Among the books on loan from the British Library to an exhibition of Miniature Books at Newcastle City Library (until 13 March 2022) are Curiosities in the Tower of London (1741) and two small volumes from The Infant's Library (ca. 1800). These little books can be seen alongside The Jan Pienkowski Fairy Library (1977) and a tiny giveaway edition of The Borrowers (ca. 1980) from the Seven Stories Collection housed in Newcastle City Library. They were all designed to be easily held in little hands for the delight and amusement of young children. These historical books made for children are on display together with miniature books made by primary school children in Newcastle and across the UK in 2020 and 2021.

The Miniature Books exhibition at Newcastle City Library.

Curiosities in the Tower of London was one of 10 miniature titles produced by Thomas Boreman between 1740 and 1743, at a price of 4 pennies each. Boreman wanted his books to ‘join instruction with delight’ and so he focussed on entertaining children.

Curiosities in the Tower of London was published in two volumes, the first volume contains a description of the Royal menagerie at the Tower. Lively accounts of the wild animals – the lionesses Jenny and Phillis, the lion Marco with his ‘frightful teeth’, and the porcupine, ‘one of the strangest animals in the world’ – and the charming woodcut illustrations all made these little books very attractive to their child readers.

Curiosities in the Tower of London.  2nd ed. London: Thomas Boreman, 1741. 2 vols. BL shelfmark Ch.740/7. The volume measures 60 x 65 mm.

A list of young subscribers is included. However as the cost of the book (4d.) would have represented around one third of a labourer’s daily wage, these children were probably from much more affluent families.

List of subscribers in Curiosities in the Tower of London.

Boreman’s books were unlike other 18th century publications for young children that sought to improve their moral conduct through stories that carried a stern and overtly moral and religious message. Instead Boreman wished to improve his young readers’ minds by inspiring them with a sense of wonder and amusement. This unusual approach marked a turning point in the history of children’s literature.

John Marshall, printer and bookseller, issued 17 small volumes in The Infant’s Library at the end of the 18th century. These little books were intended to be educational, and the collection includes a picture alphabet, a short history of England and a description of scenes of everyday life. However Marshall advertised them as both ‘for the instruction and amusement of young people’. Like his other libraries for children that include The Doll’s Library and The Book-Case of Instruction and Delight, The Infant’s Library offered a practical system of learning through play.

Books 9 and 13 give us a particularly charming glimpse into some popular games for boys and girls. Each double page opening shows a few lines of clearly printed, simple text accompanied by a hand-coloured woodcut illustration of children at play.

The Infant’s Library. London: John Marshall, ca. 1800. Book 9: Boys’ games. BL shelfmark C.194.a.945. Each volume measures 57 x 47 mm. 

It is interesting to see that while Marshall wanted children to use his books as amusing playthings, his text is not without a corrective moral tone. Girls’ games carries a firm warning about playing on the swing as 'this is a very dangerous play and very improper for young ladies'.

The Infant’s Library. Book 13: Girls’ games. BL shelfmark C.194.a.945

Helen Peden
Curator, Printed Heritage Collections

Further images from these volumes can be found on the Discovering Children’s Books website:

https://www.bl.uk/collection-items/curiosities-in-the-tower-of-london

https://www.bl.uk/collection-items/the-infants-library

Miniature Books – an exhibition of items from the collections of the British Library and Seven Stories is open at Newcastle City Library until Sunday 13th March, 2022. 

A recent acquisition at the British Library may potentially provide more information about the reading taste of the playwright, Elizabeth Polwhele (c. 1651-1691).  We believe we now have a book owned by Polwhele.  The first edition of Hannah Woolley's The Gentlewoman's Companion (1673) is signed with the name 'Elizabeth Polwheile' (Shelfmark C.194.a.1455).  Whether this is the playwright deserves further investigation - copies of Polwhele´s handwriting survive in the manuscripts of her comedy The Frolicks and her tragedy The Faithful Virgins.

Title page of Hannah Woolley,  The Gentlewoman’s Companion; or, A Guide to the Female Sex: containing directions of behaviour with letters and discourses upon all occasions

The Gentlewoman's Companion is a female conduct book that features recipes, advice, remedies for illness, including a cure for greensickness (anaemia) - a condition mentioned in Polwhele´s comedy by the rake Rightwit, who offers sexual intercourse with the heroine as a cure for this ailment.  Woolley's preface states that she ‘considered the great need of such a Book as might be a Universal Companion and Guide to the Female Sex, in all Relations, Companies, Conditions, and states of Life, even from Child-hood down to Old-age’.  On the subject of marriage, Woolley cautions: 'Whatever you do be not induced to marry one you have either abhorrency or loathing to; for it is neither affluence of estate, potency of friends, nor highness of descent can allay the insufferable grief of a loathed bed'.

Like Woolley, Polwhele´s work engaged with the complications faced by young women and young wives in maintaining a virtuous reputation whilst preserving their personal happiness.  Clarabell, the witty breeches heroine of The Frolicks, asserts her independence by telling her father who has chosen suitors for her that she 'would not have one to displease me' and will not let her father choose for her.  Polwhele's strong-willed heroine anticipates Hellena in Aphra Behn's The Rover (1677), who also actively resists the future planned for her.  Polwhele was ahead of her time in having Clarabell connect the breeches disguise with independence rather than eroticism, referring to her 'legs and a willing mind' that carry her across the city to free Righwit from debtors´prison.  Polwhele's The Faithful Virgins featured female rivals who unite through friendship, 25 years before this theme was explored in Catharine Trotter's Agnes de Castro (1696).

Charlotte Goodall (actress, 1766 – July, 1830) in the Breeches Role of Adeline for Battle of Hexham by George Colman. Source Royal Collection Trust, RCIN 655229.

It would be wonderful to discover more books from Polwhele's library - even fragmentary traces of what she read could tell us more about her level of education, and her literary influences, to help provide a more complete picture of this talented woman, who described herself as ‘haunted with poetic devils’ and wrote ‘by nature, not art’.  Both Woolley and Polwhele are important figures in the history and development of early women's writing, so the possibility that this is the playwright herself united with Woolley in the British Library's collection is extremely fitting.

Beth Cortese
Assistant Professor in Restoration and 18th Century Literature at the University of Iceland. Her PhD entitled ´Women's Wit onstage, 1660-1720' focused on the representation of witty heroines in the work of female and male playwrights.

Further reading:
Polwhele, Elizabeth. c. 1671. The Frolicks, or The Lawyer Cheated, edited by Judith Milhous and Robert D. Hume. Ithaca: Cornell University Press, 1977.
—— c. 1670. The Faythfull Virgins. Bodleian Library MS Rawl. poet. 195, fols. 49-78.
Woolley, Hannah. 1673. The Gentlewoman’s Companion; or, A Guide to the Female Sex: containing directions of behaviour with letters and discourses upon all occasions. London: A. Mawell. British Library General Reference Collection, Shelfmark C.194.a.1455.

 

A recent addition to the British Library's Digitised Manuscripts is Add MS 5259, a folio-size album containing more than 200 drawings on human and animal anatomy.  Dating between the 16th and 18th centuries, these drawings were executed by various European artists and physicians and once belonged to Sir Hans Sloane, himself a physician and avid collector, whose albums of drawings were introduced in a previous blog post.

A first look through the folios of the manuscript may leave many viewers surprised: there are drawings of human organs, watercolours of dissected animals, sketches of the musculature and detailed views of bodies displaying pathological conditions.  How can we make sense of these striking juxtapositions?  Yet the contents of Add MS 5259 reflect the breadth of knowledge and range of topics part of the visual culture of anatomy in early modern Europe, when studying anatomy meant to dissect, examine and represent the body of humans and animals alike.

Nowadays we think of anatomy within the remit of the medical profession only, but in the early modern period, how the body functioned was a question that fascinated a broader audience.  For artists, understanding how the body articulates movement through the combined work of muscles and bones was key to the successful depiction of lifelike figures.  Add MS 5259 contains examples of anatomy drawings made by and for artists, like this pen and ink drawing of an animated skeleton that once belonged to the Flemish artist Prosper Henry Lankrink.

Add MS 5259, item 21 (f. 19r): Battista Franco, drawing of the human skeleton, mid-16th century. Pen and brown ink on paper.

In Sloane’s time, medical knowledge was disseminated in print.  The manuscript notes and sketches preparatory for publications rarely survive, so the large amount of draft material in Add MS 5259 offers valuable insight into physicians’ publishing endeavours.  Equally noteworthy is the presence of drawings executed by medical practitioners who were skilled draughtsmen, such as William Cowper, whose chalk drawings of the musculature relate to his publication on the topic, Myotomia Reformata (London, 1724).

Add MS 5259, item 48 (f. 32r): William Cowper, study of a flayed body, late 17th-early 18th century. Red and black chalk on paper.

Whereas anatomy textbooks usually offer representations of an average body, collections of medical case studies known as Observationes take hold in the 17th century as a way to report on abnormalities affecting the body.  This may explain why the manuscript includes, for example, depictions of overgrown organs and conjoined twins.  The understanding of these conditions – which for modern viewers are very different – gradually shifted during Sloane’s lifetime from the realm of the monstrous to the pathological.  For physicians, producing drawings of these conditions was one way of documenting them and increasing the reliability of their written observations.

Add MS 5259 also testifies to the widespread experimentation with animals.  By vivisecting animals like the mouse pictured here below, anatomists could investigate vital operations occurring in the living body, which could not be understood by inspecting a cadaver.

Add MS 5259, item 191 (f. 117r): Unknown artist, dissection of a mouse, 1689. Detail from a larger sheet with annotations in Latin accompanying the drawing. Pen and ink and watercolour on paper.

Animals could be a substitute, but also a term of comparison for the human body.  The growing interest in comparative anatomy in the late 17th century is reflected in these chalk studies of a chimpanzee, preparatory drawings for a book by Edward Tyson that explored the structural similarities between primates and men.

Add MS 5259, Item 209 (f. 133r): William Cowper, study of the musculature of a chimpanzee, late 17th century. Black and white chalk on blue paper.

Overall, Sloane’s album reminds us of the value ascribed to visual representation in the study of anatomy, at a time when drawing and dissecting were equally important ways of producing knowledge about the body.

Alice Zamboni
PhD candidate, The Courtauld Institute of Art

Further reading:
- For more on Sloane’s collection of manuscripts at the British Library, you can consult the collection guide
-Two works on paper from Add MS 5259 were removed from the album in 1928 and transferred to the Prints and Drawings Department in the British Museum: item 13 (British Museum 1928,0310.101) and item 227 (British Museum 1928,0310.102)
-William Cowper’s drawings in Add MS 5259 have recently been discussed and illustrated in Monique Kornell, “Drawings by William Cowper for his Myotomia reformata (London, 1724), Master Drawings 57, no. 4 (2019): 489-510.
-Prosper Henry Lankrink’s ‘PHL’ monogram features on the British Library’s copy of the first Dutch anatomy manual for artists, Jacob van der Gracht’s Anatomie der wtterliche deelen van het menschelick lichaem (Anatomy of the exterior parts of the human body; The Hague, 1634): British Library General Reference Collection, 544.l.11.(1.)., as well as on many drawings now in the collection of the British Museum.

 

You can catch this Maison Prunier menu, dating from December 1940, in the small display about the Second World War, Life on the Home Front, in the Treasures of the British Library Gallery until 11 December 2021.  It forms a counter-point to the ration books in the same case which reflect the introduction of food rationing in January 1940 and the queues and hardships that followed.

Maison Prunier, Menu, [London], December 1940. B.L. shelfmark: LD.31.b.752.

The first Maison Prunier was opened in Paris in 1872 by Alfred Prunier and his wife Catherine.  Their granddaughter Simone, with the assistance of her husband Jean Barnagaud, took over the Parisian restaurant, which had become famous for its oysters, on the death of her father Emile in 1925.  Ten years later she opened the London branch in St. James’s Street, off Piccadilly and near Green Park.  Having looked at several potential buildings in the area she had chosen a dauntingly large site which had previously been a Rumpelmayer’s teashop.

The interior decoration was created by her friend, the artist Colette Gueden, and was based on Simone’s childhood recollections of Jules Verne’s Twenty thousand leagues under the sea.  The design included two glass cases which created the illusion that you were eating while looking out from portholes in a submarine.  The opening reception on the evening of 17 January 1935 was almost too successful in creating publicity and the restaurant was overwhelmed with eager clients the following day.  Among the subsequent patrons were the then Prince of Wales and Mrs Simpson.

Simone championed the use of cheaper fish including herring and mackerel and her book, Madame Prunier’s fish cookery book, was first published in 1938 and reprinted several times.  In contrast to the restaurant perhaps, it was aimed at a fairly general audience, providing recipes for both the proficient and the less-proficient cook.

With the advent of war and the black-out in September 1939 the evening trade at Maison Prunier initially declined, but a prix-fixe menu encouraged people to return and by January 1940 it also opened on Sundays to attract those on weekend leave.  At the start of the Blitz in September 1940 the restaurant closed for dinner but again Simone came up with a plan to encourage customers back.  She appointed a taxi-driver specifically for Maison Prunier and advertised an air-raid lunch and a black-out dinner as you can see here.  With the difficulty of obtaining supplies and rationing, this was not a simple operation, and customer numbers remained relatively low.  Items which are rationed are clearly noted on the menu and as you can see 'only one dish of meat or poultry or game or fish may be served at a meal'.  However, the famous oysters were still available.

Though affected by bomb blasts and subject to the general restrictions on the amount that could be charged for meals, Maison Prunier survived the war and continued in business at St. James’s Street until 1976.

Alison Bailey
Lead Curator of Printed Heritage Collections 1901-2000

Further reading:
Madame Prunier, La Maison: the history of Prunier’s. London: Longmans, Green and Co., 1957. B.L. shelfmark: 7939.g.12.
Madame Prunier’s fish cookery book / selected, translated and edited, with an introduction and notes, from Les poissons, coquillages, crustacés et leur préparation culinaire par Michel Bouzy, by Ambrose Heath. With a special foreword by Madame S.B. Prunier and decorations by Mathurin Meheut. London: Nicholson & Watson Limited, 1938. B.L. shelfmark: 7944.pp.13.

 

The papers of Frank Owen Bell, Indian Civil Service officer, contain some fascinating reports of a fire-fight between local police and a group of Japanese airmen during the Second World War.  The file in the India Office Private Papers consists of reports and telegrams between 25 and 30 December 1942 circulating between local government officials in the area of Kalapara in the District of Patuakhali in Bengal (now Bangladesh).  As the reports circulated, a picture began to build up of a dramatic skirmish as the Japanese air-crew attempted to evade capture.

Telegram concerning the report of a crashed aircraft 28 December 1942 Mss Eur D733/40 f.3 

On 24 December at 10.40 in the evening, a Japanese bomber crashed at Dhulasar, a few miles from the sea shore.  The plane had been struck by anti-aircraft fire causing it to crash heavily.  The seven crew members all survived, with only 2 being slightly wounded.  No doubt frightened and confused, they approached a nearby house, but the residents fled thinking them to be robbers.  The following morning, having taken shelter in the house for the night, the Japanese airmen looked for someone who could help them escape by sea but were hindered by being unable to speak the local language or any English.

Around this time local police officers, consisting of a head-constable and four constables, arrived and began searching for the airmen.  At about 11.00am, they spotted the Japanese airmen crossing a river, and immediately opened fire.  The Japanese retaliated with machine gun fire before retreating into the jungle.  No-one was hit and the policemen kept guard on the river bank.

Report about the crashed bomber 30 December 1942 Mss Eur D733/40 f.1.

At around 3.30pm, the Japanese airmen emerged from a different part of the jungle, and rushed a large boat firing revolvers and a machine gun.  The fishermen on the boat dived overboard and swam to safety.  The boat was loaded with rice and vegetables, and was equipped with a sail.  The airmen set sail out to sea, and were not seen again.  In a printed report of the incident sent to the Inspector General of Police in Bengal, it was estimated that it would take four days to sail to Burma.  Search aircraft attempted to locate the Japanese airmen without success.  A handwritten note on the back of the report commented that the villagers were naturally frightened but showed no pro-Japanese or anti-British sentiments.

Born on June 1907, Bell was educated at Christ’s Hospital at Horsham, and Christ’s College, Cambridge.  He joined the Indian Civil Service on 16 October 1930, and arrived in India November 1930.  He served in Bengal as Assistant Collector and Magistrate; and in December 1931 was promoted to Joint Magistrate and Deputy Collector.  From October 1936 he was a Settlement Officer.  He was awarded the OBE in January 1946. On returning to England in 1947, Bell qualified as a solicitor and worked for the Greater London Council.  He died in 1991.

John O’Brien
India Office Records

Further Reading:
Correspondence connected with the crash-landing of a Japanese bomber at Dhulasar, Bengal, 24 December 1942, BL shelfmark: Mss Eur D733/40.
India Office and Burma Office List (1947) page 142, for brief details of Frank Owen Bell’s ICS career.
Papers relating to Frank Owen Bell's service as a councillor in Chesham UDC and Buckinghamshire County Council, held at Buckinghamshire Archives, reference D_190. 

 

Within the Clarkson Papers there are a number of volumes relating to the settlement of Freetown, Sierra Leone, from 1791 onwards.  These were explored in a series of Untold Lives blogs called The Lives and Letters of the Black Loyalists.   We return to these papers to explore a number of fascinating folios of correspondence between John Clarkson and King Naimbanna II.

King, or Obai, Naimbanna II (1720-1793) was a leader of the Koya Temne Kingdom on coast of Sierra Leone.  Agents of the Sierra Leone Company negotiated with Naimbanna in 1788 and persuaded him to sign over some of his land for the Company’s settlement.  Naimbanna later stipulated that the deal had been negotiated too hastily and should not have been given consent.  A digitised version of this treaty is available to view via the British Library’s Endangered Archives Programme.

When John Clarkson arrived in Freetown at the end of 1791 he made a conscious effort to engage with Naimbanna as the local leader.  Documents from his papers show that collaboration was deemed essential in order for the new settlement to succeed.

Instructions from abolitionist Thomas Clarkson to his brother John, the Governor of Freetown, to ‘ingratiate yourself with Naimbanna and his secretary Elliot’. Add MS 41262A, f.65.

A note from John Clarkson to King Naimbanna inviting him to dine with him and explaining he has a letter for him from his son, 12 May 1792. Add MS 41262A, f.105.

A working relationship was established, as the documents below illustrate.  Naimbanna gave these folios to John Clarkson when the governor was due to depart Sierra Leone for England at the end of 1792.

Two folios from King Naimbanna to John Clarkson, described as ‘His gift to Mr Clarkson on taking leave’. 23 December 1792. Add MS 41262A, ff 211-214.

These fascinating folios stand out among Clarkson’s papers.  They are described as prayers or good luck charms.  Written in Arabic, they consist of scraps of sentences from the Koran that the author hopes will protect the bearer on his journey.  Other notes present with these papers describe the folios as badly written, but despite this criticism from Clarkson’s contemporaries, these letters are important historical documents in their own right.  They illustrate Naimbanna’s cautious engagement with the new settlement and his relationship with its governor Clarkson.

Naimbanna engaged diplomatically with the new settlement believing it could offer certain benefits.  He backed the original abolitionist mission of its founders, aimed to benefit from a proliferation of trade and sought out specialist education for himself and his sons.  Naimbanna sent his children abroad to experience different educations in different parts of the world.  His son Prince John Frederic would travel to England in 1791 to receive an education under the sponsorship of abolitionist and activist, Granville Sharp.

Announcement of the death of Prince Naimbanna, Bury and Norwich Post, 1 January 1794. British Newspaper Archive.

With this openness and pragmatism of approach, Naimbanna hoped to both take advantage of the opportunities the new colony could open for the Kingdom, whilst retaining power as the rightful leader of the region.  However, cordial relations would not last.  Naimbanna died in 1793 as did his son, Prince John Frederic, whilst in transit back from England.  Successive Temne dynasties fought with neighbouring communities in an effort to consolidate their lands, but ultimately these lands were taken by the British in the latter half of the 19th century.  The British made Sierra Leone a British protectorate in 1896 and despite the Temne revolts in 1898 they would govern until Sierra Leone gained independence in 1961.

Jessica Gregory
Curatorial Support Officer, Modern Archives and Manuscripts

Further Reading:
Lives and Letters of the Black Loyalists, Parts 1-4.
Ijagbemi, E. A. 'THE FREETOWN COLONY AND THE DEVELOPMENT OF ‘LEGITIMATE’ COMMERCE IN THE ADJOINING TERRITORIES', Journal of the Historical Society of Nigeria, vol. 5, no. 2, Historical Society of Nigeria, 1970, pp. 243–56.
Kup, A. P. 'John Clarkson and the Sierra Leone Company', The International Journal of African Historical Studies, vol. 5, no. 2, Boston University African Studies Center, 1972, pp. 203–20.
.

We continue our story of Miguel de Lima e Souza.

Miguel was now part of the British establishment in Bombay, both politically and socially.  He was a member of the Insurance Society, a key association of those who mattered financially.   The Bombay Almanac of 1798 announced the birth of his son and listed him among the ten most prominent European merchants in Bombay.  Father Ernest Hull wrote that Miguel was one of the richest people in Bombay. 

Bombay Gazette  29 October 1823 British Newspaper Archive 

Miguel's connections destined him to play the leading role in the Padroado-Propaganda struggle, which at one point threatened the future of the Catholic Church not only in Bombay but also the whole of Asia.  This was a very complex matter with its roots going back to the early 16th century.   In Miguel’s time, Rome was attempting to take on greater responsibility for the Church in the East, a role which was strongly resisted by the Portuguese state and church which had traditionally had the right of ‘Patronage’, or the authority to manage and have the last word in all ecclesiastical issues in the region.

View from Belmont looking towards the back of the harbour including part of the village of Mazagon, the islands of Carranjar, Elephanta and Butcher bounded by the hills of Mahratta country - from James Wales, Bombay Views: Twelve Views Of The Island Of Bombay And Its Vicinity Taken In The Years 1791 And 1792 Shelfmark: X 436 

At that time, Bombay was under Propaganda or the direct authority of Rome.  Sir Miguel now fell foul of the local authorities.  According to Father Hull, Miguel asked to have a prominent Protestant stand as godfather to his son, and this request was refused as being contrary to Church law.  This apparently was so offensive to Sir Miguel that he set in motion a process with the support of the British both locally and in London, as well as the backing of the Primate of Goa and Lisbon, that led to the transfer of Bombay to the jurisdiction of the Padroado Archbishop of Goa.  This proved unpopular locally with both the foreign elite as well as the lower classes of indigenous Catholics and the decision was reversed.  Miguel however leveraged all his political and social status to reverse this decision in turn and this led to a lot of ecclesiastical turmoil eventually leading to what is called the Double Jurisdiction, with some Churches under Rome and others under Goa.  The resulting bitterness led to a serious rift amongst the Catholic population, both people and priests, with one group of priests coming under the threat of excommunication in what is known as the Salsette schism.

Miguel was the spearhead of the Propaganda party initially, aiming to make the local church self-sustainable by founding a seminary known as the Bombay College on his own property.   But his efforts for local autonomy were not successful and the Propaganda parishes came under the tight control of the authorities of Goa.  There were stories that Miguel later regretted his role in the split and reportedly was reconciled to Rome and Propaganda on his deathbed.  While there is no direct evidence for this, his grandson Miguel de Lima e Souza (Junior) owed allegiance to Propaganda.  But that is another story!

Megan deSouza, independent researcher and blogger
Denis Rodrigues, amateur historian interested in the history of Bombay

Further reading:
The Home People 
Ernest R Hull, Bombay mission-history with a special study of the Padroado question (Bombay, 1927, 1930) British Library shelfmark Asia Pacific & Africa V 2145
The Portuguese Militia in Bombay
British Newspaper Archive also available via Findmypast

Miguel of Mazagon, Mumbai- Part One

Showing support for German creations when at war was dangerous, as Sydney Cockerell found out four years into the Second World War.  The former director of the Fitzwilliam Museum in Cambridge penned a letter to The Times on 10 July 1943 lamenting the damage to Cologne Cathedral made by British forces.  Whilst he wrote that it was probably unavoidable, he argued that as a nation Britain should not be afraid to express regret of damage to historical monuments, even those situated in enemy countries.  The reaction to this statement is contained in dozens of letters sent to him, collected in the British Library’s Modern Archives.

He received numerous statements of support for his view, with many providing detail of the damage sustained.  Others agreed with him that it was probably unavoidable, and even that the Germans may have known that British forces would hesitate to harm such beautiful buildings.  However, other commentators were not so positive, as can be seen in this letter below which assumes he must be ‘a tottering silly old fool for writing such tripe’.

A letter sent from Newark to Cockerell 13 July 1943 – Add MS 52771

A harsh reply, but arguably the worst was to follow.  Another man wrote to Cockerell saying ‘people with your namby pamby views are not wanted in this country & are unworthy of the freedom enjoyed here’.  He goes on, ‘You are not fit to be called an “Englishman” & should be denaturalised & sent to Germany…you would promptly be shot, in some ways the Germans know better how to deal with your type’.

A more rational reply was given by an inhabitant of Coventry, arguing that instead of showing support for German cathedrals, he should focus closer to home, specifically on Coventry Cathedral.  She writes of the ’11 hours of diabolical bombing’ which ‘utterly destroyed it’ in November 1940.  Furthermore, her husband was killed that night on duty as an Air Raid Warden, and her home destroyed.  Included with her letter were two postcards showing the damage done.

Coventry Cathedral before the bombing Add MS 52771, f. 104v

Coventry Cathedral after the bombing Add MS 52771, f. 105v

Following all these replies, Cockerell went on the offensive. In a further letter written to The Times nine days after the initial one, he asserts that ‘fine architecture is part of the common heritage of humanity, irrespective of frontiers’.  He also bemoans the angry replies, arguing if such people would feel no regret if Beethoven or Mozart were forgotten, ‘As patriotic Englishman, should we now repudiate these enemy composers?  Fine architecture is music and rhythm in stone’.  His archive contains many more letters of support than negative replies, though many are keen to stress that damage is often inevitable, a point he himself makes on multiple occasions.

Cockerell would continue to lament damage to historical monuments throughout the War, including Rouen Cathedral.  He received an interesting reply in an unsigned and undated letter: ‘Most people…would rather see a fine, modern power station (the symbol of a full and glowing life for everyone) than an old cathedral (the symbol of an evil past)’.

Whatever the truth of this statement, this short episode shows how expressing support of historical monuments situated in enemy countries was risky and could lead to vitriol and hatred.

Jack Taylor
Doctoral researcher at the Open University.  His CHASE-funded research explores sexual violence between men in the late eighteenth and nineteenth centuries

Letters, original illustrations, photographs, books and leaflets, together with items issued to air raid wardens form part of the Life on the Home Front display in the British Library’s Treasures Gallery. The free display gives a flavour of the experience of those living and working in Britain during the Second World War.  It runs from 14 September until 11 December 2021. 

Further reading:
Add MS 52771 - Cockerell Papers, Vol, CXLIX, Correspondence rel. to the bombing of Cologne Cathedral, 1943 (ff. 92-122b); Correspondence and photographs rel. to the damage to Rouen Cathedral, 1944 (ff. 123-162).
Oxford Dictionary of National Biography, Alan Bell, ‘Cockerell, Sir Sydney Carlyle (1867–1962), museum director and book collector’.