THE BRITISH LIBRARY

Medieval manuscripts blog

15 posts from October 2014

30 October 2014

Guess the Manuscript XVI

Welcome to the 16th  instalment of our popular Guess the Manuscript series. The rules are simple: we post an image of part of a manuscript that is on the British Library's Digitised Manuscripts site, you guess which one it's taken from!

Guess the MS
Are you as surprised as we are to find an umbrella in a medieval manuscript? The manuscript from which this image was taken will feature in a blogpost in the near future.

In the meantime, answers or guesses please in the comments below, or via Twitter @BLMedieval.

Good luck!

- Chantry Westwell

 

Update: 'Félicitations' to Reconstitution Médiévale Documentée, who guessed correctly that this little umbrella is from the Harley Psalter (Harley MS 603, f. 15v).

To find out more about the Harley Psalter, tune in next Saturday morning for an in-depth look at how the Psalms were illustrated. 

There'll be another Guess the Manuscript at the end of the month!

28 October 2014

Magna Carta Ballot closes 31 October

On 3 February 2015 the four surviving manuscripts of King John's Magna Carta are to be displayed together for the very first time, at the British Library in London. We are currently holding a ballot, in which 1,215 members of the public will win tickets to see the Magna Carta manuscripts side-by-side. But hurry, because the ballot closes on 31 October 2014: don't miss out on your chance to be part of history!

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The unification ballot is free to enter. Winners will be welcomed by Dan Jones, historian and TV presenter, and they will receive a special edition gift bag, containing tickets to the forthcoming exhibitions at the British Library, Lincoln Cathedral and Salisbury Cathedral, together with a Certificate of Attendance, sealed in wax with a special stamp. This one-off, one-day event is sponsored by Linklaters, and will mark the beginning of global celebrations to commemorate the 800th anniversary of the granting of Magna Carta in 1215.

So if you want to be one of the lucky few who will see all four Magna Carta manuscripts together next February, don't delay, apply today!

25 October 2014

Lindisfarne Gospels in our Treasures Gallery

The Lindisfarne Gospels, one of the greatest treasures in the British Library’s collections, is now back on display in The Sir John Ritblat Gallery. This Latin Gospel-book is thought to be the work of one remarkably gifted scribe and artist, who created it around 700 on the Holy Island of Lindisfarne, Northumbria. Its importance lies not only in the beauty of its carpet-pages and its miniatures of the four Evangelists, but also in the tenth-century gloss of its text that is the earliest example of the Gospels in the English language.

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Colophon added by Aldred, the translator of the Old English gloss, in the Lindisfarne Gospels, England, c. 700,
Cotton MS Nero D IV, f. 259r 

According to the colophon added by this translator, Aldred (fl. c. 970), who was provost of the community at Chester-le-Street near Durham, the artist-scribe was a monk called Eadfrith, who was Bishop of Lindisfarne from 698 to 721. The inscription records that Eadfrith ‘wrote this book for God and St Cuthbert and also for all the Saints whose relics are on the island’. It also describes the binding made by Billfrith the anchorite, which included a cover adorned with gold, silver and precious gems.

Cotton_ms_nero_d_iv_f012v
A Canon table
from Cotton Nero D IV, f. 12v

On display for the next three months are two pages from the canon tables that preface the Lindisfarne Gospels (ff. 12v-13r). These provide readers with a concordance to the Four Gospels, allowing them to locate episodes described by more than one Evangelist. A mistake has been made in Canon 2 (shown), where the name titles at the heads of the three columns have been confused with those of Canon 3 on the facing page. The headings which read ‘Luke’ and ‘John’ have been corrected by a near-contemporary hand to read ‘Mark’ and ‘Luke’. Interlace birds fill the columns and the arch, while a ribbon knotwork design is used for the bases and capitals.

Harley_ms_2821_f009r_detail
Detail of masons building the canon table in the Echternach Gospels, from the monastery of St Willibrord, Echternach (now Luxembourg), 11th century,
Harley MS 2821, f. 9r

Visitors to the Gallery will be able to compare the canon tables in the Lindisfarne Gospels with those in the Echternach Gospels, made in the monastery of St Willibrord (in modern day Luxembourg) in the eleventh century. The two tables on display (ff. 8v-9r) show elaborate ornamental pillars upon which masons are still working with hammers and chisels.

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Detail of a remarkably naturalistic bird and fish from the ‘Golden Canon Tables’, Eastern Mediterranean, 6th or 7th century,
Additional MS 5111, f. 11r

In another case nearby there is also the much earlier ‘Golden Canon Tables’ from the Eastern Mediterranean. Written over gold leaf, these tables are set within elaborately adorned architectural frames, including some finely executed birds and fish. These pages were later trimmed to fit a smaller twelfth-century manuscript of the Gospels, causing the loss of some of these details.

The Sir John Ritblat Gallery: Treasures of the British Library is open seven days a week, and is free to visit. If you would like to see the Lindisfarne Gospels, the Echternach Gospels or the Golden Canon Tables in their entirety, please see the British Library’s Digitised Manuscripts site. 

 

Holly James-Maddocks

23 October 2014

How To Be A Hedgehog

Longstanding readers of our Medieval Manuscripts Blog may know that we have a penchant for hedgehogs. In 2012, we published a post entitled The Distinguished Pedigree of Mrs Tiggy-Winkle, based on the accounts of their behaviour in medieval bestiaries. In 2014, we brought you a hedgehog beauty contest, no less, featuring images of five of our favourites. And most recently we focused on the heraldic hedgehog in the 13th-century Dering Roll.

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Hedgehogs rolling on the ground to collect grapes for their young, as illustrated in the Rochester Bestiary (England, c. 1230): London, British Library, Royal MS 12 F XIII, f. 45r. Hedgehogs were said to creep into vineyards when the grapes were ripe, to climb the vines and shake the fruit down to the ground. Then, rather than eating this bounty on the spot, they would turn onto their backs and roll around, impaling the grapes with their sharp quills. They could then trundle off back to their burrows, carrying the grapes on their spines, as a meal for their young. The bestiary writers allegorized this as a warning of the clever stratagems of the devil in stealing man's spiritual fruits.

We've now discovered this fantastic animation, based on the drawings of hedgehogs in one of the British Library's medieval bestiaries (Royal MS 12 F XIII, f. 45r). De Herinacio: On the Hedgehog was made by the amazing Obrazki nunu and Discarding Images. We hope that you love it as much as we do! Maybe it will inspire more people to explore and reinvent our wonderful collections.

De Herinacio. On the Hedgehog from obrazki nunu on Vimeo.

Royal_ms_12_f_xiii_f045r

 

21 October 2014

Illuminated Manuscripts Conference - more places available

We are delighted to announce that – due to exceptional demand for places – the forthcoming AMARC conference has been moved to a larger venue in the Conference Centre at the British Library. 

There are now more places available to attend this exciting conference on 14th-century illuminated manuscripts in the British Library collections – so don’t delay in reserving your spot! There are further details below of the speakers’ papers, with some images of the manuscripts they will be discussing. 

However, the post-conference reception remains fully booked. 

The conference is being held in honour of Lucy Freeman Sandler, whose book Illuminators and Patrons in Fourteenth-Century England: The Psalter Hours of Humphrey de Bohun and the Manuscripts of the Bohun Family will be published shortly. 

The Association for Manuscripts and Archives in Research Collections (AMARC) is sponsoring the conference, which will be held on Monday, 1st December, 2014. 

The conference will begin at 10:45. Papers will be 30 minutes with 15 minutes for questions after each. The sessions will conclude at 5:15. Lunch will be provided. 

The registration fees are £20; £15 for AMARC members and £10 for students. To register, send a cheque made out to AMARC to James Freeman, Research & Imaging Assistant, Ancient, Medieval and Early Modern Manuscripts, The British Library, 96 Euston Road, London NW1 2DB. Foreign delegates may pay on the day, but should send a notice of their intention to attend to james.freeman@bl.uk

The speakers and their topics are as follows: 

Yates_thompson_ms_14_f070v_detail
Detail of a miniature in two registers, showing Jonah being thrown into the sea (above) and Jonah being saved from the whale's mouth (below), from the St Omer Psalter, England (Norfolk), c. 1330-c. 1440, Yates Thompson MS 14, f. 70v
 

- Paul Binski, Lombardy and Norfolk: This paper re-examines the question, first seriously raised by Otto Pächt, of Italian influence in English art before 1350 and what is known about Italian art actually in England at that date. 

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Detail of a marginal hunting scene, with the arms of Ely and Bury St Edmunds, from the Howard Psalter, England (East Anglia), c. 1308-c. 1340, Arundel MS 83 I, f. 14r
 

- Alixe Bovey, Bound to be Together: Revisiting the Howard and De Lisle Psalters (Arundel MS 83 I & II): This paper explores the connections between the celebrated De Lisle Psalter, a fragmentary masterpiece of English illumination, and the somewhat lesser known Howard Psalter. Bound together by William Howard at the turn of the 17th century, both manuscripts were made in England in the 1310s, and in some respects have strikingly similar contents. This paper reflects not only on what the relationship between these books reveals about their medieval creation and early modern reception, but also on Lucy Freeman Sandler’s singular contribution to our understanding of them.

Add MS 39758, f.20r_detail
Detail of an historiated initial with two compartments, showing God the Creator (above) and the Virgin and Child with a Benedictine monk (below), from the chronicle and cartulary of Peterborough Abbey, England (Peterborough), c. 1321-1329, Add MS 39758, f. 20r
 

- Julian Luxford, Walter of Whittlesey, Monk and Artist of Peterborough: Julian will examine British Library Additional MSS 39758 and 47170, which were made in the first half of the fourteenth century by Walter of Whittlesey, a monk of Peterborough Abbey, focusing on what these manuscripts reveal of Whittlesey’s historical interests and his status as a copyist and illuminator of manuscripts. 

Add MS 38842, f. 2r
Detail of a three-part miniature showing an angel giving St John the reed (left), worshippers at the altar (centre), and  two men demolishing the temple (right), from a fragmentary Apocalypse, England (?London), 1325-1330, Add MS 38842, f. 2r

- Nigel Morgan, A fragmentary Apocalypse by one of the Milemete artists - Additional 38842: This fragmentary Anglo-Norman prose Apocalypse has been little discussed in the literature on English illustrated fourteenth-century Apocalypses. This paper will consider both its figure style and iconography.

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Detail of a miniature showing Michal saving David from Saul, from the Queen Mary Psalter, England (London/Westminster or ?East Anglia), c. 1310-c. 1320, Royal MS 2 B VII, f. 52r

- Kathryn Smith, Crafting the Old Testament in the Queen Mary Psalter: This paper considers aspects of the crafting of the Old Testament prefatory cycle in the Queen Mary Psalter (Royal MS 2 B VII), examining analogues of and possible sources for some of the Queen Mary Master's compositions, evidence for the artist's working methods, and the history and image of the Jews as constructed in pictures and text. 

Egerton_ms_3277_f110v_detail
Detail of an historiated initial showing Jezebel talking to Ahab in bed, with a lewd woman in the margin, from the Bohun Psalter, England (?London), 2nd half of the 14th century, Egerton MS 3277, f. 110v

 - Lucy Freeman Sandler: Embedded Marginalia in Egerton 3277: Lucy will focus on the meanings that emerge when the marginalia of Egerton 3277 are considered as integral components of page design. Specifically, she will discuss the marginalia of Egerton 3277 that are physically ‘embedded’ in the area immediately adjacent to the frames of initial letters, figural subjects linked tangibly with the figural subjects within the initials, which themselves are physical manifestations of textual meaning. The wealth of subtle and multilayered meanings made available to the reader/viewer by the medieval illuminator/designer is suggested by the illustration (above) in the initial of one of the prayers of the Litany showing Jezebel, Ahab’s wife, telling him to arise to take Naboth’s possessions (III Kings 21:15 in the Vulgate) and Jezebel’s marginal counterpart, the marginal woman raising her skirt in a lewd gesture.

 

- James Freeman

18 October 2014

The Death of King John

King John of England (1199–1216), of Magna Carta fame, was by all accounts a particularly unpleasant ruler. The charges levelled against him, many of them during his own lifetime, included the murder of his nephew, the sexual predation of the wives and daughters of his nobles, and the starving to death of the wife and children of one of his former companions. So unpopular was John that his barons finally rose up in rebellion against his arbitrary rule, and against the severe punishments often inflicted upon them, until they eventually forced the king to grant them the Charter of Liberties, also known as Magna Carta, at Runnymede on 15 June 1215. Few can have lamented King John's eventual demise at Newark Castle — most probably following an attack of dysentery —in October 1216. Writing some 40 years later, Matthew Paris (d. 1259), monk and historian of St Albans Abbey, delivered the ultimate condemnation: 'Foul as it is, Hell itself is made fouler by the presence of John'.

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King John in happier times, hunting on horseback according to this illustration in a 14th-century manuscript (London, British Library, Cotton MS Claudius D II, f. 116r).

Today may, or may not, be the anniversary of King John's death. The medieval chroniclers could not reach consensus on the exact date that John died. Matthew Paris and his St Albans' predecessor, Roger of Wendover (d. 1236), plumped for 17 October. Ralph (d. 1226), abbot of the Cistercian monastery at Coggeshall (Essex), stated instead that King John had succumbed to his illness on 18 October. A number of monastic chroniclers, writing at Tewkesbury, Winchester, Worcester and elsewhere, favoured 19 October as the day in question. Of these various witnesses, we should perhaps give greatest credence to the anonymous chroniclers writing at Waverley Abbey (Surrey) and Southwark Priory (Surrey), both of whom asserted that the death of King John took place on 19 October. The manuscripts of these two chronicles (Waverley, British Library Cotton MS Vespasian A XVI; Southwark, British Library Cotton MS Faustina A VIII) were both being written in the year 1216, as evidenced by their numerous changes of scribe at this period. The same is also true, however, of Ralph of Coggeshall's Chronicon Anglicanum (the autograph manuscript of which is British Library Cotton MS Vespasian D X). Roger of Wendover and Matthew Paris, in contrast, were writing many years after the events being described, and so their testimony — albeit possibly derived from an authentic St Albans tradition — is more open to question.

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Is this how King John met his fate? As early as the 13th century, it was alleged that he had been poisoned by a monk of Swineshead Abbey (Lincolnshire), seen here offering him a poisoned chalice (London, British Library, Cotton MS Vitellius A XIII, f. 5v).

Earlier in his reign, King John had determined that he should be buried at the Cistercian abbey he had founded at Beaulieu (Hampshire). In October 1216, Beaulieu lay in that part of England which was held by the rebel barons; and so John asked instead that he be buried at Worcester Cathedral, where his tomb can still be seen. In fact, the tomb was opened in 1797, in order to confirm whether it did contain John's body, and certain of the remains removed, which are also on view in Worcester. Mr Sandford, a local surgeon, inspected the skeleton, and reported that King John stood 5 ft 6½ in. (approximately 1.69 m) tall. Unlike one of his successors, Richard III, John was clearly not buried under a carpark.

Next February, the four surviving manuscripts of King John's Magna Carta will be brought together at the British Library for the first time in 800 years. A ballot is currently being held to give 1,215 lucky winners the chance to see all four manuscripts side-by-side. The ballot closes on 31 October: don't forget to enter for your chance to take part in this moment of history! If you do miss out, you'll still be able to see the British Library's two 1215 Magna Carta manuscripts at our own major exhibition later in 2015: tickets are already on sale. And if you'd like to know more about the history of Magna Carta, take the chance to visit our new Learning webpages, which will be updated with more information next year.

Strangely enough, we doubt that King John would have been particularly amused by the modern-day celebrations planned for Magna Carta in 2015. Less than 10 weeks after that document had been granted in June 1215, Magna Carta was annulled by Pope Innocent III, at John's request, declaring it to be 'shameful and demeaning, illegal and unjust, and null and void of all validity for ever'. Just over a year later, a revised version of Magna Carta was issued in the name of John's son, King Henry III (1216–1272), and the rest is history. King John never did get the last laugh.

16 October 2014

Dedicated to You

What do you get the person who has everything?  A manuscript book of poetry written in his or her honour, naturally!  

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Original binding of gold-tooled parchment with the royal coat of arms and initials ‘E R’ (‘Elizabeth Regina’), from a manuscript of complimentary verses to Elizabeth I, England (Eton), 1563,
Royal MS 12 A XXX, front cover 

A lesser known part of the Royal collection is a set of manuscripts of complimentary verses that were presented to royalty and aristocracy during the 16th and 17th centuries.  They are mostly catalogued under the ‘Royal MS 12 A’ range.  Eleven of these, containing verses or epigrams in Greek, have been digitised as part of our ongoing Greek Manuscripts Digitisation Project (a list of these is provided below).  They are now available online, allowing us to take a closer look at these intriguing gifts. 

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Title page with coloured border featuring Tudor roses and coats of arms,
Royal MS 12 A XXX, f. 1r 

The focus of today’s blogpost is upon the earliest dated manuscript of this group: Royal MS 12 A XXX, presented to Elizabeth I when she travelled to Windsor in 1563.  The volume opens with a hand-drawn and coloured title page, the border of which contains Tudor roses and the coats of arms both of Elizabeth and Eton College. 

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Poems in Latin by Giles Fletcher, with an acrostic,
Royal MS 12 A XXX, f. 28v 

The Latin verses were composed by pupils of Eton College.  The most frequent contributor to the volume, with eleven poems, was ‘Fletcher’.  Giles Fletcher (bap. 1546, d. 1611) later served as one of Elizabeth’s diplomats, undertaking a perilous embassy to the court of Tsar Feodor I at Moscow between June 1588 and July/August 1589.  Like several of his fellow-pupils, Fletcher employed elaborate acrostics to encode Elizabeth’s name or encomia into his poems: the first and last letters of each line in the above poem read ‘Vivente te vivimus, te remota moriemur’ (‘We live while you live, we will die when you leave’). 

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Poems in Latin by ‘Frankline’ and ‘Flemmynge’, with acrostics,
Royal MS 12 A XXX, f. 56v 

‘Frankline’ and ‘Flemmynge’ (Samuel Flemming, later prebendary of Southwell) used the same device to bid their monarch ‘Farewell [and] prosper’ (‘Valeto, vivito’ and ‘Vive, Vale’).  ‘Hunt’ went one step further, using his acrostic to declare ‘Vestra secundet Christus Iesus’ (‘May Jesus Christ favour your endeavours’) (ff. 33r-33v). 

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Coat of arms of Eton College, with Latin verse,
Royal MS 12 A XXX, f. 72r

What spurred the composition of such a book?  William Malim (b. 1533, d. 1594), Headmaster of Eton College, prefaced the poems with a dedicatory Greek quatrain.  Perhaps he hoped his and his pupils’ praise would secure the patronage and favour of the new monarch (he may have been involved in producing a similar book – now Royal MS 12 A LXVII – when he became High Master of St Paul’s school ten years later).  The coat of arms of both of Elizabeth and the College were painted in at the end of the volume, and lavishly embellished with silver leaf (now oxidised into a dull grey), with verses on both, providing a reminder of the source of the gift. 

Royal_ms_12_a_xxx_f062r
Opening of a prayer in Latin prose against the plague,
Royal MS 12 A XXX, f. 62r 

Yet there was a serious side to all this flattery.  Elizabeth’s departure from London had been prompted by an outbreak of the plague in the city.  Only five years on the throne, and without either husband or heir, the Queen’s position and the stability of the nation as a whole seemed precarious.  After the political and religious upheavals of previous reigns, such anxieties were sharply felt by Elizabeth’s subjects.  After all the plaudits and praise, the elaborate exercises in Latin composition and inventive word-play, a prayer in Latin prose follows: ‘In order that the contagion of the ravaging plague may be diverted as long as possible from our most fair and noble Queen...’ 

- James Freeman

14 October 2014

Another Greek update: Forty-six more manuscripts online!

It’s time for a monthly progress report on our Greek Manuscripts Digitisation Project, generously funded by the Stavros Niarchos Foundation and many others, including the A. G. Leventis Foundation, Sam Fogg, the Sylvia Ioannou Foundation, the Thriplow Charitable Trust, and the Friends of the British Library. There are some very exciting items in this batch, most notably the famous Codex Crippsianus(Burney MS 95), the most important manuscript for the text of the Minor Attic Orators; Egerton MS 942, a very fine copy of Demosthenes; a 19th-century poem and prose narrative on the Greek Revolution (Add MS 35072); a number of collections of 16th- and 17th-century complimentary verses in Greek and Latin dedicated to members of the Royal Family; and an exciting array of classical and patristic texts.

Add MS 24371, John Chrysostom, Fragments of Homiliae in Matthaeum (58, 70-75, 78-79, 81-83) (TLG 2062.152). 11th century.

 

Add MS 24371 f 15v
Detail of Add MS 24371, f 15v, beginning of John Chrysostom’s 72nd Homily on the Gospel of Matthew

Add MS 28824, John Chrysostom, In Genesim homiliae 11-31 (TLG 2062.112), imperfect and mutilated at beginning and end. 12th century.

Add MS 28826, John Climacus, Scala paradisi (TLG 2907.001), imperfect, and Liber ad Pastorem, imperfect. 12th century.

Add MS 28827, Modern Greek paraphrase of Pseudo–Gregentius, Dialexis (TLG 2833.003), imperfect. 16th century.

Add MS 30518, John Chrysostom, In Genesim homiliae 1-11, 21-33 (TLG 2062.112), imperfect. Written about the year 1121.

Add MS 32643, Patristic miscellany, partly palimpsest, with occasional marginal scholia. Includes works by Anastasius of Sinai, Epiphanius of Salamis, Gregory of Nazianzus, Anastasius I of Antioch, John Chrysostom, Hesychius of Jerusalem, and Christopher of Alexandria, as well as Gospel lections (Gregory-Aland l 1234). 12th-14th century.

Add MS 34654, Gregory of Nazianzus, Orationes. 11th century.

 

Add MS 34654 f264v detail
Detail of Add MS 34654, f 264v, beginning of Gregory of Nazianus, De pauperum amore

Add MS 35072, Prose narrative and poem on the Greek Revolution, by John Laganes of Athens. Wallachia, 1821.

Add MS 36750, John Chrysostom, Ad populum Antiochenum homiliae (TLG 2062.024), imperfect, and Ad illuminandos catecheses 2 (TLG 2062.025), imperfect. 11th century.

Add MS 36753, Florilegium of ancient Greek and patristic authors, entitled Ἀναγνωστικόν. Written in 1198.

 

Add MS 36753 f225v
Add MS 36753, f 225v, colophon of the scribe Χριστοφόρος Κυλαδαῖος

Add MS 40749, Offices for St Demetrius Myroblytes and the Great Earthquake, from the Menaion (October 26th). 15th-18th century.

Burney MS 62, Apollonius of Rhodes, Argonautica, with scholia, vitae, and epigrams. Italy, end of the 15th century, written by the scribe known as the Anonymus Harvardianus.

Burney MS 66, Commentaries on Aristotle by John Philoponus and others. 1st half of the 16th century.

Burney MS 82, Hesiod, Works and Days (TLG 0020.002). Italy, end of the 15th century.

Burney MS 85, Speeches by Isocrates and Lysias, and gnomic literature. Italy, c 1500.

Burney MS 95, Codex Crippsianus, containing speeches by the minor Attic Orators. Constantinople, 1st half of the 14th century.

 

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Burney MS 95 (the Codex Crippisanus) f 34v, beginning of Isaeus, De Pyrrho

Burney MS 276, Fragments of Greek and Latin manuscripts, mostly of classical and patristic authors. 11th-17th century.

Egerton MS 942, Demosthenes, Orationes, preceded by Argumenta of Libanius. Full border in colours and gold, with flowers, green parrots, putti, medallions, cameos, and heraldic arms in the lower border. Headpiece in gold, red, and blue, with braided decoration (f 1r). Large historiated initial in colours and gold. 18 large initials in colours and gold with interlace or foliate decoration. Writing in gold. Initials in red with penwork decoration. Simple headpieces in red. Text and apparatus in red. Florence, made for Alexander Farnese (later Pope Paul III) after 1490.

 

Egerton_ms_942_f001r
Egerton MS 942, f 1r, with a portrait of Demosthenes

Egerton MS 2624, Thucydides, Historiae (TLG 0003.001) with numerous scholia and a few glosses added later. Florence, 1st half of the 14th century.

Egerton MS 3154, Geoponica (TLG 4080.001) attributed to Cassianus Bassus Scholasticus, imperfect. 16th century.

Royal MS 1 A IX, The Book of Daniel translated into Greek by Hugh Broughton (1549-1612). England, before 1589.

Royal MS 12 A VI, Complimentary verses to Henry Frederick, Prince of Wales, on his matriculation at Magdalen College, Oxford, in 1605.

Royal MS 12 A XV, Complimentary verses to Henry, Earl of Arundel, on his return from abroad, by Robert Owen. England, 3rd quarter of the 16th century.

Royal MS 12 A XXIII, Complimentary verses and address to Elizabeth I on her visit to Oxford by Geoffrey Lewis, of Christ Church. Oxford, 1566?

Royal MS 12 A XXX, Complimentary verses to Elizabeth I on her coming to Windsor by members of Eton College. Windsor, 1563.

Royal MS 12 A XLI, Complimentary verses to Elizabeth I by boys of Westminster School. London, 1597.

 

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Detail of Royal MS 12 A XLI, f 6v, verses to Elizabeth I in Greek

Royal MS 12 A LV, Complimentary verses to Henry Frederick, Prince of Wales, by Israel Brimeld, of New College, Oxford. Oxford, 1603-12.

Royal MS 12 A LX, Complimentary verses to Charles I upon a visit to Winchester, entitled 'Musae Tripudiantes'. Winchester, 1636.

Royal MS 12 A LXVII, Complimentary verses to Elizabeth I on the beginning of her reign by the High Master and boys of St Paul's School. London, c 1573.

Royal MS 16 C II, Charms, prayers, and medical recipes. 4th quarter of the 15th century.

Royal MS 16 C III, Dionysius Periegetes, Orbis descriptio (TLG 0084.001), imperfect. Italy, N., end of the 15th century.

Royal MS 16 C VIII, A translation of the first book of Virgil's Aeneid into Greek hexameters by John Harpsfield, D. D. Oxford, c 1530-1550.

 

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Detail of Royal MS 16 C VIII, f 3r, Opening line of the Aeneid translated into Greek by John Harpsfield

Royal MS 16 C XVII, Harpocration, Lexicon in decem oratores Atticos (1389.001), and Heraclitus, Allegoriae (=Quaestiones Homericae) (TLG 1414.001), imperfect. Possibly written in Italy, end of the 15th century.

Royal MS 16 C XVIII, Scholia on the Greek Anthology of Planudes and Paraphrase of Aristotle's Sophistici Elenchi. In two parts, bound together. Italy, N., end of the 16th century (part 1 contains a colophon dated 1580 in Venice).

Royal MS 16 C XXI, Aristotle, Ethica Nicomachea (TLG 0086.010), with copious Latin marginal notes, ff 3r-130v. Preceded by Latin and Greek notes, with some quotations from Greek authors, ff 1r-2v, and followed by Greek notes on f 131v.Possibly France, S?, 1st half of the 16th century.

Royal MS 16 C XXII, Aristotle, Ethica Nicomachea (TLG 0086.010), Books VIII-IX. Italy, Central, end of the 16th century.

Royal MS 16 C XXIV, Athenaeus, Deipnosophistae (TLG 0008.001), with glosses. Possibly written at Venice, 1st half of the16th century.

Royal MS 16 C XXV, Aristotle, De Anima (TLG 0086.002); Plato, extracts; [Plato], Definitiones (TLG 0059.037); Diogenes Laertius, Vitae Philosophorum (TLG 0004.001), Life of Epimenides. Possibly written in Messina, in the south of Italy, c 1500.

Royal MS 16 D X, Athenaeus, Deipnosophistae (epitome) (TLG 0008.003), with glosses, imperfect. Italy, Central, 1st half of the16th century.

Royal MS 16 D XII, John Tzetzes, Eusebius, Oppian and Hermogenes. Formerly three separate volumes, now bound together. 2nd half of the 16th century.

Royal MS 16 D XIII, Sextus Empiricus, with marginal notes by Isaac Casaubon. Italy, N. (Venice?), 2nd half of the 16th century.

 

Royal_ms_16_d_xiii_f017r
Royal MS 16 D XIII, f 17r, Sextus Empiricus, with marginalia by Isaac Casaubon

Royal MS 16 D XIV, Works by Dionysius Thrax, George Choeroboscus, Heliodorus, Ammonius, Herodianus, and Gemistus Pletho. Italy, 2nd quarter of the 16th century.

Royal MS 16 D XVI, Polyaenus, Strategemata (TLG 0616.001), with marginal notes. Venice, mid-16th century.

Sloane MS 1774, Euripides, Hippolytus (TLG 0006.038) with marginal scholia in Greek and Latin. Italy, 16th century.

Sloane MS 4087, Fragments from Kalophonic Sticherarion with compositions mainly by Manuel Chrysaphes and John Kladas (the Lampadarios). Greece, 16th-17th century. A detached binding for this manuscript (Sloane MS 4087/1) is also now online.

Yates Thompson MS 50, Aristophanes, with hypotheses, marginal scholia and interlinear glosses. Decorated headpieces. Large decorated initials. End of the 15th century, possibly Venice.

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Cillian O’Hogan