On 3 February 1908 the Swansea Empire was offering a varied bill of entertainment – music, magic, comedy, ventriloquism, the American Bioscope, and La Freya ‘The Parisian Beauty, in a Novel Speciality’.

South Wales Daily Post 3 February 1908 British Newspaper Archive

 

La Freya was a French vaudeville performer whose act consisted of ‘artistic visions and superb poses’.  She appeared at theatres the length and breadth of Britain between the years 1907 and 1915.  In 1909 she was on the bill at the Euston Theatre of Varieties which stood opposite St Pancras Station, a stone’s throw from the British Library’s present site.  

 
 
Euston Theatre of Varieties from The Era 16 June 1900 British Newspaper Archive 

Advert for Euston Theatre of Varieties from Music Hall And Theatre Review 2 April 1909 British Newspaper Archive 

Taking the stage, La Freya stood on a podium in front of a black velvet curtain, dressed in a thin white silk body suit.  Her body was used as a screen.  She adopted a variety of poses as her husband projected lantern slides he had painted to ‘clothe’ her.  The ‘Decors Lumineux of Mr La Freya’ transformed her into visions such as a fairy, a butterfly, a mermaid, a gondolier, and a Scottish Highlander in full warpaint. 
 

Portrait photograph of La Freya by Antoni Esplugas - Government of Catalonia, National Archive of Catalonia courtesy of  Europeana

La Freya and her husband had developed the act when they were working at the Folies Bergère in Paris.  The act lasted for ten minutes and the strain of standing still made La Freya sick when she first performed it.  She overcame this, although the lights continued to hurt her eyes.

The couple went to England intending to stay for just one season but ended up staying for several years, apparently because their management would not let them leave.  However La Freya and her husband did travel abroad for short seasons.  For example, from September to December 1910 they were in the United States, captivating audiences in New York, Cincinnati, and Philadelphia.

Review of La Freya's act from Cincinnati Commercial Tribune 10 November 1910 via findmypast Copyright: 'Fair Use' allowed (NewspaperARCHIVE.com)

They sailed to South Africa in June 1911 with other performers to fulfil engagements with Sydney Hyman at the Empire in Johannesburg.  By September La Freya was back on the London stage.

In June 1912 ‘Mr and Mrs La Freya’ were passengers on SS Medina to Australia.  They appeared in Melbourne, Sydney, Adelaide, and Brisbane and the act was well-received.  A special tableau was created – the personification of Australia with Sydney Town Hall in the background.

The Australian press was keen to interview the couple.  La Freya spoke to journalists in English with her husband acting as interpreter.  She came from the south of France and her husband, identified as Monsieur La Mort, from Paris.  The Sydney Sunday Times  published a special illustrated feature on La Freya’s fitness regime, with advice on how to achieve a corsetless figure through ten or fifteen minutes’ exercise every day.

‘Mr and Mrs La Freya’ were bound by contracts for two more years and were aiming to make as much money as possible.  Then they planned to retire whilst La Freya was still a big name in vaudeville.  She wanted to concentrate on setting up a house and garden in the south of France, whilst her husband intended to shoot and fish.

It seems that La Freya disappears from the newspapers in early 1915.  So did she retire to lead a quiet life far away from the public gaze?  Can anyone tell me what happened to ‘the most perfectly formed woman in the universe’?

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
British Newspaper Archive
Trove newspapers from Australia
Anita Callaway, Visual ephemera – Theatrical art in nineteenth-century Australia (2000)

 

We left William Burchell, probably the best naturalist you've never heard of, in early 1808 on the island of St Helena, teaching school, tending a nascent botanic garden, and carrying out botanical and geological surveys of the island.

Terrace Knoll : A view in St. Helena. 'In looking inland you have this view and turning towards the sea you have the view of the Friar. This was drawn and coloured on the spot and is very correct. In the winter the hills are much greener. The bamboo is not finished but correctly shows its growth. The yams grow along a stream of water.' William Burchell's Saint Helena Journal 1806-1810 – Dated 16 February 1807 © Royal Botanic Gardens, Kew

All was looking well.  A minute of the East India Company Court of Directors dated 4 November 1807 recorded the decision 'That Miss Lucia Green be permitted to proceed to her Uncle at St Helena'.  In December Lucia set sail to join Burchell in the East India Company ship Walmer Castle.

Bond for Lucia Green providing surety for her travel to St Helena. IOR/O/1/234 no.2088, signed by Matthew Burchell and Robert Holt Butcher, vicar of Wandsworth.

By the time the ship arrived in St Helena in April 1808, Lucia had struck up a relationship with Captain Luke Dodds.  She announced to Burchell that she no longer wanted to marry him.  His St Helena journal and correspondence from that time record his devastation at the betrayal.  Burchell had to watch as Lucia sailed away to a life with Captain Dodds.

Burchell's business partnership also failed and was dissolved.  Moreover the East India Company was pressing Burchell for research of economic rather than scientific benefit ‘in the hope that something valuable for the purposes of commerce or manufacture might be brought to light’, and so reduce the expenses of the Island.  Burchell felt frustrated.  He wrote: “not having been employed in a manner useful to the Honourable Company, I feel that I could not conscientiously receive the salary”.  By April 1810 he had resigned as Company naturalist, having previously given up his position as schoolmaster.  His last few months on St Helena were mired in arguments with the churchwardens over payment of rent.  One cannot help but view Burchell's later experiences on St Helena as having been tainted by his personal anguish. 

He left the island on 16 October 1810, and travelled to Cape Town, where he undertook a remarkable four-year expedition into the interior of Southern Africa, through Cape Colony and Bechuanaland. His Travels in the Interior of Southern Africa was published in two volumes in 1822 and 1824; an expected third volume was never completed. 

Travels in the Interior of Southern Africa Vol 1 p. 294: 'The Rock Fountain in the country of the Bushman'

 

Travels in the Interior of Southern Africa Vol 1 p.325: 'A Hottentot Krall on the banks of the Gariep'

 

Travels in the Interior of Southern Africa Vol 2 p.360: 'View on entering the town of Litakun'

Burchell was travelling again by 1825, this time to Brazil.  He collected widely over a period of five years, including in the states of Rio de Janeiro, Minas Gerais, São Paulo, Goiás, Tocantins, and Pará, ending up in the town of Belém.  He returned to England in March 1830 laden with the fruits of his collecting labours.

William John Burchell by Thomas Herbert Maguire-  lithograph, 1854 NPG D32394 © National Portrait Gallery, London

Burchell did not produce a narrative of his expedition to Brazil.  Indeed, the rest of his life was spent cataloguing his enormous collection of specimens, which he guarded rather jealously.  The task was not finished until 1860.  Burchell slowly withdrew from his friends and fellow scientists, including William Hooker, Director of the Royal Botanic Gardens Kew. He published few of his findings and drew little public acclaim.  William Burchell committed suicide at the family home in Fulham on 23 March 1863.

Today William Burchell is seen as a pioneer for his meticulous field work in recording the date and precise location where he collected his specimens, and for his myriad talents in botany, geology, art and illustration, geography, and what we would now call environmentalism.  His name deserves to be more widely known.

And how did life turn out for Burchell's fiancée Lucia Green and her Captain Luke Dodds? That’s another story…

Lesley Shapland
Cataloguer, India Office Records

Heartbroken on St Helena: the naturalist William John Burchell - Part One

A Ship-Board Romance: Lucia Green and Captain Luke Dodds

 

The anniversary of Drake’s death on 28 January 1596 seems an appropriate time to share news of an interesting heritage acquisition, a 16th-century Italian 'avviso' (newsbook), New and Latest Report from Portugal concerning the success of the English Armada led by Dom Antonio and Drake …

This newly discovered account of the calamitous English Armada of 1589, co-commanded by Drake and Sir John Norris, is likely the unique surviving example of the report.  It appears to be entirely unknown to bibliography and scholarship.

Nuovo et ultimo avviso di Portogallo, per il quale s’intende il successo dell’ Armata d’Inghilterra, condotta da D. Antonio, & dal Drago in quei paesi. Con altri particolari d’importanza. ['New and Latest Report from Portugal concerning the success of the English Armada led by Dom Antonio and Drake in those countries. With other important particulars']. Ferrara: per il Baldini, 1589.  British Library shelfmark C.194.a.1452.

'Avvisi' news media circulated by letter or in print have a reputation for being factual, concise and reliable.  They did not seek to exaggerate, impress, or sensationalise for effect.  This avviso is an eyewitness account from a Spaniard in Lisbon with the English at its gates.  It describes the frustrating wait for Spanish or Portuguese reinforcements and the losses suffered by their enemy.

The objectives of the English Armada were to hammer home the advantages gained from the failure of the Spanish Armada the year before.  Elizabeth sought to facilitate Dom Antonio’s claim to the Portuguese throne and so undermine the Spanish Monarchy and its Empire.  The largest English expeditionary force ever assembled - 25,000 men - would finish off the weakened Spanish navy left in port.

The ragtag English forces, largely made up of jail birds and beggars were more interested in pillaging than military glory.  They lacked proper funding (as usual), organisation and discipline.  With no baggage train or cavalry, Norris needlessly marched an army across country instead of sailing up the Tagus to take Lisbon.  Sickness and starvation began to deplete their vast numbers.  Frustrated by the absence of a Portuguese rising in favour of Dom Antonio, the English waited for Drake to sail up the Tagus; but Drake’s ships did not turn up instead busying themselves taking rich prizes from ships in the Roads off Lisbon.  The approach of Spanish reinforcements led the English to retreat.  Sick, starved and dying of wounds, no more than 5,000 returned to England.

The Queen was furious; it was clear that Drake’s and Norris’s thousands had failed.  Disgruntled demobbed survivors brought only plague back and the recently emboldened reputation of the Tudor State was in peril across Europe.  Drake’s reputation eclipsed with accusations of cowardice added to his well-known avarice.

The main contemporary English source describing the expedition was written by a participant, Captain Anthony Wingfield, immediately upon the survivors’ return to England.  It is an expert piece of spin and propaganda.  Written in a heroic literary style, it played down the heavy losses and amplified the ‘glory’ of taking the fight to 'offend' the King of Spain 'in his neerer territories'.

Wingfield’s apology spent much time condemning “false prophets gone before us”, “telling strange tales” and “sectaries against noted truth”.  Page from A True Coppie of a Discourse written by a Gentleman, employed in the late Voyage of Spaine and Portingale [under Sir Francis Drake and Sir John Norris]: sent to his particular friend, and by him published, for the better satisfaction of all such, as, hauing been seduced by particular report, haue entred into conceipts tending to the discredit of the enterprise, and Actors of the same. British Library shelfmark 292.e.7.

 

Wingfield’s account in English (for influencing opinion at home) formed the basis for Latin translations printed in Frankfurt and Nuremberg designed to affect informed opinion further afield on the continent.  Illustration from a 1590 Frankfurt edition of Ephemeris (based on Wingfield’s True Coppie of a Discourse) Brevis et fida Narratio, et continuatio rerum omnium a Drako et Norreysio (post felicem ex Occidentalibus insulis reditum) in sua expeditione Portugallensi singulis diebus gestarum. British Library shelfmark G.6516

 
It is significant that Wingfield’s account has prevailed. Drake’s posthumous reputation steadily revived.  The self-congratulatory, self-exonerating poltroonery of Wingfield’s ‘true’ copie makes for a deluded national history.  The existence and discovery of this Italian newsbook shows the importance of paying attention to wider sources.  Its acquisition adds a new source from a traditionally reliable genre - the avvisi - a counterbalance to facts concealed from English historiography and perpetuated national mythologizing of the Drake Legend.
 

The English Hero; or, Sir Francis Drake, reviv'd. was first published in 1681 by Nathaniel Crouch, updating The World Encompassed by Sir Francis Drake (Drake’s nephew) written in 1625 in an attempt to revive his reputation and status.  Published in many editions, a 1750 edition can be seen online. 

Christian Algar
Curator, Printed Heritage Collections

We are very grateful for the contribution made by the British Library Collections Trust towards the cost of acquiring the avviso.

Thanks to Stephen Parkin for providing a translation of the Italian newsbook.

Further reading:
One of the best accounts of the 1589 English Armada can be read online The year after the Armada, and other historical studies by Martin Hume (1896)

A reliable English language biography of Sir Francis Drake is Sir Francis Drake: the Queen's pirate by Harry Kelsey (1998)

A stimulating examination of the English treatment and understanding of the events is given by Luis Gorrochategui Santos in The English Armada: the greatest naval disaster in English history (2018)

 

Imagine you’d left your home in London to establish a new life on the island of St Helena.  You begin a trading partnership with your fiancée’s uncle, and the Governor writes to the East India Company’s Directors singing your praises.   As a result, you become the island’s schoolmaster, and later the Company’s naturalist. You send out to England for your fiancée to join you and eagerly await her arrival…. only to find that she has transferred her affections to the ship's Captain and no longer intends to marry you.

This unfortunate turn of events happened to the naturalist and explorer William John Burchell (1781-1863).  During his time on St Helena (1805-10), his travels across South Africa (1810-15), and his expedition to Brazil via Portugal, Madeira and Tenerife (1825-30), he collected tens of thousands of animal, plant, and insect specimens and a variety of ethnographic material.  A talented artist, he made many drawings and paintings, including landscapes, specimens, and the people he encountered.  Burchell has a zebra, several birds, a lizard, fish, butterflies, a plant genus, and even the army ant Eciton burchellii named after him, yet he is not generally well known.

William John Burchell by Mary Dawson Turner (née Palgrave), after John Sell Cotman etching (1816) NPG D7805 ©National Portrait Gallery, London

William was born in Fulham in 1781 to the nurseryman Matthew Burchell and his wife Jane.  His early life was surrounded by plants from all over the world, and he came into contact with many of the day's leading botanists.  He worked for a while at the Royal Botanic Gardens, Kew, and by 1803 had been elected a fellow of the Linnean Society.  However in August 1805 we find Burchell signed up as 4th mate on the East India Company ship Northumberland.  What made Burchell leave his blossoming botanical career in London?  The answer seems to be a young woman named Lucia Green.  Burchell’s family objected to the match, presumably making him determined to succeed on his own terms.  He arranged a trading partnership with Lucia’s uncle William Balcombe, who had permission ‘to proceed to St Helena for the purpose of exercising the business of an Auctioneer and Appraiser, to the said Island’.

IOR/L/MAR/B/141 O List of the ship's company on the Northumberland

How Burchell was able to join the Northumberland is not clear.  He did not have the required maritime experience, so perhaps there was a friendship with Captain George Raincock, or a connection with one of the ship’s principal managing owners, Henry Hounsom, William Masson or William Sims.  The ship arrived at St Helena on 13 December 1805.  The ship’s journal notes that Burchell “Left sick at St Helena 28 Jan 1806”, but the presumption is that he never intended to travel further.

 View of Diana's Ridge, from the summit of Sugar Loaf. Saint Helena Journal 1806-1810. Dated 8 December 1807 © Royal Botanic Gardens, Kew

Burchell was appointed schoolmaster in June 1806 and asked to focus on educating the young men of the island in the light of Company regulations for cadets.  In November 1806 it was proposed that Burchell develop and look after a botanic garden in James’s Valley.  In 1808 Burchell was appointed as the Company’s naturalist, to “ascertain and investigate the natural productions of the Island… in the hope that something valuable for the purposes of commerce or manufacture might be brought to light”.  He was asked to send back samples of “coloured earths” and “sea fowl guano”, to look after plants destined for England, and investigate the cultivation of cotton. 

Sketch of Mr. Burchell directing Charles: Burchell - 'There's a famous big one down there Charles; Charles - Yes Sir, I'll soon have that down'. Saint Helena Journal 1806-1810 – Dated 8 December 1807 © Royal Botanic Gardens, Kew

And all the while, he awaited the arrival of his fiancée Lucia Green.

To be continued…

Lesley Shapland
Cataloguer, India Office Records

Further reading:
IOR/L/MAR/B/141 O: Journal of the Northumberland
IOR/L/MAR/B/181 F: Journal of the Walmer Castle
IOR/G/32/70-75: St Helena Consultations
IOR/G/32/136-138: St Helena: Original Letters &c from St Helena to the Court
IOR/B/141, 146 Minutes of the East India Company Court of Directors
Susan Buchanan, Burchell’s Travels. The Life, Art and Journeys of William John Burchell, 1781-1863 (Cape Town, 2015)
William J. Burchell, Travels in the Interior of southern Africa  (London, 1822-1824)
Buchell’s St Helena drawings, and his manuscript notes on the flora and fauna of St Helena (together with other archival material) are held by the Library, Art & Archives, Royal Botanic Gardens, Kew.
Burchell’s original St Helena diary, together with other papers and correspondence, is held at the Oxford University Museum of Natural History.  It has been published by Robin Castell in William John Burchell (1781-1863) [on] St. Helena (1805-1810) (St Helena: Castell Collection, 2011). The diary is quoted in Buchanan, op. cit.
Other Burchell papers, and papers relating to Burchell can be found at the Linnean Society (Correspondence with William Swainston), and the William Cullen Library, University of Witwatersrand (including copies of material at Oxford University Museum of Natural History, and the papers of Helen Millar McKay in connection with her research on Burchell). Further drawings and paintings by Burchell can be found in the collections of Museum Africa in Johannesburg.

Heartbroken on St Helena: the naturalist William John Burchell - Part Two

 

In 1945 George Orwell signed up as a sponsor of the Freedom Defence Committee in defence of three anarchists who had been jailed at the Old Bailey.

List of members of Freedom Defence Committee from pamphlet 1899.ss.4.(29.)

It was just before the end of the Second World War, and a small group of anarchists in Britain had been publishing anti-war articles in a publication called War Commentary since 1939. The anarchists believed that governments with a strict top-to-bottom hierarchy were to blame for war and that Britain’s mistreatment of colonies in the empire was unjust. They didn’t approve of borders, and thought that private property caused conflict.

The intelligence service MI5 had been aware of the anarchists’ subversive publications for many years, but it wasn’t until the end of the war neared in 1944 that MI5 began to be concerned.  They feared that returning soldiers might try to overthrow the British government, and that the anarchists were telling servicemen to hold on to their guns for the revolution!

Freedom - Is it a Crime? Header from pamphlet 1899.ss.4.(29.)

Eventually, four anarchists—Marie Louise Berneri, Vernon Richards, John Hewetson, and Philip Sansom—were charged on 22 February 1945 with dissemination of seditious materials.  Only three anarchists were prosecuted, however, as Marie Louise Berneri was married to Vernon Richards and technically could not conspire with her husband.  Outside their trial, art historian Herbert Read gave speeches in support of their cause: ‘I speak to you as an Englishman, as one proud to follow in the tradition of Milton and Shelley –the tradition of all those poets and philosophers who have given us the proud right to claim freedom of speech and the liberty of unlicensed printing’.

In addition to Herbert Read’s speeches, the Freedom Press Defence Committee was set up to help raise funds for legal fees.  George Orwell was a part of this committee which stated its aims as existing as a ‘vigilance’ against cases ‘concerning the infringement of civil liberties’.  While MI5 were worried about revolutions, many well-known writers and politicians were worried about the British government keeping military law after the war was over.  Famous sponsors of the committee included Aneurin Bevan (who would go on to establish the NHS) and Alex Comfort (who would go on to write The Joy of Sex).

A copy of the speeches was kept by Orwell in his collection of political pamphlets which is now held at the British Library.  He himself would go on to write Nineteen Eighty-Four, a novel about a government suppressing the free speech of citizens in England.

Claudia Treacher
University of Brighton PhD candidate on conscientious objection during WWII
@ClaudiaTreacher

Further Reading:
Read, Herbert. Freedom, Is It a Crime?: The Strange Case of the Three Anarchists Jailed at the Old Bailey, April 1945. London: Freedom Press Defence Committee, 1945.
Honeywell, Carissa. ‘Anarchism and the British Warfare State: The Prosecution of the War Commentary Anarchists, 1945’. International Review of Social History 60, no. 2 (2015): 257–84.
George Orwell 
Collection of pamphlets, mainly political, formed by George Orwell 
Pamphlet literature by George Orwell

 

2020 marks the 250th anniversary of the birth of William Wordsworth.  To commemorate this the British Library is hosting a free exhibition on the poet that opens today in our Treasures Gallery.  Entitled ‘William Wordsworth: The Poetry of Place’ this exhibition tells the story of Wordsworth’s life and explores the role place played in his poetry.  Visitors will be able to see original documents from the British Library’s collections including early drafts of Wordsworth’s verse, his notebooks, his annotated books, correspondence and more.  The earliest surviving draft of Wordsworth’s poem ‘I wandered lonely as a cloud’ can be seen alongside books bound in one of Mary Wordsworth’s old dresses.

Manuscript draft of ‘I wandered lonely as a cloud’ prepared for the printers, 1806. Add MS 47864.

Wordsworth was born on the edge of the Lake District in Cockermouth, Cumberland, on 7 April 1770.  Throughout his life he found solace and inspiration in the natural world and expressed this in his poetry which was often closely connected with specific locations.

‘Place’ is more than a geographic area but a host of associations.  As a concept it encompasses the, often highly personal, emotional, cultural, political, and religious responses an individual – or group – attaches to a territory.  Wordsworth fully understand this concept of ‘place’ and his poem ‘Lines written a few miles above Tintern Abbey’ is a landmark in this regard.  The poem invokes personal memory, experience and feeling to convey the private meaning the abbey has for the poet.

Frederick Calvert, The South East View of Tintern Abbey (London: Burkitt & Hudson, 1815). Maps.K.top.31.16.k.2.

Wordsworth first saw the abbey as a troubled, ‘thoughtless youth’ in 1793, having just made his French mistress, Annette Vallon, pregnant in Revolutionary France before becoming separated from her by the French Revolutionary Wars.  Upon ‘revisiting’ the abbey, five years later, in 1798 the tranquillity of the site and his hope for a better future inspired the poem.  By expressing the personal emotional connotations the abbey held for him, Wordsworth establishes ‘Tintern Abbey’ as poem of ‘place’ rather than ‘landscape’. By reflecting upon his current and former self within a powerful and unchanging landscape the poem marks an important divergence in the genre of topographical poetry which had traditionally simply praised an estate or particular view.  ‘Lines written a few miles above Tintern Abbey’ was published shortly after Wordsworth’s visit in Lyrical Ballads in 1798.

‘Lines written a few miles above Tintern Abbey’ in Lyrical Ballads (Bristol, 1798). Ashley 2250.

Many of Wordsworth’s poems contain in their titles claims that they were ‘composed’ in the places they describe.  This is the case with several poems on display in the British Library’s exhibition, including the poems ‘Composed Upon Westminster Bridge’ and ‘To a Friend.  Composed near Calais on the road leading to Ardres’.  The titles consciously convey Wordsworth’s understanding of ‘place’ and that poetry can express the emotional responses that a particular location can elicit.

‘To a Friend. Composed near Calais on the road leading to Ardres, August 1802’ prepared for the printers, 1806. Add MS 47864.

Both poems, ‘Composed Upon Westminster Bridge’ and ‘To a Friend’ were originally written by Wordsworth as he travelled to meet his illegitimate daughter, Caroline, in France for the first time.  As such, the places Wordsworth passed through on his journey attained a new importance that he expresses in these powerful poems.

‘William Wordsworth: The Poetry of Place’ is open in the British Library’s Treasures Gallery from 17 January –31 May 2020.

Alexander Lock
Curator, Modern Archives and Manuscripts

Further reading:
Stephen Gill, Wordsworth’s Revisitings (Oxford: OUP, 2011)
David McCracken, Wordsworth and the Lake District: A Guide to the Poems and their Places (Oxford: OUP, 1985)
Fiona Stafford, ‘Wordsworth’s Poetry of Place’ in The Oxford Handbook of William Wordsworth, ed. by Richard Gravil & Daniel Robinson (Oxford: OUP, 2015), PP.309-324

 

On 15 January 1867 a shocking accident took place in Regent’s Park London.  Forty people died when the ice gave way as they were skating and sliding on the frozen lake. 

On the ice at Regent's Park lake from A voice from the ice in Regent’s Park – a true tale (1871)

Hundreds were amusing themselves. Nineteen icemen employed by the Royal Humane Society were in attendance as lifeguards and they had issued warnings about the dangerous conditions.  Suddenly a large area of ice disintegrated and great numbers of people were plunged into the icy water. 

Great numbers of people plunged into the icy water from A voice from the ice in Regent’s Park – a true tale (1871) 

People struggling in the icy water - from The Illustrated Police News 26 January 1867 British Newspaper Archive

The icemen ran to help with their rescue boats and apparatus but their efforts were dwarfed by the scale of the disaster.   Those who managed to keep afloat were brought to shore but many drowned in the deep water, some trapped under pieces of ice.  Survivors were treated at Marylebone Infirmary and St Mary’s Hospital Paddington.

Dragging and diving for dead bodies in Regent's Park lake - from The Illustrated Police News 26 January 1867 British Newspaper Archive

Recovery of the bodies took several days. They were taken to Marylebone Workhouse, and relatives and friends attended to make formal identification.  All the deceased were male and mostly aged in their teens and twenties.

Identifcation of the bodies at Marylebone Workhouse - from The Illustrated Police News 26 January 1867 British Newspaper Archive

The victims came from a variety of backgrounds, not all from London.  They included several schoolboys and students, clerks, a warehouseman, a fruit seller, an organ pipe maker and an organ builder, a costermonger, a silk merchant, a coach-maker and a coachman, an upholsterer, a butler, a cabinet-maker, a gentleman, a gasfitter, and a paperhanger. The youngest to die was nine-year-old Charles Jukes, the son of a Marylebone carpenter living close to the park. 

Eleven-year-old John Broadbridge also came from Marylebone. His father Joseph was a bricklayer.  By a strange quirk of fate, Joseph was involved in an accident as a teenager on the frozen lake in Regent’s Park in December 1840.  He and two local men became immersed in the icy water of the lake.  Iceman Charles Davis went to assist them with his boat, but was jerked into the water when all three grabbed hold of it.  However Davis managed to get them into the boat and was himself helped out by another iceman with a ladder. 

Robert Edwin Scott was aged 29, a clerk and a lieutenant in the Middlesex Rifle Volunteers.   He lived in Haverstock Hill London with his wife Julia Ann.  Four months after Robert died at Regent’s Park, Julia gave birth to a daughter.  Sadly their baby died at the age of just three months. 

The inquest jury’s verdict was that the accident was caused by overcrowding on the ice which was dangerous from brittleness and partial thaw.  The jury recommended that the police or another authority should be given powers to prevent the public from venturing onto unsound ice as the evidence had demonstrated that notices and verbal warnings were not heeded.  It also urged the Government to reduce the depth of water in the lake as already done at St James’s Park.

The Royal Humane Society made eighteen awards to those involved in the rescue.  Staff of the Workhouse and Infirmary were given financial rewards by the Board of Guardians. 

The water depth in Regent’s Park lake was reduced from twelve feet.  When the ice gave way in 1886, about 100 people sank into the water.  But this time no-one died because the water was only three or four feet deep.

Margaret Makepeace
Lead Curator, East India Company Records

Further reading:
British Newspaper Archive e.g. Globe 17 December 1840 and 21 January 1867; The Illustrated Police News 19 and 26 January 1867
Christian Book Society, A voice from the ice in Regent’s Park – a true tale (1871)
Wendy Neal, With disastrous consequences: London disasters 1830-1917  (1992)

 

The Mughal Empire in India was founded in 1526 by Zahir al-Din Muhammad Babur.  Babur was a Central Asian prince who boasted an impressive lineage.  On his mother’s side he was descended from the great Genghis Khan, founder of the Mongol Empire, while on his father’s he was descended from none other than the conqueror Amir Timur.

Unsurprisingly, the Mughals were proud of their heritage and sought to clearly weave it into their imperial narrative.  An example of this is seen in a stunning Mughal miniature -
 

Timur surrounded by his Mughal heirs: British Library - Johnson 64, 38

The painting depicts Timur, seated on a central raised couch, surrounded by his seated Mughal heirs: the first four emperors of the Mughal Empire.  To his right sits Babur, holding a book, and Akbar, while to his left sits Humayun, with his arm outstretched, and Jahangir.  Standing to Timur’s right is the poet Sa’di in white, while an attendant holding a state sword stands to his left.

It is notable that every imperial figure in the image bears a striking jeweled dagger on a golden belt, apart from Humayun.  This may be attributed to the fact that Humayun experienced the misfortune of losing his father’s empire and being forced into exile for a period of 15 years, before successfully reclaiming the empire with the support of Safavid Persia.

Humayun’s relative failure as an emperor therefore perhaps translates into not only his lack of dagger but the simplicity of his attire.  It would appear that in this miniature the strengthening of the empire corresponds with the richness of imperial attire.  We therefore see Babur with a jeweled dagger, Humayun plain, Akbar with a dagger and some jewelled ornaments and finally Jahangir, richly adorned with multiple jewels and pearls across his person.

This painting was created c.1650 during the reign of Shah Jahan, when such group portraits of Mughal ancestors were popular.  It forms part of the rich treasures of the British Library that can be viewed by appointment in the Asia and Africa Studies Print Room.  A well-worth trip to see some beautifully ornate illustrations of history!

Lubaaba Al-Azami
University of Liverpool