THE BRITISH LIBRARY

Maps and views blog

6 posts categorized "Exhibition progress"

13 May 2010

Elbow room and map fashion

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Taking my thrice daily stroll around Magnificent Maps I've needed to be nimble on my toes! Such has been the extraordinary level of interest in the show that groups of visitors gather around pretty much every map, or stand admiring the overall effect of the spaces we have recreated.

An early frontrunner for the most popular map, apart from Stephen Walter's The Island, is the hand-painted world map of 1582 by the Greek sailor Antonio Millo. It looks positively sublime when looked upon from the opposite side of the gallery, but reveals itself to be rather odd upon closer inspection. See if you can spot the sea-monster/King Charles Spaniel swimming in the Atlantic Ocean. 

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There have also been some very interesting and well-attended guided tours, which I am enjoying very much. I noticed Peter's tour yesterday - or at least, I noticed a throng of around 40 people with Peter's voice emanating from somewhere in the middle.

But most pleasingly there's been a great mix of visitors, and as I read somewhere in a recent article, some very articulate visitors with perceptive comments: comments I reserve the right to borrow for further guided tours should I happen to overhear them.

Alas, I'm afraid I haven't seen a visitor as appropriately dressed as I would have liked. No map-themed ties or T-shirts, and certainly no threads as special as those illustrated in Christa Weil's Fashion Preserve blog. Marvellous stuff, and don't listen to Christa: matching dress IS compulsory.

Perhaps we should have created a catwalk space in the exhibiiton. Verily I say, maps are everywhere.

07 May 2010

Magnificent Map of King’s Cross

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The Magnificent Map of King’s Cross now hangs in the Entrance Hall.

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This map of the local area was produced as part of the community programme to support the exhibition and as part of the Reveal Festival – a festival of visual arts in King’s Cross.

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It is made of 16 separate canvases each depicting a separate part of the area. A number of groups and some individuals were given a canvas to create their unique interpretation of the neighbourhood.

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The map includes work by The London Canal Museum, Camley Street Natural Park, University College Hospital School and Somers Town Youth Club.

29 April 2010

Last 24 hours of the exhibition build

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Photos by my colleague Dave Dubuisson as promised. Some of the exhibits are very large and present quite a challenge.

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Finally a preview of one of the 'interactives' that allow you to examine four maps in detail. Although it's designed to look like a magnifying glass, it isn't. It's much more complicated! When you visit the exhibition (from tomorrow) you'll be able to see how it works.

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On the website - now live - you can use our adapted zoomify tool to get a similar experience. Zoom in close and read our curators' notes about some of the details.

28 April 2010

The beginning is nigh!

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'Is this the end or the beginning?' I have been asking myself today, while the final pieces of our cartographic puzzle fall into place. A big question but unusually (as far as big questions go) one with a clear definite answer: we are most certainly about to begin. This past week has seen Magnificent Maps become fully formed, with maps arriving daily from the conservation studios and being placed on walls. Thanks to our team of conservators and, once again, to our expert exhibitions staff.

Of special excitement this week has been the arrival of the nine loan maps from the extremely generous lenders. I was especially pleased to see the colossal de' Barbari map of Venice from 1500, lent by our friends the British Museum, when I popped down to the gallery one morning. In fact, I liken the effect to running downstairs to the letterbox one morning back in the mid-1980s and seeing my first Beano lying on the doormat.  Other incredible objects are Middle Temple Library's Molyneux globes of 1592 - the first English, and at the time largest globes in existence, and the medieval Evesham World map. Today saw the installation of the earliest map in the exhibition, a fragment of the Forma Urbis Romae, part of a colossal map of Rome dating to 200 AD. I can say with absolute sincerity that no reproduction in any book can compare with the effect of seeing the original.

Dave has been diligently taking footage of these and other maps (such as the Klencke Atlas) being installed, and you'll be seeing some highlights here in due course.

Peter and I have been giving a number of interviews to press, radio and television reporters, which looks set to continue tomorrow with the official press view of the exhibition. A recent highlight is The Guardian's art correspondent Jonathan Jones's typically perceptive piece last Saturday, while the first exhibition review appears in today's Times Online. There has been similary good feedback from British Library colleagues who accompanied Peter and myself on a number of preliminary tours today. Now although they are all extremely polite people, I am sure that their complimentary comments were not borne purely out of politeness. It is nearly time for you to make up your own mind.

26 April 2010

Exhibition build update

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The British Library's PACCAR Gallery has been a hive of activity these past three weeks, as Magnificent Maps takes shape. In an atmosphere of calm chaos (or chaotic calm, not sure which), contractors, conservators, technicians and the quite brilliant exhibitions team have brought to life something that has hitherto existed only on paper.

And as for me, I've been mostly getting in people's way, wandering aimlessly through the gallery with a big grin on my face. It is looking good. A few images will show you what I mean. Below: the 'Gallery' section of the exhibition at the start of the week, our own Renaissance Palace taking shape. It must be one of the few times that the entire height of the exhibition space has been used. Wait 'til you see the finished room. 

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Below: Conservator-artist-genius Eneko Fraile has been piecing together the 25 sheets of the massive Bohemia map of 1722. Such was the size and complexity of the job (each sheet was trimmed at some point 250 years ago, and perhaps unsurprisingly, not all of them match up) that the job had to be carried out in situ.

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Below: Colin contemplates the installation of the earliest surviving Chinese Globe (1623), a rather large, old and important ball of solid wood (the globe, not Colin).

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Most excitingly of all, the loan items have been arriving in the gallery. Of which more later.