The India Office Records and Private Papers, held at the British Library, contains many very interesting documents relating to M K Gandhi and the Indian Independence movement.  Among these is one letter which often attracts comment from visitors to the Library.  This is a letter from Gandhi to Herbert William Emerson, Secretary in the Home Department of the Government of India, and dated 28 August 1931, just prior to his travelling to England to attend the Second Round Table Conference.

First page of letter from Gandhi to Herbert William Emerson, Secretary in the Home Department of the Government of India, 28 August 1931 IOR/R/3/1/289

In the letter, Gandhi criticised the tactics of Government in recent negotiations: ‘This is to tell you how grieved I felt in Simla over what appeared to me to be your obstructive tactics.  I hope I am wrong in my fears and that you were not responsible for the exasperating situation that led to the waste of precious three days.  The securing of a constitution is nothing to me compared to the joy of discovering human contacts by which one could swear'. However, Gandhi was keen to reassure Emerson that he bore him no ill-will: ‘I shall soon forget the sad memories of the past three days and I know you will forgive me if I have unwittingly misjudged you'.  He went on to say that the future filled him with fear and misgivings and warned Emerson that if Government continued to distrust men such as Sardar Patel, Jawaharlal Nehru and Abdul Ghaffar Khan, then an explosion would be almost unavoidable.  He continued: ‘You will most certainly avoid it by trusting them.  I think I know the influence you have.  May I assume your promise to use it right’.

Second page of letter from Gandhi to Herbert William Emerson, Secretary in the Home Department of the Government of India, 28 August 1931 IOR/R/3/1/289

Gandhi ended the letter by saying that he had written freely in the exercise of a privilege of friendship and so hoped not to be misunderstood.  He then explained that ‘My right hand needing rest, I have to write with the left hand.  I could not dictate a personal letter like this’.  It might seem surprising to have such informal and friendly communication with government officials to whom he was so completely opposed.  However, a core component of Gandhi’s philosophy was that a free India must be based on a respect and love which encompassed everyone, even British officials.

Emerson's reply to Gandhi, 1 September 1931 IOR/R/3/1/289

Emerson replied to Gandhi on 1 September and commented: ‘I did not know you were ambidextrous.  May I congratulate you on the excellence of your left hand writing.  It is neater than I can achieve with the right hand’.  He thought it was hard to be accused of obstructive tactics, and assured Gandhi that the Government wished to keep the peace.

John O’Brien
India Office Records

Further Reading:
Correspondence with and noting about Gandhi, 1922-1932, reference IOR/R/3/1/289.
Amar Kaur Jasbir Singh, Gandhi and Civil Disobedience. Documents in the India Office Records 1922-1946 (India Office Library and Records: London, 1980).

 

In the days of the British Empire, North-East India provided temporary homes to a handful of European women, all with a common fascination for the Naga people.  The Nagas are a group of indigenous hill people, of Mongoloid origin, speaking diverse languages who shared a warrior culture prior to the imposition of the British administration.

Apart from the American Baptist missionary, Mary Mead Clark, these women were linked to British government representatives, military or political.  Some left written accounts, the best known being the books of Ursula Graham Bower.  These accounts cover events and comment on the people amongst whom they lived.  As such they have a historical and ethnographic value.  One of these is the diary of Connie Shakespear.  She writes of her time in the Naga Hills in 1900-1902 and includes photographs.  The world of amateur photography had just dawned; hand-held cameras were now available.  She and her husband captured traditional village culture in the Naga Hills, hardly altered for centuries, before the great social and cultural changes brought about by Baptist missions.  This unique record sets Connie’s work apart.

'Gwasen and his protege. Themakodima village. February 1902’ – image copyright of author

Connie comments on graves, dress, custom and ‘court proceedings’. Examples of her observation and description abound, such as:
‘… the unfailing good temper of the people.  I have never yet seen any exhibition of bad temper among them, no children quarrelling or fighting, no angry mothers scolding or cuffing their children, nor, as I say, any quarrelling at all, nothing but good temper and good will’.

'Mithun and group at Ghuckia's village' January 1901 – image copyright of author

Another example: ‘The Judge was a fine old fellow who standing up was haranguing the Court, (lines of men seated opposite him on the opposite bank of the street) and pointing each period of his speech by a violent dig of the spear he held in his hand into the mud in the middle of the street’.

Although Connie held the imperial mindset of her time, her ability to interact with Naga villagers, and with some individuals particularly, show a respect and a feeling for shared humanity.

Ayo and Impi -– image copyright of author

Bidding farewell to Ayo from Tamlu she writes: ‘It was quite touching.  He explained how, having his photo I should go into many countries but could always look at this and say “this is Ayo”.  He expressed his regret in many quaint little ways, and then finally laying one hand on my shoulder, and the other on my chest, with this sort of embrace he turned away, and we went our several ways’.

Moimang and Ayo, Lengta Nagas, Tamlu, February 1902 – image copyright of author

Although not in the same bracket as her cousin John Shakespear (1774–1858), who wrote on the peoples of the Lushai Hills, Connie’s photographs and writing are interesting for what they tell us of the lives of the Naga people then.  Her diary shows her love for the Naga Hills and enduring respect and feelings for the Naga people which she shared with the other ladies, notably Ursula Graham Bower, Mildred Archer and Mary Clark.

CC-BY
Nigel Shakespear
The Highland Institute, Fellow

Creative Commons Attribution licence

Further reading:
Connie Shakespear, The Diary of Connie Shakespear The Naga Hills 1900-1902 (Highlander Press, 2021)
Ursula Graham Bower, Naga Path (John Murray, 1950)
Mary Mead Clark, A Corner in India (American Baptist Publication Society, 1907)

 

On 30 December 1776 the Sherborne Mercury carried an advertisement for ‘a proper New-Years Gift for every Maid Servant’.  Employers were encouraged to buy Madam Johnson’s Present: Or, Every Young Woman’s Companion, in useful and universal Knowledge.

Advert for Madam Johnson's Present - Sherborne Mercury 30 December 1776 (British Newspaper Archive)

Madam Johnson’s Present was first published in 1753 and had reached its seventh edition by 1776.  The compiler kept the price low ‘out of her benevolence’ (1s 6d in 1776), and the book was said to contain twice as many pages as were usually sold for that amount.

 

Contents page for the fourth edition of Madam Johnson's Present 1770

The companion claimed to be the ‘Completest Book of the Kind ever published’.  It opened with a preface reflecting on the duties of servants, who should ‘take into their serious Consideration that low State of Life in which Providence has placed them, and the several little menial Offices, which they must, and ought without Reluctance, to perform’.  Servants should be grateful to their superiors who employed them, and be ‘very Industrious, Faithful, and Honest in every Trust reposed in them’.

Madam Johnson's Present - the duties of servants

This was followed by a ten-page ‘Short Dissertation on the Benefits of Learning, and a well-directed Female Education’.

Then came these sections:
• Spelling, reading, writing and arithmetic – this covered the alphabet; diphthongs and triphthongs; syllables; punctuation; writing with a pen; sample letters on different subjects; addition; subtraction; multiplication; division; time; measures for wine, beer, ale, dry goods, cloth and land; weights.

Madam Johnson's Present - 'The Young Woman's Guide to the Knowledge of her Mother Tongue'

• ‘The Compleat Market Woman' - instructions for ‘the judicious choice of all kinds of provisions’ including meat, poultry and game; butter, cheese and eggs; fish and seafood.

• A cook’s guide to ‘dressing’ provisions – roasting, boiling, and frying; cooking vegetables, with a warning about over-boiling greens which destroys their beauty and sweetness.

Madam Johnson's Present - instructions about greens

• A cook’s guide to pickling and potting, pastry and confectionery - making puddings, pies, tarts, gravies, soups (including egg soup), and sausages; baking cakes, gingerbread, macaroons, buns, and wigs (a type of teacake); making cheesecakes, creams, jellies, and syllabubs.

Madam Johnson's Present - how to make an egg soup

• An estimate of the expenditure of a family on the middling station of life – man, wife, four children, and one maidservant.

Madam Johnson's Present - An estimate of the expenditure of a family on the middling station of life – man, wife, four children, and one maidservant.

• The Art and Terms of Carving Fish, Fowl, and Flesh e.g. ‘Disfigure that Peacock’, ‘Splat that Pike’.

Madam Johnson's Present - terms for carving meat poultry game and fish

• A bill of fare for every month of the year for dinner, supper, and special occasions.
• An instructor for the correct spelling of words used in marketing, cookery, pickling, preserving etc.
• Plain and necessary general directions to maidservants - practical advice for the daily duties of housemaids, kitchenmaids, laundrymaids, and chambermaids, instructions on how to kill rats, bugs, and fleas, and clear flies and gnats; how to protect poultry from foxes and weasels; and a remedy for toothache and and ‘Scurvey in the Gums’ which involved a butcher’s skewer and gunpowder.

Madam Johnson's Present - treatment for toothache and scurvy in the gums

• Useful tables of information, including one for the most ‘familiar’ names of men and women. I was not expecting some of those listed for men – Sigismund, Caesar, Dunstan, Urban.

Madam Johnson's Present - most familiar names of men and women

Happy New Year! Time to celebrate with a bowl of egg soup and a wig.

Margaret Makepeace
Lead Curator, East India Company Records

 

On 27 December 1833 the Morning Post reported a spate of thefts in London.  Thieves had been targeting food being delivered for Christmas dinners – joints of meat, fish, turkeys, hares and pheasants.

Butcher's boy from London Characters drawn by Horace William Petherick, Image courtesy of Bishopsgate Institute.

These ‘market scamps’ noted houses had taken in a delivery and then, with a tray on their shoulder, knocked at the door.  They told the servant that an inferior cut had been left in error and that they would substitute the correct sort in a few minutes.  The servant, glad that the mistake had been detected, nearly always handed over the meat.  The thieves then quickly sold it to a new customer.

A family in Bishopsgate Street had been robbed of turkey and a piece of beef by a man looking like a butcher.  One man, who had pawned his watch to give his children an extra treat on Christmas Day, had the joint stolen and so had to make do with a couple of sheep’s heads.

However, Mr Willoughby of Bishopsgate Street had read about the scam in the newspapers.  When a man knocked at his door and told his servant that the wrong beef had been delivered, Willoughby seized him and handed him over to a law officer.

The prisoner gave his name as James Smith.  He was remanded in custody so that those who had been robbed of their Christmas dinners could come to ’look at him’.

Margaret Makepeace
Lead Curator, East India Company Records

Further Reading:
British Newspaper Archive – also available via Findmypast

Enjoy puzzles?  Try researching women hand bookbinders in the early 1900s!  ‘Lady binders’ was a hot topic in newspapers, but they tended to work for a restricted period, their careers cut short by various events including marriage (which usually involved a change of surname) and the social and economic upheavals of the First World War.

In careers articles and exhibition reviews, women binders are often referred to as ‘Miss’ plus surname.  Miss M. Marshall, the binder of Library’s newly acquired copy of William Morris's Poems (1908) has proved difficult to research, but we can reveal her identity.

Gold tooled green goatskin binding by M. Marshall on William Morris, Poems, 1908 (shelf mark to be assigned).

In an electoral register for London’s Holborn 1907-1908, a Maud Marshall is shown as joint occupier of a shop at 6 Denmark Street with Edith Gedye, who was a bookbinder.  Maud’s residential address is given as 18 Blomfield Street, Paddington. Through this address, Maud Marshall the bookbinder can be linked to her siblings Mary Crawford Marshall and Angus McPherson Marshall who were living there at the time of the 1911 census.  Mary was born in Yokohama, Japan.  In 1911, bookbinder Maud Marshall was living in Claygate, Surrey, and her place of birth was Japan.

Emily Maud Marshall was born on 12 January 1869 in Yokohama, the daughter of merchant William Marshall and his wife Clementina Strachan née McLean.  Her father died suddenly at Yokohama on 4 September 1873 and the family returned to England.  Clementina died in 1900.

Based in London during the first decade of the 20th century, Maud Marshall worked as a bookbinder in collaboration with Edith Gedye.  Their binding styles were influenced by William Morris and T. J. Cobden-Sanderson's Arts and Crafts movement (as were many contemporary hand binders) but it is not known who taught them.  The pair exhibited their bindings at Arts & Crafts Exhibition Society shows in 1903 and 1906.  From 1904 to 1907, the book seller Bain helped them sell their work.  Newspaper articles indicate that they submitted their bindings to many amateur and professional competitions, and they regularly received first prizes, certificates and honorable mentions.

Arts and Crafts Exhibition Society - catalogue of the seventh exhibition, the New Gallery, 121 Regent St. 1903. Images from Internet Archive. Digitised book from the collections of the Archive of Art and Design, Victoria and Albert Museum, uploaded by V&A staff.

Maud Marshall contributed a piece on bookbinding to The Fingerpost. A guide to the professions and occupations of educated women first published in 1906.  She wrote: ‘Of the many careers opened of late years to women, bookbinding is perhaps the one most attractive in point of interest, combining as it does physical, mental and artistic effort.  Whether it is a lucrative career must depend entirely upon the individual’.

A career in artistic bookbinding could certainly be an uphill struggle for women, as emphasised in this article from The Queen.

The Queen 28 May 1910 p.42 British Newspaper Archive

Gedye and Marshall offered lessons in bookbinding.  This not only provided an increased income stream for the business but also gave experience to those not otherwise able to learn the craft (notably women who were not usually eligible for apprenticeships).  They also devised a way of obtaining patronage from country house owners by offering to bind together family correspondence and supplying albums to be used for visitors’ books.

Country Life 19 December 1903 lxiv British Newspaper Archive

In 1910 the pair begun to work independently, with Edith moving to Bristol.  Maud continued to rent business premises in London, but in the 1921 census she is listed in Ware, Hertfordshire, ‘not occupied for a living’.  She died in Aldingbourne, Sussex, on 25 March 1940.

Lower turn-in with signature of M. Marshall.

P J M Marks, Curator, Bookbindings
Margaret Makepeace, Lead Curator East India Company Records

Further reading:
Marianne Tidcombe, Women Bookbinders 1880-1920, 1996
The Fingerpost: A Guide to the Professions and Occupations of Educated Women, with Information as to Necessary Training (London: Central Employment Bureau for Women and Students, 1906.)
See also British Library C.188.a.412. In an early twentieth century English brown goat skin binding tooled in gold and onlaid. Signed: M & G 1905 [i.e. Miss Marshall and Edith J. Gedye]
British Newspaper Archive

 

As a volunteer house guide and researcher at the National Trust property Calke Abbey, I’ve been researching the origins of a historically significant state bed, perhaps the most renowned and prominent object at Calke Abbey.

The State Bed, with colourful Chinese silk hangings at Calke Abbey, Derbyshire. Image 48533. NTPL Commissioned (NTPL). ©National Trust Images/Mark Fiennes. Image courtesy of National Trust.

The bed features near-perfect embroidered silk hangings.  The vivid blue outer curtains, embroidered with silk, gold thread, and accents of peacock feathers, depict birds, dragons, butterflies, and trees, standing in striking contrast to the soft ivory silk interior adorned with enchanting designs of human figures, blossoming foliage, and wildlife.

The bed remained uninstalled when the estate was gifted to the National Trust in 1985.

My current research is re-evaluating the origins of the state bed.  I am examining physical characteristics of China trade silks, regional embroidery traditions, archival records, and locations where Chinese silks were traded and workshops where the silks were embroidered.  Part of a working theory explores possible connections to the East India Company (EIC) as part of the bed’s history.  I began my research by selecting a handful of EIC ships believed to be from the period of the state bed.

During the process, I came across an unexpected treasure: a journal from a 1709-1712 voyage of the ship Rochester, captained by Francis Stanes.  This journal, filled with beautiful handwriting and detailed drawings, chronicles the captain’s journey from England to China and back.

Journal of the ship Rochester - IOR/L/MAR/B/137B

Captain Stanes’s journal includes sketches of coastlines and wildlife, alongside meticulous notes on weather, his knowledge of navigation, and records of those who died aboard.

Captain Francis Stanes's drawing of the coast of China - IOR/L/MAR/B/137B 

 

Skull and crossbones marking the death of Chief Mate Robert Sheppard on board the Rochester March 1709/10 - IOR/L/MAR/B/137B 

 

Drawing of a fish -  IOR/L/MAR/B/137B 

 

Harbour of Chusan - IOR/L/MAR/B/137B

During my research, Margaret Makepeace, Lead Curator for EIC Records at the British Library, provided me with valuable information.  A letter from the Company directors to Fort St George dated 13 January 1713/14, stated that Captain Francis Stanes would not be employed again because of his mismanagement of the Rochester voyage.

Letter from the Company directors to Fort St George stating that Captain Francis Stanes would not be employed again because of his mismanagement of the Rochester's voyage - IOR/E/3/98 p.140.

Reports had surfaced that goods had been secretly loaded onto the Rochester, with claims that saltpetre had been purchased in Batavia for sale in China—a trade forbidden under penalty of death.

Minutes of the Court of Directors 13 February 1712/13 concerning saltpetre allegedly purchased at Batavia - IOR/B/52 p.311

Third Officer Robert Gardiner offered to provide evidence of fraud.

Third officer Robert Gardiner's offer to provide evidence of fraud in Minutes of the Court of Directors 25 March 1713 - IOR/B/52 p.348

The supercargoes had not kept proper business records (IOR/B/52 p.202).  Although an inquiry was held, the Court Minutes don’t provide a specific verdict; however, the directors barred Captain Stanes from future employment, citing mismanagement of the voyage.  Arbitrators ultimately determined payments owed to the supercargoes, captain, and officers, who appear to have had substantial allowances for private trade.

Eighteen years later, in July 1731, Jeremiah Glass, a sailor who had been on the Rochester, wrote to the East India Company offering to provide evidence of embezzlement involving Captain Francis Stanes and the chief supercargo Charles Douglas.

Letter to the East India Company from Jeremiah Glass and others - Mss Eur C618

Jeremiah Glass was at Spithead on a Royal Navy ship.  In August the EIC asked George Huish, its agent at Portsmouth, to talk to Glass.  Huish reported back that the evidence was just hearsay. The EIC told Huish to re-examine him, but the matter seems to have been dropped when Glass’s ship sailed.

EIC Secretary Christopher Mole at East India House to George Huish at Portsmouth, 5 August 1721 - IOR/E/1/203 p.81

 

Noah D. Nelson
Volunteer House Guide & Researcher (Calke Abbey, National Trust)

Further Reading:

Silberstein, Rachel. A Fashionable Century: Textile Artistry and Commerce in the Late Qing. University of Washington Press, 2020.

Calke Abbey State Bed 

Memento Mori brought to life in a painting

 

The British Library holds several early photograph albums compiled by the Dillwyn Llewelyn and Story-Maskelyne families (Photo 1246).  The broader collection includes eight albums containing photographs, two sketchbooks, watercolour drawings, seven journals, letters and a four-part memoir.  This collection showcases Thereza Dillwyn Llewelyn (later Story-Maskelyne) as one of the first female photographers during a period of discovery and experimentation in early photography.

Thereza Llewelyn and dickies, 1854. salted paper print from collodion negative. Photographer: John Dillwyn Llewelyn. © British Library, Photo 1246/1(11).

Thereza was the eldest child of John Dillwyn Llewelyn (1810-82), photographer and botanist, and Emma Thomasina Talbot (d. 1881), born on 3 May 1834 into a wealthy Welsh family with a strong interest in various scientific fields, including photography.

‘My earliest recollections connected with it carry me back to somewhere about 1841…, when as a child - I sat for my portrait taken by my Father … no one living at Penllergare could help being interested in what was of absorbing interest to my Father & Mother and I must have heard many conversations on the subject when letters to my Mother from her Cousin Henry Fox Talbot arrived.’ [Add MS 89120/10]

It was uncommon for women to practice photography during this period.  Thereza would assist her father with his photographic experiments, but her photographic albums and journals show that she was a photographer in her own right.  On her 22nd birthday (3 May 1856), she received a journal and a camera. ‘I saw Papa make 2 stereoscopes, with the new stereoscopic camera that he gave me for my birthday present - I intend to work hard with it, so as to get some pictures worthy of it.' [Add MS 89120/4]

Her journals describe her various photographic activities and highlight the prints in her photo albums.  The albums frequently contain the work of more than one individual, as nearly every family member and their friends were involved in photography.

‘September 6th - After lunch Emma dressed up as a gipsy, and Willy made a capital hut, and represented a wild looking gipsy man looking out, whilst Emma seated on a basket turned topsy-turvy told Caroline’s fortune.  Papa photographed the scene which was very picturesque & pretty, & I made a photo stereoscope thereof.’ [Add MS 89120/5]

Gipsies, 1856. salted paper print from stereoscopic collodion negative. Photographer: Thereza Story-Maskelyne. © British Library, Photo 1246/1(32).

Thereza had other scientific interests, including astronomy and botany, for which she used photography to record her findings.

Delesseria sanguinea or Sea Beech [Botanical Specimen], c. 1854. Negative paper contact Photographer: Thereza Story-Maskelyne. © British Library, Photo 1246/2(27).

Her father built an Equatorial Observatory for her in the early 1850s.  The Observatory made it possible for them to take photos of the moon.  In her memoirs, she mentions that her father ‘made a photo of the moon, and as moon light requires much slow exposure it was my business to keep the Telescope moving steadily as there [was]no clockwork action.’  She states, ‘That was one of the first [photographs] ever made of the moon’. [Add MS 89120/9]

Moon c. 1857. salted paper print. Photographer: John Dillwyn Llewelyn and Thereza Story-Maskelyne. © British Library, Photo 1246/1(49).

Her last entry in her journals was in August 1857, and next year, on 29 June 1858, she married (Mervyn Herbert) Nevil Story Maskelyne, a mineralogist and an associate of both her father and Fox Talbot.  Her interests may have taken a back seat to marriage and family.  Still, photography remained part of her life, as she took photographs of her family and travels.

[Portrait of Nevil Story-Maskelyne with Mary and William Arnold-Forster, 1890]. Albumen print. Photographer: Thereza Story-Maskelyne. © British Library, Photo 1246/7(12).

This collection is a beautiful insight into one of the earliest female photographers.

Susan M. Harris
Cataloguer of Photographs

Further Reading:
Dillwyn Llewelyn/Story-Maskelyne photographic collection, Photo 1246
The Papers of Thereza Story-Maskelyne (1834-1926), Add MS 89120
Noel Cahanan, The Photographer of Penllergare: a life of John Dillwyn Llewelyn 1810-1882 (2013)
Richard Morris, Penllergare A Victorian Paradise (1999)
V. Morton, Oxford Rebels: the life and friends of Nevil Story Maskelyne, 1823–1911 (1987)

The cataloguing and research of this collection (Photo 1246) is part of the British Library’s Unlocking Hidden Collections initiative, with the aim to open collections and make them more accessible to researchers and the public. Readers wishing to consult this collection should write to [email protected] and arrange an appointment in the British Library’s Print Room (Asia and Africa Reading Room).

Samuel Hough first appears in the records of the East India Company as Master Attendant of Marine at Bombay in the 1730s.  The Marine fleet guarded British shipping on the west coast of India mainly from attack by local pirates but also from other nations at time of war.  His position gave him standing in the community and he must have been a brave officer, as shown by an event in 1748 when he was in command of the Bombay, at anchor at Rajapore.  Some of his crew had been impressed, but on 1 March the remainder mutinied and broke open the arms-chest.  Hough managed to reason with the men, promising safe passage back to England at the first opportunity and after seven hours he took back control.  His promise was honoured by the Government who needed crew to man ships on the return to England at this time of war with France.

An aquatint of a view of Bombay Harbour from the pier up to the Bunder Battery including part of the fort or Citadel. From James Wales, Bombay Views: Twelve Views Of The Island Of Bombay And Its Vicinity Taken In The Years 1791 And 1792. British Library shelfmark X 436. Images Online

Shortly after this, on 19 May 1748, Captain Samuel Hough married Mrs Judith Sclater, a widow with two small daughters.  They had two more daughters (Louisa and Ann) before Judith died in January 1752.  At the end of that year Samuel took all four little girls back to England on the Streatham, disembarking on 7 June 1753.

On 16 March 1754 Samuel Hough married Martha Crichton at St Mary the Virgin, Aldermanbury.  She came from a family well established in the East India Company and within a few weeks she sailed off to Bombay.  Her husband captained their voyage on the Hardwicke which was to remain in Bombay as part of the Marine.

They had been joined on the Streatham by Laurence Sulivan and his family, also returning home.  The two men had been friends and business associates and this arrangement continued to their mutual advantage. Back in Bombay Hough acted as an agent holding powers of attorney on behalf of his clients and could provide ways of remitting Indian funds through confidants among his fellow captains, to be deposited with Sulivan in London, on their behalf.

Appointment of Samuel Hough as Superintendent of the Bombay Marine - IOR/E/4/996 p.69 General Letter from Court of Directors to Bombay 5 April 1754

Samuel Hough was appointed Superintendent of the Bombay Marine, the highest ranking officer below the Council members.  It is clear he was greatly respected and his opinion was valued by the Council.  By 1759 he had become one of the Council members but he returned to England on the Harcourt, arriving back on 18 May 1761.  By this time his family had grown - Louisa and Ann were joined by a baby brother William and a sister Elizabeth.

Entry from the journal of the ship Streatham Wednesday 29 November 1752 - IOR/L/MAR/B/605H

Back in London Hough continued his involvement with the East India Company by investing in and managing ships.  He was the second signature on the charterparty agreements for five ships in the 1761/2 season with four more voyages for 1762/3.

Samuel died on 5 September 1764 at Bath.  In his will he left bequests to his three daughters and his son William but also named a ‘natural son Samuel Hough, now a mate on the Latham Indiaman’.  Samuel junior went on to become a sea captain with the East India Company, married in September 1777 but died a year later.

CC-BY
Georgina Green
Independent researcher

Creative Commons Attribution licence