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19 August 2021

Soldiers’ References in the East India Company Military Department

A recent acquisition to the India Office Private Papers gives a glimpse into the daily work of administrators in the Military Department of the East India Company.  The acquisition is a small bundle of enquiries known as Soldiers’ References.  These enquiries, received from soldiers or their relatives, covered a wide range of subjects and would have been a substantial part of the Department’s daily business.

The India Office Records contains a much larger collection of these enquiries as part of the records of the Military Department, dating from 1860 to 1873.  The subjects of the enquiries include the whereabouts of soldiers; applications for medals, prize money, allowances, discharge papers, free passage for a family, and pensions; claims to a deceased soldier's estate; and miscellaneous statements and certificates in support of claims.  All enquiries prior to 1860 were sent for destruction in the mid-19th century, with only those thought to still be required for ongoing business surviving.  As sometimes happens in such cases, small survivals occasionally turn up, which is the case with this new acquisition. Here are a few examples of the enquiries it contains.

Letter from Dr Green applying for the position of Superintendent of the Calcutta Eye InfirmaryLetter from Dr Green applying for the position of Superintendent of the Calcutta Eye Infirmary Mss Eur F749 f.4 Public Domain Creative Commons Licence

W Green, Civil Assistant Surgeon, Bengal, applied to the East India Company for the position of Superintendent of the Calcutta Eye Infirmary in a letter dated 7 January 1847.  Dr Green had heard that the position was about to become vacant due to the retirement of the then incumbent.  He noted that before leaving England for India in 1830 he had attended the practice of the Eye Infirmary at Moorfields, London.

Enquiry from Henry Dean about the effects of William DeanEnquiry from Henry Dean Mss Eur F749 f. 11 Public Domain Creative Commons Licence

Enquirers writing to the Department often received a reply asking them to fill in an application form.  This was the case with Henry Dean of Liverpool who enquired about the effects of the late William Dean, a Private in the Bombay Fusiliers who died in India on 10 September 1850.  Henry returned the reply with a handwritten note at the bottom stating that he would forward the form to his father Mr John Dean who would answer the questions on it.

Letter from John Foster enquiring about his Punjab medalLetter from John Foster Mss Eur F749 f. 16 Public Domain Creative Commons Licence

 On 2 August 1852, Corporal John Foster of the 2nd European Bengal Fusilier Regiment, wrote expressing his surprise that his medal had not been sent to him.  He had received his money from the Staff Officer of Pensioners at Waterford, and had expected his medal for service in the Punjab to be sent to him at the same time.

Application from John Munro enquiring about the estate of his late brother WilliamLetter from John Munro  Mss Eur F749 f. 21 Public Domain Creative Commons Licence


An example of the standard application form which enquirers were asked to complete is that of John Munro, who in November 1852 enquired after the estate of his late brother William, a recruit in the Bombay Establishment.  The Munro family were from Auchterarder in Perthshire, Scotland.  Both parents were dead, and there were two surviving brothers: John still living in Perthshire, and James who was living in New York.  There was also a sister Janet, another sister Mary having died in March 1852.  Mary’s son William Inglis is recorded as living with his father, also in New York.  The form also lists a grandparent, and aunts and uncles still living in Auchterarder.  As was required by the East India Company, the form was signed by the Minister of the Parish, Robert Young.  The need for a parish minister or churchwarden to sign application forms was to discourage speculative applications from persons with no degree of relationship with the deceased from attempting to make fraudulent claims.

John O’Brien
India Office Records

Further Reading:
Soldiers' References: letters of enquiry addressed to the East India Company Military Department in London, May 1839-Feb 1853, BL shelfmark: Mss Eur F749. A full list of the contents can be found on the Explore Archives and Manuscripts catalogue. 
Soldiers' References for the years 1860 to 1873 are in the India Office Records at IOR/L/MIL/5/362-375. Registers of correspondence for the years 1829 to 1873 are at IOR/Z/L/MIL/5/16-43.
Anthony Farrington, Guide to the records of the India Office Military Department (London 1982).

 

17 August 2021

Old Crop-Ear – JMW Turner’s horse

A few years ago, the owners of a house built on land in Twickenham, previously owned by JMW Turner, dug up some bones in their garden.  The police were called but the bones turned out to be of animal rather than human origin.  Could this be the final resting place of Turner’s horse?

In 1813, when Turner and his father William (‘Old Dad’) moved into Sandycombe Lodge, the house that Turner had designed and built in Twickenham, they brought with them their horse, Crop-Ear.  Turner bought a nearby small plot of land as grazing, and probably stabling, for the horse.  In Walter Thornbury’s early biography, Turner’s great friend Henry Scott Trimmer describes ‘an old crop-eared bay horse, or rather a cross between a horse and a pony’.  Turner and his father were often seen in the area riding in a gig pulled by Crop-Ear.  When Trimmer accompanied Turner on sketching expeditions, sometimes going as far as Runnymede, he says that they went ‘at a very steady pace, for Turner painted much faster than he drove’.

JMW Turner, Frosty Morning - figures of man and child standing near two horsesJMW Turner, Frosty Morning, 1813, Tate 00492 , digital image © Tate released under Creative Commons CC-BY-NC-ND (3.0 Unported)

Turner used Crop-Ear as a model and he appears most memorably in Turner’s celebrated painting Frosty Morning.  In fact, both horses in the picture are probably modelled on him.  Some of Turner’s detractors said that he was unable to paint horses and paid another artist to do it for him, a claim which he vehemently denied.  Thornbury reports Henry Trimmer asking Turner if it was true that Gilpin had painted the horse in Hannibal Crossing the Alps.  Turner replied firmly that it was his own design and that no other painter had ever touched any picture of his.

Crop-Ear came to a tragic end in his stable, somehow managing to strangle himself in his reins. Turner was reported as being very upset by this sad accident. He and his father had to drag the body from the stable and bury it somewhere on his land.  No mean feat. And the mystery bones?  They turned out to be from a cow.

Car park  at St Margaret’s Tavern TwickenhamOld Crop-Ear’s final resting place? Car park at St Margaret’s Tavern Twickenham Photograph © David Meaden

Crop-Ear is most likely buried on the land that Turner bought as grazing.  When he sold Sandycombe Lodge in 1826, he kept the meadow, eventually selling it, at a handsome profit, to the Windsor, Staines & South Western Railway, which arrived in Twickenham in 1848.  The St Margaret’s Tavern now stands on the site and Crop-Ear, like a well-known English monarch, may well be buried under the car park.


David Meaden
Independent Researcher

Further reading:
Walter Thornbury, The Life of J.M.W. Turner R.A. founded on letters and papers furnished by his friends and fellow Academicians, Volume 1 (London, 1862)

Search for JMW Turner papers in the British Library catalogue Explore Archives and Manuscripts

 

Turner's House

Turner’s restored house in Twickenham is open. Check the website for details.

 

13 August 2021

Important information for email subscribers

Unfortunately the third-party platform that the British Library uses for email notifications for our blogs is making changes to its infrastructure.  This means that from mid-August 2021 it will no longer send notifications by email to subscribers.  To find out when new posts are published we recommend following us on Twitter @UntoldLives or checking the page on the British Library website where all the blogs are listed.

We apologise for the inconvenience and hope you will continue to keep up with the latest stories on our blog.

Margaret Makepeace
Editor for Untold Lives

11 August 2021

Household accounts for Charles and Charlotte Canning

Records which give us rich details about the minutiae of day-to-day life in the past can be hard to come by.  Household accounts are a seemingly mundane source but can give us an insight into what goods and services were available, who was supplying them, and how much items cost.  The papers of Charles and Charlotte Canning contain a file of bills or invoices with receipts for payments 1850-1851.  It provides a glimpse into the lives of these elite members of the Victorian aristocracy and how they ran their household.

Illustrated paper describing the goods offered by J. C. Cording, nautical and sporting waterproofer and tailor, 231 Strand

Goods offered by J. C. Cording, nautical and sporting waterproofer and tailor, 231 Strand - Mss Eur F699/1/4/11/9

The Cannings lived at 10 Grosvenor Square, Mayfair, from 1836 until 1855, when Charles was appointed Governor General of India.  The Cannings spent money on the fabric of the building.  William Allen, plumber, painter and glazier, billed them for £121 7s 0d for work carried out from January-October 1850, including repairs to burst pipes ‘injured by frost’.  His invoice was submitted in December 1850 and paid in August 1851.

The couple’s expenditure on clothing is shown.  In June 1851, Ashmead & Tyler, hatters by Royal Appointment, supplied a ‘Dress drab napless Hat with Velvet band & Ostrich Feather for HM Fancy Ball’, at a cost of £1 13s 0d, ‘drab’ being fine quality fur.  Clothes weren’t always bought new, but were made over, mended, and adjusted.  H.C. Curlewis of 58 Conduit Street provided alteration services such as adding new collars, in addition to supplying new waistcoats and silk-lined frock coats.  Their bill of £22 10s 0d for January-July 1850 was paid on 5 February 1851.

Invoice of William Bennett, goldsmith and jeweller, Southampton Street Bloomsbury, including a charge for repairing a cheese toaster Invoice of William Bennett, goldsmith and jeweller, Southampton Street Bloomsbury, including a charge for repairing a cheese toaster  - Mss Eur F699/1/4/11/9

Recycling was common.  A bill from George & William Atkins, brush manufacturers, turners and wax chandlers of Mount Street, Berkeley Square, shows that the Cannings paid £2 13s 0d in 1850 to have several ivory and silver brushes refilled with hair.  There are additional bills for repairs to various household items, including a ‘cheese toaster’.

Bill for personal hygiene products from J & E Atkinson perfumers, 24 Old Bond Street

Bill for personal hygiene products from J & E Atkinson perfumers, 24 Old Bond Street- Mss Eur F699/1/4/11/9

There are bills for personal hygiene products.  Throughout 1850 the household made regular purchases from J & E Atkinson, perfumers of New Bond Street, for items such as quinine tooth powder, violet powder, Eau de Botot, rose mouthwash, Eau de Cologne, soap (both Pears and Castile) and sponges.   The total cost was £8 18s 8d.  Professional services were also paid for. ‘Medical attendance’ by Thomas Chilver of 14 New Burlington Street and Robert Cundy of Belgrave Square, cost £7 10s 6d.  The doctors visited the housekeeper Mrs Cunningham, the coachman, and the footman.

Bankruptcy papers for William Goodchild Shipley

Bankruptcy papers for  William Goodchild Shipley - Mss Eur F699/1/4/11/9

Suppliers submitted invoices for goods and services supplied three, six or even twelve months earlier, a system which did not always end happily.  Bankruptcy proceedings against William Goodchild Shipley of 17 Market Row, Oxford Street, dated 21 December 1850 show the Cannings owed £51 11s 6d for forage for horses.

Items purchased include: candles (wax, India, margarine, sperm); horse stabling, tack, and feed; books; paper and envelopes; shaving powder; duelling pistols; carpets, curtains and household furnishings; cigars, tobacco and pipes; umbrellas; fishing boots; clothing (including for servants); wallpapering; picture framing; candelabras; coffee cups and saucers; silver inkstand; crystal glasses and tumblers; subscription to Hansard’s Parliamentary debates; gloves; newspapers; patent wine cooler; silvered globe; porcelain service; champagne, French truffles, dried cherries and dates; reading lamp; portfolio of nautical charts; railway guides; Turkish towels; hairdressing services; clock cleaning; and silk fringing.

Lesley Shapland
Cataloguer, India Office Records

Further Reading:
Mss Eur F699 Papers of Charles Canning and Charlotte Canning, Earl and Countess Canning (including file Mss Eur F699/1/4/11/9 Household Bills and Receipts, 1850-51)

 

07 August 2021

The King, the Queen, his mistress, and the dead Emperor

When news of the death of ex-Emperor Napoleon on the island of St Helena reached Britain in July 1821, a servant was tasked with communicating the tidings to King George IV, then in residence at Windsor Castle.  He went into the royal presence, bowed, and said ‘Sire, your greatest enemy is dead’.  The King is reported to have replied ‘Is she, by God?’ 

Identifying his foe as female no doubt seems strange to us, but most contemporaries would have known instantly that he was referring to his wife Caroline of Brunswick, from whom he had long been estranged.

Drawing of Caroline Amelia Elizabeth of Brunswick in a plumed headdress,1820Caroline Amelia Elizabeth of Brunswick by Sir George Hayter, 1820 NPG 1695(a) © National Portrait Gallery, London

Like that of his parents George III and Queen Charlotte of Mecklenburg-Strelitz, theirs had been an arranged marriage.  However whereas the elder couple famously produced no fewer than fifteen children, the Prince of Wales’s relationship with his bride-to-be was doomed almost from the start.  When he first laid eyes on her in April 1795 just prior to their wedding, he asked for a glass of brandy. (It cannot have helped that he had taken part in an illegal marriage ceremony with the twice-widowed Roman Catholic Maria Fitzherbert almost ten years before.)  Nine months later, when he had performed his husbandly duty of fathering a daughter and heiress, Princess Charlotte, he made it clear that he did not want to live with her mother ever again.

Both parties behaved abominably towards each other.  George appointed his latest mistress Frances Villiers, Countess of Jersey, as Lady of Caroline’s Royal Bedchamber, and did not bother to inform Caroline of Charlotte’s tragic death in childbirth in November 1817.  In 1806 Caroline’s outrageously flirtatious behaviour led the government to set up what became known, not inaccurately, as ‘the Delicate Investigation’.  Inevitably satirists and cartoonists revelled in portraying the warring couple.

Caricature of Queen Caroline discovering George IV in bed with the Countess of Jersey

'The Jersey smuggler detected; - or - good cause for (separation) discontent' by James Gillray, published by Hannah Humphrey 4 May 1796 NPG D13023 © National Portrait Gallery, London

When George III died on 29 January 1820, Caroline became – at least nominally – Queen of England, and returned from self-imposed Italian exile on 5 June.

Lyrics of songs about the return of Queen CarolineSongs on the return of Queen Caroline (1820) Shelfmark: 1852.b.9.(12) British Library Images Online

A battle of royal wills took place on the occasion of the coronation on 19 July 1821.  The new King had committed vast expenditure to making the ceremony as magnificent as possible, and had no intention of letting his unloved spouse rain on his parade.  This led to the unseemly spectacle of the Queen hammering on the doors of Westminster Abbey in an unsuccessful attempt to gain admittance.  It was only after she had failed to force her way in through Westminster Hall that she gave up and left, amid the jeers of a watching crowd.

That same night, Caroline fell ill, and died almost three weeks later on 7 August 1821. She may, or may not, have known of Lady Jersey’s death on 25 July.  Two people were killed in the disturbances that broke out in London as her coffin was taken to Harwich, for its onward journey to her final resting place in Brunswick Cathedral.  Her chosen epitaph was ‘the Injured Queen of England’.

Hedley Sutton
Asian & African Studies Reference Services

Further reading:
‘The Royal Eclipse, or, Delicate facts exhibiting the secret Memoirs of Squire George and his wife’ (London, 1807), shelfmark 1608/3327
‘The Genuine Book: an Enquiry on Delicate Investigation into the conduct of Her Royal Highness the Princess of Wales. (London, 1813), OP-RC/895

04 August 2021

Cricket matches between England and India 1889-1946

The first cricket match in the England versus India 2021 test series starts today.  In the records of the India Office Information Department there is a file with papers from 1946 about matches between the two teams since 1889.

Portrait of Lord Hawke in his cricket whites and pads, with a striped blazer and capMartin Bladen Hawke, 7th Baron Hawke ('Statesmen. No. 601.') by Sir Leslie Ward, published in Vanity Fair 24 September 1892 NPG D44613 © National Portrait Gallery, London

By 1946, six English cricket teams had visited India.
Vernon’s team 1889-1890 – amateurs sponsored and captained by G. F. Vernon.
Lord Hawke’s Team 1893 – amateurs and a few professionals led by Lord Hawke.
Oxford University Authentics 1902-1903 - led by K. J. Key.
Marylebone Cricket Club (MCC) Tour 1925-1926 –the first official England team to visit India led by Arthur Gilligan.
MCC Tour 1933-1934 – an official team led by D. R. Jardine.
Lord Tennyson’s Team 1937-1938 – an unofficial team led by Lord Tennyson.

Head and shoulders portrait of cricketer Douglas Robert JardineDouglas Robert Jardine - cigarette card, 1935 NPG D49066 © National Portrait Gallery, London

India cricket teams had visited England on three occasions before 1946.
Patiala Team 1911 – led by the Maharaja of Patiala, a great patron of cricket and a first-class player.

Photographic portrait of the Maharaja of Patiala wearing a turban and clothing bedecked with jewels and medalsSir Bhupinder Singh, Maharaja of Patiala by Vandyk, 5 July 1911 NPG x98678 © National Portrait Gallery, London

First Official Tour 1932 – led by the Maharaja of Porbundar.
Second Official Tour 1936 – led by Lieutenant Colonel Sir Vijayananda Gajapathi Raju, the Maharajkumar of Vizianagram, aka Vizzy.

The file has notes on the sixteen players invited to join the 1946 tour to England- ‘the best team that India has ever sent out and everyone expects them to do well’.

NPG Iftikhar-Ali-Khan-Bahadur-Nawab-of-Pataudi

Iftikhar Ali Khan Bahadur, Nawab of Pataudi by Bassano Ltd, 19 July 1929 NPG x96773 © National Portrait Gallery, London

The Nawab of Pataudi captained the team.  Pataudi was the first Indian to win a ‘triple blue’ at Oxford – cricket, hockey, and billiards. He also played football, tennis and golf.  At the 1928 Amsterdam Olympics he was a member of the India hockey team.

Pataudi joined Worcestershire Cricket Club in 1932.  He was selected to play for England against Australia and the West Indies.  Unfortunately his career was interrupted by bad health.

V. M. Merchant, vice-captain – India’s top batsman. ‘His play is a mixture of caution and daring…His strokes are scientifically perfect but equally elegant.’

Lala Amarnath was a fine all-rounder, ‘a sturdy batsman who combines cautious judgement with aggression’.

Syed Mushtaq Ali - ‘the idol of millions who are thrilled by his abandoned, often reckless, batmanship’. ‘His uncanny reach and unorthodox stroke play … keep the spectator in continual suspense.’

D. D. Hindlekar - a ‘quiet and efficient’ wicket-keeper and good opening bat.

Shute Banerjee – India’s leading fast bowler able to deliver a perfect length for hours; almost unplayable some days.

C. S. Nayudu – excellent spin bowler, and a good bat ‘who can effectively hit out at an awkward moment’.

Rusi Modi – ‘ a disciplined and versatile batsman’, ‘one of the greatest cricket-finds of recent years’.

S. W. Sohoni – a medium-paced bowler who could have earned a place for his batting alone.

Vijay Hazare – one of the best all-rounders with many spectacular batting performances to his credit.

Abdul Hafeez – a joyous and audacious batting style, sometimes taking incredible risks.

R. B. Nimbalkar – a good batsman and ‘understudy’ wicket-keeper.

Vinoo Mankad – an exceptionally good all-rounder.

Chandu Sarwate – one of best spin bowlers in India and a reliable bat.

Gul Mohammad – a courageous batsman and one of the finest fielders in India.

S. G. Shinde – a fast bowler and newcomer to first-class cricket.

 

India played 29 first-class fixtures in England in 1946, with eleven wins, four defeats and fourteen draws.

 

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
British Library, IOR/L/I/1/251 Cricket and Sport (General) 1932-1948

 

02 August 2021

Lady Tricyclists

As the world watches the athletes speeding round the Olympic velodrome, we’ve been looking back at the late 19th century when the sport of cycling was still in its infancy.

Advertisement for the new Marlboro' Club tricycle 1886The new Marlboro' Club tricycle 1886 - “The 'Marlboro' is extremely light, elegant, and fast, and a good hill climber. It can be used by a lady". British Library Evan.4145 Images Online

Tricycles were widely considered to be more suitable for women than bicycles.  Athletic News stated on 3 August 1881 that almost any ‘conceivable condition of female costume’ made riding a bicycle out of the question, more of an acrobatic feat than a useful accomplishment.  Tricycles were becoming increasingly popular with women, with Queen Victoria said to have bought machines for her granddaughters.  According to the Cornishman, there were over 100 distinct makes on the market by the end of 1881.

The spread of cycling amongst women was welcomed by Athletic News: ‘there cannot be the slightest doubt that ladies will be better and more healthfully employed in riding their tricycles along the highways and byways, where they can listen to the music of the birds and breathe the fresh air of Heaven, than in dawdling away their time in drawing-rooms and boudoirs, or in flirting at picnics and garden parties’.  The Liverpool Weekly Courier commented on the advantage of a vehicle which could be used at a moment’s notice 'without servants or horses’.  Propelling and steering the tricycle could be mastered in an hour.  Although the exercise was tiring at first because it used a fresh set of muscles, it quickly became easy and ‘delightful to women who are organically sound’.

A Tricycle Club for men and women was started in Kensington in London.  Meetings took place every Saturday.  A 50-mile race was organised for September 1879 with a special prize for the first woman to complete the distance, and silver and bronze medals for the runners-up to her.  The ladies of the Kensington club wore a navy blue serge dress and a felt deerstalker hat.

Victorian women’s clothing could be a problem when riding a tricycle.  In 1882 a woman out on a ride near Tring was thrown into the road when her dress became tangled in one of the wheels.  She was severely shaken and couldn’t carry on. A man passing in a trap helped her into town.

Newspapers passed on advice about suitable clothing for lady tricyclists so that they could avoid accidents or ‘loss of dignity’.  Samuel Brothers of Ludgate Hill London patented a special costume, ‘The Velocipedienne’.  This had strings to gather superfluous fullness in the skirt and a let-down fold which gave an extra six or seven inches to cover the feet and ankles.  It gave ample room for the knees to work.  In 1882 the Rational Dress Society recommended that lady tricyclists wore their new divided skirt which gave freer use of the legs and less resistance to the wind.

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
British Newspaper Archive  (also available via Findmypast) e.g. Liverpool Weekly Courier 23 August 1879; Bucks Herald 23 July 1881 and 17 June 1882; Western Daily Press 23 July 1881; Athletic News 3 August 1881; Lynn Advertiser 1 October 1881; Cornishman 15 December 1881; Nottingham Journal 8 June 1882.

 

29 July 2021

Birdwatching in Assam

One of the fascinating elements of private paper collections is what they contain about people’s hobbies and interests.  The India Office Private Papers are full of such collections.  One example is the papers of Dorothea Craigie Milburne which record her passion for birdwatching.

Overview of papers of Dorothea Craigie Milburne spread out on a tablePapers of Dorothea Craigie Milburne - British Library Mss Eur D913 Public Domain Creative Commons Licence

Born in Bristol in 1896, she was the first of two children of Edward Tuckett Daniell, a Bristol lawyer, and his second wife Alice Craigie.  She married William Milburne, the manager of Dhendai tea plantation, Darrang, Assam.  Both Dorothea and William were keen photographers of big game, and some of their work was published in the Statesman and the Manchester Guardian in the 1930s.  They left India in 1945, and Dorothea died in Bristol in 1982.

Most of her birdwatching was done in Darrang, Assam, as recorded in her detailed notes and notebooks.  In these papers she carefully recorded the birds she saw, giving observations on their appearance and behaviour, and even giving a numbered reference to the authoritative published guide on the birds of India by Oates and Blanford.  Here are some examples of her observations.

Of the Small Minivet she noted that they were not nearly as common or gay as other Minivets, and comments: ‘I once saw large black velvet & buttercup butterfly chasing an obviously terrified hen Small Minivet round & round peach trees in compound’.

Painting of a Minivet - orange, black and grey feathersMinivet by J Briois, c.1824 – British Library Images Online Shelfmark NHD 47/22 Public Domain Creative Commons Licence

 

Painting of a Shama - black and white feathers with a light brown breastShama by J Briois c.1824 – British Library Images Online Shelfmark NHD 47/22 Public Domain Creative Commons Licence

In recording her sightings of the Shama, she described an experiment she carried out: ‘I made interesting experiments with Shama visiting compound which responded to Ludwig Koch’s Nightingale record (gramophone), hopping across lawn to within few yards of verandah though usually hiding in shrubs, cocking head and responding with snatches of song.  Unfortunately chased right away by compound Dayal & Brown Shrikes & possibly frightened by cutting down of neighbouring shade trees’.

Dorothea Craigie Milburne's notes on the BitternDorothea Craigie Milburne's notes on the Bittern - British Library Mss Eur D913 Public Domain Creative Commons Licence

Fans of the BBC nature programme Springwatch will know of the presenters’ fondness for the Bittern which is known for its distinctive ‘boom’ like call.  This shy bird appears fleetingly on Dorothea’s list: the Chestnut Bittern (‘Never saw settle to take in details’), Malay Bittern (‘seen once only flying through evergreen forest’), and Black Bittern (‘seen flying across a hoolah in garden several times one August’), although she records disappointingly ‘I did not hear one “boom”!’

Dorothea Craigie Milburne's notes on the Spur-winged PloverDorothea Craigie Milburne's notes on the Spur-winged Plover - British Library Mss Eur D913 Public Domain Creative Commons Licence

Knowing the call of a bird is essential in identifying it, and Dorothea kept careful notes on the sounds each bird made.  She even wrote the sounds down in music notation.  Of the Spur-winged Plover she wrote of its cry: ‘Gutteral, conversational “Whee whee wew” like beginning of “Did he do it” cry.  Rapid, irregular “Jip! Jip!” on C in flight’.

Dorothea Craigie Milburne's notes on the PittasDorothea Craigie Milburne's notes on the Pittas- British Library Mss Eur D913 Public Domain Creative Commons Licence

Dorothea often shared her passion with other birdwatchers, such as the planter and naturalist Charles McFarlane Inglis, who spent much of his free time in the study of India’s birds, and later became curator of the Darjeeling Natural History Museum.  In her notes she says that Inglis seemed surprised that she had not seen a Blue-necked Pittas, and says ‘Made special point of looking for it cold weather 1944 & early ’45 but in vain’.

John O’Brien
India Office Records

Further Reading:
Dorothea Craigie Milburne papers, 1933-1945, shelfmark: Mss Eur D913.
Forests and ecological history of Assam by Arupjyoti Saikia (Oxford: Oxford University Press, 2011), shelfmark: YC.2012.a.8245
The fauna of British India, including Ceylon and Burma: Birds by Eugene William Oates and W T Blanford (London,Taylor and Francis; [etc., etc.]1889-98), available online. 
Ludwig Koch on the recording a White-rumped Shama in 1889.
BBC Springwatch,Minsmere round-up - my highlights’ by Chris Packham, 18 June 2014.
Charles McFarlane Inglis (1870-1954).