30 April 2016
Fit for a King’s Sister
Looking for a story about an exiled princess who married a count called Drogo? Forget Daenerys: the real story revolves around Godgifu.
Initial B from a Gospel-book, England (Canterbury?), 11th century, Royal MS 1 D III, f. 9r
The British Library has recently digitised an intriguing 11th-century Gospel-book. This manuscript is full of surprises: a red-eyed figure pops out of an arcade surrounding some canon tables. An initial in red and orange decorated with criss-crossed and curly patterns jumps out at the start of the Pater Noster. In other parts, the manuscripts seems to be unfinished, with blank spaces left for initials which were never completed. And at the bottom of a page with a giant initial ‘B’, a 13th-century monk left a useful note, which claims that this 'text [belongs to] the church at Rochester, through Countess Goda.’
Canon tables, from Royal MS 1 D III, f. 4r
‘Countess Goda’ can probably be identified with Edward the Confessor’s sister, called Godgifu or Gode. Although she was the daughter of Æthelred the Unready and Emma of Normandy, little is known about Godgifu herself. Like her brothers, she probably spent some time in exile on the Continent in the years before and after her father’s death in 1016. At some point, she married Drogo (sometimes spelled Dreux), count of Vexin, with whom she had three sons, including Walter (or Gautier) of Vexin and Ralph the Timid, Count of Hereford, who accompanied his uncle Edward the Confessor to England and supported Edward throughout his reign. When Drogo died in 1035, Godgifu married Eustace II, count of Boulogne. It is not known when Godgifu died: some scholars suggest she predeceased her brother Edward the Confessor. She should not be confused with her contemporary who was also called Lady Godgifu—or Lady Godiva—who allegedly rode naked through Coventry to protest a toll imposed by her husband Leofric, Earl of Mercia. (At least, that is what the 13th-century chronicler Roger of Wendover claimed.)
Pater Noster, from Royal MS 1 D III, f. 23v
While Godgifu left England, her manuscript did not, or at least not permanently. The book was in an Anglo-Norman environment by the end of the 11th-century, when an ‘Exultet’ with musical notation was added to the opening pages. Although the text is written in a style associated with English scribes, musicologists have suggested that the music represents the Norman version of the melody.
Exultet with musical notation, England (Canterbury?), late 11th century, Royal MS 1 D III, f. 7v
The book may have stayed with one of Godgifu’s former manors. After Godgifu’s manor of Lambeth was given to Rochester Cathedral by William Rufus, the book may have been taken to the Cathedral, where it was recorded in the list of books copied or acquired by Alexander, the precentor, soon after 1201.
Detail of a library inscription, England (Rochester), c. 1201, Royal MS 1 D III, f. 9r
Although little is known about Godgifu today, her name evidently meant something to the 13th-century member of the Rochester community who chose to inscribe it. And while librarians never encourage writing in books, scholars are indebted to this anonymous scribe for giving us a glimpse into the world of Godgifu.
~Alison Hudson
23 April 2016
1000th Anniversary of the Death of Æthelred the Unready
Today marks the 1000th anniversary of the death of King Æthelred II (reigned 978-1016). Æthelred II—often nicknamed Æthelred the ‘Unready’, from the Old English word for 'ill-advised'—has not enjoyed a glowing reputation throughout history.
Passage describing Æthelred’s death from the Anglo-Saxon Chronicle C-text, England, 11th century, Cotton MS Tiberius B I, f. 153v
The longest narrative account of Æthelred’s reign comes from a group of entries in the C, D, and E texts of the Anglo-Saxon Chronicle. (The British Library possesses the C and D texts and has recently digitised all its copies of the Anglo-Saxon Chronicle.) These entries were apparently composed after Æthelred’s death by a single chronicler, who was bitter about the repeated Viking invasions that had dogged Æthelred’s reign and the eventual conquest of England by the Scandinavian leader Cnut. The chronicler blamed Æthelred for many of these tribulations, and summed up Æthelred's life in his entry for 1016 by saying: 'He ended his days on St George's day, and he had held his kingdom with great toil and difficulties as long as his life lasted' (translated by Dorothy Whitelock and others, The Anglo-Saxon Chronicle: A Revised Translation (London: Eyre and Spottiswoode, 1961), p. 95).
Passages describing Eadric Streona’s treachery from the Anglo-Saxon Chronicle D-text, England, 11th century, Cotton MS Tiberius B IV, f. 65v
In particular, the chronicler objected to Æthelred’s promotion of the treacherous noble Eadric Streona, who eventually joined Cnut’s forces. He also disapproved of the massive payments which English leaders collected and used to pay Viking forces in return for an end to hostilities.
Detail of a list of benefactors including ‘Æðelred [the Unready] Cynge' and 'Cnut Cynge', from the New Minster Liber Vitae, England (Winchester), 1031, Stowe MS 944, f. 25r
Despite the eventual conquest of Æthelred’s kingdom by Cnut, there are other suggestions that Æthelred was not an entirely incompetent ruler. Æthelred was one of the longest reigning early medieval kings: he ruled for approximately 38 years, even taking into account the period when the victories of the Viking leader Swein forced him into exile in Normandy in 1013 and 1014. By contrast, Æthelred’s father, Edgar the Peaceable, had only reigned for 16 years, and Æthelred’s successor Cnut reigned for 19 years. Æthelred’s longevity, particularly in the context of invasion and disruption, is remarkable.
Initial at the start of the Gospel of St Luke, from the Cnut Gospels, England, Royal MS 1 D IX, f. 70r
In addition to disruption, Æthelred’s reign also saw a flourishing of artistic production, as evidenced by several manuscripts in the British Library’s collection, which have now been digitised in full. These include the lavishly illustrated and gilded gospel-book pictured above which may have been made during Æthelred’s reign, even though it is known today as the ‘Cnut Gospels’ because charters of Cnut were later added to it around 1018.
Page from Beowulf, England, c. 1000-1016, Cotton MS Vitellius A XV, f. 140r
Similarly, the only surviving manuscript of the longest Old English epic, Beowulf, was copied during Æthelred’s reign, in the early 11th century. Curiously, Beowulf is a Geatish, or Scandinavian, hero, whose story was still being retold in a context of Scandinavian invasions of England. This manuscript contains a number of other notable texts as well, including an Old English poem about the Biblical heroine, Judith.
Deatil of the opening page of Ælfric’s Life of St Æthelthryth, from Ælfric’s Lives of the Saints, England (? Bury St Edmunds or Canterbury), 1st half of the 11th century, Cotton MS Julius E VII, f. 94v
Indeed, many of the most important works in the corpus of Old English literature were copied during Æthelred’s reign, and some were even produced then. In particular, Æthelred’s reign coincided with the career of Ælfric of Eynsham, one of the most prolific and talented authors of Old English works. Ælfric’s sermons, including his Lives of the Saints, his Grammar, and other texts were widely copied during the 11th century and are still studied in medieval English literature courses today. The British Library has now digitised two copies of the first series of Ælfric’s Catholic Homilies (see Cotton MS Vitellius C V), including the earliest surviving copy (Royal MS 7 C XII); one copy of Ælfric’s Lives of the Saints (Cotton MS Julius E VII); two copies of Ælfric’s Grammar (Cotton MS Faustina A X, Cotton MS Julius A II); a copy of the Old English translation of the Hexateuch, to which Ælfric was a principal contributor (Cotton MS Claudius B IV); and other works which include excerpts from Ælfric, such as a fragment of a colloquy associated him which was copied into the margins of a grammar book (Add MS 32246).
Page from a later copy of Ælfric’s Hexateuch, England (Canterbury), c. 1025-1050, Cotton MS Claudius B IV, f. 15v
Æthelred’s reign also coincided with the careers of other noted writers in Old English and Latin, including Wulfstan, bishop of Worcester and archbishop of York, and Wulfstan, cantor of the Old Minster, Winchester. Manuscripts of these men’s work—including some with additions and annotations in Wulfstan of Worcester’s own hand—have also recently been digitised, including Wulfstan of Winchester’s long Latin poem about the miracles of St Swithun (Royal MS 15 C VII).
Page from the Rule of St Benedict, England, c. 975-1016, Harley MS 5431, f. 44r
These writers were all products of the monastic reform movement which promoted the Rule of St Benedict, uniformity of lifestyle, and high standards of education. Much manuscript evidence of this learning survives, including a plethora of grammar books, glossaries, and texts on subjects from astronomy (Cotton Domitian A I) to Latin epics to hagiography to riddles.
Page from Prudentius' Psychomachia with illustration and glosses, England (? Bury St Edmunds), c. 980-1020, Add MS 24199, f. 12r
These texts show monks (and possibly nuns and lay people) studying and improving their Latin and even Greek.
Latin phrase ‘Deo gratias’ written in Greek letters, from Harley MS 5431, f. 106v
This artistic flourishing was not entirely unrelated to the troubles of Æthelred’s reign. Many members of Æthelred’s kingdom believed that the Viking invasions were divine punishment for lax practices and lack of learning. This view can, for instance, be found explicitly in the writings of another leading intellectual of Æthelred’s reign: Wulfstan, bishop of Worcester and archbishop of York, who wrote several law codes issued in Æthelred’s reign and was a senior administrator for him (and later, for Cnut). Wulfstan’s law codes and his famous ‘Sermon of the Wolf to the English’ blame his countrymen’s lax habits for Scandinavian forces’ recent victories. In the eyes of contemporaries, creating beautiful books to glorify God and educate clerics and lay people may have been one way to combat the country’s moral (and military) woes.
Page from Wulfstan’s Sermo lupi, England (? Worcester or ? York), Cotton MS Nero A I, f. 110r
Beyond the manuscripts related to art and learning, we have also recently digitised a series of documents which suggest that, in some regions at least, leases and property deals and farming continued apace during Æthelred’s reign. Such documents can be found in an early cartulary of Worcester, such as the Liber Wigorniensis (Cotton MS Tiberius A XIII, ff. 1-118v) and the Ely farming memoranda (Add MS 61735). The memoranda describe farm tools and livestock sent from Ely Abbey to Thorney Abbey, as well as rents payable in eels.
Grant by King Æthelred to the Bishopric of St David with reversion to Worcester from 1005, from the Liber Wigorniensis, England (Worcester), c. 1000-1025, Cotton MS Tiberius A XIII, f. 118v
Whatever one thinks of Æthelred, it cannot be denied that his reign was a fascinating time in political and artistic history. On 23 April 2016, when so many people around the world are celebrating the 400th anniversary of Shakespeare’s death, it is worth pausing to remember that it is also the 1000th anniversary of the death of King Æthelred.
~Alison Hudson
20 April 2016
A Firsthand Experience: Great Writers' Handwriting
There's something thrilling about seeing a literary work copied out in the author's own handwriting. What did he or she cross out? Was their writing neat or messy? Here at the British Library, we have recently digitised manuscripts which the author of the text copied in his or her own hand. These include works by famous figures, like Shakespeare and more enigmatic ones, like a poet named Frithegod.
Image of a scribe, from Germany (?), mid-12th century, Cotton Claudius A III, f. 30r
Such ‘autograph’ manuscripts from the early modern and medieval periods are rare and often difficult to prove. Features such as spelling, punctution and substantial corrections can all be instructive. The British Library has recently digitised several manuscripts which are generally believed to be autograph copies or contain notes by known scribes.
Miniature of Margaret of York before the resurrected Christ, from Nicholas Finet, Dialogue de la Duchesse, Low Countries (Brussels), c. 1468, Additional 7970, f. 1v
For example, one newly digitised manuscript includes the handwriting of Margaret of York, Duchess of Burgundy. The Dialogue de la Duchesse de Bourgogne à Jésus Christ (Dialogue of the Duchess of Burgundy with Jesus Christ) was a devotional tract written especially for Margaret by her almoner or chaplain, and is discussed in more detail here. Margaret later gave the book to her friend and lady-in-waiting Jeanne de Hallewin, according to a dedicatory inscription written by Margaret herself at the end of the manuscript: ‘margarete dyork de angleterre au done a jane de halevyn dame vessenar et dame de la planc se lyvre...’ Interestingly, at some point Margaret erased the words ‘dyork’ (of York) and instead decided to describe herself as ‘de angleterre’ (of England).
Dedication in Margaret of York’s hand written c. 1502, from Additional 7970, f. 140vr
Another notable recent upload to the British Library's website may come from the pen of the most famous English author himself. The Book of Sir Thomas More is the only play script believed to contain Shakespeare’s own handwriting (Harley MS 7368). As noted on this blog in February, Shakespeare helped to revise the Book of Sir Thomas More in 1603 or 1604. The page in his handwriting includes a speech defending immigrants and foreigners against the ‘mountainish inhumanity’ of a mob seeking to banish them during the Evil May Day riots of 1517. Come and see it in person at the British Library’s current exhibition, Shakespeare in Ten Acts, or read more about it on the Library's Discovering Literature site.
Page containing Thomas More’s speech to the rebels, thought to be written in the hand of William Shakespeare, from the Book of Sir Thomas More, England, c. 1603-4, Harley MS 7368, f. 9r
Shakespeare is not the only notable figure from the history English literature whose handwriting appears in recently digitised manuscripts. The handwriting of two of the most prolific Old English writers—Ælfric of Eynsham and Wulfstan, bishop of Worcester and archbishop of York— have been identified in several British Library manuscripts. For example, some scholars believe that the bossy instructions for deletions and corrections in the earliest surviving copy of the first series of Ælfric’s Catholic Homilies were made by Ælfric himself. In the passage below, the hand associated with Ælfric blocks off a segment of text for deletion, on the grounds that this anecdote is discussed in his ‘oðre bec’ (other book), presumably the Second Series of his Catholic Homilies.
Detail of annotations possibly in Ælfric’s hand, from Ælfric, Catholic Homilies (First Series), England (Cerne?), 990s, Royal MS 7 C XII, f. 64r
Similarly, several manuscripts contain annotations and underlining believed to be in Wulfstan’s handwriting. These include annotations to a manuscript containing law codes, homilies (including Wulfstan's Sermo lupi) and Wulfstan's work on political and social order, Institutes of Polity (Cotton MS Nero A I) and to material in his letterbook (Cotton Vespasian A XIV), as discussed in a previous blog post.
Page believed to contain Archbishop Wulfstan's handwriting among others, from Wulfstan's Institutes of Polity, England, c 1000-1023, Cotton MS Nero A I, f 120r
Curiously enough, one of the more substantial additions to the letterbook in Wulfstan’s own hand is a poem praising... an archbishop called Wulfstan. One line of this poem states, ‘[This poem's] beauty is a praise for the kind Bishop Wulfstan, to whom may the Lord be endlessly merciful.’ The poem also acknowledges Wulfstan’s involvement in its production: the last stanza can be roughly translated as, ‘This work was prepared with Archbishop Wulfstan advising. The subtle supervisor [Archbishop Wulfstan] impressed it with his learned thumb.’ It is unclear why Wulfstan wanted to copy out his poem in his own hand. He could have been paying a compliment to its author. He could have been vain or in need of some good PR. Wulfstan may also have been drawn to this poem because he was anxious about the fate of his soul and the poem emphasizes God’s approval of Wulfstan and Wulfstan’s place in heaven. This seems to have been a particular concern of Wulfstan’s in the wake of renewed Viking attacks in the early 11th century, as demonstrated by the contents of the rest of the manuscript. Wulfstan even added an extra line to the poem that approximately translates as, ‘May the Lord give [Wulfstan] the holy kingdom of heaven, and may he protect all those entrusted to him from malignant hosts.’
Verses written in Archbishop Wulfstan's own hand, from the letterbook of Archbishop Wulfstan, England, c. 1002-1023, Cotton MS Vespasian A XIV, f. 148v
Recent uploads to Digitised Manuscripts also include a text which may have been copied almost entirely by its author: the Breviloquium Wilfridi, written by a figure called Frithegod (Cotton Claudius A I). The Breviloquium is a poem about an early Northumbrian saint called Wilfrid, written for Oda the Good, a mid-tenth-century archbishop who brought some of Wilfrid’s relics to Canterbury. Its complex structure and obscure vocabulary have led scholars to dub it one of the most difficult pieces of Latin ever written in England.
Page from Frithegod, Breviloquium Wilfridi, England? (Christ Church Canterbury?), mid-10th century, Cotton Claudius A I, f. 36v
The poem’s author, Frithegod, was probably a monk from the continent—possibly from Brioude, in what is now southern France—who was working for Oda at Canterbury. The script of the British Library’s manuscript of the Breviloquium shows it was copied down in the mid-tenth-century, when the work was first composed, by someone trained on the continent. The substantial nature of some of the corrections also suggests that the text was copied by Frithegod himself.
The way these writers interacted with the texts which they themselves had composed and the corrections they made suggest a whole array of possibilities about how they worked as writers, where they were educated, what their influences were, and even how they perceived themselves. Autograph manuscripts also offer a uniquely intimate connection to people who lived 400, 500, and even 1000 years ago: please click through to Digitised Manuscripts and have a look.
~Alison Hudson
Read More about Previously Digitised Autograph Manuscripts:
04 April 2016
Isidore of Seville's Etymologies: Who's Your Daddy?
Isidore of Seville died on this day in 636. Isidore, who was born in 560, was the bishop of Seville from about 600 to his death. He is better known, however, as an author than as an administrator. His most famous work is the Etymologies, a vast reference work, which functioned as an etymological encyclopaedia. The text was highly influential throughout the Middle Ages. It represents Isidore’s ambitious attempts to condense a huge body of knowledge into a single work.
Hedgehogs feed their young from a Bestiary attached to Isidore of Seville's Etymologies, c 1200-c 1210, Northern or Central England, Royal MS 12 C XIX, f. 8v
As well as containing information on a range of subjects, like mathematics, canon law, philosophy, the human body, geography, ship-building, weights and measures and rhetoric, it also has some excellent (and highly dubious) zoological information. According to Isidore, hedgehogs feed their young by visiting vines, plucking the grapes from the plant and rolling over them in order to impale them on their spines. In the image above we can see the hedgehog doing a sterling impression of a 1970s canapé tray.
Diagrams of the path of the Sun and the phases of the moon; from Isidore of Seville, Etymologies, England, last quarter of the 11th century, Royal MS 6 C I , f. 30r
Given its ambitious scope, many manuscripts of the work contain a complex extra-textual apparatus to help readers navigate the work. You can see an example of this apparatus – in this case a table of contents – in a ninth century copy of the work, below. (This is not the only ninth century copy held by the library: Harley MS 3941 has also been digitised.) It is for this reason that Pope John Paul II nominated Isidore to be the patron saint of the internet. Isidore is the perfect candidate. Like the internet, his Etymologies contains a large body of information which requires a complex searching mechanism to help you find information about medicine or law or just cool stuff about hedgehogs.
Table of contents, Isidore of Seville’s Etymologies, Northern France, 9th century, Harley MS 2686, f. 5r
A particularly striking example of a 'search function' in one copy of the work-- an eleventh-century manuscript (Royal MS 6 C I), probably copied at St Augustine's Abbey in Canterbury-- is the affinity diagrams, laying out the relationships within members of a family. Who exactly is your second cousin twice removed? Fortunately for the reader, a simple chart should sort out the confusion. 'The grandfather of my paternal uncle,' it reads across one line, 'is my propatruus, and I am to him the niece or nephew of his son or daughter'. Relationships are labelled with both the terms for the relative and the term by which he or she would refer to the reader: both grandfather and grandson, both uncle and nephew (or niece!). Just as the world has been diagrammed, so have the intricacies of the family tree.
Chart of familial affinities, from Isidore of Seville, Etymologies, England, last quarter of the 11th century, Royal MS 6 C I , f. 78r
The Etymologies is also famous for its sometimes quirky explanations of the history of words. In some cases, when Isidore takes the word apart based on what it sounds like, the explanation that results can be extremely engaging, if not necessarily true. The Latin word for 'beggar' (mendicus) is now believed to derive from an earlier word meaning 'deformity' or 'lack'. Isidore, however, speculates a much more charming story, of a 'custom among the ancients' to 'close the hungry mouth and extend a hand, as if speaking with the hand' (manu dicere).
Etymologies of words beginning with F and G; from Isidore of Seville, Etymologies, Book 10, England, last quarter of the 11th century, Royal MS 6 C I , f. 82r
In other cases, Isidore’s etymologies, while colourful, are spot-on. The one he gives for the words Fornicarius and Fornicatrix (male and female prostitute) explains that these terms come from the Latin word for 'arch' (fornix), and refers to the architecture of ancient brothels. Prostitutes were understood to lie under such arches while practising their trade. This is the same explanation for the word 'fornicate' offered in the Oxford English Dictionary today!
T-O map of the world, with east at the top, from Isidore of Seville, Etymologies, England, last quarter of the 11th century, Royal MS 6 C I , f. 108v
Isidore's work had an immense influence on later medieval thinkers across Europe. For example, Isidore was the first to explain the layout of the continents in what would become the classic medieval schema, the T-O map. The world is round, with Jerusalem its spiritual as well as geographical centre, standing at the convergence between the three known continents of Asia, Europe and Africa.
Opening page from Isidore of Seville, Etymologies, Low Countries (Munsterbilsen), c. 1130-1174, Harley MS 3099, f. 1v
Isidore's influence is also suggested by the number of copies of the Etymologies which survive, from every century of the medieval period, across Europe, copied by diverse scribes. We now have no less than ten manuscripts of Isidore's Etymologies available on our Digitised Manuscripts website. As well as those listed above, you can also see Harley MS 3099, which was, somewhat unusually, copied by eight female scribes (see image above). They were Benedictine nuns in the Abbey of Munsterbilsen near Maastricht (now Belgium), working in the period 1130-1174.
Excerpt from Isidore of Seville, Etymologies, Northern France, late 8th century, Cotton MS Caligula A XV, f. 37r
The earliest digitised copy is Cotton Caligula A XV which dates from the 2nd half of the 8th century and was made in Northern France. Alongside this, you can see a late 11th-century version (Royal MS 6 C I), an early 12th-century copy (Harley MS 2660), made in the Rhineland , a mid 13th-century copy, Harley MS 6 and our youngest digitised manuscript, which is a mere five centuries old Harley MS 3035.
- Nicole Eddy, updated by Mary Wellesley
28 March 2016
Updated List of Digitised Manuscripts’ Hyperlinks
What are these Easter bunnies (or hares) hurrying towards?
Detail of hares, from Roman de la Rose, France, c. 1325-1375, Add MS 31840, f. 3
An updated list of all the early and medieval manuscripts digitised in full by the British Library! Every quarter, we try to publish a list of all the medieval manuscripts uploaded to the British Library’s Digitised Manuscripts website. The most recent list can be found here: Download List of Digitised BL AMEMM Manuscripts by Shelfmark, March 2016. And, by special request from our friends on Twitter, a list of manuscripts with the most recent digitisations at the end can be found here: Download List of Digitised BL AMEMM Manuscripts with More Recent Uploads at the End, March 2016.
Riddle about an elephant, from Aldhelm’s Riddles, England (Canterbury?), c. 970-1020, Royal MS 12 C XXIII, f. 100v
Particular highlights uploaded in the past three months include:
5 illustrated copies of the book of Apocalypse (or Revelation)
All 4 of the British Library’s copies of the Anglo-Saxon Chronicle
More than 3 manuscripts of the Roman de la Rose
2 collections of material related to the cult of St Cuthbert
One 1,000-year-old collection of riddles (Royal MS 12 C XXIII).
The one and only copy of the Dialogue de la Duchesse (Add MS 7970)
Miniature of Christ appearing to Margaret of York, from the Dialogue de la Duchesse, Low Countries (Brussels), c. 1468-1477, Add MS 7970, f. 1v
With several different digitisation projects under way, new manuscripts are regularly uploaded to Digitised Manuscripts. In order to get the latest news about our digitisation, please consult our Twitter page, www.twitter.com/blmedieval, where we announce the most recent uploads to Digitised Manuscripts.
Happy Viewing!
Related Content:
Anglo-Saxon Digitisation Project Now Underway
20 March 2016
Lives of Cuthbert Now Online
by Alison Hudson
20 March was an important day in the medieval English calendar: it was St Cuthbert’s Day.
St Cuthbert meets King Ecgfrith of Northumbria and others, from Bede’s Prose Vita S Cuthberti, England (Durham), c. 1175-1200, Yates Thompson MS 26, f. 51
St Cuthbert (d. 687) was one of the most important saints in medieval England and beyond. He was an influential figure during his own lifetime, first as a hermit whose advice was sought by kings and abbesses, then as Bishop of Lindisfarne. After his death, he became the focus of a major cult. When Cuthbert’s tomb was opened 11 years after his death, his body was reported to be incorrupt. To the monks of the community at Lindisfarne, Cuthbert’s incorrupt state was proof that he was a saint.
Music from an office for St Cuthbert, Southern England (Canterbury), late 10th century, Harley MS 1117, f 43v
Accounts of Cuthbert’s life, death, and miracles were written soon after by an anonymous member of the Lindisfarne community and by the Northumbrian scholar Bede, who wrote both a verse and a prose account of Cuthbert’s life and miracles. Bede also wrote extensively about Cuthbert in his Ecclesiastical History of the English People. Cuthbert’s community eventually moved to Durham in 995, where Cuthbert’s shrine became a major pilgrimage centre.
Four manuscripts containing some of the earliest accounts of Cuthbert’s life—written by Bede—have also recently been uploaded to the Digitised Manuscripts website: Harley MS 526, Harley MS 1117, Cotton MS Vitellius A XIX, and Cotton MS Claudius A I.
These manuscripts demonstrate how influential Cuthbert’s cult remained, even over wide geographic areas and chronological spans. The earliest of these manuscripts, a copy of Bede’s verse Life of Cuthbert in Harley MS 526, was not even written in England. It was copied in Northern France, showing how Cuthbert’s cult had become known and celebrated in different regions of Europe by the 9th century.
Opening page from Bede’s Metric Vita S. Cuthberti, Northern France, late 9th century, Harley MS 526, f. 1
Similarly, Harley MS 1117 and Cotton MS Vitellius A XIX were written in the far south of England, probably in Canterbury, in the late 10th century, well outside the heartlands of Cuthbert’s community.
Detail of an initial from Harley MS 1117, f. 4
While West Saxon sources, like the Anglo-Saxon Chronicle, frequently downplayed or omitted Northerners’ influence on the south, the creation of multiple fine manuscripts containing Bede’s writings on Cuthbert and offices for celebrating Cuthbert’s feast in Canterbury show that southerners still paid great attention to certain figure-heads from the north.
Opening page from Bede’s Prose Vita S Cuthberti, England (Canterbury), late 10th century, Cotton MS Vitellius A XIX, f. 1v
Cotton MS Claudius A I, a late 11th- or 12th-century copy of Bede’s prose Life of Cuthbert has also been digitised. It was probably copied in England, and includes accounts of many other famous saints, from Egypt to Cyprus to Arles. Incidentally, some unrelated pages bound in this manuscript contain a copy of a poem about Cuthbert’s contemporary Northumbrian churchman, Wilfrid, possibly handwritten by their 10th-century author, Frithegod, himself. Like the lavishly illustrated copy of Bede’s Vita S. Cuthberti in Yates Thompson MS 26, which has already been digitised, Cotton MS Claudius A I reflects the continuation of this cult from the 8th century, even after the Norman Conquest in 1066.
Opening page from Bede’s Prose Vita S Cuthberti, England, c. 1075-1125, Cotton MS Claudius A I, f. 125v
In addition to the manuscripts listed above, the British Library has already digitised several manuscripts connected to Cuthbert and his later cult, such as the St Cuthbert Gospel (Additional MS 89000), which was discovered when Cuthbert’s coffin was opened in Durham Cathedral in 1104, and the Lindisfarne Gospels (Cotton MS Nero D IV). So please click over to our Digitised Manuscripts site and have a look at some of these manuscripts, on the 1,329th anniversary of the death of the man who inspired them all.
18 March 2016
The Letter Book of Archbishop Wulfstan
by Becky Lawton
This week sees the arrival online of the manuscript containing the ‘Wulfstan’s Letter Book’, which has been digitised as part of our Anglo-Saxon manuscripts digitisation project. The manuscript (Cotton Vespasian A XIV) is a compilation of three sections, written in the 11th and 12th centuries.
Page for February from a calendar, South Wales?, c. 1150-1200, Cotton MS Vespasian A XIV, f. 1v
The first section of this manuscript is believed to have been written in south-eastern Wales, and contains a calendar, a Latin-Old Cornish glossary containing over 300 words and a collection of saints lives. The page above is taken from the calendar page for February, and it features the feast day for St Brigid at the top of the page. Dedicated followers of the blog may remember some interesting aspects from the Life of St Brigid from a post on her feast day, 1 February.
An extract from the Libellus Responsionem in Bede, Historia Ecclesiastica Gentis Anglorum, England, c. 1130-1170, Cotton MS Vespasian A XIV, f. 109r
The second section of the manuscript is a selection of extracts from ‘The Ecclesiastical History of the English Church and People’, completed by Bede in 731. The extracts in this manuscript were copied in the mid-12th century; but a copy of Bede’s text made in the late 8th or early 9th century was uploaded to Digitised Manuscripts last month.
Extract of a letter from Alcuin to King Æthelred of Northumbria, from the Letter Book of Archbishop Wulfstan, England, c. 1002-1023, Cotton MS Vespasian A XIV , f. 114r
The final section in this manuscript is commonly known as the ‘Wulfstan Letter Book’. This text is a collection of letters written by Alcuin of York (c.735-804), which was compiled by Archbishop Wulfstan of York (d.1023) in the early 11th century. Alcuin was raised and educated at the church of York before moving to the court of Charlemagne in Francia in the 790s. Alcuin did not forget his fellow Englishmen, and sent many letters back to Anglo-Saxon England. Chief among his correspondents were the monks at York and King Æthelred of Northumbria, who is the recipient of the letter on the page above. Alcuin wrote to Æthelred to advise him on how to combat the Viking invasions of the time and how best to rule his kingdom. Archbishop Wulfstan also had connections to York, lived during a time of Danish invasions in England, and his king was also named Æthelred. Wulfstan may have found the advice in Alcuin’s letters helpful in his own day, and perhaps had them copied for this very reason.
Extract of a letter from Alcuin to King Æthelred of Northumbria, Cotton MS Vespasian A XIV, f. 117r
On some pages it is possible to see sections that have been highlighted by a pointing hand or underlining. It is commonly thought that these annotations were made by Archbishop Wulfstan himself, owing to his close associations with the manuscript.
Extract of a letter from Alcuin to King Æthelhred of Northumbria, Cotton Vespasian A XIV, f. 116v.
Many of the phrases which were underlined or pointed to contain advice on good kingship and how to rule a good, Christian kingdom, in order to prevent the Viking invasions. Wulfstan’s specific interest in these passages may reflect his concerns for the behaviour of his own king and the state of the kingdom of England.
Verses written in Archbishop Wulfstan's own hand, Cotton MS Vespasian A XIV, f. 148v
After compiling his collection of Alcuin’s letters, Wulfstan added a number of other items to the manuscript. On f. 148v is a poem, which includes Archbishop Wulfstan’s name six times. This poem is thought to have been written in Wulfstan’s own hand, rather than by a scribe.
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10 March 2016
The Coronation Gospels on Display in Edinburgh
The exhibition Celts opens at the National Museum of Scotland in Edinburgh on 10 March 2016. The British Library has lent the Coronation Gospels (Cotton Tiberius A II) to the exhibition. This ninth-century copy of the Gospels in Latin is usually known as the ‘Coronation Gospels’ owing to the erroneous belief of its early modern owner, Robert Cotton, that early English kings took coronation oaths on the manuscript. The Coronation Gospels’ artwork and later history demonstrate the interconnectedness of secular leaders in early medieval Europe. As such, they form part of the exhibition’s exploration of how different cultures came into contact and influenced each other.
Opening of Jerome’s letter to Pope Damasus, from the Æthelstan Gospels, Northern Europe (Lobbes?), 9th century, Cotton MS Tiberius A II, f. 3
The exhibition in Edinburgh focuses on diverse artistic influences exhibited by the decoration of the Gospels, particularly in their fine initials and in their portraits of the evangelists. However, the manuscript’s later history also contributes to the exhibition’s theme of diversity and intra-European contacts.
Opening of St John’s Gospel, Cotton MS Tiberius A II, ff. 164v-165
Connections and contacts can be seen in the way the Coronation Gospels travelled between various owners across Europe. The manuscript was made somewhere in northern Europe in the ninth century, possibly at the monastery of Lobbes, in modern-day Belgium. By the early tenth century, it had arrived in England, where it belonged to King Æthelstan (d. 939), according to an inscription made in the mid-tenth century at Christ Church Canterbury.
Detail of page mentioning King Æthelstan, Cotton MS Tiberius A II, f. 15v
The manuscript may have arrived in England thanks to Æthelstan’s close connections to Continental leaders. At the beginning of the Gospel of Matthew, an English scribe wrote the names Odda (the Old English spelling of Otto) and Mihthild (Matilda) (f. 24r). Those were the names of Otto I, who was king of East Francia from 936 and who was crowned emperor in 962, and his mother (who died in 968).
Detail of inscription mentioning Otto and Matilda, Cotton MS Tiberius A II, f. 24
Æthelstan had extensive dealings with Otto, who married Æthelstan’s half-sister, Eadgyth or Edith, in 929 or 930. The inscription may suggest that this impressive copy of the Gospels was a present from Otto to his brother-in-law, Æthelstan, who was a great collector of books. The British Library houses some of Æthelstan’s other books, including another Continental manuscript that Æthelstan gave to St Peter’s Abbey in Bath (Cotton MS Claudius B V, which may also be viewed in full on the British Library’s Digitised Manuscripts website) and a late ninth- or early tenth-century Breton Gospel-book which Æthelstan apparently gave to St Augustine’s Abbey, Canterbury (Royal 1 A XVIII).
In addition to being a great collector of books, Æthelstan was also a great re-gifter of manuscripts. At some point before his death in 939, the king gave the Coronation Gospels to Christ Church Cathedral, Canterbury, according to further inscriptions recorded in the book (ff. 15r and 15v). The first inscription takes the form of a poem praising Æthelstan’s piety, describing the book’s ornate cover, and hinting at a grim fate for anyone who should be tempted to steal the book away from Canterbury.
Page containing the poem ‘Rex pius Æðelstan’ written in a continental hand, Cotton MS Tiberius A II, f. 15
Although the poem seems to have been written at (or least for) Christ Church Canterbury, which is mentioned by name, the handwriting shows it was copied, and possibly composed, by someone trained in mainland Europe, providing evidence of continued interaction between writers and artists with backgrounds in different regions and styles.
The British Library is delighted to be supporting the National Museum of Scotland’s Celts exhibition. Catch it while it is on, between 10 March and 25 September 2016!
Alison Hudson
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