28 August 2025
The Provenance of the Colebrooke Collection (5): Commemorating a Collector
The previous blog post in this series on the provenance of the Colebrooke Collection of Sanskrit manuscripts in the British Library related how Colebrooke, along with the pandits Citrapati and Bābūrāma, became entangled in accusations of corruption. This final blog post evaluates the Colebrooke Collection.
Colebrooke arrived back in Britain in 1815 and devoted most of the remainder of his life to scholarly pursuits. Accompanying him was his collection of manuscripts which, in 1819, he offered to the directors of the East India Company for their library in London. The directors accepted Colebrooke’s offer, and sent a letter expressing their gratitude:
Sir,
I have had the honour to convey to you by command of the Court of Directors of the East India Company their thanks, for the valuable collection of Oriental manuscripts which you obligingly presented for their acceptance and which, they have ordered to be placed in the Library at this House under the denomination of the “Colebrooke Collection.”
I have now the honour to express to you the wish of the Court to have your bust for the purpose of being placed in the Company’s Library as an appropriate accompaniment to that Collection.
(Letter from the Court of Directors of the East India Company to Colebrooke, 13 May 1819. IOR/E/1/255/633).
Colebrooke assented, and the bust was executed by Sir Francis Chantrey (1781–1841). At the time of this commission, Chantrey had built a reputation as Britain’s leading portrait sculptor. Among the people he had depicted in portrait busts were famous figures of the time, including Horatio Nelson, William Pitt, James Watt, and Sir Joseph Banks. He had also completed several major public commissions, including monuments in St Paul’s Cathedral and Westminster Abbey, and a statue of King George III which was installed in the Guildhall, London.
This was not the first commission Chantrey had received from the East India Company, and he would collaborate with them throughout his career, producing statues and monuments to prominent Company representatives for display in both Britain and India. This was therefore a high honour for Colebrooke, and testifies to the esteem in which he was held by the directors.
Henry Thomas Colebrooke, draped bust. Sculpted by Francis Chantrey in 1820. British Library, Foster 435.
In 1982, the collections of the India Office Library (as it was then called), were deposited with the British Library. When the BL was moved to its present site, in St Pancras, the bust of Colebrooke was placed at the entrance to the Asian and African Reading Room, where it stands today.
In contrast, when it comes to the pandits who had originally produced the manuscripts in the Colebrooke Collection, we are left without any visual record. Indeed, it is difficult to find portraits of any pandits from this period, and those we do have rarely depict identifiable individuals.
Watercolour of a man with inscription reading ‘Pundit.’ British Library, Add Or 999.
For example, this watercolour painting, with the inscription ‘pundit’, was produced in Calcutta in 1805. Images like this were produced by local artists for Western patrons, and were mostly taken back to Britain. This is from a set of sixteen paintings, each one featuring a different personality, including a Muslim ascetic, a water carrier, a dancing girl, a Georgian man, and several soldiers. As the variety of this list suggests, these were not paintings of specific individuals, but rather general types or occupations of people who were considered novel or interesting to a Western audience. We are therefore left with only generalised portraits of ‘typical’ pandits, and little sense of them as individuals.
In these blogs we have been able to recover something of the stories, and even occasionally the voices, of two of Colebrooke’s pandits: Citrapati and Bābūrāma. They lived during a period when the EIC was trying to establish itself as a competent government in South Asia and were in need of pandits to teach them the local languages and customs, and to help them establish systems of administration adapted to local needs. This brought opportunities for pandits in the service of the new rulers. However, as the case of Citrapati shows, their position was insecure. Pandits were often distrusted by the British, and in an atmosphere of scandal and suspicion, they could easily be made a scapegoat.
Two years after arriving back in Britain, Colebrooke published Algebra, with Arithmetic and Mensuration, from the Sanscrit of Brahmegupta and Bhàscara, a work based in large part on a manuscript first copied for him by Citrapati in 1790. Citrapati and Bābūrāma had joined Colebrooke early in his career and were responsible for collecting, copying, and compiling a large part of his collection. Bābūrāma had also acted as librarian for Colebrooke, and produced the first catalogue of the collection.
Figures like Citrapati and Bābūrāma are central to the stories behind many of the BL’s Asian and African collections, and it is important that these stories are uncovered and given the prominence they deserve. There are certainly challenges involved - unlike their British counterparts, pandits were not commemorated for their collecting or scholarship, and they did not have the status of those, like Colebrooke, whose voices and activities were regularly recorded in the official archive. However, traces do remain. In particular, the India Office Records and Private Papers contain a wealth of material, through which we can piece together something of the backgrounds, voices, and achievements of these figures. Pursuing this sort of provenance research is vital if we are to have a more complete picture of the British Library’s collections.
This is the fifth in a series of five blog posts on the provenance of the Colebrooke collection of Sanskrit manuscripts in the British Library. The first post introduced the Colebrooke family and the East India Company; the second post focused on Colebrooke's manuscripts on Hindu law; the third on Colebrooke and the pandits; while the fourth considered accusations of corruption against Colebrooke and his pandits.
Works Consulted
Colebrooke, Thomas Edward, The Life of H. T. Colebrooke (London: Trübner, 1873).
Letter from the Court of Directors of the East India Company to H. T. Colebrooke, 13 May 1819. British Library, IOR/E/1/255/633.
Francis Legatt Chantrey (artist), draped bust of Henry Thomas Colebrooke, 1820. British Library, Foster 435.
Watercolour of a man with inscription reading ‘Pundit.’ British Library, Add Or 999 (Part of a set of sixteen drawings bound into a volume depicting occupations in Bengal, c. 1805. British Library, Add Or 993-1008
David Woodbridge, Provenance Researcher Sanskrit Collections (REAP pilot project 2023-2025)