animals, sketches of the musculature and detailed views of bodies displaying pathological conditions.  How can we make sense of these striking juxtapositions?  Yet the contents of Add MS 5259 reflect the breadth of knowledge and range of topics part of the visual culture of anatomy in early modern Europe, when studying anatomy meant to dissect, examine and represent the body of humans and animals alike.

Nowadays we think of anatomy within the remit of the medical profession only, but in the early modern period, how the body functioned was a question that fascinated a broader audience.  For artists, understanding how the body articulates movement through the combined work of muscles and bones was key to the successful depiction of lifelike figures.  Add MS 5259 contains examples of anatomy drawings made by and for artists, like this pen and ink drawing of an animated skeleton that once belonged to the Flemish artist Prosper Henry Lankrink.

Add MS 5259, item 21 (f. 19r): Battista Franco, drawing of the human skeleton, mid-16th century. Pen and brown ink on paper.

In Sloane’s time, medical knowledge was disseminated in print.  The manuscript notes and sketches preparatory for publications rarely survive, so the large amount of draft material in Add MS 5259 offers valuable insight into physicians’ publishing endeavours.  Equally noteworthy is the presence of drawings executed by medical practitioners who were skilled draughtsmen, such as William Cowper, whose chalk drawings of the musculature relate to his publication on the topic, Myotomia Reformata (London, 1724).

Add MS 5259, item 48 (f. 32r): William Cowper, study of a flayed body, late 17th-early 18th century. Red and black chalk on paper.

Whereas anatomy textbooks usually offer representations of an average body, collections of medical case studies known as Observationes take hold in the 17th century as a way to report on abnormalities affecting the body.  This may explain why the manuscript includes, for example, depictions of overgrown organs and conjoined twins.  The understanding of these conditions – which for modern viewers are very different – gradually shifted during Sloane’s lifetime from the realm of the monstrous to the pathological.  For physicians, producing drawings of these conditions was one way of documenting them and increasing the reliability of their written observations.

Add MS 5259 also testifies to the widespread experimentation with animals.  By vivisecting animals like the mouse pictured here below, anatomists could investigate vital operations occurring in the living body, which could not be understood by inspecting a cadaver.

Add MS 5259, item 191 (f. 117r): Unknown artist, dissection of a mouse, 1689. Detail from a larger sheet with annotations in Latin accompanying the drawing. Pen and ink and watercolour on paper.

Animals could be a substitute, but also a term of comparison for the human body.  The growing interest in comparative anatomy in the late 17th century is reflected in these chalk studies of a chimpanzee, preparatory drawings for a book by Edward Tyson that explored the structural similarities between primates and men.

Add MS 5259, Item 209 (f. 133r): William Cowper, study of the musculature of a chimpanzee, late 17th century. Black and white chalk on blue paper.

Overall, Sloane’s album reminds us of the value ascribed to visual representation in the study of anatomy, at a time when drawing and dissecting were equally important ways of producing knowledge about the body.

Alice Zamboni
PhD candidate, The Courtauld Institute of Art

Further reading:
- For more on Sloane’s collection of manuscripts at the British Library, you can consult the collection guide
-Two works on paper from Add MS 5259 were removed from the album in 1928 and transferred to the Prints and Drawings Department in the British Museum: item 13 (British Museum 1928,0310.101) and item 227 (British Museum 1928,0310.102)
-William Cowper’s drawings in Add MS 5259 have recently been discussed and illustrated in Monique Kornell, “Drawings by William Cowper for his Myotomia reformata (London, 1724), Master Drawings 57, no. 4 (2019): 489-510.
-Prosper Henry Lankrink’s ‘PHL’ monogram features on the British Library’s copy of the first Dutch anatomy manual for artists, Jacob van der Gracht’s Anatomie der wtterliche deelen van het menschelick lichaem (Anatomy of the exterior parts of the human body; The Hague, 1634): British Library General Reference Collection, 544.l.11.(1.)., as well as on many drawings now in the collection of the British Museum.

 

You can catch this Maison Prunier menu, dating from December 1940, in the small display about the Second World War, Life on the Home Front, in the Treasures of the British Library Gallery until 11 December 2021.  It forms a counter-point to the ration books in the same case which reflect the introduction of food rationing in January 1940 and the queues and hardships that followed.

Maison Prunier, Menu, [London], December 1940. B.L. shelfmark: LD.31.b.752.

The first Maison Prunier was opened in Paris in 1872 by Alfred Prunier and his wife Catherine.  Their granddaughter Simone, with the assistance of her husband Jean Barnagaud, took over the Parisian restaurant, which had become famous for its oysters, on the death of her father Emile in 1925.  Ten years later she opened the London branch in St. James’s Street, off Piccadilly and near Green Park.  Having looked at several potential buildings in the area she had chosen a dauntingly large site which had previously been a Rumpelmayer’s teashop.

The interior decoration was created by her friend, the artist Colette Gueden, and was based on Simone’s childhood recollections of Jules Verne’s Twenty thousand leagues under the sea.  The design included two glass cases which created the illusion that you were eating while looking out from portholes in a submarine.  The opening reception on the evening of 17 January 1935 was almost too successful in creating publicity and the restaurant was overwhelmed with eager clients the following day.  Among the subsequent patrons were the then Prince of Wales and Mrs Simpson.

Simone championed the use of cheaper fish including herring and mackerel and her book, Madame Prunier’s fish cookery book, was first published in 1938 and reprinted several times.  In contrast to the restaurant perhaps, it was aimed at a fairly general audience, providing recipes for both the proficient and the less-proficient cook.

With the advent of war and the black-out in September 1939 the evening trade at Maison Prunier initially declined, but a prix-fixe menu encouraged people to return and by January 1940 it also opened on Sundays to attract those on weekend leave.  At the start of the Blitz in September 1940 the restaurant closed for dinner but again Simone came up with a plan to encourage customers back.  She appointed a taxi-driver specifically for Maison Prunier and advertised an air-raid lunch and a black-out dinner as you can see here.  With the difficulty of obtaining supplies and rationing, this was not a simple operation, and customer numbers remained relatively low.  Items which are rationed are clearly noted on the menu and as you can see 'only one dish of meat or poultry or game or fish may be served at a meal'.  However, the famous oysters were still available.

Though affected by bomb blasts and subject to the general restrictions on the amount that could be charged for meals, Maison Prunier survived the war and continued in business at St. James’s Street until 1976.

Alison Bailey
Lead Curator of Printed Heritage Collections 1901-2000

Further reading:
Madame Prunier, La Maison: the history of Prunier’s. London: Longmans, Green and Co., 1957. B.L. shelfmark: 7939.g.12.
Madame Prunier’s fish cookery book / selected, translated and edited, with an introduction and notes, from Les poissons, coquillages, crustacés et leur préparation culinaire par Michel Bouzy, by Ambrose Heath. With a special foreword by Madame S.B. Prunier and decorations by Mathurin Meheut. London: Nicholson & Watson Limited, 1938. B.L. shelfmark: 7944.pp.13.