23 September 2024
Wage Peace Not War. Leo Tolstoy and Mahatma Gandhi on Violence, Nonresistance, and Love
The year was 1908. The shock waves of the 1905 Revolution still reverberated throughout the Russian Empire when two letters from an Indian revolutionary Taraknath Das reached Leo Tolstoy at home in Iasnaia Poliana. Das wrote to the ailing Tolstoy, then a world-renowned author, pacifist and anarchist, asking for his support for India’s liberation from British colonial rule. Das’s appeal prompted the 80-year-old Russian writer to pen a lengthy response expressing his sympathy with the oppressed and advocating for nonviolence as the only justifiable form of resistance. It was not the answer Das had hoped for, but when the letter was published, it immediately struck a chord with a young Indian lawyer grappling with racial and social injustices in Johannesburg, Mohandas Gandhi. He was so impressed by Tolstoy’s logic that he sought his permission to translate the letter into Gujarati and to republish it in South Africa. Although the two never met, they continued to exchange letters and ideas until Tolstoy's death in 1910. Their shared philosophy of peace, tolerance, and nonresistance to evil inspired such prominent political leaders as Martin Luther King, Jr, Nelson Mandela, and the Dalai Lama. The letter to Das, mailed from Iasnaia Poliana on December 14, 1908, was about to influence the course of history on the Indian subcontinent.
Cover of Osvobozhdenie narodov: Pisʹmo Indusu by Leo Tolstoy (Iasnaia Poliana, 190?) RB.23.a.32254 and a photograph of
Mahatma Gandhi (Image from Wikipedia)
In the appendices of his book Indian Home Rule, Gandhi listed twenty books that impacted him as a political and spiritual leader. Tellingly, the first six works are all by Tolstoy, and the 5000-word missive published by Das as A Letter to a Hindu (AKA A Letter to a Hindoo; Pis’mo Indusu, 1908) is among them. In it, Tolstoy argues that only by overcoming the urge to retaliate and abiding by the principle of love and compassion for the enemy could the Indian people shake off the colonial yoke. He admonishes: “Do not resist the evil-doer and take no part in doing so, either in the violent deeds of the administration, in the law courts, the collection of taxes, or above all in soldiering, and no one in the world will be able to enslave you.” According to the author, only peaceful resistance epitomised by civil disobedience could break the cycle of violence perpetuating injustice and feeding hatred. He marvels at how a commercial company was able to enslave “two hundred millions of clever, capable, freedom-loving people” and concludes that the numbers speak for themselves: “it is not the English who have enslaved the Indians, but the Indians who have enslaved themselves.”
Tolstoy’s definition of violence is broad, encompassing inequitable distribution of authority, power and wealth, as well as violation of one’s conscience. He divides the letter into short chapters, each of which opens with a range of ethical sources, including the Bible, quotations from the Vedas, and passages from Krishna.
Opening pages of Tolstoy’s Pis’mo Indusu
He warns against false ideologies, both religious and pseudo-scientific, that promote the use of violence and the necessity of war, distorting the sheer truth that it is “natural for men to help and to love one another, but not to torture and kill one another”. At the core of Tolstoy’s Christianity is the Sermon on the Mount, which he sees as a complete justification for nonresistance to evil. His literal reading of Jesus’s commandment to ‘turn the other cheek’ led to his questioning social, political and religious assumptions, including the authority of the state, the credibility of the Church, and the justifications of both for waging violence. Tolstoy admits that overthrowing oppressive regimes is not an easy task. Nonviolence, unlike physical force, requires great courage and readiness to expose oneself to political violence and unjust treatment.
Another book that profoundly affected Gandhi’s thought formation was Tolstoy’s Christian anarchist philosophical treatise, ‘The Kingdom of God is Within You’ (Tsarstvo Bozhie Vnutri Vas, 1894). Banned in Russia for its espousal of Jesus’s nonviolent resistance teachings as true gospel, it inspired Gandhi to set up a community devoted to love, work, and simple living, known as Tolstoy Farm. He reflected on the impact the book had on him in his 1928 speech commemorating Tolstoy’s death: “At that time, I was skeptical about many things… I was a votary of violence. I had faith in it and none in nonviolence. After I read this book, lack of faith in nonviolence vanished.”
Title page of Tsarstvo Bozhie Vnutri Vas (London, 1898) 3926.bb.50.
In ‘The Kingdom of God is Within You’, Tolstoy objects to the idea of Russian religious nationality as the rationale for political repressions inside Russia and imperialist oppression internationally. He points the finger at the corrupt union of religion and autocratic political power that coerces men to join the army and take part in unjust wars. Tolstoy is especially critical of conscription, which he sees as an extreme abuse of power and a form of slavery. He also opposes any form of modern patriotism but is not blind to the differences between oppressor and oppressed: “A Russian should rejoice if Poland, the Baltic Provinces, Finland, Armenia, should be separated, freed from Russia (...) The greater the state, the more wrong and cruel its patriotism, and the greater is the sum of suffering upon which its power is founded.” Tolstoy asserts that the eponymous Kingdom of God could only be found inside the self and outside the state-run church with its stupefying rituals and ceremonies.
Tolstoy’s essay ‘The First Step’ (also known as ‘The Morals of Diet’; Pervaia stupen’, 1892) helped to shape Gandhi’s views on ahimsa, an ancient ethical principle of not causing harm to other living beings. It was instrumental in convincing Gandhi to maintain his vegetarian diet. The essay was published as a preface to a book by Howard Williams, The Ethics of Diet, which Tolstoy translated into Russian. It is likely the 19th century’s most important statement on the subject.
Cover of Tolstoy’s Pervaia stupen’ (Moscow, 1906) YA.2001.a.3749
The principle of nonviolence and refusal to participate in coercion is at the core of Tolstoyan vegetarianism. He views slaughtering and eating animals as “simply immoral, as it involves the performance of an act which is contrary to the moral feeling—killing; and is called forth only by greediness and the desire for tasty food.” While the pamphlet advocates for animal rights, it also takes on a religious tone, underscoring the need for self-abnegation, fasting, and renouncing worldliness. One can and should control bodily desires by exercising moderation, restraint and hard work, and refraining from eating animal flesh is the first step towards a moral life. Tolstoy concludes the piece with a bold statement that the killing and eating of animals compromise the ability of men to feel pity and compassion for fellow human beings.
Tolstoy enjoying a vegetarian meal (Image from Wikipedia)
Tolstoy’s philosophical and polemical works have often been deemed rigid and doctrinaire, becoming a neglected footnote to the widely acclaimed War and Peace and Anna Karenina. Nevertheless, their message is disturbingly relevant today as the world faces a swelling tide of imperial violence with Russia's brutal war against Ukraine. The question once posed by George Orwell: “Is there a Gandhi in Russia at this moment? And if there is, what is he accomplishing?” remains open. Orwell had no illusions - in a country without a free press and the right of assembly, where “opponents of the regime disappear in the middle of the night and are never heard of again”, practising civil disobedience is a perilous exercise incapable of bringing a mass movement into being. While Russia is waiting for its Mahatma, dissenting voices and peaceful anti-war protests inside the country command the utmost respect and give hope for change. Gandhi prescribes patience: “You need not be afraid that the method of nonviolence is a slow long-drawn-out process. It is the swiftest the world has seen, for it is the surest.”
Hanna Dettlaff-Kuznicka, Interim Curator of Slavonic and East European Collections
References/further reading:
Charlotte Alston, Tolstoy and his disciples : the history of a radical international movement (London, 2014) YC.2014.a.11549
Imraan Coovadia, Revolution and non-violence in Tolstoy, Gandhi, and Mandela (Oxford, 2020) YC.2022.a.1259
Gandhi, Leo Tolstoy, Mahatma Gandhi and Leo Tolstoy letters (Long Beach, California, 1987)
Ramin Jahanbegloo, Introduction to nonviolence (Basingstoke, 2014) SPIS303.61
Ilacai and Rajesh, V. Maniyan, The Russian Revolution and India (London, 2020) ELD.DS.554272
Tony Milligan, Civil disobedience: protest, justification, and the law (New York, 2013) m13/.13487
Keith Gessen, George Packer, George Orwell, All art is propaganda: critical essays (Boston, 2009) ELD.DS.678441
David A. J. Richards, Disarming manhood: roots of ethical resistance (Athens, OH, 2005) YK.2007.a.20263
Patricia M. Shields, Jane Addams: progressive pioneer of peace, philosophy, sociology, social work and public administration (Cham, 2017) ELD.DS.351903
Leo Tolstoy, A Letter to a Hindu (from Project Gutenberg)
Bryan S. Turner, War and peace: essays on religion, violence, and space (London, 2013) ELD.DS.83774
12 September 2024
Bulgarian Ethnography: photographic collections of the Ethnographic Institute and Museum in Sofia
The digitisation and preservation of over 10,000 old photographs, negatives and glass plates in the British Library’s Endangered Archives Programme was a significant project completed in 2006.
The photographic collections of the Ethnographic Institute and Museum, housed in the old royal palace in Sofia, are a treasure trove, comprising 10,000 black-and-white and colour photonegatives, alongside 5,000 photographs, and an additional 5,000 plates. These visual records offer a vivid glimpse into various facets of Bulgarian culture and heritage.
A farmhouse in the village Glozhene, Teteven district, Bulgaria [1956]. Creator: N. Nikolov EAP103/1/1/1.
Capturing a wide array of subjects, these photographs provide invaluable insights into traditional Bulgarian costume, architectural marvels, ceremonial rituals, women's traditional dresses, as well as the everyday customs and lifestyle of the Bulgarian village. They serve as meticulous documentation, facilitating a comprehensive and objective reconstruction of lost cultural phenomena, agricultural tools, folk-style artefacts, and national attire.
Market in Teteven district (Central Bulgaria). Date: 1956. Creator: N. Nikolov EAP103/1/1/4.
By preserving and showcasing these images, the project intended to safeguard a rich tapestry of cultural heritage for future generations. This extensive visual documentation not only offers a glimpse into the past but also serves as a vital resource for understanding the socio-economic dynamics and cultural evolution of Bulgarians during the pre-industrial era.
Photograph from a wedding in Bulgaria. Bulgarian women in traditional costumes. Date: 1962. Creator: G. Vaisilov. EAP103/1/1/76.
Furthermore, these collections represent a unique repository of information, presenting a perspective on Bulgarian life that, as the project concludes, is unparalleled by any other archive in Bulgaria. Through this project, the Ethnographic Institute and Museum endeavours to ensure that this invaluable and diverse cultural heritage remains accessible and appreciated for years to come.
Photographs of boys and girls in traditional costumes. Date: 1962. Creator: G. Vaisilov. EAP103/1/1/80
Digital copies of photographs dating back to the mid-20th century form an integral part of the Ethnographic Institute and Museum archive, compiled as a result of extensive ethnographic, historical, and artistic research activities. These photographs give a multifaceted glimpse into various aspects of Bulgarian culture and society during that period.
Photograph of two researchers standing at the entrance of a building in Tikhomir village, Kirkovo district. The sign above the entrance reads: ‘Narodno chitalishte’ (Community’s reading centre). Communist slogans are written on the wall next to the entrance of the building. Date: 1962. Creator: N. Nikolov. EAP103/1/1/85.
Among the diverse subjects captured in these images are rural architectural structures providing insights into the building environment of Bulgaria during the mid-20th century. Bulgarian material culture is presented in visual records showcasing a wide array of pottery, tools, kitchen utensils, and other artefacts, offering a glimpse into the craftsmanship of the region.
A girl carrying fresh water in water buckets. Popsko village, Ivailovgrad district. Date: 1962. Creator: N. Nikolov. EAP103/1/1/88.
The photographs capture scenic vistas and natural landscapes, showing the beauty and diversity of Bulgaria's geographical terrain. These photographs are records of religious structures, icons, and artefacts, reflecting the spiritual and cultural significance of religion in Bulgarian society.
Ploughing in Pastrotsi village, Ivailovgrad district. Date: 1962. Creator: N. Nikolov. EAP103/1/1/89.
The images portray traditional Bulgarian cuisine, food markets, and culinary practices, providing a window into gastronomic traditions and dietary habits. There are photographs capturing festive celebrations, traditional rituals, and cultural ceremonies, illustrating the rich tapestry of Bulgarian customs and traditions. The photographs are visual documentation of traditional Bulgarian attire and costumes, showcasing the diversity and intricacies of regional dress. There are also reproductions or photographs of paintings, illustrations, or artistic representations relevant to Bulgarian culture and history.
A woman in a mill in Teteven region (Central Bulgaria). Date: c 1956. Creator: N. Nikolov. EAP103/1/1/8.
These digital copies serve as invaluable resources for researchers, scholars, and enthusiasts alike, offering a comprehensive visual archive of Bulgarian life and culture during the mid-20th century. Through digitization, the project aimed to preserve these cultural artefacts for posterity and ensure their accessibility to future generations.
Women in a village are getting ready for the wedding in Teteven region (Central Bulgaria). Date: c 1956. Creator: N. Nikolov. EAP103/1/1/14.
Each photograph in this collection serves as a window into Bulgaria's past, contributing valuable insights into its cultural, social, and artistic heritage. We in the Library are excited to share these digital copies with researchers, scholars, and enthusiasts alike, ensuring that this rich cultural legacy is preserved and accessible for future generations to explore and appreciate.
A saddler at work in Divlia village, Radomir district (Western Bulgaria). Date: c 1957. Creator: N. Nikolov. EAP103/1/1/23
A tinsmith, Kilifarevo village, Veliko Turnovo district (Central Bulgaria). Date: c 1957. Creator: Marinov. EAP103/1/1/44/18.
The project digitised a fascinating collection of mid-20th-century photographs, methodically curated from ethnographic, historical, and artistic research endeavours. These photographs provide a rich tapestry of Bulgarian life and culture during this era, capturing a diverse range of subjects.
Saia (a traditional female costume) Date: 1961. Creator: N. Nikolov. EAP103/1/1/61/4.
Milan Grba, Lead Curator South-East European Collections
05 September 2024
Underground Publishing in Poland under Communist Regime: Through Female Eyes
The Gdańsk Agreement of 1980, established between the workers of the Lenin shipyard and the Polish People’s Republic’s undemocratically elected government, saw the beginning of the ‘Solidarity’ trade union’s fight against the Communist Regime. In the following seven years, around 4830 books and 2027 journals, many of which are in the British Library’s Solidarity Collection, were published underground in a so-called ‘second circulation’. As far as the records go, only 175 of these works were authored by a mere 97 female writers.
Superficial research into female involvement in Polish anti-government publishing could end here. Women in print? Official numbers leave no doubt: they were few and far between. To broaden the scope of this quest to uncover unheard female voices in the Solidarity Collection, avenues other than scholarly browsing of the Library’s basements had to be incorporated. And so, on a brisk December morning, one of them led all the way out of the bustle of central London into the quiet of Hampshire countryside.
“At that time my involvement in the anti-communist opposition was very important for me, probably more important than my medical studies”, recalls Anna Młynik-Shawcross, a retired psychiatrist based in Britain since 1985 – the year when she arrived here as a political refugee. Anna reflects on the times after the strikes in the shipyard ended and she graduated from the medical school. “However, I decided to follow medicine instead of getting involved as the unions’ activist”, she confirms. But how does this story begin? The interview with her is meant to deepen the present understanding of diverse roles women played in the 1970s-1980s Polish underground publishing.
Anna Młynik-Shawcross in her home (photo by Olga Topol).
Anna, born in 1955 in Gdańsk, first became involved with the democratic anti-communist movement at the beginning of her Medical School years, in the winter of 1976. When the communist government pushed for changes in the Polish constitution of the time, Anna, alongside a small group of Gdańsk students, joined the movement which started with signing the protest letters against those changes. In the summer of the same year the famous strikes began in Radom and Lublin and spread all over the country, while lots of people lost their employment. At that time the famous ‘Committee for Social Self-Defence’ (KOR) was set up. “I was able to get the list of names of the workers who were sacked [so that they could be helped by KOR]”, recalls Anna. In the years 1977-1978, she was part of the ‘Movement for the Defence of Human and Civic Rights’ (ROPCiO). She was a founder member of the Student Solidarity Committee set up in Gdańsk in November 1977 and was involved in organising student discussion groups and helping those persecuted by the Communist regime.
Around the same time, one of the first printing machines intended for the independent underground printing of works by authors censored by the regime was shipped from abroad with the help of Jaraczewski family, Józef Piłsudski’s descendants. Anna remembers the times she spent printing leaflets and the establishment of an underground periodical Bratniak published by the ‘Movement of Young Poland’, a Free Trade Union periodical called Robotnik Wybrzeża, as well as the first independent publishing house involved in distributing books across the country, Nowa.
An example of an underground publication, Kazimierz Brandys, Miesiące, (Warszawa 1980) Sol. 241w.
“I was in contact with them and was involved into distribution of books across Poland. They had to be well protected, so we had to have a network of people. We would distribute them through friends, all just through networks”, recalls Anna. Distribution of printed material posed challenges, with private flats acting as places of conspiracy. In the following years, Anna contributed to nothing less than the establishment of a new publishing house, Klin. Together with a small group of friends they set the ambitious goal of about 3,500 published books to be published, and worked tirelessly towards it. Still today she recalls, not without excitement, getting a ‘Western’ paper trimmer, as well as gaining the support of a bookbinder.
“It started with my money that I earned working as a student abroad”, Anna recalls, “We needed a lot of paper, but you couldn’t simply go into a shop and buy tons of paper. So we were going to different shops and buying small amounts.” The printing was primitive, primarily in the offset technique. “We got the paint and were spending hours and hours copying books”, adds Anna, a 2009 recipient of an Order of Polonia Restituta. Now, let us look again at the initial number mentioned above: 97 female writers? What about the women behind the scenes?
Anna expands on female involvement in the opposition movement, including the free press. Although often reluctant about such contribution because of concern for the welfare of their children, especially at that challenging time, many women were involved. She and Magda Modzelewska were involved in Gdańsk’s Student Solidarity Commitee. Joanna Duda-Gwiazda and Alinka Pieńkowska belonged to the Wolne Związki Zawodowe trade unions, which published journal Robotnik Wybrzeża. Finally, Bożena Rybicka, Małgorzata Rybicka, and Magda Modzelewska supported the journal Bratniak: “Małgorzata Rybicka was writing articles in Bratniak, while Magda Modzelewska was involved into editing and publishing”, recalls Anna.
Back cover of Marguerite Duras Kochanek (Siedlce, 1987) Sol.235j. featuring a dedication to female colleagues working in the independent publishing movement.
Any involvement in the opposition’s fight for democracy and freedom of speech involved high risk and intimidation. Secret police employed numerous tactics, including arrests, house searches, sending anonymous letters with false information and all kind of threats. “One day my parents received an anonymous letter informing them that I was under the influence of drug addicts and that [my parents] should put pressure on me to disengage from the opposition. My parents were threatened that they would lose their employment. Also, for me, getting a job was hard, especially locally”, she recollects.
Friendships developed during her involvement with underground publishing, which were based on enormous levels of trust to support the clandestine activities. She reflects upon the fact that most of the people involved in the opposition groups belonged to the intelligentsia: “After Wałęsa joined the movement it was a bit easier to reach the working-class people. But they were being persecuted”.
The fascinating conversation goes on for hours. Initial conclusions drawn from limited research done so far into women in Poland’s ‘second circulation’ go down the drain. And with that emerges a richer picture: that of publishing houses which, although dominated by men, could not have accomplished their mission fully without female efforts around printing and distribution of illegal pro-democratic materials. And so, a brisk December morning spent in a quiet Hampshire town can alone paint a fascinating picture of women working alongside men to help true information reach larger numbers of Poles during the Cold War. Imagine what could more such encounters, and digging deeper into the potential of oral history, bring to surface.
Agata Piotrowska, Doctoral Fellow 2024, Slavonic and East European collections
Further reading:
Wojciech Chojnacki, Marek Jastrzębski, Bibliografia Publikacji Podziemnych w Polsce. Tom Drugi, 01 I 1986 – 31 XII 1987, (Warszawa: 1993). YA.1994.a.5556
Ann M. Frenkel, Paweł Sowiński, Gwido Zlatkes, Duplicator underground: the independent publishing industry in Communist Poland 1976-89, (Bloomington, Indiana: 2016). YD.2017.a.460
Józefa Kamińska (real names: Władysław Chojnacki, Wojciech Chojnacki), Bibliografia Publikacji Podziemnych w Polsce, 13 XII 1981 – VI 1986, (Paris: 1988). 2725.e.184
Shana Penn, Solidarity’s secret: the women who defeated Communism in Poland (Ann Arbor, Michigan: 2005). YC.2007.a.10368
24 August 2024
A short selection of new Ukrainian books to mark the Independence Day
On this day, Ukraine celebrates the 33rd anniversary of its independence. On August 24, 1991, the Act of Declaration of Independence of Ukraine was adopted by the Supreme Soviet of the Ukrainian SSR. Following international recognition and the dissolution of the Soviet Union, Ukraine became de facto a sovereign state in December of that year.
Today, on the 914th day of the full-scale Russian invasion, Ukraine is still bravely defending its independence and existence. Against all odds, publishing in the country is getting stronger. Only in 2023, 270 new publishers appeared on the Ukrainian book market, and book production increased by 73% in 2023 compared to 2022. According to the Ukrainian Book Chamber, as many as 6,951 monographs and brochures were published in the first half of 2024. In this blog, I would like to mark Ukrainian Independence Day by featuring a small selection of books that we received in the latest consignment from our vendor in Ukraine.
One of the most striking titles we have acquired is a posthumous edition of Viktoriia Amelina’s poetry Svidchennia (‘Testimony’) (Lviv: "Vydavnytstvo Staroho Leva", 2024). In April 2023, Viktoriia visited the British Library and took part in a panel discussion on the role of writers during times of war. Some readers of this blog might remember her passionate and emotional presentation. Viktoriia Amelina died on July 1, 2023, as a result of injuries received in a Russian missile attack on Kramatorsk. You can watch a recording of the event in her memory organised by the Ukrainian Institute in London and the British Library here.
Cover of Svidchennia by Viktoriia Amelina
In her short interview with the Ukrainian online media Chytomo.com, the head editor of the publishing house Vydavnytstvo Staroho Leva Sofiia Cheliak commented on their decision to choose illustrations to complement Viktoriia’s poetry: “we wanted [the illustrations to convey] sacredness, for me it was the only possible option for the illustration, so that it sounded in unison with the poetry. Looking at the layout, we realized how much it was the right decision <...> This book is what my broken heart looks like."
One of the poems in this book is titled A word in the dictionary (Future), and it reads:
Future – is what we ask
each other about in silence:
Do you see it?
Can you see it?
Here she asks and explains:
because I don’t see it, I don’t.
She squints.
Recently – she says, –
I’ve started seeing a little bit of
“tomorrow”, and beyond that – nothing.
And all the way to the end of her darkness we are walking through the sunny
Obolon: two women
and a dog.
(Translation: Katya Rogatchevskaia)
In 2021, Viktoriia organised the first literary festival in the small town of New York in the Donetsk region. She suggested the theme “De-occupation of the Future” for the following one, but it appears to be even more relevant for the post-war times. Apparently, today the town is under Russian occupation. We strongly believe that the festival will soon return to Ukrainian New York, where people will rebuild their future and remember Viktoriia's life and legacy.
Another book that stood out to me is Pisnia vidkrytoho shliakhu (‘Song of the Open Road’) by Artem Chekh (Chernivtsi, 2024). At the beginning of the full-scale Russian invasion, the author, who took part in the war in Donbas in 2015-16, joined the Ukrainian army. The new book was presented at the International Literary Festival Meridian Czernowitz held in Chernivtsi.
Cover of Pisnia vidkrytoho shliakhu by Artem Chekh
As literary critics tell us in their reviews, the book is about a war, but not about the current war, as readers might expect. The action takes place in the 19th century, and the main character is a former serf from the Russian Empire who is trying to escape from his master. His adventures take him through Europe, Great Britain and eventually to America, where he finds himself just before the start of the Civil War. Critics agree that the symbolic meaning of the novel is a long, difficult, bloody, but open road to freedom and identity.
Among research publications, I would like to single out a new fundamental chronological overview of Ukrainian visual arts by two prominent Ukrainian art historians, Paola Utevs’ka and Dmytro Horbachov, Budynok iz levamy: Narysy istorii ukrains'koho vizual'noho mystetstva XI–XX stolit' (‘The House with Lions: Essays on the History of Ukrainian Visual Arts, 11th -20th centuries’) (Kyiv: Vydavnytstvo "Dukh i Litera", 2024).
Cover of Budynok iz levamy: Narysy istorii ukrains'koho vizual'noho mystetstva XI–XX stolit' by Paola Utevs’ka and Dmytro Horbachov
The monograph focuses on the formation of the main artistic movements and techniques and touches on all visual arts, from architecture to book illustrations and graphic design. It is also important that the authors analyse primarily artworks located in Ukraine, among them works by Taras Shevchenko, Petro Levchenko, Mykola Pymonenko, Oleksandra Ekster, Oleksandr Bohomazov, Anatol Petrytskyi, Oleksandr Arkhipenko, and Kazimir Malevich. This book is especially timely now as the world is making the acquaintance of Ukrainian art from a new perspective, for example, through the current exhibition at the Royal Academy of Arts ‘In the Eye of the Storm’.
In this blog, I have highlighted just three titles out of over 300 received in the last five months. The books are being processed, and we are working hard to make them available to our readers as soon as possible.
Ukrainian books awaiting processing by our cataloguing team
Meanwhile, I would like to draw your attention to a recent publication by Vernon Press. In June 2024, they released a volume edited by Lada Kolomiyets and titled Living the Independence Dream: Ukraine and Ukrainians in Contemporary Socio-Political Context. We will make sure to add this important contribution to our collections.
Katya Rogatchevskaia, Lead Curator East European Collections
30 July 2024
Defiance on the World Stage: Czechoslovak Protests and the Olympic Games
In November 1959, Frank Vadasz, a former citizen of pre-war Czechoslovakia, wrote to Josef Josten, a renowned Czech journalist in exile in London. In his letter, conceived a few months ahead of the Winter Olympic Games in Squaw Valley (now Palisades Tahoe), California, Vadasz asked Josten to lobby the US Postmaster General, Arthur Summerfield, to make a certain stamp official postage for the Olympic Games. Vadasz had heard that in March 1960, the US would issue two stamps depicting Tomáš Garrigue Masaryk, a pre-war statesman and father of Czechoslovak independence, as a champion of liberty. He wanted the stamp to be printed earlier to coincide with the Games and make it the only stamp available in the Olympic Village. He argued: “It would be great propaganda by the US Post Office and a slap in the face to the Czechoslovak communist regime if all the participants of the games had to write letters home with a Masaryk stamp (and the Olympic symbol). The Czechoslovak post would not be able to return such letters!” Unfortunately, Vadasz’s plan did not work, and the stamps were issued in March as planned. However, there were other, more successful, Czechoslovak attempts to use the Olympics as a platform for protest before and after Vadasz’s plot.
A letter from Frank Vadasz to Josef Josten, Josten Collection of Second World War Government in Exile material formed by Josef Josten (1913-1985), donated to the British Library Philatelic Collections in 1986.
Marie Provazníková, coach of the Czechoslovak women’s gymnastics team at the 1948 Summer Olympics in London, where her team won the gold medal, decided to defect to protest the lack of freedom following the 1948 coup d’état by the Communist Party of Czechoslovakia. An activist in the Sokol Movement and a believer in democracy, she was a supporter of former president Edvard Beneš. Provazníková joined a group of six Czechoslovakian and two Hungarian Olympic team members who refused to return to their homelands. After settling in the USA, she continued to work actively for Sokol, promoting its ideals and writing about its history and principles.
Miroslav Tyrš and Jindřich Fügner, co-founder of Sokol. Illustration from Josef Kučera, Dějiny tělocvičné jednoty Sokol v Londýně : o předběžným pojednáním o minulých spolcích londýnských (Prague, 1912), RB.23.b.8302
The 1968 Summer Olympics in Mexico City witnessed another story of resilience and quiet protest by Provazníková’s compatriot, Věra Čáslavská. The Czech gymnast became a symbol of defiance against Soviet oppression. Following the Soviet-led invasion of Czechoslovakia, Čáslavská faced many challenges. Her training facilities were seized, forcing her to improvise her regimen in the forests of the Hrubý Jeseník mountains: she lifted potato sacks for weights and balanced on logs as beams, trying to maintain her peak condition.
Cover of Vratislav Blažek, Věra Čáslavska. (Prague, 1968), X.441/1143
An outspoken critic of Communism, during Prague Spring, Věra signed the ‘Two Thousand Words’ manifesto protesting the Warsaw Pact troops’ invasion of Czechoslovakia. This act of defiance forced her into hiding in a remote mountain hut at Vřesová studánka, only securing her passage to the Olympics at the last moment. Despite everything, Čáslavská dominated the 1968 Olympics, winning medals in all six events.
Čáslavská's achievements were particularly poignant because of the political turmoil in Czechoslovakia. During the medal ceremonies, she protested the occupation with a symbolic gesture while standing on the podium alongside a Soviet competitor: she turned her head away and looked down while the USSR’s anthem was playing, showing her defiance against Soviet politics. Věra’s was not the only act of defiance in Mexico, with Tommie Smith and John Carlos’s black power salute from the podium being one of the most iconic images engraved in history.
Cover of Harry Blustein, Games of discontent: protests, boycotts, and politics at the 1968 Mexico Olympics (Montreal; Kingston; London; Chicago 2021), YC.2022.a.5826.
After the Velvet Revolution, Čáslavská became an advisor to President Václav Havel and the chairwoman of the Czechoslovak and later the Czech Olympic Committee, further solidifying her legacy as both a sports icon and a symbol of resistance.
The Olympic Games have long been a stage for athletes to promote democratic values and protest oppressive regimes. Although officially Rule 50 of the Olympic Charter states that “no kind of demonstration or political, religious or racial propaganda is permitted in any Olympic sites, venues or other areas,” the Games highlight the power of sports as a platform for advocating democracy and human rights. In Beijing in 2022, just before Russia’s full-scale invasion, Vladyslav Heraskevych flashed a blue-and-yellow sign reading “No War in Ukraine” after competing in a skeleton race for his country. Although the Games are apolitical in principle, the Olympic spirit goes beyond competition and includes a commitment to global justice and freedom.
Olga Topol, Curator Slavonic and East European Collections, with thanks to Richard Morel, Curator Philatelic Collections
Further reading:
‘Ord om frihet. Två dokument från Tjeckoslovakiens folk. Två tusen ord och Medborgarnas budskap’ = ‘Dva tisíce slov.-Poselství občanů předsednictvu ústředního výboru komunistické strany’ (translation: Eva Lindekrantz and Ulla Keyling), in: Literarní Listy: týdenník věnovaný literatuře, uměni, poučení a zábavě. Redaktorové: F. Schulz a ... E. Grégr, no 1-3. (Gothenburg, 1968) X.708/6288
Josef Kučera, Dějiny tělocvičné jednoty Sokol v Londýně: o předběžným pojednáním o minulých spolcích londýnských, Praha 1912. RB.23.b.8302
International Olympic Committee, Olympic Charter (Lausanne?, 1991) 6256.404730
26 July 2024
How the Polish nobility and a "little Russian [? – Belarusian!] girl" shaped Belarusian sports
As we know, Russian and Belarusian athletes will not take part in the opening ceremony of the 2024 Olympics in Paris. The International Olympic Committee has banned athletes from both countries following Russia's invasion of Ukraine in February 2022. Nevertheless, some sportsmen from Russia and Belarus have been allowed to compete as AINs (Individual Neutral Athletes). Unfortunately, totalitarian regimes weaponise sports and international competitions to promote their own narrative of superiority and success. At the end of the blog, I will offer several titles that might be of interest to those readers who would like to learn more about the research in sports, politics and society in Belarus and beyond. Before that, however, I would like to relive the best moments associated with sports in Belarus and find out more about the individuals linked to the Belarusian land who made lasting contributions to the Olympic movement.
The first person I would like to mention was not a sportsman but an engineer - Zygmunt Mineyko (Greek: Ζigkmοynt Μineiko). A Polish-Lithuanian nobleman, born as a Russian Imperial subject in the territory of present-day Belarus, he lived and worked in France and the Ottoman Empire and then settled in Greece. Mineyko was imprisoned and sent to Siberia for fighting for Polish independence in the 1863 January Uprising. He later wrote a book about these years, From the Taiga to the Acropolis.
Zygmunt Mineyko, Z tajgi pod Akropol: Wspomnienia z lat 1848-1866. (Warsaw, 1971) X.808/7446.
Mineyko was born in the region of Hrodna, which later became one of the major centres of Belarusian sports. After moving to Greece, he served as a chief engineer for the country's Public Work Ministry and took part in constructing the Olympic facilities for the first modern Olympic Games in 1896. He was one of the engineers responsible for restoring and refurbishing the Panathenaic Stadium, which hosted the Games that year.
Panathenaic Stadium. (Image from Wikimedia Commons)
In 1888, three years before Mineyko settled in Athens, another man destined to leave a mark on the history of the Olympic Games was born in Hrodna. Karol Rómmel (Russian: Karl Rummel, German: Karol von Rummel) was the son of the Russian Imperial Army general Karol Aleksander Rummel. He followed in his father's footsteps and joined the ranks of the Russian Army. Karol studied in Odesa and Saint Petersburg and soon became interested in equestrian sports. He took part in the 1912 Olympic Games in Stockholm as a member of the Russian team.
Report on the Olympic Games published in the magazine Russkii sport. 1912, No 28 (8 July). P. 7. Digital copy of the Russian State Historical Public Library
The above report mentions the results but does not tell the dramatic story behind Rómmel’s Olympic performance. Almost at the end of the track, his horse Ziablik caught a beam and fell, crushing his rider. Despite the serious injuries, the sportsman managed to get back into the saddle and finish the race.
The section on Riding Competitions from The Olympic Games of Stockholm 1912 Official Report. (Stockholm, 1913) 7904.e.2. Available online via the Digital Olympic Official Reports Collection.
After the Russian Revolution, the athlete changed his surname from Rummel to the more Polish-sounding Rómmel and joined the Polish Army in its fight against Bolshevik Russia. The next Olympic Games he participated in were held in Paris (1924) and Amsterdam (1928), where he, together with Józef Piotr Trenkwald and Michał Antoniewicz, claimed the bronze for Poland in team competitions.
Photograph of K. Rómmel from The Olympic Games of Amsterdam 1928 Official Report accessible at
Digital Olympic Official Reports Collection
The first Olympic medal for Belarusians — as part of the USSR team — was silver, awarded in 1956 to hammer thrower Mikhail Krivonosov (1929-1994). In 1976, Elena Novikova-Belova (b. 1947) became the first female fencer to win four Olympic gold medals. Although born in Khabarovsk Krai in the Russian Soviet Socialist Republic, she spent much of her career in Belarus and became the Honoured Trainer of Belarus in 1994. A native of Minsk, Sviatlana Bahinskaia (b. 1973, lives in the USA) is one of the few world-class gymnasts who competed in three Olympic Games. She was a member of three Olympic teams: USSR (1992, Seoul), The Unified Team of former Soviet republics (1992, Barcelona) and Belarus (1996, Atlanta). The first gold Olympic medal for independent Belarus was won in rowing by Katsiaryna Khadatovich-Karsten (b. 1972, lives in Germany). She is a two-time Olympic and six-time World Champion in the single scull.
But of course, the legend of Soviet Belarusian sports was Olga Korbut, born in Hrodna in 1955. Although her professional career in sports lasted only for eight years, as she retired from gymnastic competition at the age of 22, Korbut’s influence and legacy have been profound. The hero of Soviet and Belarusian sports is now a US national. She left Minsk in 1991 and has lived in the USA for almost as long as in the Soviet Union. Although much research has already been done on the Korbut phenomenon, she remains the focus of academic projects. As Timur Mukhamatulin concluded in his article on women’s gymnastics and the Cold War, “Korbut’s image was so influential for American sports followers that, in 1994, long after she had retired, and in the wake of the Soviet Union’s collapse, Sports Illustrated included Korbut in its list of forty athletes who had altered sports over the course of the magazine’s forty years of existence. An article honouring Korbut declared that ‘this little Russian girl’ put a ‘different, human face on her Communist country.’”
Olga Korbut at the 1972 Olympics on an Azerbaijani stamp (Image from Wikipedia)
Katya Rogatchevskaia, Lead Curator, East European Collections
Further reading:
[Please note that because of the recent cyberattack on the British Library, not all titles are currently available in our reading rooms. The BL is working hard to restore access, and you can find information and updates here]
Sport and international politics: [the impact of fascism and communism on sport], edited by Pierre Arnaud and James Riordan. (London, 1997) ELD.DS.22220
Sport, Culture, and Ideology, edited by Jennifer Hargreaves. (London, 2014) X.529/52184
George Harvey Sage, Globalizing Sport: How Organizations, Corporations, Media, and Politics are Changing Sports. ([London], 2015) ELD.DS.41952
Race, Gender and Sport: the Politics of Ethnic Minority Girls and Women, edited by Aarti Ratna, Samaya F. Samie. (London, 2017) ELD.DS.186619
Aristea Papanicolaou-Christensen, The Panathenaic Stadium: its History over the Centuries. (Athens, 2003)
Londa Jacobs. Olga Korbut: Tears and Triumph. ([S.l., 1974) 81/5549
Justin Beecham, Olga: Her Life and her Gymnastics ... With photographs by Alan Baker and others, and illustrations by Paul Buckle (New York, [1974]) X.611/3888
‘Olga Korbut and the Munich Olympics of 1972’, in Cold War Cultures: Perspectives on Eastern and Western European Societies, ed. by Annette Vowinckel, Marcus M. Payk, Thomas Lindenberger (New York, [2012]) YC.2013.a.328, Chapter 5
Timur Mukhamatulin, Women’s Gymnastics and the Cold War: How Soviet Smiles Won Over the West. Jordan Centre Blog, published on 16 February 2023
Rebekka Lang Fuentes, Olympism and Human Rights: A Critical Analysis Comparing Different National Olympic Education Programmes in Europe. (Wiesbaden, 2022) Online resource (subscription only)
12 July 2024
Bulgarian minorities’ culture in the 20th century
The Endangered Archives Programme project on Bulgarian minorities’ culture in the 20th century has created a digital archive which documents the traditions and customs of minority communities in Bulgaria.
Karakachan family in front of their 'Kaliva' thatched winter cabins in Karnobat region, Bulgaria. 1950. EAP500/1/1/2.
The objective of the project was to improve the accessibility and exposure of this digital archive to a wider audience of researchers and stakeholders.
A Tatar-Turkish family celebrates the national holiday May Day in pre-1989 Bulgaria on the 1st of May in their village of Vardim, located in the Svishtov region in 1957. Their daughter, looking on and dressed as a young pioneer in a red scarf, represents a new generation of Bulgarian people. EAP500/13/3/1.
The project focused on various ethnic and religious communities in Bulgaria, including Turks, Tatars, Pomaks, Jews, Armenians, Old Believers, Alevis, Aromanians, Karakachans, and Vlachs. This project continues the work initiated in the previous project, which was smaller in its scope.
Turkish families celebrate the holiday of ‘Trifon Zarezan’, also known as the holiday of the grapes and wine. 1967. EAP500/13/3/11.
The captured documents serve as valuable sources of information regarding the cultures and traditions of the Bulgarian minority communities, which were often obscure beyond the confines of their respective regions.
Turkish women during grape harvest in the village of Novgrad (mixed Bulgarian-Turkish village) in Svishtov region. 1963. EAP500/13/3/17.
The project’s investigations have uncovered these images in private and local government collections. The project established that local archives didn’t hold these types of records. This deficiency primarily stemmed from the mono-centric state policy, which historically prioritised Bulgarian ethnic tradition and culture to the exclusion of minority groups.
Traditional Turkish dresses presented by Turkish women part of the Turkish group ‘Berlik’. 1950s. EAP500/13/3/122.
These communities, both geographically and culturally isolated, frequently experienced marginalisation from mainstream Bulgarian society. Despite this, they continued to preserve numerous traditional elements of their culture, which are passed down through generations.
Karakachans' costumes in everyday life and festive tradition in Karnobat region, Southeast Bulgaria, during the 1950s through to the 1980s period. EAP500/3/1.
The project has surveyed underexplored and little-known aspects of the lifestyles, customs, and rituals of minority groups in Bulgaria. Many of these elements hold significant research value as they retain pre-industrial characteristics, often maintained and practised clandestinely during the socialist era in Bulgaria.
The photo presents Armenian tobacco workers from Haskovo city. 1930. EAP675/9/1/25.
Russian Old Believers and their guests from Romania in Kazashko village. 1950s. EAP675/26/1/45.
Alevi dancers in traditional costumes from Yablanovo village. 1970s. EAP675/1/1/13.
The geographic and cultural isolation experienced by these groups, who remained largely unaffected by modern influences, often resulted in their exclusion from mainstream Bulgarian society. Regardless of this, these communities diligently preserved numerous traditional elements of their culture, which have persistently endured and been passed down from one generation to the next.
In Medovets, a Turkish wedding unfolds as the bride and groom patiently await at the table to receive congratulations, gifts, and monetary blessings from the wedding guests. 1980s. EAP500/12/1/269.
The bride departs for her new home accompanied by her trousseau. 1970s. EAP675/7/1/49.
The project concluded that, prior to 1989, Bulgarian state policies were actively geared towards the forced assimilation of minorities. As a result, the project states, there has been a gradual erosion or deliberate destruction of photographs and photographic collections belonging to various minority communities, with a particular impact on the Muslim minority during the "Revival process" in Bulgaria from the 1960s to the 1980s.
During this period, the Bulgarian state implemented a policy of forced assimilation targeting Muslims, involving the destruction of all official, personal, and family documents verifying their minority identity. Despite these repressive measures and deliberate destruction of archival materials, the project reveals that many documents were covertly preserved, although frequently under unfavourable conditions and in a deteriorated state.
The first public Evangelical protest by Protestants from different parts and churches of Bulgaria for the free manifestation of religion and religious practices in South Park in Sofia. One placard reads: “We want the Nativity of Christ and Easter as public holidays.” 1989. EAP675/47/1/62.
The photo presents Pomak traditional women's costumes from Yagodina village at the local folklore fair. 1970s-1980s. EAP675/46/1/52.
The project has digitised documents that serve as invaluable sources of information about the cultures and traditions of these minority communities, which often remain scarcely known beyond the confines of their respective regions. The digitised copies of the material have been deposited in the Studii Romani Archive at the Institute of Ethnology and Folkloristic Studies and the Ethnographical Museum at the Bulgarian Academy of Sciences, Sofia. The British Library also holds a digital copy of this valuable material.
Milan Grba, Lead Curator South-East European Collections
17 June 2024
Ukraine: A Life in Football
The history of Ukrainian football starts with the establishment of the Odesa British Athletic Club in 1878 by British workers of the Indo-European Telegraph Company. For a number of years, the club functioned as exclusively British. According to the archival documents, the first Odessites – Piotrovskii and Kryzhnovskii, and later a well-known aviator and athlete Sergei Utochkin – joined the club only in 1899. Artem Frankov, a Ukrainian sports journalist, believes that amateur footballers in Odesa actively played outside the official OBAC structure, but the participation of Ukrainians had not been recorded. The first big match, however, was reported in the local press (Odesskii Vestnik).
Lviv became the official birthplace of Ukrainian football. In 1892, with active support from Archduke Franz Ferdinand, it became an integral part of annual fairs aiming to demonstrate achievements in economic and social life. On 17 July 1894, Gazeta Lwowska, in an article about the fair, tried to explain this gymnastic activity as a game where players bounce a ball with their feet.
Screenshot of an article on football in Gazeta Lwowska (Image from https://jbc.bj.uj.edu.pl/dlibra/publication/22161)
The article focuses on the ‘Sokol’ rally, or demonstration of sports competencies by members of a newly formed athletic society. Vasyl’ Nahirnyi, a Ukrainian Galician architect and public figure, was its founder and head, while another educator, publisher, and promoter of sports in Galicia, Volodymyr Lavrivs’kyi, published the first rules of the game in Ukrainian.
It was probably at that time that the term ‘kopanyi m’iach’ started being used to name this game. Abbreviated as ‘kopanka’ (the stress is on the first syllable) – a kicked ball – the term existed in Galicia until the end of the Second World War but never spread to other Ukrainian lands and did not enter the Ukrainian literary language. In a scholarly article on Ukrainian national football terminology of the late 19th and early 20th century, Iryna Protsyk of the National University ‘Kyiv-Mohyla Academy’ comes to the conclusion that “Despite the fact that Ukrainian system of football terminology during the investigated period was in the process of formation, there was certain domination of national football terminology over foreign terms: 75 per cent football names themselves, 23 per cent – loanwords from different languages and 2 per cent hybrid special names.”
Page from Volodymyr Lavrivs’kyi's Kopana
School students started playing football in Uzhhorod (Zakarpattia) in 1893, and the first official match took place on 15 August 1901. The game attracted an audience of 1,000 spectators – a significant part of the town’s population of 14,000 people. The local team lost 0 : 3 to one of the strongest Hungarian teams, the Buda Athletic Club.
Historians think that Czech workers from the machine factory Grether and Kryvanek in Kyiv introduced local workers to football. The first games were recorded on a football pitch opposite the factory in 1900, at present – a site of the National Cinema Studio of feature films named after Oleksandr Dovzhenko.
It is not surprising that football remains popular in today’s Ukraine. Not only is it widely played, but it also is the subject of academic research. The Geographical Faculty of the Ivan Franko National University of Lviv offers a course in the History and Geography of Football.
Even if one is not big on football, it is impossible not to have heard about Valeriy Lobanovskyi (1939-2002), Oleh Blokhin (b. 1952), Ihor Bielanov (b. 1960) and Andriy Shevchenko (b. 1976). All three prominent Ukrainian footballers, at various points trained by Lobanovs’kyi, were honoured with the Ballon d'Or (the Golden Ball), the most prestigious and valuable individual award in football.
Cover of Futbol po-ukrainski by A. Frankov (Kharkiv, 2006) YF.2008.a.10294
In preparing this blog, I have been searching the catalogue for footballers’ memoirs. Unfortunately, our holdings in this area are not strong, and it would be good if we could cover these gaps retrospectively.
Cover of My Life, My Football by Andriy Shevchenko and Alessandro Alciato translated from Italian by Mark Palmer (Glasgow, 2023). Awaiting legal deposit copy
Having said that, I have made an interesting discovery. For the Euro 2012 Championship, Ukrainian writers published a collection Pys'mennyky pro futbol, with contributions from Serhiy Zhadan, Yurii Andrukhovych, Yuriy Vynnychuk and Artem Chekh, among others.
Cover of Pys'mennyky pro futbol (Kharkiv, 2011) YF.2012.a.9453
Artem Chekh joined the Ukrainian army at the beginning of the war in 2015. When the full-scale invasion began, he went back to the front line. Several weeks ago, we learned that Serhiy Zhadan also joined ZSU.
Stories of Ukrainian footballers after a year of war were published in the Guardian in February 2023: ‘The military call and I deliver’: voices from Ukraine's football after a year of war’. A list of names of coaches, players and referees who are still fighting and those who have tragically lost their lives in this war can be found here.
Despite the ongoing war, the Ukrainian national football team is taking part in Euro-2024. They will play Romania on Monday 17, Slovakia on Friday 21, and Belgium on Wednesday the 26. We wish them only beautiful goals and the best of luck!
Katya Rogatchevskaia, Lead Curator, East European Collections
Further reading:
Volodymyr Banias, Lopta : futbolʹni istoriï, zhyttiepysy, statystyka. (Kyiv, 2017). YF.2023.a.2955
Dynamo (Kyïv) : 1927-2007 [ed. Mykola Neseniuk]. (Kyiv, 2008). LF.31.b.5023
Andy Dougan, Dynamo: defending the honour of Kiev. (London, 2001). M01/22988
Oleksandr Kabanets, Piramida : futbolʹni turniry Ukraïny 1910-1940-kh rokiv. (Kyiv, 2022). YF.2023.a.687
Kalendar’ Sokol na rok 1895. (Lvov, 1894) (https://geography.lnu.edu.ua/en/course/history-and-geography-of-football )
Ivan Iaremenko, 100 futbolistiv Lʹvova : persony lʹvivsʹkoho futbolu. (L’viv, 2021). YF.2013.a.23444
Denys Mandziuk, Kopanyi m'iach : korotka istoriia ukraïnsʹkoho futbolu v Halychyni : 1909-1944. (L’viv, 2016). YF.2017.a.23960
Iryna Protsyk, ‘“Kopanyi m’iach uchyt’ boronyty i zdobuvaty”: tematychna klasyfikatsiia ukrains’koi terminoleksyky kintsia XIX – pochatku XX stolittia.’ Visnik Natsional’noho universytetu “L’vivs’ka politekhnika.” Problemy ukrains’koi terminolohii. 2016. N 842. Pp.151-157. (http://tc.terminology.lp.edu.ua/TK_Wisnyk842/TK_wisnyk842_4_procyk.htm )
Valentin Sherbachev, Lobanovskii. (Kyiv, 1998). YA.2000.a.1865
14 June 2024
Can you learn to play football from a book?
With the Euro 24 football championships kicking off tonight, here is the first in a series of blog posts about the beautiful game as reflected in our European collections. Our first post looks at Hungary’s glory days in the 1950s.
Can you learn to play football from a book? Apparently so, or at least attempts were made in the distant past, like with the 1954 hidden gem entitled Learn to Play the Hungarian Way: a Soccer Manual for Young Footballers Showing the Methods Used by the Hungarian Champions.
The title page of Bukovi & Csaknády’s Learn to Play the Hungarian Way (Budapest, 1954) 7919.bb.56.
What may sound even more surprising for some, in this slim volume Hungarians set out to teach the English-speaking world the tricks of the game. Others may of course be fully aware that 70 years ago Hungarian football was really a phenomenon to take notice of, the national side having won gold at the 1952 Helsinki Olympics. The next year they defeated England 6:3 at Wembley in the ‘Match of the Century’ and 7:1 in Budapest in 1954. Although favourites for the 1954 World Cup in Switzerland, Hungary came second behind West Germany there, but only after convincingly beating the likes of Brazil and Uruguay on their way to the final. Such a series of major football successes and their heroes like Puskás must have been hugely inspirational for the Hungarian people in so many ways, especially during the bleakest Communist period of the fifties.
Full time at the Hungary v England on 23 May 1954 in Budapest. Image by FORTEPAN via Wikimedia Commons (CC BY 3.0)
Against this backdrop, the book was written by two coaches and, like the original, its English translation was also published in Budapest. It explains all the elements of the Hungarian game style from the various types of kicks through ball control, feints and tackles to shots and headers, not leaving out goalkeeping either. Tactics occupy a separate chapter, while sample training schedules to help reach one’s optimal fitness level are offered at the end.
The game has obviously developed and changed a lot since then, so perhaps not many young footballers would want to learn to play competitively from this book nowadays, but contemporaneous works like it certainly give researchers and interested fans a historical perspective by recording different stages of and some notable contributions to that development.
Demonstrating the skills in the photographs throughout the book are members of the ‘Golden Team’ itself.
When ‘diving’ in football was more innocent: the ‘pike dive’ illustrated in Learn to Play the Hungarian Way
The introduction was penned by Jimmy Hogan, who, before ending his career at Aston Villa just as the Second World War began, had managed a wide range of European clubs, including MTK Budapest from 1914-1921 and again from 1925-1927. So it all came full circle: an English coach instilling his advanced methods in Hungary and decades later the Hungarians teaching others!
From the 1970s, football in Hungary went into a long and painful decline, but recent signs of improvement have been giving cautious glimmers of hope again, including now at the 2024 Euros. Who knows, maybe this time…?
In the British Library’s Hungarian Collections we hold many other football-related items, just two quick examples here:
Covers of Iván Hegyi, Magyarok nagy pályán : a labdarúgás legendái (Budapest, 2015) YF.2016.b.2107 and László Hetyei, Magyarok a labdarúgó Európa-bajnokságokon (Budapest, 2016) YF.2017.a.16160
Ildi Wollner, Curator, Central/East European Collections
29 May 2024
Preservation of Roma historical and cultural heritage in Bulgaria
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