Our last post told the story of Elizabeth White, the first love of artist JMW Turner. Today we turn to his last love - Sophia Booth.

Sophia Caroline Nollte was born in Dover, in 1798, to German immigrant parents.  She moved to Margate when she married a local fisherman, John Henry Pound, in 1818.  Sadly, he drowned in 1821, leaving her with two sons, Joseph, who died before he was six, and Daniel.

In 1825 she married John Booth, who described himself as 'a gentleman of Margate'.  He was 37 years older than her.  They established a guest house on the seafront in Margate, near the harbour.  In 1826 Sophia gave birth to a son, John Pound Booth, who died of cholera in 1832.  John Booth also succumbed to cholera in 1833 and so, once again, Sophia was left a widow, with one surviving child, Daniel Pound.

Turner stayed in the Booth guest-house from about 1829, favouring the location because of the quality of the light.  After John Booth’s death he began a relationship with Sophia.  Turner’s friend, Charles Turner (no relation) described Sophia as being like a fat cook with no discernible education.  But Turner’s love for Sophia was romantic; he wrote her poems and gave her drawings.

Joseph Mallord William Turner, A Sleeping Woman, Perhaps Mrs Booth c.1830–40 Photo © Tate CC-BY-NC-ND 3.0 (Unported)

In 1846 they moved to Davis Place, Cremorne Road, Chelsea, which is now part of Cheyne Walk.  The house was rented in Sophia’s name and the neighbours assumed that Turner was Mr Booth.  He habitually wore a naval greatcoat and was known as 'Puggy Booth' or 'The Admiral' in the area.  Turner died in the house in 1851.

After Turner’s death, Sophia told his friend, David Roberts, that Turner never made any financial contribution to their life together but that he had composed verses in honour of 'herself and her personal charms' and had been jealous.  She claimed that he had told her that she was 'the handmaid of art'.

In December 1852, Sophia’s son, Daniel Pound, who had become an engraver, applied for a passport.  His travelling companions were named as his mother and Gustave Philip de Garlieb, a Danish-born engraver who worked at the Ordnance Survey. His address was the same street as Sophia, so he was either a neighbour or, possibly, a lodger.  Where did they go and what was the reason for their trip?  I am still looking for clues.

Sophia became friendly with John Ruskin, Turner’s artistic executor, and sold him some of Turner’s notebooks.  Ruskin gave her gifts, including the oval self-portrait miniature of Turner as a boy.  Turner’s first biographer, Walter Thornbury, portrayed Sophia as acting in a mercenary way after his death but Ruskin and other friends thought that this was unfair.  She had, after all, burned Turner’s letters to her rather than sell them and she gave away many of his other possessions.

In 1865, her son, Daniel Pound, sold some of the Turner paintings she owned for £4,000 and bought Haddenham Hall, in Buckinghamshire, for £1,000, where she lived until her death in 1878, aged 80.  She asked to be buried at St John’s Church, Margate, so Turner’s first and last loves lie in the same churchyard.

Grave of Sophia Booth at St John's Church Margate - photographs by author

David Meaden
Independent Researcher

Further reading:
Franny Moyle, The Extraordinary Life and Momentous Times of J.M.W.Turner (London, 2016)
Felicity Myrone , J. M. W. Turner and his World: John Platt (1842-1902), a Late Victorian Extra-illustrator, and his Collection Electronic British Library Journal

 

Turner’s restored house in Twickenham is open to visitors.

 

Valentine’s Day would seem to be an appropriate time to look at the romantic life of the great painter, JMW Turner.  There were many women in Turner’s life, at least one of whom bore him children, but he never married.  The disparaging comments he made about matrimony were probably formed by his observation of his parents’ troubled marriage and perhaps as the result of an early experience.

Today we look at Turner’s first love - Elizabeth White.

When things were difficult at home, and for the benefit of his health, the young Turner would often stay for long periods with relations, notably his maternal uncle, Joseph Marshall, who was a butcher in Brentford.  In 1787, the twelve-year-old Turner moved from Brentford to stay with friends in Margate, where he attended Thomas Coleman’s school in Love Lane.  One of his school friends was Edward White, whose sister, Elizabeth, was the same age as Turner.  Young William was strongly attracted to Elizabeth and, after he returned to London, he visited Margate frequently throughout the early 1790s and the relationship blossomed.  Turner’s problem was that he did not feel that the state of his finances made it possible for him to propose marriage.

Joseph Mallord William Turner, Margate Harbour from the Sea 1796–7 Photo © Tate CC-BY-NC-ND 3.0 (Unported)

After his success at the Royal Academy Exhibition of 1796, Turner felt himself sufficiently established to propose to Elizabeth and set off down to Margate, only to find that she had become engaged to a local man, Richard Wiles.  Some of Turner’s biographers describe Wiles as a builder – he wasn’t, he was a publican.  The marriage licence describes him as Richard Wiles of St John, Thanet, innkeeper, bachelor, and the newspaper report of the wedding, in 1798, describes him as of The Bull’s Head Inn.  The confusion is probably because his parents were also Richard and Elizabeth. There is still a Bull’s Head on the site, where, in 1952, Eric Morecambe (Bartholomew) had his wedding reception when he married the landlord’s daughter, Joan Bartlett.

Turner was devastated and his friends’ accounts suggest that he suffered some form of breakdown. Sadly, Elizabeth did not enjoy a long or happy life. Her son, another Richard, was born in October 1799 but died in February 1800.  Elizabeth herself died the following year, aged 26, but I have not been able to discover the cause of her death.

Elizabeth is buried in the churchyard of St John the Baptist Church, Margate. 

St John's Church Margate from New Ramsgate, Margate, and Broadstairs Guide (Ramsgate, 1855?)

Wiles family grave at St John's Church Margate - photograph by author

I assume that Turner knew of Elizabeth’s death from her brother or one of his other contacts in Margate but I can find no record of this.  It is, however, a reasonable assumption that this early experience contributed to Turner’s jaundiced view of relationships and marriage in particular.

David Meaden
Independent Researcher

Further reading:
Franny Moyle, The Extraordinary Life and Momentous Times of J.M.W.Turner (London, 2016)
Kentish Weekly Post or Canterbury Journal 27 November 1798 British Newspaper Archive
Felicity Myrone, 'J. M. W. Turner and his World: John Platt (1842-1902), a Late Victorian Extra-illustrator, and his Collection' Electronic British Library Journal

JMW Turner’s First and Last Loves (Part 2)

Turner’s restored house in Twickenham is open to visitors.

 

Stephen Noble continues to explore the lives of Countess Waldegrave and Baron Carlingford in this second of two blog posts. The correspondence and papers of this fascinating couple were acquired by the British Library in 2016 and are now available to be viewed in our Manuscripts Reading Room.

Chichester Samuel Parkinson-Fortescue was born 18 January 1823 in County Louth, Ireland, and became MP representing the County in 1847. He met Countess Waldegrave in 1849 and was devoted to her from the start. They eventually married in 1863.

Chichester Samuel Parkinson-Fortescue, Baron Carlingford and 2nd Baron Clermont by Lock & Whitfield, published by Sampson Low, Marston, Searle and Rivington. Woodburytype, published 1883. NPG Ax17696. Used under Creative Commons Licence.

Countess Waldegrave supported Fortescue in his political career and was at the time widely regarded as the main cause of his rise through the Liberal Party, and his prominent roles in the Liberal governments of the late 19th century. The parties they hosted at Strawberry Hill were an opportunity for the top politicians of the day to network, and for Countess Waldegrave to influence the political conversation. Fortescue served as Chief Secretary for Ireland, President of the Board of Trade and Lord Privy Seal, and took his place in the Cabinet in 1868 in no small part thanks to Countess Waldegrave’s lobbying of Gladstone on his behalf.

Selected correspondence of Lady Waldegrave, Add MS 89287/1/3/6

Fortescue was a member of a group called ‘The Breakfast Club’. This was a group of about a dozen leading political figures who met once a week for Breakfast, where discussion included Whig politics and Whig literary culture. Fortescue was by disposition more of a traditional Whig thinker than a Liberal one, and these meetings were a place to forge useful political connections with figures including Lord Aberdare (a Home Secretary under Gladstone), Thomas Erskine May (Chief Clerk to the House of Commons and author of an authoritative work on the British Constitution), and Lord Dufferin (Viceroy of India).

Letter from Chichester Parkinson-Fortescue to Henry Bruce, later Lord Aberdare, 15 December 1870, Add MS 89287/2/2/1. Permission kindly given by Charles Strachey, 4th Baron O'Hagan.

Ireland was a central feature throughout Fortescue’s political career. He was first appointed Chief Secretary for Ireland in 1865, and returned to the role in 1868. He was also made a member of the Irish Privy Council in 1866. In this time he drew up, and helped pass, some important pieces of legislation, including the Irish Church Act (1869) which disestablished the Anglican Church in Ireland. Vanity Fair commented at the time ‘it is fortunate that the new order of ideas should have been introduced under the guidance of one who knows so well as he the necessities of the country’. However, he was not rewarded for his work by the voters of County Louth, who voted him out in the 1874 election. He was immediately given the title Baron Carlingford and continued to play a role in front line politics from the House of Lords.

Gladstone's Cabinet of 1868 by Lowes Cato Dickinson. Oil on canvas, 1869-1874. NPG 5116. Used under Creative Commons License. (Chichester Parkinson-Fortescue is 5^th from the left).

Ireland was a hotly debated political issue during this period. Legislation became difficult to pass with divisions arising between parties, and between the House of Commons and the House of Lords. For Baron Carlingford, it was the question of Irish Home Rule that led to his eventual split from Gladstone’s Liberal Party, aligning himself instead with the Liberal Unionists in 1886.

The correspondence and papers of Countess Waldegrave and Baron Carlingford (Add MS 89287) are now available to be viewed in the Manuscripts Reading Room.

Stephen Noble
Modern Archives and Manuscripts

The papers of Countess Waldegrave and Baron Carlingford (Add MS 89287) were acquired by the British Library in 2016. Stephen Noble, who catalogued the papers, introduces the collection and explores the personal and political lives of this fascinating couple.

Frances, Countess Waldegrave was born Frances Braham on 4 January 1821. The daughter of John Braham, a noted opera singer, Frances rose to prominence in Victorian society due to her many high profile marriages. After her short-lived marriage to John Waldegrave, Frances caused some scandal by marrying his half-brother, George Waldegrave, 7th Earl Waldegrave. Through this marriage she became Countess Waldegrave and inherited Strawberry Hill House, Twickenham, originally built by Horace Walpole. In 1847 she married George Granville Harcourt, a man 36 years her senior, and in 1863 Countess Waldegrave married for the final time to Chichester Samuel Parkinson-Fortescue, later Baron Carlingford. Fortescue had been devoted to Countess Waldegrave since they first met in 1849, and their marriage lasted until her death in 1879.

Frances Elizabeth Anne (née Braham), Countess Waldegrave by Camille Silvy. Albumen print, 24 February 1861. NPG Ax51617. Used under Creative Commons Licence. Cropped from original.

Countess Waldegrave became known as one of the foremost political hostesses of her generation, as well as a great intellect and an adept political influencer. She, along with Baron Carlingford, managed a wide circle of political friendships, both nationally and internationally. The parties she hosted at Strawberry Hill were considered to be important social and political occasions. The influence of the couple was widely commented on. Newspapers reported on the guest lists of the Strawberry Hill parties and many suspected that Baron Carlingford and Countess Waldegrave were used by Anthony Trollope as the models for his characters Phineas Finn and Madame Max in the novels Phineas Finn and Phineas Redux.

Anthony Trollope, Phineas Redux (London, 1874) Yes, There She Is facing p. 273. British Library shelfmark: 12620.f.26.

Family was another important aspect of Countess Waldegrave’s life. In July 1860 she formally adopted her niece Constance after Constance’s mother died earlier that year. Countess Waldegrave was very taken with Constance and felt the need to ensure that she received a proper education. Constance and Frances had a good relationship, and Constance continued to view her with gratitude and affection.

Letter from Constance Braham to Frances, Countess Waldegrave, 4 January 1875, Add MS 89287/1/1/2. Permission kindly given by Charles Strachey, 4th Baron O'Hagan.

Lady Waldegrave enjoyed matchmaking, with one of her more successful pairings being that of Constance with Edward Strachey, later 1^st Baron Strachie. The two had known each other since childhood, and Frances, along with Mary Strachey, mother of Edward, encouraged their interest in one another. In Baron Carlingford’s 1878 diary (Add MS 63686, f. 161) he wrote that he had ‘Joined F[rances], Constance and Eddy Strachey at Opera Comique, H.M. Ship. Pinafore’, and notes that Eddy had also been out with Constance to a play just the night before. He writes, ‘F[rances] & I talk a great deal about him & C[onstance]’.

Letter from Constance Strachey née Braham to Chichester Parkinson-Fortescue, Baron Carlingford, 4 January 1889, Add MS 2/1/1/28. Permission kindly given by Charles Strachey, 4th Baron O'Hagan.

Countess Waldegrave died on 5 July 1879, and did not get to witness the wedding of Constance and Edward Strachey in 1880. The Countess’s death was a devastating loss for both Constance and Baron Carlingford, who largely withdrew himself from society after her death. Constance remained close to her ‘Uncle Carlingford’, and was a great comfort to him throughout his later years.

The correspondence and papers of Countess Waldegrave and Baron Carlingford are now available to be viewed in the Manuscripts Reading Room.

Stephen Noble
Modern Archives and Manuscripts

In 1917, a new Muslim burial ground opened in Woking for Indian soldiers dying in England during the First World War.

Plan for layout of Woking Burial Ground IOR/L/SUR/5/8/8

In 2016 we posted a piece about the design of the Muslim Burial Ground with images taken from a military file in the India Office Records.  Today’s post develops the story using evidence from papers in the archive of the Surveyor’s Department.

The file is dedicated to the construction of the cemetery, including correspondence between designers and suppliers, plans of the layout of the cemetery, advertisements for grave and coffin prices, financial statements and the names of seventeen Indian soldiers who were buried at the cemetery.

Indian soldiers buried at Woking IOR/L/SUR/5/8/8

Not much is said about the soldiers, just their regimental number, rank, name, regiment and the date of their death. All seventeen of the soldiers died between 1915 and 1916 and the majority of them were either a Sowar (Indian Cavalry) or Sepoy (Indian Infantry). There were also two drivers and two cooks included in the list.

Unfortunately, the information on the soldiers stops there, with no indication on how they died or where they were before being laid to rest at Woking. The plans show that each soldier was to be buried with his ‘face towards Mecca’ and ‘each stone bears an inscription at the top in Hindustani, and then follows the other details in English’. This indicates that the designers made sure that each soldier was buried according to his religion.

The site designer, T.H. Winny, took great care in the preparations and construction of the cemetery, having it built in the Indo-Saracenic architectural style. Throughout the file, there is correspondence between designer and builders going into precise detail including the ‘recipe’ of concrete to be used (‘one part of Portland Cement to 2 parts of clean washed river or grit sand and 5 parts of screened river ballast’), a building contract (‘the whole of the materials and workmanship are to be the best of their respective kinds’) and even how many cypresses to plant in the grounds (‘100, in 4 varieties, 2-5 feet high’).

A newspaper clipping gives insight into what the cemetery was like upon opening, stating that in the sunlight it ‘assumes quite an Oriental appearance’ and the representative for the newspaper was ‘struck with its beauty and the splendour of some of the stones erected on the graves’.

Design for gravestones for Indian soldiers IOR/L/SUR/5/8/8

Winny and his team of designers, builders and suppliers did everything they could to make this corner of Woking into a little piece of India.

Candace Martin-Burgers
Librarianship Placement Student, RMIT, Melbourne

Further reading:
IOR/L/SUR/5/8/8 India Office Surveyor’s Department file on the Muslim Burial Ground at Woking

 

All things are chang'd in Court & Town

Since Sarah's happy days

And she that once had scarce a Gown

Now Queen and Kingdom Sways

Yorgos Lanthimos’ The Favourite has been wowing audiences over the past few weeks with its political intrigue, wonderful costume design, and sharp dialogue. To this we might add the strong employment of documents in understated supporting roles: letters exchanged, financial records examined, and books consulted in secret. Archivists have a habit of picking up on documents and recordkeeping in films - Star Wars Rogue One saw a number of recordkeeping takes on the poor digital preservation planning displayed by the Empire – and when I came out of the cinema I wanted to see how the actions of Anne, Sarah and Abigail were recorded in the Blenheim papers.

The papers – so named because they were formerly housed at Blenheim Palace – consist primarily of the personal papers and correspondence of John Churchill, 1^st Duke of Marlborough, and Sarah Churchill, Lady Marlborough. 

Correspondence

Volumes Add MS 61414-61418 contain Sarah's correspondence with Anne, or rather letters received from Anne (originals and copies) and drafts and copies of Sarah's letters to Anne. Many of the letters were annotated by Sarah as she compiled arguments in defence of her behaviour and position.

In this letter, undated apart from 'Wednesday night', but thought to be from 1692, Anne acknowledges Sarah's request of a place for Abigail Hill on her staff:

Add MS 61415, f 32 "As to what you say about Mrs Hill you may asure [sic] your self she shall have ye place you desire for her"

Throughout the film Sarah and Anne refer to each other as Mrs Freeman and Mrs Morley. The earliest surviving letters using these names date to 1692, although in her memoirs Sarah claimed that they had been in use prior to 1688.

Add MS 61416, f 7 Anne to Sarah

Sarah's correspondence with her husband can also be found in the archive, and is partly written in cipher. Add MS 61575 contains copies of the various ciphers used by the Marlboroughs, and in the image below we can see two different numbers used to refer to Anne.

Cipher table, Add MS 61575

Groom of the Stole, Lady of the Bedchamber, Mistress of the Robes, and Privy Purse

Sarah's roles in the royal household are well documented in her personal papers. Add MS 61420 is a volume of accounts, correspondence and papers accumulated through her various household positions. They include copies of the warrants of appointments, and bills and instructions which give us an insight into palace life and the Queen's tastes.

Add MS 61420, f 3 Warrant to admit Sarah into the Place and Quality of Mistress of the Robes

Add MS 61420, f 28 Details of disbursements made to Faith Browne, annotated by Sarah in her role as Privy Purse.  The Mr Cogg referred to here was Sarah's goldsmith.

Gathering evidence for her defence

Sarah’s papers bear evidence of her arrangement and use of the material in preparing pieces defending her position, partially surviving the subsequent arrangements of later keepers of the archive. These include copies of letters between the principals in the tug-of-war for Anne’s favour, charting Abigail’s marriage to Masham, her taking of the lodgings at Kensington – all with Sarah’s annotations and notes on the events.

Add MS 61454, Abigail's letter to Sarah defending her behaviour.

Sarah's annotation. "This letter so full of a good conscious was writ to me by my lady Masham after she had done me so much mischeif [sic], in I think the still [style] of her master Harley in her own hand writing"

Organisational note by Sarah, "Leters in 1709 when Abigal ruled"

Sarah also collected copies of satirical poems and pamphlets which circulated throughout  court and parliamentary circles. Add MS 61462 includes material written by Sarah’s friend and confidant the literary critic Arthur Maynwaring, some of which may have been co-authored by Sarah herself. These copies also feature Sarah’s annotations and notes.

Add MS 61462, f 16 A Ballad on Mrs Abigal [sic] To the Tune of, the Dame of Honour, 1708

 

Add MS 61462, f 145. Letter of resignation drafted for the use of Marlborough by Maynwaring, address to the Duke of Shrewsbury, Jan 1711.

This post has been a quick dip into the 610 volumes and files which constitute the Marlborough papers, which can be accessed in the manuscripts reading room in the Library.

Further reading

Ophelia Field, The Favourite (London: Hodder & Stoughton, 2002)

Francis Harris, A Passion for Government. The Life of Sarah, Duchess of Marlborough (Oxford: Clarendon Press, 1991)

Blenheim Papers, Add MS 61101-61701, Add Ch 76069-76142

Alex Hailey

Curator, Modern Archives and Manuscripts

The BBC2 series Icons has put forward 28 individuals to be voted as the 'greatest person of the 20th century'. Candidates have been selected from seven categories - leaders, explorers, scientists, entertainers, activists, sports stars, and artists & writers -  each category with a celebrity advocate. The public are invited to vote for who they believe to be the 20th century's most important and influential figure. A winner will be put forward from each category to compete in the grand final.

So far, no women have been voted through to the final round. There is still a chance to change this in tonight's vote, Tuesday 29th January, with a vote for Virginia Woolf.

Born Adeline Virginia Stephen on 25 January 1882, Virginia loved to write from a young age, collaborating with her sister Vanessa (later an artist) and brother Adrian (later a psychoanalyst) to produce a childhood magazine, the Hyde Park Gate News. Virginia married author Leonard Woolf on 10 August 1912.

Page from the Hyde Park Gate News, Add MS 70725-70726. Copyright: Society of Authors (for Virginia Woolf), and the estate of Vanessa Bell (courtesy of Henrietta Garnett). For further images see https://www.bl.uk/collection-items/hyde-park-gate-news-a-magazine-by-virginia-woolf-and-vanessa-bell#

Woolf is arguably best known for her novel Mrs Dalloway, which follows the events of a single day through two main characters, the socialite Clarissa Dalloway and the First World War veteran Septimus Smith. The novel was originally titled The Hours, and a manuscript draft is held in three notebooks at the British Library. In tonight's episode Lily Cole, who is arguing the case for the artists and writers category, visits the Library to view the manuscripts.

Page from the manuscript draft of Mrs Dalloway, Add MS 51044, Copyright: The Society of Authors. For further images see https://www.bl.uk/collection-items/notebook-drafts-of-virginia-woolfs-mrs-dalloway-volume-i 

Mrs Dalloway is an exceptional novel for many reasons. For one the novel used a new and innovative style of writing termed 'stream of consciousness'  to express the flow of characters thoughts and feelings. It in some ways replaced the narrator of the novel, and gave the reader a direct insight into a character's innermost thoughts, which are often fleeting, changeable and contradictory.

The novel was also ahead of its time in the issues Woolf addresses. In Clarissa, Woolf considers the repressed social and economic position of women, and in Septimus, who suffers from shell shock, Woolf examines the lingering trauma of the First World War. The two characters represent doubles, with Clarissa speaking the 'sane' truth and Septimus the 'insane' truth. Woolf herself struggled with mental health issues throughout her life.

During her lifetime Woolf published nine novels that pushed experimental and social boundaries and revolutionized the style in which novels could be written.

If you think Virginia Woolf is worthy of your vote for the finalist of the artist and writer category then you can vote for her at https://www.bbc.co.uk/programmes/b0by86tp  

Laura Walker

Lead Curator Modern Archives and Manuscripts, 1850-1950

Persia (Iran) declared its neutrality in the First World War on 1 November 1914.  Nevertheless, owing to its oil deposits and proximity to British-ruled India, Persia became a battleground for the Great Powers during the War.  In January 1915, the Germans launched a major infiltration campaign in British occupied southern Persia.  German agents sought to instigate popular rebellion amongst the local population against Allied forces, and to sabotage and destroy British installations and interests.

Map of ‘Persia & Afghanistan’, April 1908 (IOR/L/PS/10/332, f 77) Open Government Licence

On 2 September 1915, Thomas George Grahame, British Consul General at Isfahan, and Chowdri Khan, one of the Indian sowars (cavalry soldiers) composing his escort, were attacked in a lane after riding out on horseback from the Consulate.  This attack resulted in the wounding of Grahame and the death of Khan.  The incident was viewed by Charles Murray Marling, HM Minister to Tehran, as being part of a German campaign of assassinations.
 

Map of British consular jurisdictions in Persia, 1907 (IOR/R/15/1/710, f 10) Open Government Licence

Grahame sent an account of the incident to Marling.  He recounted that he saw a man walking in front of him in the lane, who suddenly turned around and stepped to the side of the path.  Grahame ‘saw his arm raised, heard a shot and felt a twinge under [his] left arm’.  He saw the man moving in the direction of Chowdri Khan, as Grahame’s frightened horse broke into a canter.  He then saw another man, who ‘raised both arms as if to give a signal to some one unseen’ as Grahame passed him.  As Grahame galloped away he ‘heard three shots fired – presumably on Chowdri Khan’.

Copy of statement by Thomas George Grahame, British Consul General at Isfahan, 2 September 1915 (IOR/L/PS/10/490, f 249-250) Open Government Licence

Grahame wrote that he sought help for Chowdri Khan from two policemen and another Indian Sowar he passed on his way back to the Consulate, from where orders were given to find and assist Chowdri Khan.

Resaidar Malik Rab Nawaz Khan, of the 11th King Edward’s Own Lancers, Native Officer in charge of the Isfahan Consulate General Guard, stated that Sowar Khan Mohamed Khan was the first to be ready to search for Chowdri Khan.  He left the Consulate alone, ‘regardless of dangers’, and found Chowdri Khan, ‘wounded, but still alive’.

Khan Mohamed Khan tried to carry Chowdri Khan to the nearby Church Missionary Society Hospital, but after going 200 yards his strength failed him.  Some Persians came to his assistance and Chowdri Khan was carried to the Hospital, but after a few minutes, he died.

The Resaidar stated that he hoped that Khan Mohamed Khan’s ‘promptitude and bravery’ would be ‘recognised in a fitting manner’.

Copy of statement by Resaidar Malik Rab Nawaz Khan, 11th King Edward’s Own Lancers, 6 September 1915 (IOR/L/PS/10/490, f 252-253) Open Government Licence

Grahame learnt that seven shots in total had been heard from the CMS Hospital.  The first was the one fired at Grahame, but the rest appeared to have been fired by two other men ‘lurking about in the lane’.  According to one informant, ‘two of these three men were wearing German badges’. 

This incident was soon followed by the British Vice-Consul at Shiraz being shot and killed in the street on 7 September.  By the end of 1915, the situation in southern Persia had deteriorated so badly for the British that they decided they needed to raise ‘a force for the restoration of law and order’, the South Persia Rifles.

Susannah Gillard
Content Specialist, Archivist
British Library/Qatar Foundation Partnership

Further reading:
India Office Records files which can be viewed on the Qatar Digital Library:
British Library, File 3516/1914 Pt 14 'German War: Persia; general situation' IOR/L/PS/10/490
British Library, File 3516/1914 Pt 9 'German War: Persia' IOR/L/PS/10/486
Touraj Atabaki, ‘Persia/Iran’, 1914-1918-online. International Encyclopedia of the First World War, ed. Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson (Berlin: Freie Universität Berlin, 2016).
Touraj Atabaki (ed.), Iran and the First World War: Battleground of the Great Powers (London; New York: I.B. Tauris, 2006).
Donald M. McKale, War by Revolution: Germany and Great Britain in the Middle East in the Era of World War I (Kent, Ohio; London: Kent State University Press, 1998).
Denis Wright, The English Amongst the Persians During the Qajar period, 1787-1921 (London: Heinemann, 1977).