07 April 2016
Everything’s Coming Up (Roman de la) Roses
by Chantry Westwell
Spring is in the air and April is upon us, so it is high time for a floral gift to our readers. Here it is: all 14 of our Roman de la Rose manuscripts have now been fully digitised and are or will soon be available online at Digitised Manuscripts.
Detail of the God of Love locking the Lover's heart with a large gold key, from Roman de la Rose, France (Paris), c. 1380, Additional MS 42133, f. 15r
The ‘Roman de la Rose’, the most famous allegorical love poem of all time, was composed in France in the thirteenth century, at the height of the age of chivalry and courtly love. It was a best-seller in the Middle Ages, with over 300 manuscripts surviving from the 13th to the 16th centuries (many more than Chaucer’s Canterbury Tales). This work exerted a strong influence on literature in France and beyond: Dante, Petrarch, Gower and Chaucer were well acquainted with it and the latter’s Middle English ‘Romaunt de la Rose’ is a partial translation.
Historiated initial 'M'(aintes) of the lovers sleeping, with a full border bar border at the beginning of the Roman de la Rose, France (Paris), 15th century, Royal MS 19 B XII, f. 2r
Our collections are representative of the types of Rose manuscripts produced, mainly in France: some have extensive cycles of miniatures and others, for more modest patrons, have little or no decoration. Below, a page from one of the most lavishly illuminated copies, made in Bruges, is compared to a plainer manuscript from France; both were produced in the 15th century.
Miniature of the Lover outside the Castle of Jealousy, where Bel Accueil (Fair Welcome) is imprisoned by Jealousy, from Roman de la Rose, Netherlands (Bruges), c. 1500, Harley MS 4425, f. 39r
Text page with decorated initials from the Roman de la Rose, France, 1st quarter of the 15th century, Royal 20 D VII, f. 39r
The first part of the Roman de la Rose, by Guillaume de Lorris, consists of about 4030 lines composed between 1225 and 1245 and tells of the Lover’s dream in which he is let into the garden by Oiseuse (Idleness), and there he takes part in a carole or dance, meets representatives of the courtly virtues, including Amour and Doux Regard (Sweet glance) and sees the fountain where Narcissus fell in love with his own image and perished. Narcissus and the fountain is a popular subject with artists, featuring in most series of Rose illuminations
Detail of Narcissus at the fountain, from Roman de la Rose, France (Paris), c. 1320-1340, Royal MS 20 A XVII, f. 14v
The Lover with a rosebud at Narcissus’ fountain, from the Roman de la Rose, France, 14th century, Additional MS 31840, f. 14r
The above are two of our earliest Rose manuscripts, dated to the first half of the 14th century, while the one below is from the second half of that century.
Narcissus and his reflection in the water, Roman de la Rose, France (Paris), c. 1380, Egerton MS 881, f. 11r
Finally in a late 15th-century representation the Lover sees the rose bush reflected in the fountain:
Narcissus and the fountain, Roman de la Rose, France (Paris), 1475-1500, Egerton MS 2022, f. 22v
The Lover is wounded by the arrows of Amour, falling hopelessly in love with the Rose and embarks on a quest to win her love, but she is guarded by Danger, Fear and Jealousy, who erects a castle around the Rose bush (see the image above from Harley MS 4425), and imprisons Bel Acueil, his sweet accomplice. Here the section by Guillaume de Lorris ends abruptly.
Bel Acueil imprisoned in the castle, Roman de la Rose, France (Paris) 1320-1340, Royal MS 19 B XIII, f. 31v
Jean de Meun’s continuation, consisting of some 17,700 lines, takes up the Lover’s quest, but adds long digressions on morality and a variety of topics of contemporary interest such as free will, the influence of heavenly bodies and the increasing power of the friars in medieval society. Examples from history and legend are invoked to instruct the Lover and to illustrate the topics covered. The story of Pygmalion and the statue is included, recalling de Lorris’ reference to the legend of Narcissus.
Paulin Paris, the 19th-century manuscript scholar and French academician, dated de Meun’s composition to before 1285, as in it he refers to Charles of Anjou, who died in that year, as King of Sicily.
Pygmalion and the statue, from Roman de la Rose, France (Paris), c. 1380, Yates Thompson MS 21, f. 136r
The romance ends with the Lover achieving his goal of attaining the Rose, as depicted in this 15th-century manuscript.
The Lover and the Rose, Roman de la Rose, France, 15th century, Additional MS 12042, f. 166r
The contents are summed up in the final couplet:
Explicit le Romaunt de la Rose / Ou lart d’amor est tout enclose.
Here ends the Romance of the Rose, where everything about the art of love is included.
02 April 2016
A Calendar Page for April 2016
For more information about the Bedford Hours, please see our post for January 2016; for more on medieval calendars in general, our original calendar post is an excellent guide.
Calendar page for April from the Bedford Hours, France (Paris), c. 1410-1430, Add MS 18850, f. 4r
Spring is well underway in the Bedford Hours calendar pages for April.
Detail of miniatures of a man gathering leaves and the zodiac sign Taurus, from the calendar page for April, Add MS 18850, f. 4r
At the bottom of the first folio is the standard (for this manuscript) two-part miniature. On the left, a man is carrying a leafy young tree past a flowing river, having presumably just trimmed the branches from the stump before him. He is well dressed for a labourer, wearing a fur-lined surcoat and carrying a long dagger on his belt. To his right is a bull for the zodiac sign Taurus, enjoying a lie-down in the sun.
Detail of a marginal roundel of Venus, from the calendar page for April, Add MS 18850, f. 4r
The marginal roundel at the right, however, displays the true central figure for the month of April – Venus, the goddess of love. The accompanying verses tell us that April was dedicated to Venus by the pagans, because Venus (the planet) is a ‘hot and moist and drenched planet’, much like the month of April.
Calendar page for April, Add MS 18850, f. 4v
The emphasis on Venus and April continues on the following folio. Alongside the conclusion of April’s saints’ days are two roundels relating to the goddess. On the middle left is a scene of the abduction of Proserpina (Persephone) in a cart drawn by two horses. According to mythology this abduction was ultimately instigated by Venus, who envied the young girl’s beauty and ordered her son, Eros, to loose his arrows so that all would be smitten with love for her, leading ultimately to Proserpina being carried down into the depths of Hades.
Detail of marginal roundels of the abduction of Proserpina and a flower festival, from the calendar page for April, Add MS 18850, f. 4v
The bottom roundel shows a more genial scene, illustrating, as the rubrics tell us, ‘how in April the pagans had a festival for the goddess of flowers.’
- Sarah J Biggs
28 March 2016
Updated List of Digitised Manuscripts’ Hyperlinks
What are these Easter bunnies (or hares) hurrying towards?
Detail of hares, from Roman de la Rose, France, c. 1325-1375, Add MS 31840, f. 3
An updated list of all the early and medieval manuscripts digitised in full by the British Library! Every quarter, we try to publish a list of all the medieval manuscripts uploaded to the British Library’s Digitised Manuscripts website. The most recent list can be found here: Download List of Digitised BL AMEMM Manuscripts by Shelfmark, March 2016. And, by special request from our friends on Twitter, a list of manuscripts with the most recent digitisations at the end can be found here: Download List of Digitised BL AMEMM Manuscripts with More Recent Uploads at the End, March 2016.
Riddle about an elephant, from Aldhelm’s Riddles, England (Canterbury?), c. 970-1020, Royal MS 12 C XXIII, f. 100v
Particular highlights uploaded in the past three months include:
5 illustrated copies of the book of Apocalypse (or Revelation)
All 4 of the British Library’s copies of the Anglo-Saxon Chronicle
More than 3 manuscripts of the Roman de la Rose
2 collections of material related to the cult of St Cuthbert
One 1,000-year-old collection of riddles (Royal MS 12 C XXIII).
The one and only copy of the Dialogue de la Duchesse (Add MS 7970)
Miniature of Christ appearing to Margaret of York, from the Dialogue de la Duchesse, Low Countries (Brussels), c. 1468-1477, Add MS 7970, f. 1v
With several different digitisation projects under way, new manuscripts are regularly uploaded to Digitised Manuscripts. In order to get the latest news about our digitisation, please consult our Twitter page, www.twitter.com/blmedieval, where we announce the most recent uploads to Digitised Manuscripts.
Happy Viewing!
Related Content:
Anglo-Saxon Digitisation Project Now Underway
01 March 2016
A Calendar Page for March 2016
For more information about the Bedford Hours, please see our post for January 2016; for more on medieval calendars in general, our original calendar post is an excellent guide.
Calendar page for March from the Bedford Hours, France (Paris), c. 1410-1430, Add MS 18850, f. 3r
March sees the beginning of springtime proper, and these folios from the Bedford Hours reflect all the contradictions of the new season.
Detail of miniatures of a man cutting vines and the zodiac sign Aries, from the calendar page for March, Add MS 18850, f. 3r
At the bottom of the first folio is a miniature of a man hard at work trimming vines with an unusual-looking tool; he appears to be working in the dead of night, under a starry sky. Next to him is a rather jaunty-looking ram, for the zodiac sign Aries.
Detail of a marginal roundel of Mars, from the calendar page for March, Add MS 18850, f. 3r
The roundel in the middle right margin depicts an armoured warrior with a forked beard, holding a sword and a pike. This (literally) martial gentleman is intended to represent Mars, for as the rubric explains, ‘the pagans called the month of march after their god of war’.
Calendar page for March, Add MS 18850, f. 3v
The beauty of spring is reflected in the decoration of the March calendar pages, adorned as they are with bluebells, roses, and less realistically, golden leaves. The roundels illustrate the season further, depicting, as the rubrics tell us, how in March ‘everything becomes green’, and below, ‘how in March thunder and storms are born’.
Detail of marginal roundels of a two scenes of March weather, from the calendar page for March, Add MS 18850, f. 3v
- Sarah J Biggs
14 February 2016
The Illustrated Guide to Medieval Love, Part II
Walking down your local high street over the past few weeks, you might have noticed some peculiar changes. Card shops have transformed into love-heart themed grottos filled with fluffy bears and pink gift wrap. Florists have been whipping themselves up into a rose-petal and ribbon-induced frenzy. Chocolatiers have been running on overtime, filling heart-shaped box, after heart-shaped box, with chocolate delights.
Yep, you guessed it, it’s Valentine’s Day.
Long-standing followers of this blog may remember our Illustrated Guide to Medieval Love Part I. Now the manuscripts are back, with even more tips to aid your romantic (mis)adventures this Valentine's Day.
1. When choosing the appropriate spot for a clandestine tryst, try and avoid places overrun with imps or gargoyles. They can be quite the mood killer.
Detail of temptation by lechery, from Matfre Ermengaud, Breviari d'Amor, Southern France (Toulouse?), 1st quarter of the 14th century, Royal MS 19 C 1, f. 33r
2. Dragons can also have a nasty habit of interfering with your romantic moment.
Detail of a miniature of Nectanebus in the form of a dragon, kissing Olympias while she is at the table with Philip, from Roman d'Alexandre en Prose, Northern France or Southern Netherlands, 1st quarter of the 14th century, Royal MS 20 A V, f. 7r
3. If someone offers you the key to their heart, try not to take the phrase too literally. Things could get messy.
Detail of a framed miniature of the God of Love locking the Lover's heart with a large gold key, from Guillaume de Lorris, continued by Jean de Meun, Roman de la Rose, France (Paris), 4th quarter of the 14th century, Additional MS 42133, f. 15r
4. There's only one thing better than a nightcap with a handsome man, and that's a nightcap on a handsome man.
Detail of lovers in bed, Aldobrandino of Siena, Le Régime du corps, Northern France, Details of an item from the British Library Catalogue of Illuminated Manuscripts 3rd quarter of 13th century (perhaps c. 1285), Sloane MS 2435, f. 9v.
5. But if the impulse strikes, why not go ahead and 'put a ring on' your special someone. Beyoncé would be proud!
Detail of couple exchanging a ring, from James le Palmer, Omne Bonum, South-eastern England (London?), c. 1360-c. 1375, Royal 6 E VI, f. 104r
6. When partaking in romantic activities such as getting married, at least try to get into the spirit and look enthusiastic about it.
Detail of a historiated initial 'C'(oniugium) of a priest joining hands of a man and a woman, from Royal 6 E VI, f. 375r
7. If your love is unrequited this Valentine’s Day, why not channel your inner teenager and doodle your feelings away?
Historiated initial 'A'(more) of a kneeling lover presenting a book to a lady, identified in the text as Mirabel Zucharia, with borders and a shield, the original arms of which have been overpainted with two hearts burning in a fire, and in the right margin is the device of a heart on a bonfire, being quenched by the rain, from 49 love sonnets, Northern Italy (Milan?), 2nd or 3rd quarter of the 15th century, King's MS 322, f. 1r
8. And, if rejection comes your way this Valentine's Day, have no fear!
Detail of an historiated initial 'C'(onsciencia) of two men in discussion, from Royal 6 E VI, f. 341r
There are plenty of fish in the sea (and in the sky). Like these…
Pisces, from Cicero, Aratea, with extracts from Hyginus's Astronomica in the constellation figures, Northern France (diocese of Reims), 9th century, Harley MS 647, f. 3v
Or even these…
Detail of Pisces, from Cicero, Aratea, Northern France (Fleury), c. 990-c.1000, Harley MS 2506, f. 36v
~Becky Lawton
01 February 2016
A Calendar Post for February 2016
For more information about the Bedford Hours, please see our post for January 2016; for more on medieval calendars in general, our original calendar post is an excellent guide.
Calendar page for February from the Bedford Hours, France (Paris), c. 1410-1430, Add MS 18850, f. 2r
The calendar pages for February are just as lavishly decorated as those for January, filled with coloured initials and gold foliage. At the bottom of the first folio is a miniature of another pleasant winter labour, that of warming oneself before a fire. The gentleman in this scene has just removed one of his boots and is extending his foot towards a roaring fire, presumably after coming in from the cold.
Detail of the miniatures for warming oneself and the zodiac sign Pisces, from the calendar page for February, Add MS 18850, f. 2r
Alongside is a miniature of two fish connected by a single line, hovering above an ocean and below a star-studded sky – this for the zodiac sign, Pisces.
Detail of a marginal roundel with Februa and flowers, from the calendar page for February, Add MS 18850, f. 2r
Above in a roundel is an elegantly-dressed lady in a red dress trimmed with ermine; she is holding a bunch of flowers close to her face. This unusual scene is explained by the rubrics at the bottom of the folio, which describe how this month is named after a woman called ‘Februa’, who ‘according to the poets’ was the mother of Mars, the god of war. Rather unusually, she is said to have conceived her son by ‘kissing and adoring a flower’.
Calendar page for February, Add MS 18850, f. 2v
The remaining saints’ days are laid out in the following folio, with a bit of space left blank because of the shortness of the month. The roundels once again illustrate the bottom verses, which describe a procession around the city and the annual February Festival of Fools.
Detail of a marginal roundels of a city procession and the Festival of Fools, from the calendar page for February, Add MS 18850, f. 2v
- Sarah J Biggs
28 January 2016
Tales of Half-Friends, Bedcovers and Sheep crossing streams: A parental lecture of the 13th century
Harley MS 527, a collection of romantic and didactic texts, mostly in Anglo-Norman French has recently been fully digitised. Of particular interest is a version of Petrus Alfonsi’s Disciplina Clericalis in Anglo-Norman French verse. This popular text is of Eastern origin and consists of a series of moral tales or exempla used by a father to instruct his son; Ward includes it in his Catalogue of Romances in the Department of Manuscripts in the British Museum vol 2, (1893) under ‘Eastern Legends and Tales’.
Prologue of the Chastoiement d'un Père à son fils, England (or France), 4th quarter of the 12th century to 1st half of the 13th century, Harley MS 527, f. 32v
Petrus Alfonsi, the author of the Latin text, was formerly known as Rabbi Moses Sephardi and was physician to Alfonso I of Aragon. When he converted to Christianity, he took the name Alfonsi in honour of his patron, and his writings often deliberately reject the teachings of Judaism to demonstrate his loyalty to his new religion
Detail of Alfonso of Aragon, with a prisoner brought before him, France, Paris, 4th quarter of the 14th century, after 1380, Royal 20 C VII, f. 23v
First Alfonsi and then later the unknown French translator of this work added detail and dialogue to embellish the original Eastern version and, in the latter instance to enhance its appeal to the 13th century public; for example a fox appears in some versions and ‘Paris’ is substituted for ‘Pareis’ or ‘Parais’ (Old French for ‘paradise’). However, some references to Eastern culture are retained, such as the mention of a ‘prodom’ (gentleman) who goes on a pilgrimage to Mecca.
There are 6 surviving copies in the Anglo-Norman dialect, of which the British Library has two: Harley MS 527 and Harley 4388, another collection of tales and proverbs.
Text page with decorated initials, England or France, 1st quarter of the 13th century, Harley MS 4388, f. 41v
Of the 6 known versions in Old French (as written in France during this period, as compared to the Anglo-Norman dialect of England), one is currently in the British Library. Additional MS 10289 is a manuscript from Mont Saint Michel that has featured in a number of blogposts as it also contains the legend of Titus and Vespasian and the Romance of Mont Saint Michel.
Puzzle initial at the beginning of Le Chastoiement d'un Père à son fils, in Old French, from a St Michel manuscript, 4th quarter of the 13th century, France (Normandy), Add MS 10289, f. 133r
The Anglo-Norman text of Le Chastoiement in Harley MS 527 contains 26 tales by which a father instructs his son how to conduct his relationships with God and his fellow man, i.e. his friends, parents and spouse. The father begins with an appeal for his son’s undivided attention. Does this sound familiar to fathers and sons who read our blog ?
Beu fiz dist il a me entent Good son, he said, listen to me
Ne lessez pas coler au vent Do not let the wind blow away
Ceo ke tun pere te dirat What your father is going to tell you
Si ben le entendes il te vaudrat He wants you to listen carefully.
The tales that follow are colourful, entertaining and sometimes gruesome. Though Harley 527 is not illuminated, we have found images from other manuscripts to illustrate some of the tales. I include some of Ward’s quaint and amusing titles in English.
Caesarius' body in a sack, from a Passionale, England, S. E. (Canterbury), 1st quarter of the 12th century, Arundel MS 91, f. 188r
The Half-Friend or ‘Le Demi Ami’: a father asks his son how many friends he has made in his life to date, and the son answers 100. The father on the other hand, says he has only half a friend, and is sceptical of his son’s claim. To test the loyalty of the son’s friends, he tells him to place an animal carcass in a sack, pretend it is a human body and ask his friends to help him dispose of it. In the end only the father’s ‘half-friend’ comes to his assistance. The father tells his son that only someone who will help when you are in need is a true friend and he follows with the second tale about ‘Two Merchants (‘Les Deux Amis’), one from Baghdad and one from Egypt, one of whom is prepared to sacrifice his true love and the other his life for his friend.
Next the father warns his son that many women are deceitful and evil and that men need God’s help to protect them from their wiles. The exempla seem rather to show the extraordinary ingenuity of the women in question! In all three tales the husband returns home unexpectedly while the wife is entertaining her lover.
Vulcan finding Venus and Mars together, from The Roman de la Rose, France, Central? (Paris?), c. 1380, Egerton MS 881, f. 141v
In ‘Le Borgne’ or ‘The Man with the injured eye’ a man blinds himself in his one eye while dressing his vines and returns home for some tlc from his wife. She is otherwise occupied and hides her lover in the bed, then tells her husband she will administer a charm to help him. She places her mouth over his good eye, blocking his vision while the lover escapes, telling him that her charm that will prevent him from injuring his other eye, and with that she sends him off to bed! In the next tale, The Husband who had a bed-coverlet held before him or ‘La Toile tendue’, the wife and her mother hold up a new quilt or bed cover they have made for the husband to admire, while the lover escapes behind it.
Women washing clothes in wooden tubs, from the Splendor Solis, Germany, 1582, Harley MS 3469, f. 32v
Found in a unique Anglo-Norman version in Harley MS 527, ‘The Cuvier‘ or the Gallant hidden under the washing-tub is a further variation on the above tales, with the lover in a similarly ridiculous position, the husband fooled, and the devious wife triumphant, though shown in a thoroughly bad light.
Le Cuvier, an exemplum from the Chastoiement d'un Père à son fils, Harley MS 527, f.38r
Unsurprisingly, the son seems to enjoy these tales and keeps asking for more. After another such tale, he naturally decides he will not marry, and the father has to tell him the tale of a clever and virtuous woman. Of course the latter tale is rather boring so we will not go into details here !
In the time-honoured way of parents, the father cannot resist slipping in tales of respect for one’s elders and superiors, and then there is the story of a young clerk who is enticed into a tavern and who comes to a bad end. One can imagine the son rolling his eyes at this obvious propaganda, nevertheless he keeps asking his father for more stories.
Solomon instructing his son, from a Bible historiale, France, Central (Paris and Clairefontaine), 1411, Royal MS 19 D III, f. 289r
The tenth exemplum is a very clever tale of ingenuity and a riposte by the father to the son’s insatiable demands. In ‘Le Conteur’ or ‘The Storyteller, found in Add MS 10289 but not in the Harley manuscript, a king’s storyteller tells him five stories each night until, on one occasion, the king is not sleepy and demands more. Unlike Scheherazade, who had to tell stories for 1001 nights, the clever storyteller invents the following ruse so that he can go to sleep without losing his head. He begins a tale about a peasant returning from a fair where he has bought many sheep, and who needs to cross a stream with them to get home. The only way across is with an old woman in a small boat that can only take two sheep at a time. After relating how the first two sheep cross, the storyteller falls asleep. When the king wakes him to demand that he continue, he says that it is going to take hours for the sheep to cross the wide river in the slow boat, so they may as well sleep in the meantime and resume the tale in the morning. The king is pleased with his storyteller’s cleverness and he is allowed to go back to sleep.
~Chantry Westwell
Further Reading
H.L.D. Ward, Catalogue of Romances in the Department of Manuscripts in the British Museum, vol 2 (1893), pp. 253-58.
Le Chastoiement d'un père à son fils, a critical edition, ed. by Edward D Montgomery, Studies in the Romance Languages and Literatures, 101 (Chapel Hill: University of North Carolina Press, 1971).
Ruth J. Dean, Anglo-Norman Literature: A Guide to Texts and Manuscripts (London: Anglo-Norman Text Society, 1999), nos 184, 263.
20 January 2016
New Arrivals for the New Year on Catalogue of Illuminated Manuscripts
A new year brings a new update to the Catalogue of Illuminated Manuscripts – a host of new images and new manuscripts are now available online. As many users of this catalogue will know, it complements our Digitised Manuscripts website, where complete manuscripts are digitised. CIM (our pet name for it) focuses on the illuminations, providing a selection of images with each catalogue entry, and the in-depth image descriptions are designed to allow searches for details within the images. For instance, the Advanced Search allows users to search for an image of a horse in a French manuscript of the 14th century. 13 horses of all shapes and sizes appear, from manuscripts as diverse as the Roman de Brut and the Queen Mary Psalter, including this one from the Chroniques de France:
Detail of a miniature of Brunhilda being dragged by hands and hair behind a horse, France, Central (Paris), 1332-1350, Royal 16 G VI, f. 87
All images in the catalogue are in the public domain, so they are free to download and use. See http://www.bl.uk/catalogues/illuminatedmanuscripts/reuse.asp for guidelines. For this reason we continue to add manuscripts that are already fully digitised, in some cases.
Once again, we have mostly worked on French manuscripts in the Additionals collection. Here is a selection of new additions.
Illuminated Apocalypses: a gift from the team in Medieval manuscripts to cheer up a bleak January day (or not !): 9 new manuscripts have been added, including the usual weird/horrific images:
Add MS 19896
A two-part miniature of the Devil, the Beast the False Prophet and all the Wicked in the lake of fire and brimstone (above); God in a mandorla judging the Dead, with books opened (below), Germany, 2nd or 3rd quarter of the 15th century, Add MS 19896, f. 22
Add MS 17333
Half-page framed miniature of the angel showing John the heavenly city with a decorated initial and foliate partial border, France, N. W. (Normandy), c.1320-1330, Add MS 17333, f. 45v
Add MS 22493
Framed miniature of the Rider on the Pale Horse, depicted as a skeleton with the two mouths of hell behind him, France, N.E. (Lorraine: Metz or Verdun), 4th quarter of the 13th century, Add MS 22493, f. 3v
Images from these three Apocalypses, together with Add MSS 17399, Add MS 19896, Add MS 38118 and Add MS 38121 appear online for the first time. Add MS 11695 (the amazing Silos Apocalypse), Add MS 35166 and Add MS 15243 are already in Digitised Manuscripts, but have been added to the Catalogue of Illuminated Manuscripts with a selection of images and detailed descriptions.
Further horrors are on view in this manuscript of Dante’s Divine Comedy, added to the 7 already in the catalogue:
Bas-de page scene of the sowers of discord displaying their wounds (left); Bertrand de Born depicted twice, showing Dante and Virgil his severed head, from Canto 28 of the Inferno, Italy, S. (Naples), c. 1370, Add MS 19587, f. 47v
3 manuscripts of the Roman de la Rose have been added to the 11 already in the catalogue. Here are images from two of them:
Add MS 31840
Framed miniature of the Lover asleep at the beginning of the Roman de la Rose, with full foliate border and hounds chasing rabbits in the lower section, France, 2nd or 3rd quarter of the 14th century, Add MS 31840, f. 3
Add 42133
Framed miniature of the God of Love locking the Lover's heart with a large gold key, from the Roman de la Rose, France (Paris), 4th quarter of the 14th century, Add MS 42133, f. 15
A magnificent Bible Historiale in 2 volumes. Here is an image from volume 2:
The beginning of the Book of Matthew with a half-page framed miniature of the Trinity and the four Evangelists with the coat of arms of England and France, illuminated initial and a full foliate border, France, C. (Paris), c. 1420, Add MS 18857, f. 148
Add MS 10628
The Kalendarium of John Somer. The contents are related to the series of physicians’ folding almanacs we recently published in Digitised Manuscripts, as described in a recent blogpost, Almanacs Online!
Diagram of Zodiac Man with symbols and labels of the signs of the zodiac, England, S.W., c.1383-1384, Add MS 10628, f. 25
Montecassino Exultet Roll
Lastly a manuscript that is also available on Digitised Manuscripts but worth including in CIM for its unusual format and beautiful early images from Montecassino. It includes the Exultet, a hymn sung by a deacon during the consecration of the Paschal candle, during the Easter Vigil. See our blog post from 2013, which explains why the images are upside down!
A miniature of the Crossing of the Red Sea and a miniature of the Harrowing of Hell, Italy, S. (Monte Cassino), c. 1075, Add MS 30337, membrane 7
Other new additions are
Add MS 16441, Roman d’Athis et Porfilias
Add MS 18856, Bible Historiale, vol 1
Add MS 36673, Guiron le Courtois
Add MS 72707: A leaf from the Hungerford Hours. Other leaves from this manuscript in the British Library are:
And Add 62106
Chantry Westwell
Medieval manuscripts blog recent posts
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- ‘Frenssh’ as it was ‘spak’ in medieval England
- Charles d'Orléans, earliest known Valentine?
- The Polonsky project's two year anniversary
- The show must go on! Putting on a play in the 16th century
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- What's the language?
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